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I'M PLEASED TO KICK OFF OUR

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WORKSHOP WITH OPENING REMARKS

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FROM RICHARD HODES DIRECTOR OF

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THE NATIONAL INSTITUTE ON AGING

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AND IN THE EFFORTS IN MUSIC AND

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HEALTH.

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DR. HODES.

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>> THANK YOU.

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HELLO, FRANCIS IT'S AN EXCITING

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EVENT.

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WE'RE COMMITTED TO HEALTH AND

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QUALITY OF LIFE OF INDIVIDUALS

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AS THEY PROGRESS THROUGH THE

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LIFE COURSE IN OLDER AGE AND

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MUSIC IS AN PART AND MUSIC IS AN

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IMPORTANT COMPONENT WITHIN THIS.

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THE AREAS OF CONNECTIVITY AS A

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THEME ARE BROAD AND IMPRESSIVE

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AND CONNECTIONS WITH NEURONS AND

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UNDERSTANDING WHAT GOES ON IN

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THE BRAINS AND NEURONS AND

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CONNECTIONS OF ANIMALS AND NOW

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HUMANS AND MEASURE THOSE WITH

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MUSIC AND CONNECTIONS BETWEEN

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AND AMONG PEOPLE AS AN IMPORTANT

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PART OF SOCIAL INTERACTION WHICH

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IS CRITICAL IN HEALTH AND AGING.

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WITH THOSE AREAS MUSIC PLAYS A

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CENTRAL ROLE.

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ALL OF US HAVE THE EXPERIENCE OF

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MUSIC AND RECALLING MEMORIES OF

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YEARS PAST, REMOTE AND MORE

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RECENT AND THE WAY IT TRIGGERS A

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SERIES OF MEMORIES.

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THIS IS IMPORTANT IN HEALTH.

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IT'S ALSO IMPORTANT IN SOME OF

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THE AREAS OF COGNITIVE DECLINE

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AND ALZHEIMER'S AND RELATED

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DEMENTIA WHERE SOME REMARKABLE

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ANECDOTES INDICATE THE PLACE THE

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MUSIC AND RECALL CAN PLAY IN AN

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INDIVIDUALS OTHERWISE WITH

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HIGHLY COMPROMISED ABILITIES TO

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RECALL AND THINK AND REASON.

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THE ABILITY TO ADDRESS MEMORY

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LOSS TO ADDRESS SYMPTOMS SUCH AS

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SLEEPLESSNESS, AGITATION,

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DEPRESSION, ALL ARE AREAS WE'RE

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VER EXCITED TO SEE IN THE

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TRANSLATION FROM THE MOST

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EXCITING NEUROSCIENCE INTO

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CLINICAL INTERVENTIONS.

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IT'S A GREAT PRIVILEGE TO BE

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PART OF THE IMPORTANT

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ENTERPRISE.

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I LOOK FORWARD TO DAY TWO AND

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THANK YOU FOR A CHANCE TO BE A

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PART OF THIS.

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>> THANK YOU, DR. HODES.

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I'M PLEASED TO WELCOME A

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WONDERFUL PARTNER IN THE SOUND

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HEALTH INITIATIVE DEB ARE RA

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RUTTER WHO WILL WHO WILL

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INTRODUCE OUR KEY NOTE SPEAKER

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MS. RENEE FLEMING.

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>> THANK YOU, THIS HAS BEEN

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INCREDIBLE AND STAYING VERY

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SPECIFICALLY ON TIME.

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THANK YOU TO ALL THE SPEAKERS

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YESTERDAY AND THOSE WE ARE ABOUT

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TO HEAR.

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THIS IS REALLY INSPIRING AND

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SPECIAL FOR ME.

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SOMEBODY WHOSE WORKED AND

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DEDICATED HER LIFE BEING AROUND

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ARTISTS AND SHARING THE WORK OF

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ARTISTS TO HEAR SCIENTISTS AND

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THERAPISTS AND ALL OF YOU WHO

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ARE EXPERTS IN SO MANY OTHER

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PARTS OF THE WORLD IS REALLY

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AFFIRMING WORK AND INSPIRING AND

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EXCITING ABOUT WHAT WE HAVE FOR

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THE FUTURE.

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THE TIME YESTERDAY REALLY PUT A

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PIN IN IT FOR ME BECAUSE IT

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REMINDS ME THAT OVER THE YEARS

87
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I'VE HAD REALLY AMAZING GOOD

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FORTUNE TO SIT IN THE ROOM WITH

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ARTISTS OR OBSERVE THEIR WORK AN

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DON'T NOAH WILL COME OF COMING

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TOGETHER BUT THEY COME TOGETHER

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NO GUIDELINES OR ROAD MAP AND

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ART HAPPENS.

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IT'S THE CREATIVITY OF BEING

95
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TOGETHER, THE INSPIRATION OF

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CONVERSATION AND THE OPENNESS

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AND IT FEELS LIKE THAT HAS

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BEGUN.

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I WANT TO SAY THANK YOU TO

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FRANCIS WHO HAS REALLY BEEN SO

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INSPIRING AND ENTHUSIASTIC ABOUT

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LET'S SEE.

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LET'S FIND OUT.

104
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LET'S BRING PEOPLE TOGETHER.

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SO THIS ENERGY IS PALPABLE AND

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EXCITING FOR ME.

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I GO BACK TO THE KENNEDY CENTER.

108
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PEOPLE HAVE BEEN FOLLOWING ALONG

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ONLINE AND WANT TO SEE IT LATER

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AS WELL BECAUSE IT WILL INFORM

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SO MUCH OF OUR WORK AND THE WAY

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WE TALK ABOUT IT IN PARTICULAR.

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WHEN I SAT DOWN WEN  -- WITH

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RENEE AND WHAT SHE CAN DO AS A

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CREATIVE CONSULTANT AND CAME

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WITH HER SINGLE PAGE MULTIPLE

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PAGES OF IDEAS WHAT WILL THIS BE

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AND A COUPLE WEEKS LATER SHE

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CAME BACK AND SAID I HAD THE

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MOST AMAZING EXPERIENCE WITH

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FRANCIS AND THAT IS EXACTLY THE

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SAME EXPERIENCE I'VE JUST

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DESCRIBED.

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YOU DON'T KNOW WHAT WILL HAPPEN

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BUT IF YOU LET CREATIVITY GUIDE

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YOU AND YOU'RE OPEN AND YOU COME

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WITHOUT PRECONCEIVED NOTIONS,

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MAGIC WILL HAPPEN.

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I WANT TO SAY THAT BECAUSE I

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KNOW THAT SCIENTISTS DON'T

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REALLY WORK MAYBE IN THE WORLD

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OF MAGIC BUT YOU'RE UNCOVERING

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THINGS AND FOR ME THAT IS MAGIC.

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AND I WANT TO JUST SAY THANK YOU

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FOR LOOKING AT THE OTHER ARTISTS

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IN THE ROOM.

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I BELIEVE THAT YOU KNOW THAT TO

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HAVE THE ESSENCE OF WHAT WE'RE

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LEARNING AND IT'S AFFIRMING TO

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THE WORK YOU DO BECAUSE WE

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BELIEVE IN IT AND IT WAS LOVELY

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TO HEAR VICTOR SPEAK ABOUT THE

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SPIRIT OF MUSIC AND THERE'S

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SPIRIT AND SCIENCE AND ALL THAT

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MAGIC IN WHO WE ARE AND WHAT

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DOES IT MEAN TO BE HUMAN BEING

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SO, THANK YOU.

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I PROMISE TO DO WHAT I CAN ABOUT

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USING THE SOAPBOX OF THE KENNEDY

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CENTER AND THE SOAPBOX OF BEING

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IN THIS REMARKABLE REGION WHERE

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WE HAVE PARTNERS WHO CAN DO THIS

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WORK AND WE WILL BE A SOAPBOX.

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WE WILL CONTINUE TO BE A SOAPBOX

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COLLABORATING WITH OUR FRIENDS

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AT THE NEA WITH NEUROARTS PRINT.

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WHATEVER WE CAN DO TO TELL THIS

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STORY.

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THANK YOU FOR YOUR TIME AND

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FOCUS AND CARING WHAT WE'RE

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DOING.

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IT'S IMPORTANT TO US.

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I'D NOW LIKE TO JUST INTRODUCE

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AND WHY AM I INTRODUCING YOU TO

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RENEE FLEMING?

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DOES ANYONE NOT KNOW WHO SHE IS?

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WE'VE KNOWN EACH OTHER MANY

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DECADES AND IT'S BEEN AN

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EXTRAORDINARY PLEASURE AND I

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PAID HER HUSBAND A LOT OF MONEY

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TO CONVINCE HER SHE HAD TO LIVE

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HERE AS WELL.

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IT'S AN HONOR TO HAVE HER AS A

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COLLEAGUE AND ADVOCATE, PERHAPS

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THE LEADER IN COMING AROUND,

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GOING AROUND THE WORLD TALKING

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ABOUT THIS IMPORTANT WORK.

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WE HAD SO MUCH FUN JUST A COUPLE

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WEEKS AGO CELEBRATING HER AND

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YOU WILL HERE ABOUT HER

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RELATIONSHIP TO THIS WORK ON

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NATIONAL TELEVISION IN A COUPLE

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WEEKS WHEN WE CELEBRATE RENEE

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FLEMING AS THE 2020 KENNEDY

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CENTER HONOREE.

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I'M PLEASED TO INTRODUCE SOMEONE

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WHO DOESN'T NEED INTRODUCTION,

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RENEE FLEMING.

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>> SO GOOD MORNING.

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I'M EXCITED TO BE WITH YOU ALL

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AND THANK YOU, DEBRA, YOU'RE A

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FORCE FOR GOOD AND WELCOME TO

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DAY TWO OF THE NIH MUSIC AS

194
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MEDICINE WORKSHOP.

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SO WHY ARE WE ALL HERE TODAY?

196
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WE'RE ENGAGED IN MAKING

197
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CONNECTIONS.

198
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MY ROLE AS AN ARTIST ESPECIALLY

199
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ONE WHO TOURS ALL THE TIME I HAD

200
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THE OPPORTUNITY TO CONNECT TO A

201
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BROADER GENERAL AUDIENCE AND

202
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CONNECT THEM TO THE AMAZING

203
00:08:57,203 --> 00:08:58,771
DISCOVERIES YOU'RE ALL MAKING.

204
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AND BY JOINING ONLINE PEOPLE

205
00:09:01,374 --> 00:09:02,708
AROUND THE WORLD CAN CONNECT

206
00:09:02,775 --> 00:09:04,977
WITH YOUR WORK THROUGH THIS

207
00:09:05,044 --> 00:09:05,845
EVENT.

208
00:09:05,912 --> 00:09:08,281
WE'RE MAKING OTHER CONNECTIONS

209
00:09:08,347 --> 00:09:08,881
TOO.

210
00:09:08,948 --> 00:09:11,250
THE CLASSIC PERK OF A GATHERING

211
00:09:11,317 --> 00:09:12,385
IS NETWORK.

212
00:09:12,451 --> 00:09:14,587
IT MAY NOT SOUND LIKE THE

213
00:09:14,654 --> 00:09:16,088
HIGHEST PURSUIT BUT I CAN'T HOW

214
00:09:16,155 --> 00:09:17,423
IMPORTANT IT IS FOR THIS FIELD

215
00:09:17,490 --> 00:09:18,858
AT THIS MOMENT WHEN WE'RE

216
00:09:18,925 --> 00:09:20,259
EXPANDING BY LEAPS AND BOUNDS.

217
00:09:20,326 --> 00:09:22,762
THIS WORKSHOP LED BY THE NIH IS

218
00:09:22,828 --> 00:09:24,697
ONE OF MANY CURRENT EFFORTS LIKE

219
00:09:24,764 --> 00:09:27,366
THE SOUND HEALTH NETWORK AND THE

220
00:09:27,433 --> 00:09:28,367
NEURAL ARTS BLUEPRINT TO GIVE

221
00:09:28,434 --> 00:09:30,169
ALL OF YOU DOING THIS WORK MORE

222
00:09:30,236 --> 00:09:30,903
OPPORTUNITY TO CONNECT WITH ONE

223
00:09:30,970 --> 00:09:32,438
ANOTHER.

224
00:09:32,505 --> 00:09:34,807
MORE THAN THAT, AND ABROAD SET,

225
00:09:34,874 --> 00:09:37,410
I HOPE THIS WORKSHOP HELPS YOU

226
00:09:37,476 --> 00:09:42,915
REALIZE YOU ARE SUCH A

227
00:09:42,982 --> 00:09:43,716
REMARKABLE COMMUNITY OF THINK

228
00:09:43,783 --> 00:09:47,920
ERS YOU'RE ALL DARING TO MAKE A

229
00:09:47,987 --> 00:09:49,622
CONNECTION BETWEEN DISCIPLINES.

230
00:09:49,689 --> 00:09:51,357
ON THE ONE HAND THE MUSIC AND

231
00:09:51,424 --> 00:09:54,727
ART THAT DEFINES OUR CULTURE AND

232
00:09:54,794 --> 00:09:57,263
INSPIRE OUR INSTINCTS MOVE US TO

233
00:09:57,330 --> 00:09:59,332
TEARS AND TELL OUR STORIES.

234
00:09:59,398 --> 00:10:02,768
ON THE OTHER HAND PUR SULT OF

235
00:10:02,835 --> 00:10:03,836
GRANULAR KNOWLEDGE UNDERSTANDING

236
00:10:03,903 --> 00:10:06,372
OU HOUR BRAINS FUNCTION AND HOW

237
00:10:06,439 --> 00:10:07,540
TO HEAL AND TREAT DISORDERS OF

238
00:10:07,606 --> 00:10:09,375
OUR MINDS AND BODIES AND HOW WE

239
00:10:09,442 --> 00:10:11,544
CAN ALL BE PHYSICALLY AND

240
00:10:11,610 --> 00:10:13,045
MENTALLY HEALTHY THROUGHOUT OUR

241
00:10:13,112 --> 00:10:17,450
LIFE SPAN.

242
00:10:17,516 --> 00:10:20,619
CAN WE ALL IMAGINE SEEING A

243
00:10:20,686 --> 00:10:22,922
TELEVISION AD THAT ENDS WITH,

244
00:10:22,989 --> 00:10:23,956
ASK YOUR DOCTOR IF MUSIC THERAPY

245
00:10:24,023 --> 00:10:29,528
IS RIGHT FOR YOU.

246
00:10:29,595 --> 00:10:30,696
SIDE EFFECTS INCLUDE BETTER MOOD

247
00:10:30,763 --> 00:10:32,765
AND SOCIAL CONNECTION AND

248
00:10:32,832 --> 00:10:33,833
IMPROVED COGNITION AND

249
00:10:33,899 --> 00:10:37,036
OCCASIONAL EAR WORMS AND IN FINE

250
00:10:37,103 --> 00:10:38,938
PRINT FOR PARKINSON'S DEMENTIA,

251
00:10:39,005 --> 00:10:42,241
BRAIN TRAUMA AND STROKE, ASK

252
00:10:42,308 --> 00:10:44,176
YOUR DOCTOR FOR TURN

253
00:10:44,243 --> 00:10:45,311
INFORMATION.

254
00:10:45,378 --> 00:10:46,912
I'M LOOKING TOWARD THE DAY WHEN

255
00:10:46,979 --> 00:10:49,749
THESE ARE PART OF OUR HEALTH

256
00:10:49,815 --> 00:10:50,983
CARE TOOLBOX.

257
00:10:51,050 --> 00:10:52,251
WE HAVEN'T BROKEN THROUGH IN THE

258
00:10:52,318 --> 00:10:53,452
NATIONAL CONVERSATION IN PRIME

259
00:10:53,519 --> 00:10:58,190
TIME BUT THIS IS OUR FUTURE.

260
00:10:58,257 --> 00:10:59,458
PERHAPS SOON IT WILL BE AN

261
00:10:59,525 --> 00:11:01,193
INSURANCE COMPANY BUYING THE ADD

262
00:11:01,260 --> 00:11:02,962
BECAUSE OF THE COST SAVING

263
00:11:03,029 --> 00:11:05,064
BENEFITS OF WHOLE PERSON

264
00:11:05,131 --> 00:11:05,631
INTEGRATIVE HEALTH.

265
00:11:05,698 --> 00:11:09,735
I'M AT THE PODIUM BECAUSE THE

266
00:11:09,802 --> 00:11:14,774
MUSIC HEALTH CONVENING IN 2017

267
00:11:14,840 --> 00:11:17,743
GAVE ME A PURPOSE AND PASSION

268
00:11:17,810 --> 00:11:20,379
THAT WAS NEW AND THE FIELD HAS

269
00:11:20,446 --> 00:11:21,814
SEEN EXPONENTIAL GROWTH AND

270
00:11:21,881 --> 00:11:22,281
EXCITING RESEARCH AND

271
00:11:22,348 --> 00:11:25,051
COLLABORATION.

272
00:11:25,117 --> 00:11:26,652
YESTERDAY WE HEARD ABOUT THE

273
00:11:26,719 --> 00:11:28,487
BASIC SCIENCE AND ROBUST

274
00:11:28,554 --> 00:11:30,356
CLINICAL EVIDENCE SUPPORTING

275
00:11:30,423 --> 00:11:31,957
MUSIC-BASED INTERVENTIONS AS

276
00:11:32,024 --> 00:11:35,261
WELL AS CRITICAL IMPACTS ON

277
00:11:35,327 --> 00:11:36,195
MUSIC AND EDUCATION AND CHILD

278
00:11:36,262 --> 00:11:37,263
DEVELOPMENT AND TODAY WE'LL LOOK

279
00:11:37,329 --> 00:11:40,266
AT WHERE WE GO NEXT.

280
00:11:40,332 --> 00:11:41,133
I'D LIKE TO START BY SHARING

281
00:11:41,200 --> 00:11:43,436
NOTES FROM THE FIELD AND WHAT

282
00:11:43,502 --> 00:11:45,604
AUDIENCES HAVE RECENTLY FOUND

283
00:11:45,671 --> 00:11:46,906
INSPIRING.

284
00:11:46,972 --> 00:11:48,340
FIRST, SHINING A SPOTLIGHT ON

285
00:11:48,407 --> 00:11:49,375
THE KENNEDY CENTER OUR NATIONAL

286
00:11:49,442 --> 00:11:52,178
CENTER FOR THE ARTS, DEBRA

287
00:11:52,244 --> 00:11:55,147
RUTTER JOINED FRANCIS COLLINS,

288
00:11:55,214 --> 00:12:01,020
NIH AND NIA TO EMBARK ON THIS

289
00:12:01,087 --> 00:12:03,622
JOURNEY SEVEN YEARS AGO AND

290
00:12:03,689 --> 00:12:07,259
BRING ARTS INTO HEALTH CARE AND

291
00:12:07,326 --> 00:12:10,930
HEALTH IN THE ARTS AND DEBRA IS

292
00:12:10,996 --> 00:12:12,932
LEADING THE KENNEDY CENTER TO AN

293
00:12:12,998 --> 00:12:15,234
INCREASED FOCUS ON HEALTH AND

294
00:12:15,301 --> 00:12:18,771
WELLNESS AND A SENSE ARTS

295
00:12:18,838 --> 00:12:19,772
ORGANIZATIONS EVERYWHERE CAN

296
00:12:19,839 --> 00:12:20,773
BEGIN TO ACT AS COMMUNITY

297
00:12:20,840 --> 00:12:24,477
CENTERS FOR US AND OUR FAMILIES.

298
00:12:24,543 --> 00:12:25,878
PROVIDING A RELEASE FROM DAY TO

299
00:12:25,945 --> 00:12:29,014
DAY STRESSORS AND ALSO A SAFE

300
00:12:29,081 --> 00:12:31,383
PLACE TO ADDRESS SOCIAL CHANGE,

301
00:12:31,450 --> 00:12:34,019
CLIMATE AND OTHER SOCIETAL

302
00:12:34,086 --> 00:12:36,188
CONCERNS.

303
00:12:36,255 --> 00:12:40,192
LAST APRIL AT THE MILLENNIUM

304
00:12:40,259 --> 00:12:45,798
STAGE DAVID LEVENTHAL HAD THE

305
00:12:45,865 --> 00:12:47,366
AUDIENCE PARTICIPATE IN A SEATED

306
00:12:47,433 --> 00:12:49,768
EXERCISE, I CALL IT ARM DANCING.

307
00:12:49,835 --> 00:12:52,438
AS HE PLAYED A VARIETY OF

308
00:12:52,505 --> 00:12:53,606
MUSICAL CLIPS AND ASKED HOW THE

309
00:12:53,672 --> 00:12:54,907
EXCERPTS MADE A DIFFERENCE IN

310
00:12:54,974 --> 00:12:57,610
THEIR LEVEL OF INVOLVEMENT AND

311
00:12:57,676 --> 00:12:59,578
FEELING THE END RESULT WAS

312
00:12:59,645 --> 00:13:00,513
PALPABLE JOY AND COMPLETELY

313
00:13:00,579 --> 00:13:02,381
DIFFERENT LEVEL OF ENGAGEMENT.

314
00:13:02,448 --> 00:13:03,048
WE SHOULD HAVE STARTED WITH THIS

315
00:13:03,115 --> 00:13:08,921
TODAY.

316
00:13:08,988 --> 00:13:10,656
WE WENT ON TO LEARN THE BENEFITS

317
00:13:10,723 --> 00:13:12,791
OF DANCE WITH THOSE WITH

318
00:13:12,858 --> 00:13:15,694
PARKINSON'S AND OTHER MOVING

319
00:13:15,761 --> 00:13:15,961
DISORDERS.

320
00:13:16,028 --> 00:13:19,398
AT STATE OF MICHIGAN THERE WAS

321
00:13:19,465 --> 00:13:22,935
ANOTHER STUDY FROM THE

322
00:13:23,002 --> 00:13:29,175
UNIVERSITY PITTSBURGH USING

323
00:13:29,241 --> 00:13:32,478
DANCE DESIGN TO REACH A

324
00:13:32,545 --> 00:13:35,014
SEDENTARY POPULATION IT LED

325
00:13:35,080 --> 00:13:37,183
PARTICIPANTS TO IMPROVED

326
00:13:37,249 --> 00:13:40,619
COGNITION AND WEIGHT LOSS OVER A

327
00:13:40,686 --> 00:13:42,054
10-WEEK PERIOD AND THOSE IN THE

328
00:13:42,121 --> 00:13:44,290
CONTROL GROUP TAKING ACADEMIC

329
00:13:44,356 --> 00:13:45,624
CLASS DISAPPOINTED.

330
00:13:45,691 --> 00:13:48,928
THEY FELT THEY MISSED ON ALL THE

331
00:13:48,994 --> 00:13:53,866
FUN AND DR. LUONGA DEMONSTRATED

332
00:13:53,933 --> 00:13:58,137
DANCE STEPS JUST CLAPPI IPI IPI

333
00:13:58,204 --> 00:14:00,105
RHYTHMS AND I WANTED TO SIGN UP.

334
00:14:00,172 --> 00:14:01,974
A CARDIOLOGIST ALSO AT THE

335
00:14:02,041 --> 00:14:05,244
UNIVERSITY OF MICHIGAN PRESENTED

336
00:14:05,311 --> 00:14:08,480
A STUDY SHOWING MUSIC

337
00:14:08,547 --> 00:14:10,916
IMPROVISATION IMPROVE

338
00:14:10,983 --> 00:14:11,283
HYPERTENSION.

339
00:14:11,350 --> 00:14:13,852
SURPRISINGLY UNAWARE OF THE WORK

340
00:14:13,919 --> 00:14:14,920
ACROSS LAKE MICHIGAN YOU'LL HEAR

341
00:14:14,987 --> 00:14:16,522
ABOUT LATER THIS MORNING.

342
00:14:16,589 --> 00:14:19,525
SHE DISCOVERED SINGING IMPROVED

343
00:14:19,592 --> 00:14:20,659
BIOMARKERS IN CARDIOVASCULAR

344
00:14:20,726 --> 00:14:22,928
PATIENTS BECAUSE SINGING IS

345
00:14:22,995 --> 00:14:25,197
EXERCISE, YES, ESPECIALLY USEFUL

346
00:14:25,264 --> 00:14:26,298
FOR PATIENTS WHO CAN'T GET ON A

347
00:14:26,365 --> 00:14:32,271
TREADMILL.

348
00:14:32,338 --> 00:14:39,511
AND GROUP SINGS HAS SIGNIFICANCE

349
00:14:39,578 --> 00:14:41,981
CANT BENEFITS AND CREATIVE AGING

350
00:14:42,047 --> 00:14:46,552
ARE BECOMING INCREASINGLY

351
00:14:46,619 --> 00:14:49,321
PREVALENT AND A COMMUNITY HAS

352
00:14:49,388 --> 00:14:51,023
SHOWN SINGING IN SUCH CHOIRS

353
00:14:51,090 --> 00:14:53,158
DECREASES LONELINESS FOR OLDER

354
00:14:53,225 --> 00:14:53,392
ADULTS.

355
00:14:53,459 --> 00:14:54,927
ANOTHER REMARKABLE PROGRAM THE

356
00:14:54,994 --> 00:14:56,762
MUSIC AND MOTHERHOOD STUDIO

357
00:14:56,829 --> 00:14:58,364
INITIATED BY THE WORLD HEALTH

358
00:14:58,430 --> 00:14:59,131
ORGANIZATION HAS SHOWN

359
00:14:59,198 --> 00:15:01,300
MEANINGFUL ARE RECOVERY FOR

360
00:15:01,367 --> 00:15:03,202
WOMEN WITH POSTPARTUM DEPRESSION

361
00:15:03,269 --> 00:15:04,937
AFTER JUST 10 WEEKS OF GROUP

362
00:15:05,004 --> 00:15:05,204
SINGING.

363
00:15:05,271 --> 00:15:07,673
THIS ONE SURPRISES ME.

364
00:15:07,740 --> 00:15:10,242
BASED ON THIS STUDY, THEY'LL

365
00:15:10,309 --> 00:15:12,444
PUBLIC A TOOL KIT FOR ADAPTING

366
00:15:12,511 --> 00:15:14,713
ARTS AND HEALTH INTERVENTIONS IN

367
00:15:14,780 --> 00:15:16,548
CULTURALLY RELEVANT WAYS.

368
00:15:16,615 --> 00:15:18,317
SINGING TOGETHER BY ALIGNING OUR

369
00:15:18,384 --> 00:15:19,818
BRAIN WAVES AS WE HEARD

370
00:15:19,885 --> 00:15:22,621
YESTERDAY AND BRAIN WAVES ALSO

371
00:15:22,688 --> 00:15:24,223
ALIGN AMONG MUSICIANS PLAYING

372
00:15:24,290 --> 00:15:25,758
TOGETHER AND BETWEEN AUDIENCES

373
00:15:25,824 --> 00:15:29,862
AND PERFORMERS ON STAGE.

374
00:15:29,928 --> 00:15:31,997
IT CAN ALLEVIATE PAIN AND

375
00:15:32,064 --> 00:15:36,368
ANXIETY AND REDUCE THE NEED FOR

376
00:15:36,435 --> 00:15:36,635
SEDATIVES.

377
00:15:36,702 --> 00:15:38,837
HERE'S A BRIEF VIDEO FROM

378
00:15:38,904 --> 00:15:40,539
CHILDREN'S HOSPITAL IN CHICAGO.

379
00:15:40,606 --> 00:15:42,908
THIS DISTRAUGHT CHILD IS ABOUT

380
00:15:42,975 --> 00:15:46,178
TO ENDURE ANOTHER INDUCED SESURE

381
00:15:46,245 --> 00:15:46,378
TEST.

382
00:15:46,445 --> 00:15:47,479
SEE WHAT HAPPENS WHEN HER MUSIC

383
00:15:47,546 --> 00:15:48,080
THERAPIST ENCOURAGES HER TO

384
00:15:48,147 --> 00:15:58,257
SING.

385
00:17:13,198 --> 00:17:14,833
THINK OF THE DOCTORS AND NURSES

386
00:17:14,900 --> 00:17:16,001
IN THE ROOM AND HOW MUCH EASIER

387
00:17:16,068 --> 00:17:18,771
IT WAS FOR THEM WHETHER IT'S

388
00:17:18,837 --> 00:17:21,974
HELPING WITH LONG COVID OR

389
00:17:22,040 --> 00:17:23,075
INTONATION THERAPY FOR PATIENTS

390
00:17:23,142 --> 00:17:25,744
WITH STROKE OR BRAIN TRAUMA.

391
00:17:25,811 --> 00:17:27,513
EVERY HOSPITAL SHOULD HAVE A

392
00:17:27,579 --> 00:17:32,484
CREATIVE ARTS STUDIO BUILT IN

393
00:17:32,551 --> 00:17:34,920
FROM THE START.

394
00:17:34,987 --> 00:17:42,928
MY SISTER WORKS IN THIS FIELD

395
00:17:42,995 --> 00:17:47,933
AND SHE WENT TO A SUMMIT AND

396
00:17:48,000 --> 00:17:51,236
L.A. OPERA AND EDUCATION IS

397
00:17:51,303 --> 00:17:53,238
PLANNING ITS THIRD ANNUAL ARTS

398
00:17:53,305 --> 00:17:54,873
AND HEALTH WEEK GATHERING POLICY

399
00:17:54,940 --> 00:17:56,475
MAKERS FROM ACROSS THE STATE.

400
00:17:56,542 --> 00:17:57,810
GIVEN CALIFORNIA'S NEW

401
00:17:57,876 --> 00:17:59,878
BILLION-DOLLAR A YEAR FUNDING

402
00:17:59,945 --> 00:18:02,181
FOR ARTS EDUCATION, IMAGINE IF

403
00:18:02,247 --> 00:18:03,081
CREATIVE ARTS THERAPISTS WERE

404
00:18:03,148 --> 00:18:05,751
PART OF THIS AND COULD THEY WORK

405
00:18:05,818 --> 00:18:08,387
SIDE BY SIDE WITH ARTS EDUCATORS

406
00:18:08,454 --> 00:18:10,889
AND SCHOOLS TO HELP MENTAL

407
00:18:10,956 --> 00:18:11,990
HEALTH AND SELF-REGULATION,

408
00:18:12,057 --> 00:18:16,695
SOCIAL BEHAVIORS AND TEACHER

409
00:18:16,762 --> 00:18:18,230
MORALE AND LICENSING FOR THE

410
00:18:18,297 --> 00:18:19,431
THERAPISTS NATIONWIDE.

411
00:18:19,498 --> 00:18:21,500
I WAS ALSO RECENTLY TOLD BY A

412
00:18:21,567 --> 00:18:24,203
WASHINGTON POST REPORTER IN D.C.

413
00:18:24,269 --> 00:18:25,938
TRUANCY IS THE GREATEST

414
00:18:26,004 --> 00:18:27,773
CONTRIBUTOR TO THE UPTAKE IN

415
00:18:27,840 --> 00:18:28,373
TEEN VIOLENCE.

416
00:18:28,440 --> 00:18:31,243
WHEN I WORKED AS A CONSULTANT IN

417
00:18:31,310 --> 00:18:34,179
CHICAGO A VOLUNTEER-BASED ARTS

418
00:18:34,246 --> 00:18:35,814
AND SCHOOLS PROGRAM WE HELPED

419
00:18:35,881 --> 00:18:38,917
FOUND WAS SO SUCCESSFUL AT

420
00:18:38,984 --> 00:18:42,187
REDUCING DROPOUT RATES,

421
00:18:42,254 --> 00:18:42,921
SUPERINTENDENTS BEGAN PAYING FOR

422
00:18:42,988 --> 00:18:43,589
ARTS EDUCATION AGAIN.

423
00:18:43,655 --> 00:18:46,525
A KEY ELEMENT IN ALL THIS IS

424
00:18:46,592 --> 00:18:47,993
HUMAN CONNECTION.

425
00:18:48,060 --> 00:18:53,699
I FIND IT SOBERING TO FIND OUR

426
00:18:53,765 --> 00:18:55,634
DECREASED DEPENDENCE ON SCREENS

427
00:18:55,701 --> 00:18:59,304
AND WITH THE INEVITABLE RELEASE

428
00:18:59,371 --> 00:19:01,139
OF A MORE POWER A.I. WHAT WILL

429
00:19:01,206 --> 00:19:02,608
HAPPEN IN THE SHORT TERM TO OUR

430
00:19:02,674 --> 00:19:03,642
SOCIAL FABRIC?

431
00:19:03,709 --> 00:19:08,113
WE'RE ALREADY FRAYED BY THE

432
00:19:08,180 --> 00:19:10,349
ALGORITHMS AND GIVING US WHAT WE

433
00:19:10,415 --> 00:19:11,550
CRAVE, BAD NEWS.

434
00:19:11,617 --> 00:19:12,951
SCREENS DO NOT BRING US THE

435
00:19:13,018 --> 00:19:14,419
HUMAN CONNECTION WE NEED.

436
00:19:14,486 --> 00:19:18,524
ALL THE MORE REASON TO BRING THE

437
00:19:18,590 --> 00:19:19,191
HUMANIZING EFFECTS OF HEALTH

438
00:19:19,258 --> 00:19:20,692
CARE TO THE FORE.

439
00:19:20,759 --> 00:19:22,661
THERE'S POSITIVE APPLICATIONS OF

440
00:19:22,728 --> 00:19:24,730
TECHNOLOGY WHICH WE'LL SEE EN

441
00:19:24,796 --> 00:19:29,935
OUR NEXT SESSION.

442
00:19:30,002 --> 00:19:35,107
A VIDEO GAME APP IS FDA APPROVED

443
00:19:35,173 --> 00:19:38,777
AND WILL BRING BROADER ACCESS TO

444
00:19:38,844 --> 00:19:42,915
THERAPY AND THE KEY IS

445
00:19:42,981 --> 00:19:44,550
DEMOCRATIZATION MAKING THEM

446
00:19:44,616 --> 00:19:46,051
AVAILABLE TO THE WIDEST

447
00:19:46,118 --> 00:19:46,552
POPULATION.

448
00:19:46,618 --> 00:19:47,986
GIVEN THE GROWING MENTAL HEALTH

449
00:19:48,053 --> 00:19:49,655
CRISIS AROUND THE WORLD, WE NEED

450
00:19:49,721 --> 00:19:54,092
TO LOOK AT NEW WAYS OF USING THE

451
00:19:54,159 --> 00:19:54,560
ARTS.

452
00:19:54,626 --> 00:19:56,762
THE FUNDED RESEARCH ON

453
00:19:56,828 --> 00:19:58,931
SCHIZOPHRENIA WHICH DR. GORDON

454
00:19:58,997 --> 00:20:06,905
SPOKE ABOUT YESTERDAY IS A GREAT

455
00:20:06,972 --> 00:20:10,943
EXAMPLE PATIENTS WRITE MUSIC TO

456
00:20:11,009 --> 00:20:12,978
DISTINGUISH BETWEEN REALITY AND

457
00:20:13,045 --> 00:20:13,445
PSYCHOSIS.

458
00:20:13,512 --> 00:20:16,214
THE GREATEST CONCERN IS THE 30%

459
00:20:16,281 --> 00:20:17,516
INCREASE IN THE WORLDWIDE

460
00:20:17,583 --> 00:20:20,719
PREVALENCE OF DEPRESSION.

461
00:20:20,786 --> 00:20:22,321
FORTUNATELY, HE SPORTS ARTS AND

462
00:20:22,387 --> 00:20:24,356
HEALTH PROGRAM WITH CHRISTOPHER

463
00:20:24,423 --> 00:20:26,224
BAILEY AND AT THE WORLD HEALTH

464
00:20:26,291 --> 00:20:28,660
ASSEMBLY IN GENEVA LAST MAY

465
00:20:28,727 --> 00:20:30,929
TOUTING THE BENEFITS THERE WAS

466
00:20:30,996 --> 00:20:32,798
QUICK CONSENSUS BECAUSE MOST OF

467
00:20:32,864 --> 00:20:34,933
THE WORLD NEVER STOPPED APPLYING

468
00:20:35,000 --> 00:20:43,775
ARTS TO HEALING.

469
00:20:43,842 --> 00:20:48,747
SOCIAL ISOLATION IS MORE

470
00:20:48,814 --> 00:20:51,416
DANGEROUS THAN OBESITY OR

471
00:20:51,483 --> 00:21:01,627
SMOKING.

472
00:23:09,888 --> 00:23:12,691
>> THE NEA SOUND HEALTH NETWORK

473
00:23:12,758 --> 00:23:15,694
AT UCSF IS HELPING AND THE

474
00:23:15,761 --> 00:23:18,396
ORGANIZATION CREATED WEBINARS ON

475
00:23:18,463 --> 00:23:19,765
SUBJECTS SUCH AS GRANT WRITING,

476
00:23:19,831 --> 00:23:21,333
A CLEARING HOUSE OF KEY RESEARCH

477
00:23:21,399 --> 00:23:24,703
AND GREAT NETWORKING

478
00:23:24,770 --> 00:23:29,708
OPPORTUNITIES FOR THE FIELD AND

479
00:23:29,775 --> 00:23:33,145
AN INITIATIVE IS CREATING AN

480
00:23:33,211 --> 00:23:35,981
EXPANSIVE ECO SYSTEM TO

481
00:23:36,047 --> 00:23:38,750
ENCOMPASS EVERY MANNER OF

482
00:23:38,817 --> 00:23:43,021
ARTIS

483
00:23:43,088 --> 00:23:44,089
ARTISTIC  IMPULSE AND

484
00:23:44,156 --> 00:23:44,823
INTEGRATING ARTS IN THE

485
00:23:44,890 --> 00:23:50,829
MAINSTREAM MEDICINE AND PUBLIC

486
00:23:50,896 --> 00:23:51,329
HEALTH.

487
00:23:51,396 --> 00:23:53,865
THERE'S BEEN AND THE ARTS AND

488
00:23:53,932 --> 00:23:55,801
RESEARCH LABS ACROSS THE COUNTRY

489
00:23:55,867 --> 00:23:57,769
THE NEA HAS LED CREATIVE FORCES

490
00:23:57,836 --> 00:23:59,571
WITH THE DEPARTMENTS OF DEFENSE

491
00:23:59,638 --> 00:24:01,006
AND VETERANS AFFAIRS.

492
00:24:01,072 --> 00:24:03,575
MENTAL HEALTH AND THE IMPACTS OF

493
00:24:03,642 --> 00:24:06,411
TRAUMA ARE A MAJOR FOCUS AS THEY

494
00:24:06,478 --> 00:24:08,847
WORK WITH VETERANS AND ACTIVE

495
00:24:08,914 --> 00:24:12,851
SERVICE MEMBERS.

496
00:24:12,918 --> 00:24:14,152
AND MOST THE ARMED FORCES

497
00:24:14,219 --> 00:24:16,087
HAVEN'T FULLY DEPLOYED THE

498
00:24:16,154 --> 00:24:18,757
BENEFITS OF CREATIVE ARTS

499
00:24:18,824 --> 00:24:20,826
THERAPIES AND THAT SPEAKS TO A

500
00:24:20,892 --> 00:24:21,760
BROADER ISSUE.

501
00:24:21,827 --> 00:24:23,028
THE NEXT ORGANIZATIONAL FOCUS

502
00:24:23,094 --> 00:24:27,432
COULD BE TO PROMOTE ADVOCACY,

503
00:24:27,499 --> 00:24:30,168
DEVELOPMENT, POLICY AND MORE

504
00:24:30,235 --> 00:24:30,502
COLLABORATION.

505
00:24:30,569 --> 00:24:33,238
WE NEED FUNDING FOR RESEARCH AND

506
00:24:33,305 --> 00:24:34,806
PUBLICITY, CONTINUED

507
00:24:34,873 --> 00:24:39,778
COLLABORATIVE NETWORK AND A

508
00:24:39,845 --> 00:24:48,787
CHORUS OF INFLUENCERS.

509
00:24:48,854 --> 00:24:49,654
THERE'S MUCH MORE INTEREST NOW.

510
00:24:49,721 --> 00:24:52,624
WITH THE EXCEPTION OF A FEW

511
00:24:52,691 --> 00:24:54,893
SUPER STARS ENGAGEMENT WITH LIVE

512
00:24:54,960 --> 00:24:57,762
PERFORMANCE IS DECLINING WITH

513
00:24:57,829 --> 00:24:58,630
COMPETITION FROM STREAMING AND

514
00:24:58,697 --> 00:25:00,732
ALL OF OUR DEVICES.

515
00:25:00,799 --> 00:25:02,467
THE CREATIVE EXPRESSIVE ELEMENTS

516
00:25:02,534 --> 00:25:04,736
OF OUR HUMANITY ARE ESSENTIAL AT

517
00:25:04,803 --> 00:25:07,172
A TIME WHEN THE RATE OF SOCIETAL

518
00:25:07,239 --> 00:25:08,506
CHANGE IS INCREASING ALMOST

519
00:25:08,573 --> 00:25:11,176
BEYOND OUR ABILITY TO COMPREHEND

520
00:25:11,243 --> 00:25:11,343
IT.

521
00:25:11,409 --> 00:25:15,847
THIS IS PRECISELY WHEN WE NEED

522
00:25:15,914 --> 00:25:17,582
THE ELEMENTS AND TOUCH DOWNS TO

523
00:25:17,649 --> 00:25:18,450
ANCHOR US.

524
00:25:18,516 --> 00:25:20,118
I CAN ENVISION AN ARMY OF

525
00:25:20,185 --> 00:25:21,586
PERFORMERS TO THINK ABOUT THEIR

526
00:25:21,653 --> 00:25:26,892
AUDIENCES IN A COMPLETELY NEW

527
00:25:26,958 --> 00:25:34,733
WAY IN THE FUTURE AND CALM IN A

528
00:25:34,799 --> 00:25:36,401
TURBULENT TIME OR ENABLING A

529
00:25:36,468 --> 00:25:37,802
TWO-WAY CONVERSATION WITH THE

530
00:25:37,869 --> 00:25:39,104
AUDIENCE AND THEY'LL HAVE THE

531
00:25:39,170 --> 00:25:43,508
RESEARCH TO BACK UP THEIR

532
00:25:43,575 --> 00:25:44,442
CHOICES.

533
00:25:44,509 --> 00:25:47,746
AND THROUGH THE NOAH, NATIONAL

534
00:25:47,812 --> 00:25:48,980
ORGANIZATION FOR THE ARTS AND

535
00:25:49,047 --> 00:25:51,016
HEALTH THEY'LL HAVE TOOLS AND

536
00:25:51,082 --> 00:25:52,717
CERTIFICATES TO WORK SAFELY IN A

537
00:25:52,784 --> 00:25:53,151
HEALTH CARE SETTING.

538
00:25:53,218 --> 00:25:57,756
WE CAN HELP ARTISTS SEE THE

539
00:25:57,822 --> 00:25:59,824
STAGE AND CONCERT HALL AREN'T

540
00:25:59,891 --> 00:26:02,827
THE ONLY OUTLETS FOR THEIR

541
00:26:02,894 --> 00:26:03,228
GIFTS.

542
00:26:03,295 --> 00:26:03,929
THERE'S A CAREER OPPORTUNITY FOR

543
00:26:03,995 --> 00:26:05,597
TALENTED MUSICIANS AND TO EXPAND

544
00:26:05,664 --> 00:26:07,933
THE CAPACITY OF OUR FIELD WE

545
00:26:07,999 --> 00:26:09,334
NEED MORE COLLEGES AND

546
00:26:09,401 --> 00:26:10,702
UNIVERSITIES TO OFFER MUSIC

547
00:26:10,769 --> 00:26:14,839
THERAPY DEGREE PROGRAMS.

548
00:26:14,906 --> 00:26:18,944
ORE CONSERVATORIES TO PURSUE

549
00:26:19,010 --> 00:26:22,180
THIS FIELD IN ARTS AND HEALTH.

550
00:26:22,247 --> 00:26:23,381
BE ASSERTIVE ABOUT REQUESTING

551
00:26:23,448 --> 00:26:26,151
MUSIC AND ARTS THERAPIES ARE

552
00:26:26,217 --> 00:26:27,686
NESTED INTO LONGITUDINAL STUDIES

553
00:26:27,752 --> 00:26:30,488
AND AN EXCITING DEVELOPMENT THE

554
00:26:30,555 --> 00:26:34,459
NEA HAS BEEN TASKED TO EMBED

555
00:26:34,526 --> 00:26:35,994
ARTS TO OTHER FEDERAL AGENCIES.

556
00:26:36,061 --> 00:26:39,564
ORDER RECOGNIZES THE ARTS AND

557
00:26:39,631 --> 00:26:40,932
HUMANITIES ARE ESSENTIAL TO THE

558
00:26:40,999 --> 00:26:48,306
WELL BEING AND HEALTH, VITALITY

559
00:26:48,373 --> 00:26:56,848
AND FOR OUR NATION LOS ANGELES

560
00:26:56,915 --> 00:27:00,285
COUNTY OF ARTS AND CULTURE IS

561
00:27:00,352 --> 00:27:01,486
WORKING TO EMBED ARTS IN THE

562
00:27:01,553 --> 00:27:05,623
MOST POPULOUS COUNTY IN THE

563
00:27:05,690 --> 00:27:05,857
COUNTRY.

564
00:27:05,924 --> 00:27:07,158
MULTI-SITE COLLABORATIONS BRING

565
00:27:07,225 --> 00:27:10,595
RESEARCHERS AND UNIVERSITIES

566
00:27:10,662 --> 00:27:12,497
TOGETHER TO ACCELERATE PROGRESS

567
00:27:12,564 --> 00:27:15,467
AND THE MUSIC AND HEALTH

568
00:27:15,533 --> 00:27:17,135
RESEARCH NETWORKS ADDRESSING

569
00:27:17,202 --> 00:27:18,470
DEMENTIA, PAIN, AND MECHANISMS

570
00:27:18,536 --> 00:27:21,306
OF MUSIC-BASED INTERVENTIONS

571
00:27:21,373 --> 00:27:22,907
WHICH WILL BE HIGHLIGHTED TODAY.

572
00:27:22,974 --> 00:27:25,410
AND THE WORLD HEALTH

573
00:27:25,477 --> 00:27:28,913
ORGANIZATION AND THE JAMIL ARTS

574
00:27:28,980 --> 00:27:39,491
AND HEALTH LAB HAVE REVIEWING

575
00:27:42,093 --> 00:27:51,469
HEALTH BENEFITS AND NEURO ARTS

576
00:27:51,536 --> 00:27:54,906
FOUNDATION ARE RECENT EXAMPLES.

577
00:27:54,973 --> 00:27:56,007
BUILDING ON THE HEALING

578
00:27:56,074 --> 00:27:57,542
INITIATIVE WITH THE KENNEDY

579
00:27:57,609 --> 00:28:01,146
CENTER AND GOOGLE ARTS AND MOUNT

580
00:28:01,212 --> 00:28:07,485
SINAI, PULL MMONOLOGISTS ARE

581
00:28:07,552 --> 00:28:08,820
WORKING ON A WHITE PAPER

582
00:28:08,887 --> 00:28:10,422
FEATURING REHABILITATION.

583
00:28:10,488 --> 00:28:11,856
THE WHITE PAPER WILL OUTLINE

584
00:28:11,923 --> 00:28:13,658
NEXT STEPS FOR RESEARCH IN THIS

585
00:28:13,725 --> 00:28:14,826
AREA THAT HOPEFULLY ONE OF YOU

586
00:28:14,893 --> 00:28:21,366
WILL CARRY FORWARD.

587
00:28:21,433 --> 00:28:23,134
AND THEY'RE TRANSFORMATIVE AND

588
00:28:23,201 --> 00:28:27,906
IMAGINE IF WE STARTED A NEW

589
00:28:27,972 --> 00:28:28,873
PUBLICATION DEDICATED

590
00:28:28,940 --> 00:28:30,175
INTERDISCIPLINARY ARTS AND

591
00:28:30,241 --> 00:28:30,642
HEALTH COLLABORATION.

592
00:28:30,708 --> 00:28:33,745
MORE CONVENINGS, MORE OFTEN THAN

593
00:28:33,812 --> 00:28:35,647
ONCE EVERY SEVEN YEARS.

594
00:28:35,713 --> 00:28:37,949
I WOULD LIKE TO SUGGEST ALL OF

595
00:28:38,016 --> 00:28:42,554
OUR CONTACT INFORMATION BE

596
00:28:42,620 --> 00:28:45,223
SHARED AFTER THIS WORKSHOP SO WE

597
00:28:45,290 --> 00:28:46,891
CAN OFFER COLLABORATIONS BETWEEN

598
00:28:46,958 --> 00:28:49,861
EACH OTHER AND A NOBEL PRAISE

599
00:28:49,928 --> 00:28:51,529
WINNER IS CHAIR OF ADVISORY

600
00:28:51,596 --> 00:28:54,332
BOARD FOR ALIGNING SCIENCE

601
00:28:54,399 --> 00:28:55,333
ACROSS PARKINSON'S BRINGING

602
00:28:55,400 --> 00:28:57,001
TOGETHER AN INTERNATIONAL TEAM.

603
00:28:57,068 --> 00:29:00,271
WHEN I SPOKE WITH THEM IN 2019

604
00:29:00,338 --> 00:29:03,208
IT WAS EXPLAINED ERS HAVE BEEN

605
00:29:03,274 --> 00:29:05,176
ENCOURAGED TO STAY WITHIN THEIR

606
00:29:05,243 --> 00:29:06,678
ACADEMIC LANE SO ANY SUCCESS

607
00:29:06,744 --> 00:29:07,912
WOULD BRING FUNDING AND

608
00:29:07,979 --> 00:29:08,847
HOPEFULLY GLORY BACK TO THE

609
00:29:08,913 --> 00:29:10,048
UNIVERSITY.

610
00:29:10,115 --> 00:29:12,283
BUT THIS WASN'T WORKING WITH

611
00:29:12,350 --> 00:29:14,452
THIS SPECIALLY DIFFICULT AND

612
00:29:14,519 --> 00:29:15,353
INTRACTABLE DISORDERS AND THIS

613
00:29:15,420 --> 00:29:21,426
WAS BEFORE LEWY BODY DEMENTIA

614
00:29:21,493 --> 00:29:25,330
WAS RECOGNIZED.

615
00:29:25,396 --> 00:29:26,764
I'LL NEVER FORGET AN EXECUTIVE

616
00:29:26,831 --> 00:29:30,335
AT THE HARVARD UCLA MEDICAL

617
00:29:30,401 --> 00:29:34,305
CENTER RELAYED HER AMAZEMENT

618
00:29:34,372 --> 00:29:37,442
ABOUT A CHRONICALLY UNRESPONSIVE

619
00:29:37,509 --> 00:29:38,676
PSYCHIATRIC PATIENT WHO CAME OUT

620
00:29:38,743 --> 00:29:39,744
OF HIS ROOM FOR THE FIRST TIME

621
00:29:39,811 --> 00:29:42,914
TO ENGAGE WITH A LIVE MUSICIAN.

622
00:29:42,981 --> 00:29:45,650
IT WAS A TOTAL BREAKTHROUGH AND

623
00:29:45,717 --> 00:29:47,752
ACROSS THE TABLE AN

624
00:29:47,819 --> 00:29:48,620
ADMINISTRATOR AT CAL STATE

625
00:29:48,686 --> 00:29:50,822
NORTHRIDGE SAID, WE CAN BRING

626
00:29:50,889 --> 00:29:52,590
THIS TO YOU EVERY DAY.

627
00:29:52,657 --> 00:29:54,626
THEY WERE SHOCKED.

628
00:29:54,692 --> 00:29:57,195
CONTACT INFORMATION WAS

629
00:29:57,262 --> 00:29:58,196
EXCHANGED AMONGST THE GROUP AND

630
00:29:58,263 --> 00:29:59,264
MEANINGFUL COLLABORATIONS BEGIN

631
00:29:59,330 --> 00:29:59,998
IN THAT MOMENT.

632
00:30:00,064 --> 00:30:02,066
IT'S THAT SIMPLE.

633
00:30:02,133 --> 00:30:04,736
BRINGING PEOPLE TOGETHER.

634
00:30:04,802 --> 00:30:06,304
SOCIAL PRESCRIBED ARTS

635
00:30:06,371 --> 00:30:08,373
INTEGRATION IS GROWING AND THE

636
00:30:08,439 --> 00:30:09,807
EVIDENCE IS CLARE THERE'S MUCH

637
00:30:09,874 --> 00:30:10,208
TO BE DONE.

638
00:30:10,275 --> 00:30:12,777
ARTS RESOURCE IMPROVE OUR

639
00:30:12,844 --> 00:30:14,579
HEALTH, DANCE CLASSES, COMMUNITY

640
00:30:14,646 --> 00:30:15,580
CHOIRS, CREATIVE ARTS THERAPIES

641
00:30:15,647 --> 00:30:18,149
AND MORE EXIST IN MANY CITIES

642
00:30:18,216 --> 00:30:19,951
AND TOWNS ACROSS THE COUNTRY.

643
00:30:20,018 --> 00:30:21,986
WE COULD CREATE HUBS FOR WHAT

644
00:30:22,053 --> 00:30:24,756
WE'RE CALLING THINKING TO CALL

645
00:30:24,822 --> 00:30:28,493
ART CARE, VIRTUALLY AND IN

646
00:30:28,560 --> 00:30:29,427
RETAIL STORES AND LIBRARIES TO

647
00:30:29,494 --> 00:30:31,696
CONNECT THE PUBLIC WITH EXISTING

648
00:30:31,763 --> 00:30:33,131
LOCALLY AVAILABLE RESOURCES.

649
00:30:33,198 --> 00:30:34,899
RESEARCH RESULTS NEED TO BE MORE

650
00:30:34,966 --> 00:30:36,534
BROADLY AMPLIFIED.

651
00:30:36,601 --> 00:30:37,735
SO MANY HEALTH CARE PROVIDERS

652
00:30:37,802 --> 00:30:40,071
ARE STILL COMPLETELY UNAWARE OF

653
00:30:40,138 --> 00:30:43,341
THE POTENTIAL OF ARTS IN THEIR

654
00:30:43,408 --> 00:30:43,541
WORK.

655
00:30:43,608 --> 00:30:45,777
WHEN I FIRST MET EMILY EDWARDS

656
00:30:45,843 --> 00:30:48,846
SHE SAID HOW DIFFICULT IT IS TO

657
00:30:48,913 --> 00:30:50,014
WIDELY DISSEMINATE RESEARCH

658
00:30:50,081 --> 00:30:51,916
RESULTS THROUGH THE MEDICAL

659
00:30:51,983 --> 00:30:54,452
PROINVESTIGATION IN A WAY THAT

660
00:30:54,519 --> 00:30:55,853
ENSURES THEIR USE.

661
00:30:55,920 --> 00:31:00,091
PUBLICATIONS MOVE THE NEEDLE.

662
00:31:00,158 --> 00:31:02,227
YOUR BRAIN OND ART A NEW YORK

663
00:31:02,293 --> 00:31:05,463
TIMES BEST SELLER.

664
00:31:05,530 --> 00:31:07,899
AND OF SOUND MIND ARE POWERFUL

665
00:31:07,966 --> 00:31:09,701
ADDITIONS TO THE CANNON.

666
00:31:09,767 --> 00:31:12,337
I'M GRATEFUL MANY CONTRIBUTORS

667
00:31:12,403 --> 00:31:15,607
TO MY ANTHOLOGY AND HARNESSING

668
00:31:15,673 --> 00:31:17,008
THE ARTS FOR HEALTH AND WELLNESS

669
00:31:17,075 --> 00:31:21,913
ARE TODAY.

670
00:31:21,980 --> 00:31:29,587
COMING IN APRIL AND THERE'S A

671
00:31:29,654 --> 00:31:32,724
NEW BOOK TITLED A NEURO

672
00:31:32,790 --> 00:31:34,225
SCIENT

673
00:31:34,292 --> 00:31:44,769
SCIENTIST EXPLORES MUSIC AS

674
00:31:44,969 --> 00:31:51,376
MEDICINE AND BECAUSE OF YOUR

675
00:31:51,442 --> 00:31:52,810
DEDICATED WORK THANK YOU.

676
00:31:52,877 --> 00:31:56,147
AS DISCIPLINE TO PERFORMING

677
00:31:56,214 --> 00:31:57,282
ARTS, BIOMARKER RESEARCH AND

678
00:31:57,348 --> 00:31:59,417
HEALTH CARE ARE INCREASINGLY

679
00:31:59,484 --> 00:32:00,985
AWARE OF BETTER SERVING DIVERSE

680
00:32:01,052 --> 00:32:03,488
POPULATIONS THERE'S AN URGENT

681
00:32:03,554 --> 00:32:04,989
NEED TO CONNECT BEYOND WHAT

682
00:32:05,056 --> 00:32:06,824
TRADITIONAL RANDOMIZED CLINICAL

683
00:32:06,891 --> 00:32:14,232
TRIALS ARE STRUCTURED TO DO.

684
00:32:14,299 --> 00:32:21,239
AND  THAT WAS AN EMPHASIS ON THE

685
00:32:21,306 --> 00:32:22,940
IMPORTANCE OF MEETING PEOPLE

686
00:32:23,007 --> 00:32:24,142
WHERE THEY ARE IN CHURCH AN

687
00:32:24,208 --> 00:32:25,476
COMMUNITY CENTERS WITH MEDICINE

688
00:32:25,543 --> 00:32:26,477
FOR THE GREATER GOOD.

689
00:32:26,544 --> 00:32:29,947
HE SAID ART IS A CONSTANT

690
00:32:30,014 --> 00:32:32,183
REQUEST AND SOCIAL GROUPS THAT

691
00:32:32,250 --> 00:32:34,619
ALREADY HAVE COMMON SONGS ARE

692
00:32:34,686 --> 00:32:35,453
MORE ENGAGED IN CREATING

693
00:32:35,520 --> 00:32:40,758
POSITIVE HEALTH OUTCOMES.

694
00:32:40,825 --> 00:32:44,829
AND WE SHOULD RETHINK METHODS OF

695
00:32:44,896 --> 00:32:46,898
RESEARCH AND A PUBLIC HEALTH

696
00:32:46,964 --> 00:32:48,700
DIRECTED APPROACH CAN FILL IN

697
00:32:48,766 --> 00:32:50,268
THE SPACE BETWEEN RESEARCH AND

698
00:32:50,335 --> 00:32:53,738
PRACTICE AND THE FIELD.

699
00:32:53,805 --> 00:32:56,841
AS MUSIC AND HEALTH RESEARCH I'M

700
00:32:56,908 --> 00:32:59,143
GLAD TO SEE DRAMA ARTS FOR

701
00:32:59,210 --> 00:33:00,812
TRAUMA AND PTSD, FOR EXAMPLE.

702
00:33:00,878 --> 00:33:02,180
LET'S KEEP EXPANDING.

703
00:33:02,246 --> 00:33:04,649
AND WE ALSO NEED TO CREATE

704
00:33:04,716 --> 00:33:06,851
METRICS IN CLEARER LANGUAGE SO

705
00:33:06,918 --> 00:33:08,853
EXPRESS THE FINANCIAL BENEFITS

706
00:33:08,920 --> 00:33:11,956
OF ARTS AND HEALTH CARE.

707
00:33:12,023 --> 00:33:13,691
THE NEUROARTS BLUEPRINT BEEN

708
00:33:13,758 --> 00:33:17,228
WORKING WITH AARP ON AN ECONOMIC

709
00:33:17,295 --> 00:33:21,099
ANALYSIS ON THE TRUE VALUE OF

710
00:33:21,165 --> 00:33:22,834
MUSIC ON ALZHEIMER'S AND THERE'S

711
00:33:22,900 --> 00:33:24,469
A 3-1 RETURN ON INVESTMENT.

712
00:33:24,535 --> 00:33:26,070
MODELS LIKE THIS CAN MAKE IT

713
00:33:26,137 --> 00:33:28,005
POSSIBLE FOR FUNDING TO COME

714
00:33:28,072 --> 00:33:29,374
FROM INSURANCE COMPANIES AND

715
00:33:29,440 --> 00:33:29,974
GOVERNMENT AGENCIES.

716
00:33:30,041 --> 00:33:32,844
AND SO I WANT TO END BY

717
00:33:32,910 --> 00:33:34,645
ENCOURAGING EACH OF YOU TO

718
00:33:34,712 --> 00:33:37,715
DEVELOP YOUR OWN ELEVATOR PITCH.

719
00:33:37,782 --> 00:33:42,720
EVEN AMONGST OURSELVES WE

720
00:33:42,787 --> 00:33:44,055
STRUGGLE TO MAKE OUR TERMINOLOGY

721
00:33:44,122 --> 00:33:46,257
AND GOALS CLEAR.

722
00:33:46,324 --> 00:33:48,659
IMAGINE HOW THE PUBLIC DIGESTS

723
00:33:48,726 --> 00:33:52,063
THIS AND THE ECO SYSTEM DEFIES

724
00:33:52,130 --> 00:33:55,767
SIMPLE EXPLANATION.

725
00:33:55,833 --> 00:33:57,702
THALIA GOLDSTEIN SAID IT

726
00:33:57,769 --> 00:34:00,037
PERFECTLY, EVERY STUDY IS ONE

727
00:34:00,104 --> 00:34:02,840
PIECE OF A THOUSAND PIECE PUZZLE

728
00:34:02,907 --> 00:34:05,176
AND NOT EVERY PIECE WILL ANSWER

729
00:34:05,243 --> 00:34:06,911
THE QUESTION AND WE IS TO

730
00:34:06,978 --> 00:34:08,813
EXPLAIN THE GRANULARITY TO THE

731
00:34:08,880 --> 00:34:09,046
PUBLIC.

732
00:34:09,113 --> 00:34:13,251
I LEARNED THE HARD WAY LAST

733
00:34:13,317 --> 00:34:14,952
JANUARY YOU NEED A CONCISE

734
00:34:15,019 --> 00:34:17,321
POWERFUL PITCH CITING BENEFITS

735
00:34:17,388 --> 00:34:19,223
MEANINGFUL TO YOUR LISTENER.

736
00:34:19,290 --> 00:34:23,828
THINK SHARK TANK AND I FAILED

737
00:34:23,895 --> 00:34:26,564
MISERABLY BUT I'LL BE READY NEXT

738
00:34:26,631 --> 00:34:28,533
TIME SO IT'S HELPFUL TO PRACTICE

739
00:34:28,599 --> 00:34:31,102
HOW YOU COMMUNITY YOUR SCIENCE

740
00:34:31,169 --> 00:34:34,605
TO A DOCTOR OR EXECUTIVE, YOU'RE

741
00:34:34,672 --> 00:34:37,475
ALL ADVOCATES FOR YOUR WORK.

742
00:34:37,542 --> 00:34:39,477
CAN IT BENEFIT THE HOSPITAL OR

743
00:34:39,544 --> 00:34:40,611
THE WORK SERVE COMMUNITY

744
00:34:40,678 --> 00:34:42,814
PRIORITIES IN A CONGRESSIONAL

745
00:34:42,880 --> 00:34:43,080
DISTRICT.

746
00:34:43,147 --> 00:34:43,748
YOU NEVER KNOW THE DIFFERENCE IT

747
00:34:43,815 --> 00:34:45,716
CAN MAKE.

748
00:34:45,783 --> 00:34:49,187
SO LIFE AS A SINGER HAS BEEN A

749
00:34:49,253 --> 00:34:50,822
PRIVILEGE AND HARD.

750
00:34:50,888 --> 00:34:53,591
THE HOURS OF PRACTICE AND YEARS

751
00:34:53,658 --> 00:34:55,626
OF REJECTION, CRUSHING

752
00:34:55,693 --> 00:34:58,262
PERFORMANCE PRESSURE AND SOMATIC

753
00:34:58,329 --> 00:35:00,264
PAIN I'VE ENDURED BUT A LIFE OF

754
00:35:00,331 --> 00:35:02,200
WORLD TRAVEL AND ENGAGING WITH

755
00:35:02,266 --> 00:35:04,101
300 YEARS OF GREAT MUSIC.

756
00:35:04,168 --> 00:35:06,070
THAT'S WHAT CLASSIC MEANS LIKE

757
00:35:06,137 --> 00:35:07,438
CARS AND ROCK.

758
00:35:07,505 --> 00:35:09,607
AFTER THE KENNEDY CENTER HONORS

759
00:35:09,674 --> 00:35:10,741
THE OTHER NIGHT A WOMAN CAME UP

760
00:35:10,808 --> 00:35:13,010
TO ME AND SAID I DON'T WANT TO

761
00:35:13,077 --> 00:35:15,646
BOTHER YOU BUT A HEARD A MUSIC

762
00:35:15,713 --> 00:35:17,081
IN MIND PRESENTATION OF YOURS A

763
00:35:17,148 --> 00:35:19,617
WHILE AGO AND WE WERE GOING

764
00:35:19,684 --> 00:35:22,820
THROUGH A TERRIBLE TIME WITH MY

765
00:35:22,887 --> 00:35:24,755
FATHER'S ADVANCED DEMENTIA AND A

766
00:35:24,822 --> 00:35:26,390
LIGHT BULB WENT OFF AND HE WAS

767
00:35:26,457 --> 00:35:28,292
ALWAYS AN OPERA LOVER AND WE

768
00:35:28,359 --> 00:35:29,727
STARTED PLAYING OPERA FOR HIM

769
00:35:29,794 --> 00:35:32,263
AND HE REMAINED HAPPY, SMILING

770
00:35:32,330 --> 00:35:34,131
ENGAGED AND CHANGED HIS BEHAVIOR

771
00:35:34,198 --> 00:35:36,534
AND NOW THEY PLAY ALL DAY LONG.

772
00:35:36,601 --> 00:35:38,269
SO THIS GOES TO SHOW THAT YOUR

773
00:35:38,336 --> 00:35:41,138
RESEARCH IS MAKING A DIFFERENCE

774
00:35:41,205 --> 00:35:42,106
IN REAL PEOPLE'S LIVES.

775
00:35:42,173 --> 00:35:52,717
THANK YOU SO MUCH FOR YOUR WORK.

776
00:36:15,873 --> 00:36:18,109
>> WELL, HOW CAN YOU FOLLOW

777
00:36:18,175 --> 00:36:18,309
THAT.

778
00:36:18,376 --> 00:36:20,311
THAT WAS FANTASTIC.

779
00:36:20,378 --> 00:36:21,913
THANK YOU SO MUCH, MS. FLEMING.

780
00:36:21,979 --> 00:36:22,613
WE APPRECIATED YOUR COMMENTS

781
00:36:22,680 --> 00:36:23,114
TODAY AND KEY NOTE WAS

782
00:36:23,180 --> 00:36:29,587
TREMENDOUS.

783
00:36:29,654 --> 00:36:34,158
SO, SOMEONE NEEDS TO FOL JLOW TT

784
00:36:34,225 --> 00:36:42,166
SHOW AND WE HAVE AMY ADAMS THE

785
00:36:42,233 --> 00:36:43,167
DIRECTOR OF THE NATIONAL

786
00:36:43,234 --> 00:36:45,336
INSTITUTE FOR DISORDERS AND

787
00:36:45,403 --> 00:36:46,404
STROKE AND I KNOW SHE'S UP TO

788
00:36:46,470 --> 00:36:53,644
THE TASK.

789
00:36:53,711 --> 00:36:56,847
>> THANK YOU SO MUCH TO SAY.

790
00:36:56,914 --> 00:36:58,983
IT'S SURREAL TO FOLLOW RENEE

791
00:36:59,050 --> 00:37:00,585
FLEMING TALK ABOUT A TOUGH ACT

792
00:37:00,651 --> 00:37:01,085
TO FOLLOW.

793
00:37:01,152 --> 00:37:03,821
I'M HERE TO SHARE THE LONG

794
00:37:03,888 --> 00:37:05,323
STANDING COMMITMENT NINDS HAS TO

795
00:37:05,389 --> 00:37:09,493
THIS IMPORTANT WORK AND WE LOOK

796
00:37:09,560 --> 00:37:10,828
TO SEEK AND SHARE FUNDAMENTAL

797
00:37:10,895 --> 00:37:11,662
KNOWLEDGE WITH THE BRAIN AND

798
00:37:11,729 --> 00:37:13,230
NERVOUS SYSTEM AND USE THAT TO

799
00:37:13,297 --> 00:37:15,366
DEVELOP TECHNOLOGIES, TREATMENTS

800
00:37:15,433 --> 00:37:17,134
AND CURES, HOPEFULLY.

801
00:37:17,201 --> 00:37:18,736
TO IMPROVE THE QUALITY OF LIFE

802
00:37:18,803 --> 00:37:21,606
FOR ALL PEOPLE AFFECTED BY

803
00:37:21,672 --> 00:37:22,406
NEUROLOGICAL DISORDERS.

804
00:37:22,473 --> 00:37:24,141
AS SUCH WE ARE SO APPRECIATIVE

805
00:37:24,208 --> 00:37:24,942
OF THE RESEARCH BEING DONE HERE

806
00:37:25,009 --> 00:37:25,343
TODAY.

807
00:37:25,409 --> 00:37:27,878
I DO WANT TO TAKE A QUICK MOMENT

808
00:37:27,945 --> 00:37:29,580
THOUGH TO ACKNOWLEDGE TWO OF THE

809
00:37:29,647 --> 00:37:38,055
CHAMPIONS OF THIS EFFORT AT

810
00:37:38,122 --> 00:37:38,823
NINDS.

811
00:37:38,889 --> 00:37:43,995
DR. FINKELSTEIN WILL RETIRE AND

812
00:37:44,061 --> 00:37:45,763
HE IS FAMOUS AT LEAST IN OUR

813
00:37:45,830 --> 00:37:47,798
INSTITUTE, FOR URGING

814
00:37:47,865 --> 00:37:48,966
RESEARCHERS TO FOLLOW THEIR

815
00:37:49,033 --> 00:37:51,569
BLISS, TO DO THE RESEARCH THAT

816
00:37:51,636 --> 00:37:53,504
MOST INSPIRES AND CAPTIVATES

817
00:37:53,571 --> 00:37:55,339
THEIR IMAGINATION ESPECIALLY

818
00:37:55,406 --> 00:37:57,108
WHEN THAT CAN LEAD TO NEW

819
00:37:57,174 --> 00:37:58,776
INSIGHTS INTO THE FUNDAMENTAL

820
00:37:58,843 --> 00:38:00,578
WORKINGS OF THE BRAIN.

821
00:38:00,645 --> 00:38:02,847
THIS INITIATIVE IS PROBABLY AS

822
00:38:02,913 --> 00:38:04,215
CLOSE TO BLISS AS ANYTHING AT

823
00:38:04,281 --> 00:38:06,083
NIH CAN BE FOR BOB AND FOR MANY

824
00:38:06,150 --> 00:38:06,417
OF US.

825
00:38:06,484 --> 00:38:08,085
AND THE FASCINATING RESEARCH

826
00:38:08,152 --> 00:38:10,888
THAT HAS EMERGED NOT ONLY POINTS

827
00:38:10,955 --> 00:38:12,757
TO SOME OPPORTUNITIES FOR MUSIC

828
00:38:12,823 --> 00:38:14,892
AS THERAPY BUT I ALSO WANT TO

829
00:38:14,959 --> 00:38:15,860
ACKNOWLEDGE IT CAN PROVIDE NEW

830
00:38:15,926 --> 00:38:18,896
TOOLS TO HELP US UNLOCK SOME OF

831
00:38:18,963 --> 00:38:20,031
THE PERSISTENT MYSTERIES HOW THE

832
00:38:20,097 --> 00:38:20,831
BRAIN WORKS.

833
00:38:20,898 --> 00:38:22,733
HOW DO WE THINK, HOW DO WE FEEL,

834
00:38:22,800 --> 00:38:24,135
HOW DO WE REMEMBER.

835
00:38:24,201 --> 00:38:26,303
AND THAT IS ALSO A CRITICAL

836
00:38:26,370 --> 00:38:29,240
ASPECT OF THIS EXCITING WORK.

837
00:38:29,306 --> 00:38:31,308
I'M ALSO REALLY PROUD OF MANY OF

838
00:38:31,375 --> 00:38:34,078
THE PROJECTS WE HAVE SUPPORTED

839
00:38:34,145 --> 00:38:34,912
THROUGH THE MUSIC AND HEALTH

840
00:38:34,979 --> 00:38:40,551
INITIATIVE AND WANT TO HIGHLIGHT

841
00:38:40,618 --> 00:38:42,486
A COUPLE HERE TODAY.

842
00:38:42,553 --> 00:38:46,490
MUSIC CAN HAVE WIDE RANGING

843
00:38:46,557 --> 00:38:47,658
PHYSICAL, COGNITIVE, PSYCHO AND

844
00:38:47,725 --> 00:38:50,094
SOCIAL BEHAVIORAL IMPACTS AN

845
00:38:50,161 --> 00:38:53,831
BECAUSE IT CAN AFFECT MOTOR

846
00:38:53,898 --> 00:38:59,270
PERFORMANCE AND SPEECH AND

847
00:38:59,336 --> 00:39:02,306
COGNITION AND AID PARKINSON'S

848
00:39:02,373 --> 00:39:05,476
DISEASE AND VARIOUS FORMS OF

849
00:39:05,543 --> 00:39:05,776
DEMENTIA.

850
00:39:05,843 --> 00:39:07,378
THROUGH THIS NESHT WE FUNDED

851
00:39:07,445 --> 00:39:09,747
MANY INNOVATIVE RESEARCH

852
00:39:09,814 --> 00:39:10,381
PROJECTS THAT ALSO TALK ABOUT

853
00:39:10,448 --> 00:39:12,383
HOW THE BRAIN FUNCTIONS.

854
00:39:12,450 --> 00:39:14,385
FOR EXAMPLE, WE'RE EXPLORING THE

855
00:39:14,452 --> 00:39:16,153
AFFECTS OF MUSIC TRAINING ON THE

856
00:39:16,220 --> 00:39:16,787
DEVELOPMENT OF EXECUTIVE

857
00:39:16,854 --> 00:39:18,923
FUNCTION SKILLS IN A POPULATION

858
00:39:18,989 --> 00:39:20,891
OF SCHOOL-AGE CHILDREN FROM

859
00:39:20,958 --> 00:39:22,526
UNDER RESOURCED COMMUNITIES.

860
00:39:22,593 --> 00:39:24,395
AND I THINK IT ALSO POINTS TO

861
00:39:24,462 --> 00:39:26,897
THE POTENTIAL OF MUSIC THERAPY

862
00:39:26,964 --> 00:39:27,765
TO ADDRESS ISSUES OF HEALTH

863
00:39:27,832 --> 00:39:29,700
EQUITY AS ALLUDED TO EARLIER

864
00:39:29,767 --> 00:39:30,468
TODAY.

865
00:39:30,534 --> 00:39:32,136
WE FUNDED PROJECTS THAT HAVE

866
00:39:32,203 --> 00:39:33,971
INVESTIGATED THE RELATIONSHIP

867
00:39:34,038 --> 00:39:36,507
BETWEEN MEMORY AND MUSIC AND

868
00:39:36,574 --> 00:39:37,875
OTHERS INVESTIGATING THE NEURAL

869
00:39:37,942 --> 00:39:40,211
CONSEQUENCES OF EARLY MUSIC

870
00:39:40,277 --> 00:39:41,078
INTERVENTIONS DEEPENING OUR

871
00:39:41,145 --> 00:39:42,580
UNDERSTANDING OF THE GENERAL

872
00:39:42,646 --> 00:39:44,882
DEVELOPMENT OF THE AUDITORY

873
00:39:44,949 --> 00:39:53,958
SYSTEM AND PROCESS.

874
00:39:54,024 --> 00:39:57,528
WE FINDED COLLABORATIONS WITH

875
00:39:57,595 --> 00:40:00,097
TUFT'S UNIVERSITY TO DEVELOP A

876
00:40:00,164 --> 00:40:01,432
SONG BIRD PROGRAM AND HOW DO WE

877
00:40:01,499 --> 00:40:03,200
FEEL THE BEAT AND HOW DO WE HEAR

878
00:40:03,267 --> 00:40:07,104
IT AND USE IT POTENTIALLY TO

879
00:40:07,171 --> 00:40:08,806
COORDINATE MOVEMENT?

880
00:40:08,873 --> 00:40:10,941
SOUNDS BIRDS ARE A COMPLEX

881
00:40:11,008 --> 00:40:11,675
RHYTHMIC VOCAL CONSEQUENCES

882
00:40:11,742 --> 00:40:14,345
DURING A CRITICAL PERIOD AND

883
00:40:14,411 --> 00:40:24,955
PARALLELS HUMAN SPEECH LEARNING.

884
00:40:35,065 --> 00:40:36,400
HOW ARE BASIC PATTERNS

885
00:40:36,467 --> 00:40:38,903
RECOGNIZED MAYBE INDEPENDENT OF

886
00:40:38,969 --> 00:40:42,406
THE SPEED OF THE SONG AND HOW

887
00:40:42,473 --> 00:40:44,375
DOES IT VARY BETWEEN MALE SONG

888
00:40:44,441 --> 00:40:46,944
BIRDS AND FEMALE SONG BIRDS WHO

889
00:40:47,011 --> 00:40:47,711
DO NOT?

890
00:40:47,778 --> 00:40:50,281
THIS COLLABORATION LAID THE

891
00:40:50,347 --> 00:40:53,684
GROUND WORK TO STUDY BEAT

892
00:40:53,751 --> 00:40:54,919
PERCEPTION AND INFORMING

893
00:40:54,985 --> 00:40:56,020
MUSIC-BASED INTERVENTIONS TO

894
00:40:56,086 --> 00:40:57,955
ENHANCE FUNCTION IN NORMAL AND

895
00:40:58,022 --> 00:40:58,823
DISEASED STATE.

896
00:40:58,889 --> 00:41:00,591
I THINK IT'S A FUN AND IMPORTANT

897
00:41:00,658 --> 00:41:02,193
EXAMPLE OF THE TYPE OF CREATIVE

898
00:41:02,259 --> 00:41:03,527
WORK THAT COMES FROM THIS

899
00:41:03,594 --> 00:41:03,828
INITIATIVE.

900
00:41:03,894 --> 00:41:06,130
WITH THAT I'M HAPPY TO TURN THE

901
00:41:06,197 --> 00:41:07,998
TAKE OVER TO THE NEXT PANEL THAT

902
00:41:08,065 --> 00:41:09,466
WILL LOOK AT FUTURE RESEARCH

903
00:41:09,533 --> 00:41:09,767
DIRECTIONS.

904
00:41:09,834 --> 00:41:20,010
THANK YOU.

905
00:41:43,601 --> 00:41:46,070
I'M PLEASED TO INTRODUCE OUR

906
00:41:46,136 --> 00:41:49,607
NEXT PANEL, DR. FINKELSTEEN AND

907
00:41:49,673 --> 00:41:51,976
DR. CHEN AND DR. ZANTO FROM THE

908
00:41:52,042 --> 00:41:53,510
UNIVERSITY OF SAN FRANCISCO.

909
00:41:53,577 --> 00:41:54,945
NOW OVER TO DR. ZANTO AND OUR

910
00:41:55,012 --> 00:42:02,553
PERFORMER.

911
00:42:02,620 --> 00:42:05,589
>> THANK YOU, GOOD MORNING.

912
00:42:05,656 --> 00:42:08,759
I'M TED ZANTO FROM NEUROSCAPE AT

913
00:42:08,826 --> 00:42:12,396
UC

914
00:42:12,463 --> 00:42:16,734
UCSF AND HONORED TO BE HERE TO

915
00:42:16,800 --> 00:42:18,035
INTRODUCE A WONDERFUL SCIENTIST

916
00:42:18,102 --> 00:42:19,436
WHOSE PERFORMANCE I BELIEVE WILL

917
00:42:19,503 --> 00:42:20,604
PERFECTLY CAPTURE THE ESSENCE OF

918
00:42:20,671 --> 00:42:22,339
THIS MORNING'S SESSION, FUTURE

919
00:42:22,406 --> 00:42:24,608
RESEARCH DIRECTIONS.

920
00:42:24,675 --> 00:42:26,877
NOW, WE ALL HAVE EXPECTATIONS

921
00:42:26,944 --> 00:42:28,913
FOR WHAT THE FUTURE MIGHT HOLD

922
00:42:28,979 --> 00:42:31,382
YET WE CAN'T PREDICTION THE

923
00:42:31,448 --> 00:42:32,883
FUTURE.

924
00:42:32,950 --> 00:42:38,822
OUR EXPECTATIONS WILL BE BROKEN

925
00:42:38,889 --> 00:42:44,328
AND MANY ARGUE THE VIOLATION OF

926
00:42:44,395 --> 00:42:45,396
EXPECTATIONS WILL DRAW US TO

927
00:42:45,462 --> 00:42:46,163
MUSIC AS IF WE'RE CELEBRATING

928
00:42:46,230 --> 00:42:52,937
THE UNKNOWN.

929
00:42:53,003 --> 00:43:00,811
I'D LIKE TO LET YOU ROLE PLAY

930
00:43:00,878 --> 00:43:02,947
THROUGH THIS PERFORMANCE TO

931
00:43:03,013 --> 00:43:04,682
VIOLATE WHAT YOUR EXPECTATIONS

932
00:43:04,748 --> 00:43:08,919
OF WHAT MUSIC CAN BE AND DO.

933
00:43:08,986 --> 00:43:10,921
WITHOUT FURTHER ADO I GIVE YOU

934
00:43:10,988 --> 00:43:14,892
THE ASSISTANT PROCESS OF MUSIC

935
00:43:14,959 --> 00:43:17,861
IN THE ATLAS INSTITUTE AT THE

936
00:43:17,928 --> 00:43:23,067
UNIVERSITY OF COLORADO, BOULDER,

937
00:43:23,133 --> 00:43:33,377
GRACE LESLIE.

938
00:43:41,352 --> 00:43:41,685
>> THANK YOU.

939
00:43:41,752 --> 00:43:43,187
IT'S AN HONOR TO BE SHARING MY

940
00:43:43,253 --> 00:43:45,189
WORK WITH YOU ALL TODAY AND

941
00:43:45,255 --> 00:43:47,224
ESPECIALLY TO BE PART OF THIS

942
00:43:47,291 --> 00:43:49,727
NEXT GROUP OF MUSIC

943
00:43:49,793 --> 00:43:50,494
TECHNOLOGISTS HERE.

944
00:43:50,561 --> 00:43:53,197
LIME ALL OF I WEAR MANY HATS AND

945
00:43:53,263 --> 00:43:55,366
TODAY I'M WEARING MY MUSIC

946
00:43:55,432 --> 00:43:56,867
PERFORMANCE HAT LITERALLY.

947
00:43:56,934 --> 00:43:59,570
BUT I ALSO RENT A LAB AT THE

948
00:43:59,636 --> 00:44:01,238
ATLAS INSTITUTE CALLED THE BRAIN

949
00:44:01,305 --> 00:44:02,473
MUSIC LAB AND WE'RE BUSY

950
00:44:02,539 --> 00:44:04,541
DEVELOPING NEW KINDS OF HUMAN

951
00:44:04,608 --> 00:44:06,243
COMPUTER INTERFACES THAT USE

952
00:44:06,310 --> 00:44:08,712
BRAIN AND BODY SIGNALS AND MUSIC

953
00:44:08,779 --> 00:44:10,147
AND DEMONSTRATING THE

954
00:44:10,214 --> 00:44:10,948
APPLICATIONS THEY HAVE TO

955
00:44:11,015 --> 00:44:14,451
CREATIVITY AND HEALTH.

956
00:44:14,518 --> 00:44:16,320
AS A PERFORMING MUSICIAN AND

957
00:44:16,387 --> 00:44:19,723
MUSIC TECHNOLOGIST I HAVE A

958
00:44:19,790 --> 00:44:20,891
PROVOCATION I WANT TO PRESENT

959
00:44:20,958 --> 00:44:22,860
TODAY BOTH IN WORDS AND MY

960
00:44:22,926 --> 00:44:23,260
MUSIC.

961
00:44:23,327 --> 00:44:25,896
OUR FIELD OF MUSIC TECHNOLOGY IS

962
00:44:25,963 --> 00:44:29,099
INCREASINGLY ENABLED MUSIC

963
00:44:29,166 --> 00:44:30,934
EXPERIENCING AND ENABLING MUSIC

964
00:44:31,001 --> 00:44:33,771
EXPERIENCES THAT TREAT MUSIC AS

965
00:44:33,837 --> 00:44:36,707
A DISEMBODIED SENSORY STIMULUS.

966
00:44:36,774 --> 00:44:39,710
AS WE ENTER AGE AGE OF MUSIC AND

967
00:44:39,777 --> 00:44:42,946
ART GENERATED BY ARTIFICIAL

968
00:44:43,013 --> 00:44:45,149
INTELLIGENCE LET US NOT FORGET

969
00:44:45,215 --> 00:44:46,116
MUSIC IS THE COMMUNICATION FROM

970
00:44:46,183 --> 00:44:48,018
ONE HUMAN TO ANOTHER AND THE

971
00:44:48,085 --> 00:44:50,020
HUMAN BODY AND THE SPIRIT ARE

972
00:44:50,087 --> 00:44:53,323
ITS TRANSDUCERS AND ULTIMATELY

973
00:44:53,390 --> 00:44:59,963
CARRY THE RESPONSE ACTAB RESPON

974
00:45:00,030 --> 00:45:00,364
HEALING QUALITIES.

975
00:45:00,431 --> 00:45:03,834
WE HEARD ABOUT CULTURES THAT DO

976
00:45:03,901 --> 00:45:05,436
NOT DISTINGUISH BETWEEN MUSIC

977
00:45:05,502 --> 00:45:06,937
CREATORS AND LISTENERS AND I

978
00:45:07,004 --> 00:45:09,706
BELIEVE THIS MODEL CAPTURES THE

979
00:45:09,773 --> 00:45:12,076
HUMAN EXPERIENCE THAT CAN BE

980
00:45:12,142 --> 00:45:16,413
MODELS AS A TRANSFERENCE OF

981
00:45:16,480 --> 00:45:17,247
ENTEROCEPTION AND BODILY

982
00:45:17,314 --> 00:45:20,017
AWARENESS FROM ONE PERSON TO

983
00:45:20,084 --> 00:45:20,250
ANOTHER.

984
00:45:20,317 --> 00:45:21,718
YESTERDAY FRANCIS COLLINS

985
00:45:21,785 --> 00:45:23,353
HIMSELF THE BOSS, QUOTE THE BOSS

986
00:45:23,420 --> 00:45:24,822
SAYING THE BEST MUSIC IS THERE

987
00:45:24,888 --> 00:45:26,890
TO PROVIDE YOU SOMETHING TO FACE

988
00:45:26,957 --> 00:45:29,493
THE WORLD WITH.

989
00:45:29,560 --> 00:45:32,663
I'D LIKE TO REPEAT THIS WITH A

990
00:45:32,729 --> 00:45:34,064
VARIATION.

991
00:45:34,131 --> 00:45:38,135
IT'S MUSICIANS WHO GIVE OF

992
00:45:38,202 --> 00:45:38,902
THEMSELVES HERE TO FACE THE

993
00:45:38,969 --> 00:45:44,575
WORLD WITH US IN THIS

994
00:45:44,641 --> 00:45:47,177
PERFORMANCE I'M TURNING MY HEART

995
00:45:47,244 --> 00:45:49,079
WAVES AND SOUNDS AS THE EMBODIED

996
00:45:49,146 --> 00:45:50,881
NATURE OF PERFORMANCE AND MY

997
00:45:50,948 --> 00:45:52,549
GOAL IS TO COMMUNICATE MY HUMAN

998
00:45:52,616 --> 00:45:53,650
EXPERIENCE TO PROVIDE YOU ALL

999
00:45:53,717 --> 00:45:54,284
WITH SOMETHING TO FACE THE WORLD

1000
00:45:54,351 --> 00:46:04,461
WITH.

1001
00:58:31,007 --> 00:58:39,716
THANK YOU.

1002
00:58:39,782 --> 00:58:39,949
>> WOW.

1003
00:58:40,016 --> 00:58:44,053
THAT WAS GREAT.

1004
00:58:44,120 --> 00:58:46,923
WHEN WE HAD THE PANEL DISCUSSION

1005
00:58:46,990 --> 00:58:48,157
I WANT YOU TO EXPLAIN A LITTLE

1006
00:58:48,224 --> 00:58:50,827
BIT ABOUT WHAT YOU WERE DOING,

1007
00:58:50,894 --> 00:58:51,794
GRACE.

1008
00:58:51,861 --> 00:58:53,029
I CONSIDER IT THE WARM UP PART

1009
00:58:53,096 --> 00:58:56,366
OF THE SHOW, ACTUALLY.

1010
00:58:56,432 --> 00:59:02,672
OKAY, SO I'M BOB FINKELSTEIN THE

1011
00:59:02,739 --> 00:59:04,674
DIRECTOR OF THE NEUROLOGY

1012
00:59:04,741 --> 00:59:06,776
INSTITUTE AND WELCOME TO SESSION

1013
00:59:06,843 --> 00:59:06,910
4.

1014
00:59:06,976 --> 00:59:09,045
TODAY'S THE DAY WE'RE LOOKING

1015
00:59:09,112 --> 00:59:10,780
FORWARD AND IN THIS SESSION

1016
00:59:10,847 --> 00:59:12,448
LOOKING TO DEVELOP

1017
00:59:12,515 --> 00:59:13,049
RECOMMENDATIONS FOR FUTURE

1018
00:59:13,116 --> 00:59:13,683
RESEARCH.

1019
00:59:13,750 --> 00:59:15,685
SO WE HAVE A GREAT LINEUP OF

1020
00:59:15,752 --> 00:59:15,952
SPEAKERS.

1021
00:59:16,019 --> 00:59:17,787
IS THAT ON THE BOARD?

1022
00:59:17,854 --> 00:59:21,691
I HAVE IT WRITTEN DOWN HERE.

1023
00:59:21,758 --> 00:59:25,361
FIRST IS KEVIN LUI FROM NIDCR

1024
00:59:25,428 --> 00:59:27,297
THE NATIONAL INSTITUTE OF DENTAL

1025
00:59:27,363 --> 00:59:29,532
AND CRANIOFACIAL RESEARCH AND

1026
00:59:29,599 --> 00:59:33,803
ALSO FROM NCCIH AND REINA GORDON

1027
00:59:33,870 --> 00:59:37,473
FROM VANDERBILT, TED ZANTO FROM

1028
00:59:37,540 --> 00:59:41,077
UCSF, JACKIE KULINSKI FROM THE

1029
00:59:41,144 --> 00:59:42,645
MEDICAL COLLEGE OF WISCONSIN AND

1030
00:59:42,712 --> 00:59:45,281
CHRISTINA HUGENSCHMIDT AND THE

1031
00:59:45,348 --> 00:59:48,284
FIRST TWO TALKS ARE BASIC

1032
00:59:48,351 --> 00:59:48,952
MECHANISM TALKS.

1033
00:59:49,018 --> 00:59:51,554
THEY'RE CLOSER TO BEING BASIC

1034
00:59:51,621 --> 00:59:51,821
RESEARCH.

1035
00:59:51,888 --> 00:59:53,323
TED'S TALK IS KIND OF A BRIDGE

1036
00:59:53,389 --> 00:59:54,958
BETWEEN BASIC AND APPLIED AND

1037
00:59:55,024 --> 00:59:56,259
THE LAST TWO TALKS ARE PRIMARILY

1038
00:59:56,326 --> 00:59:58,194
APPLIED RESEARCH.

1039
00:59:58,261 --> 01:00:00,763
THAT WILL GIVE YOU A CONTINUUM

1040
01:00:00,830 --> 01:00:02,632
FROM BASIC TO APPLIED WHAT WE'RE

1041
01:00:02,699 --> 01:00:02,832
DOING.

1042
01:00:02,899 --> 01:00:13,142
IS KEVIN HERE?

1043
01:00:29,492 --> 01:00:31,761
>> GOOD MORNING, EVERYONE.

1044
01:00:31,828 --> 01:00:34,297
FIRST I'M LIKE TO THANK MY

1045
01:00:34,364 --> 01:00:35,264
COLLEAGUES AT NIH FOR A GREAT

1046
01:00:35,331 --> 01:00:38,935
EVENT ALLOWING ME TO SHARE

1047
01:00:39,002 --> 01:00:40,370
RECENT FINDINGS IN BASIC

1048
01:00:40,436 --> 01:00:40,603
SCIENCE.

1049
01:00:40,670 --> 01:00:44,407
THE TITLE OF MY TALK TODAY IS

1050
01:00:44,474 --> 01:00:52,582
SOUND INDUCES ANALGESIA THROUGH

1051
01:00:52,648 --> 01:00:53,883
CORTICOTH

1052
01:00:53,950 --> 01:00:54,917
CORTICOTH

1053
01:00:54,984 --> 01:00:56,152
CORTICOTHALMIC CIRCUITS.

1054
01:00:56,219 --> 01:00:58,921
IT'S BEEN RECOGNIZED CERTAIN

1055
01:00:58,988 --> 01:01:03,659
KINDS OF SOUNDS AND DIVERSE

1056
01:01:03,726 --> 01:01:04,827
MUSIC AND EVEN SOUNDS OF NATURE

1057
01:01:04,894 --> 01:01:15,438
COULD INDUCE PAIN RELIEF IN H

1058
01:01:17,040 --> 01:01:21,010
HUMAN BEINGS AND IT WAS

1059
01:01:21,077 --> 01:01:23,446
PUBLISHED IN A STUDY OF 5,000

1060
01:01:23,513 --> 01:01:29,118
PATIENTS A GROUP OF DENTISTS IN

1061
01:01:29,185 --> 01:01:39,896
BOSTON REPORTED WHEN THEY PLAYED

1062
01:01:41,431 --> 01:01:44,434
MUSIC FOR PATIENTS DURING

1063
01:01:44,500 --> 01:01:48,704
SURGERY AND THE NOISE GENERATED

1064
01:01:48,771 --> 01:01:51,774
COULD DRIVE ANALGESIC AFFECTS.

1065
01:01:51,841 --> 01:01:56,946
SO INSPIRED BY THIS STUDY IN

1066
01:01:57,013 --> 01:01:58,915
HUMANS WE WENT TO THE

1067
01:01:58,981 --> 01:02:02,218
INVESTIGATOR TO LOOK AT WHETHER

1068
01:02:02,285 --> 01:02:05,054
SOUND CAN PRODUCE ANALGESIC

1069
01:02:05,121 --> 01:02:08,891
AFFECTS USING RODENT MODELS.

1070
01:02:08,958 --> 01:02:12,295
WE FIRST WE ESTABLISHED AN

1071
01:02:12,361 --> 01:02:13,863
INFLAMMATION PAIN MODEL AND USED

1072
01:02:13,930 --> 01:02:19,936
A TEST TO MEASURE THE MECHANICAL

1073
01:02:20,002 --> 01:02:21,504
PAIN SENSITIVITY.

1074
01:02:21,571 --> 01:02:23,473
I HOPE YOU CAN APPRECIATE AS

1075
01:02:23,539 --> 01:02:26,409
SHOWN IN THE VIDEO INFLAMMATION

1076
01:02:26,476 --> 01:02:32,548
HAS BEEN INDUCTED A GENTLE TOUCH

1077
01:02:32,615 --> 01:02:43,126
DELIVERED BY A VARYING EVOKE

1078
01:02:43,593 --> 01:02:46,062
LICKING OF THE HIND PAW

1079
01:02:46,129 --> 01:02:49,265
INDICATORS OF PAIN SENSITIVITY.

1080
01:02:49,332 --> 01:02:51,534
WE ADDED A PIECE OF MUSIC WHEN

1081
01:02:51,601 --> 01:02:53,736
WE PERFORMED THE SAME TEST.

1082
01:02:53,803 --> 01:02:58,641
IN THIS CASE WE CHOSE A PIECE OF

1083
01:02:58,708 --> 01:03:08,317
SYMPHONY.

1084
01:03:08,384 --> 01:03:12,822
SO I HOPE YOU CAN APPRECIATE

1085
01:03:12,889 --> 01:03:18,294
THAT WHEN THE MUSIC IS PLAYING

1086
01:03:18,361 --> 01:03:20,997
AN THIS IS IDENTICAL FOR THE

1087
01:03:21,063 --> 01:03:24,133
HIND PAW AND NOW WE HAVE SEEN

1088
01:03:24,200 --> 01:03:28,538
THE  FLINCHING AND LICKING

1089
01:03:28,604 --> 01:03:36,279
DISAPPEARED AND IT FAILED AND

1090
01:03:36,345 --> 01:03:43,619
SHOWING PAIN WAS ATTENUATED.

1091
01:03:43,686 --> 01:03:48,925
AND MUSIC INDUCED ANALGESIA CAN

1092
01:03:48,991 --> 01:03:50,993
LAST FOR TWO DAYS EVEN WITHOUT

1093
01:03:51,060 --> 01:03:53,563
MUSIC IF MY EXPOSURE TO THIS

1094
01:03:53,629 --> 01:03:58,067
REPEATEDLY FOR THE THREE DAYS.

1095
01:03:58,134 --> 01:04:01,804
SO WE WENT FURTHER TO STUDY

1096
01:04:01,871 --> 01:04:05,575
WHETHER THIS MUSIC INDUCED

1097
01:04:05,641 --> 01:04:08,945
ANALGESIC WAS DUE TO THE MUSIC

1098
01:04:09,011 --> 01:04:13,583
WE CHOSE FOR EXAMPLE SOME MICE

1099
01:04:13,649 --> 01:04:17,019
MIGHT BEFORE MOZART OR BEETHOVEN

1100
01:04:17,086 --> 01:04:18,921
AND DUE TO OTHER PROPERTIES.

1101
01:04:18,988 --> 01:04:21,324
TO TEST THIS WE THEN PLAYED TWO

1102
01:04:21,390 --> 01:04:26,629
OTHER FORM OF MUSIC.

1103
01:04:26,696 --> 01:04:37,240
THE FIRST IS WE SWITCHED AND THE

1104
01:04:48,618 --> 01:04:58,928
SECOND IS WHITE NOISE.

1105
01:05:06,369 --> 01:05:07,637
WE PLAYED THE TWO TYPES OF MUSIC

1106
01:05:07,703 --> 01:05:11,040
AND TO OUR SURPRISE, BOTH TYPES

1107
01:05:11,107 --> 01:05:14,944
OF MUSIC CAN EQUALLY NUMB THE

1108
01:05:15,011 --> 01:05:20,182
PAIN AND THE BACH DID.

1109
01:05:20,249 --> 01:05:30,793
SO WHAT WAS KEY IF IT WAS PLAYED

1110
01:05:31,027 --> 01:05:37,066
AT A LEVEL ABOVE THE BACKGROUND

1111
01:05:37,133 --> 01:05:45,308
NOISE FIVE DECIBELS ABOVE WE

1112
01:05:45,374 --> 01:05:50,012
COULD OBSERVE AN ANALGESIC

1113
01:05:50,079 --> 01:05:53,616
AFFECT OF SOUND INTENSITY.

1114
01:05:53,683 --> 01:05:56,452
TO STUDY HOW THIS COULD LEAD TO

1115
01:05:56,519 --> 01:05:59,922
AN ANALGESIC AFFECT WE FIRST

1116
01:05:59,989 --> 01:06:03,859
PROBED THE ACTIVITY OF THE

1117
01:06:03,926 --> 01:06:05,895
CORTEX WHERE THE SOUND

1118
01:06:05,961 --> 01:06:08,431
INFORMATION IS PROCESSEDA IN THE

1119
01:06:08,497 --> 01:06:08,964
CORTEX.

1120
01:06:09,031 --> 01:06:12,568
SO OUR RESULTS SHOWS THAT ONLY

1121
01:06:12,635 --> 01:06:17,373
THE LOW SIGNAL TO NOISE RATIO OF

1122
01:06:17,440 --> 01:06:18,908
FIVE DECIBEL IS ENOUGH BUT NOT

1123
01:06:18,974 --> 01:06:22,678
THE HIGHER ONES COULD REDUCE

1124
01:06:22,745 --> 01:06:23,612
NEURONAL ACTIVITY WITHIN THE

1125
01:06:23,679 --> 01:06:27,149
AUDITORY CORTEX.

1126
01:06:27,216 --> 01:06:30,920
MORE IMPORTANTLY THE CHEMO

1127
01:06:30,986 --> 01:06:31,854
GENETIC EXCITATORY NEURONS

1128
01:06:31,921 --> 01:06:34,357
WITHIN THE AUDITORY CORTEX CAN

1129
01:06:34,423 --> 01:06:38,594
ENHANCE THE MECHANIC CAL TLCHT

1130
01:06:38,661 --> 01:06:42,665
WHICH WAS SIGNIFICANTLY LOWERED

1131
01:06:42,732 --> 01:06:44,100
ON THE INFLAMMATION OF PAIN.

1132
01:06:44,166 --> 01:06:46,936
THIS REALLY SUGGESTS THAT THE

1133
01:06:47,002 --> 01:06:50,973
AUDITORY CORTEX IS ACTIVELY

1134
01:06:51,040 --> 01:06:54,543
INVOLVED IN THE LOW

1135
01:06:54,610 --> 01:06:56,445
SOUND-INDUCED ANALGESIA.

1136
01:06:56,512 --> 01:06:58,547
WE WENT FURTHER TO IDENTIFY

1137
01:06:58,614 --> 01:07:00,683
POTENTIAL DOWN STREAM TARGETS OF

1138
01:07:00,750 --> 01:07:04,153
AUDITORY CORTEX THAT MIGHT DRIVE

1139
01:07:04,220 --> 01:07:06,689
THIS CROSS-MODEL THE SENSORY

1140
01:07:06,756 --> 01:07:07,289
PROCESSING.

1141
01:07:07,356 --> 01:07:15,531
TO DO THAT WE INJECTED A VIRUS

1142
01:07:15,598 --> 01:07:19,368
INTO THE AUDITORY CORTEX.

1143
01:07:19,435 --> 01:07:24,073
THIS METHOD ALLOWED US TO TRACE

1144
01:07:24,140 --> 01:07:28,744
THE OUTPUT FROM THE EXCITATORY

1145
01:07:28,811 --> 01:07:30,913
NEURONS OF THE AUDITORY CORTEX

1146
01:07:30,980 --> 01:07:34,917
AND THE PRESYNAPTIC TERMINALS

1147
01:07:34,984 --> 01:07:39,455
AND TO OUR SURPRISE WE FOUND

1148
01:07:39,522 --> 01:07:44,593
ABUNDANT SIGNALS IN NUCLEI

1149
01:07:44,660 --> 01:07:52,101
WITHIN THE THALAMUS THE VENTRAL

1150
01:07:52,168 --> 01:07:54,537
POSTERIOR NUCLEUS.

1151
01:07:54,603 --> 01:08:04,146
THESE WE CALL NUCLEUS AND REPLAY

1152
01:08:04,213 --> 01:08:07,883
FROM THE SPINAL CORD TO THE

1153
01:08:07,950 --> 01:08:09,051
SENSORY CORTEX WHERE THE

1154
01:08:09,118 --> 01:08:10,920
PERCEPTION IS RECEIVED.

1155
01:08:10,986 --> 01:08:17,293
THIS SUGGESTS THE SOMATO SENSORY

1156
01:08:17,359 --> 01:08:20,729
THALAMUS MAY FUNCTION FOR THE

1157
01:08:20,796 --> 01:08:21,263
SENSORY PROCESSES.

1158
01:08:21,330 --> 01:08:24,600
TO TEST THIS HYPOTHESIS, WE

1159
01:08:24,667 --> 01:08:25,835
FIRST PROBED THE NEURONAL

1160
01:08:25,901 --> 01:08:31,740
ACTIVITY WITHIN THE P.O.

1161
01:08:31,807 --> 01:08:35,211
FIRST WE SHOWED THAT AMONG THE

1162
01:08:35,277 --> 01:08:35,878
PAIN CONDITION THE NEURONAL

1163
01:08:35,945 --> 01:08:41,750
ACTIVITY WAS ENHANCED WITHIN THE

1164
01:08:41,817 --> 01:08:42,618
P.O.

1165
01:08:42,685 --> 01:08:44,920
MORE IMPORTANTLY, SUCH NEURONAL

1166
01:08:44,987 --> 01:08:47,490
ACTIVATION COULD BE REDUCED WHEN

1167
01:08:47,556 --> 01:08:50,993
MICE WERE EXPOSED TO THIS LOW

1168
01:08:51,060 --> 01:08:54,396
SOUND.

1169
01:08:54,463 --> 01:08:57,233
SO TO REALLY FUNCTIONALLY

1170
01:08:57,299 --> 01:09:01,570
MANIPULATE THE CORTICO AUDIO TO

1171
01:09:01,637 --> 01:09:02,905
THE THALAMIC PATHWAY WE

1172
01:09:02,972 --> 01:09:05,174
PERFORMED OPTOGENETICS WHERE THE

1173
01:09:05,241 --> 01:09:08,444
LIGHT WAS SHED ON TO THE AXON

1174
01:09:08,511 --> 01:09:09,845
TERMINAL AND P.O.s FROM THE

1175
01:09:09,912 --> 01:09:14,283
AUDITORY CORTEX.

1176
01:09:14,350 --> 01:09:17,319
IN ACTIVATION OF THE PATHWAY

1177
01:09:17,386 --> 01:09:22,558
REALLY FEEN PHENOCOPIED THE

1178
01:09:22,625 --> 01:09:25,160
SOUND INDUCEMENT AND REDUCED

1179
01:09:25,227 --> 01:09:27,696
ACTIVATION WITHIN THE P.O. AND

1180
01:09:27,763 --> 01:09:32,434
SECOND, IT COULD ENHANCE THE

1181
01:09:32,501 --> 01:09:34,169
MECHANICAL SENSITIVITY LOWERED

1182
01:09:34,236 --> 01:09:37,339
FROM THE INFLAMMATION.

1183
01:09:37,406 --> 01:09:41,744
IN CONTRAST, THE ACTIVATION OF

1184
01:09:41,810 --> 01:09:44,013
THIS PATHWAY CAN BLOCK LOW

1185
01:09:44,079 --> 01:09:47,850
INDUCED ANALGESIA.

1186
01:09:47,917 --> 01:09:50,286
THIS SUGGESTS THAT SUCH CORTICO

1187
01:09:50,352 --> 01:09:53,088
TO SOME OF THE SENSORY THALAMIC

1188
01:09:53,155 --> 01:09:56,825
PATH WE IS BOTH REQUIRED AND

1189
01:09:56,892 --> 01:09:59,161
SUFFICIENT TO DRIVE LOW SNR

1190
01:09:59,228 --> 01:10:01,130
SOUND INDUCED ANALGESIA.

1191
01:10:01,196 --> 01:10:03,899
TO SUMMARIZE OUR FINDINGS, OUR

1192
01:10:03,966 --> 01:10:07,202
STUDY SHOWED THAT THE AUDITORY

1193
01:10:07,269 --> 01:10:10,139
CORTEX COULD IMPACT PAIN

1194
01:10:10,205 --> 01:10:14,310
PERCEPTION BY THE AUDITORY

1195
01:10:14,376 --> 01:10:16,845
THALAMIC CORTICAL OF THE SENSORY

1196
01:10:16,912 --> 01:10:17,346
SIGNALS.

1197
01:10:17,413 --> 01:10:19,448
AS OUR FUTURE DIRECTION IT IS

1198
01:10:19,515 --> 01:10:22,851
REALLY INSIGHTFUL TO FOCUS ON

1199
01:10:22,918 --> 01:10:30,693
THE BRAIN REGIONS WHERE MULTIPLE

1200
01:10:30,759 --> 01:10:33,829
SENSORY INFORMATION CONVERGE.

1201
01:10:33,896 --> 01:10:40,569
AND ALSO THE ASSOCIATED CORTICO

1202
01:10:40,636 --> 01:10:45,708
REGIONS LIKE INSULAR CORTEX AND

1203
01:10:45,774 --> 01:10:47,743
I WILL STOP HERE AND THANK MY

1204
01:10:47,810 --> 01:10:50,980
WONDERFUL DIVERSE GROUP AND OUR

1205
01:10:51,046 --> 01:10:54,783
WONDERFUL COLLABORATORS AND THE

1206
01:10:54,850 --> 01:10:56,986
POSTDOC AT THE UNIVERSITY.

1207
01:10:57,052 --> 01:10:58,554
THANKS FOR YOUR ATTENTION AND

1208
01:10:58,621 --> 01:11:02,925
I'M HAPPY TO COMMUNICATE AFTER

1209
01:11:02,992 --> 01:11:13,168
THIS TALK.

1210
01:12:05,921 --> 01:12:09,191
>> HERITABILITY IS THE

1211
01:12:09,258 --> 01:12:09,992
PROPORTION OF PHENOTYPIC

1212
01:12:10,059 --> 01:12:11,827
VARIATION EXPLAINED BY GENETIC

1213
01:12:11,894 --> 01:12:12,261
VARIATION.

1214
01:12:12,327 --> 01:12:12,761
WE ARE NOT RULING OUT

1215
01:12:12,828 --> 01:12:15,097
ENVIRONMENT BECAUSE GENETICS CAN

1216
01:12:15,164 --> 01:12:16,765
INFLUENCE THE CULTURAL

1217
01:12:16,832 --> 01:12:18,100
EXPERIENCES THAT WE SEEK OUT AND

1218
01:12:18,167 --> 01:12:19,401
CREATE AS HUMANS.

1219
01:12:19,468 --> 01:12:21,103
IT IS ALL CONNECTED.

1220
01:12:21,170 --> 01:12:22,905
SO HERE WE ARE HARNESSING

1221
01:12:22,971 --> 01:12:23,739
INDIVIDUAL DIFFERENCES ACROSS

1222
01:12:23,806 --> 01:12:24,339
PEOPLE.

1223
01:12:24,406 --> 01:12:26,108
NOW, KEEP THAT IDEA IN MIND

1224
01:12:26,175 --> 01:12:27,342
BECAUSE IT'S GOING TO BE VERY

1225
01:12:27,409 --> 01:12:28,711
IMPORTANT FOR CLINICAL

1226
01:12:28,777 --> 01:12:31,146
APPLICATIONS OF MUSIC.

1227
01:12:31,213 --> 01:12:32,681
THERE'S WORK IN THIS BETWEEN

1228
01:12:32,748 --> 01:12:34,283
REGISTRY MADE POSSIBLE BY THE

1229
01:12:34,349 --> 01:12:36,985
FACT THEY'RE INVESTING IN

1230
01:12:37,052 --> 01:12:46,528
COLLECTING MANY MUSE MUSICALITY

1231
01:12:46,595 --> 01:12:48,564
AND SOME RHYTHMIZATION AND

1232
01:12:48,630 --> 01:12:50,332
VARIABILITIES IS IS CORRELATED

1233
01:12:50,399 --> 01:12:50,933
WITH GENETIC SIMILARITIES AND

1234
01:12:50,999 --> 01:13:01,110
DIFFERENCES.

1235
01:13:01,176 --> 01:13:05,547
AND WANTED TO TAP INTO THE

1236
01:13:05,614 --> 01:13:11,453
PURPOSE AND I WANT TO EXPRESS MY

1237
01:13:11,520 --> 01:13:12,921
GRATITUDE TO NIH FOR THE SUPPORT

1238
01:13:12,988 --> 01:13:15,357
AND THROUGH K18 I GOT TRAINING

1239
01:13:15,424 --> 01:13:17,392
IN COMPLEX GENETICS AND KEY TO

1240
01:13:17,459 --> 01:13:20,229
EVERYTHING I'M PRESENTING TODAY.

1241
01:13:20,295 --> 01:13:23,899
IN GWAS TRAITS CAN BE ANY

1242
01:13:23,966 --> 01:13:25,033
MEASURABLE PHENOTYPE NOT JUST

1243
01:13:25,100 --> 01:13:26,869
CASES AND CONTROLS BUT SCORES ON

1244
01:13:26,935 --> 01:13:27,770
A TEST OR QUESTIONNAIRE

1245
01:13:27,836 --> 01:13:32,775
RESPONSES AND LOOK AT HOW THE

1246
01:13:32,841 --> 01:13:35,744
SCORES CORRELATE WITH GENOTYPES

1247
01:13:35,811 --> 01:13:39,348
AND GWAS STRATEGICALLY MEASURE

1248
01:13:39,414 --> 01:13:40,949
GENETIC MARKERS ACROSS THE

1249
01:13:41,016 --> 01:13:44,653
GENOME AND SMALL EFFECTS THAT

1250
01:13:44,720 --> 01:13:47,790
ARE WIDESPREAD ACROSS THE

1251
01:13:47,856 --> 01:13:49,625
POPULATION FOR COMPLEX TRAITS

1252
01:13:49,691 --> 01:13:50,993
THAT VARY CONTINUOUSLY AND

1253
01:13:51,059 --> 01:13:52,895
INVOLVE MANY GENES AND THAT'S

1254
01:13:52,961 --> 01:13:54,463
DIFFERENT FROM RARE VARIANTS OR

1255
01:13:54,530 --> 01:13:56,632
MUTATIONS YOU MAY HAVE HEARD

1256
01:13:56,698 --> 01:13:59,301
ABOUT THAT CAUSE MONOGENIC

1257
01:13:59,368 --> 01:13:59,568
DISORDER.

1258
01:13:59,635 --> 01:14:01,770
HERE WE NEED LARGE ENDS TO

1259
01:14:01,837 --> 01:14:05,274
DETECT THE SMALL EFFECTS AND THE

1260
01:14:05,340 --> 01:14:06,675
COMPLEX TRAIT THAT VARIES

1261
01:14:06,742 --> 01:14:08,110
CONTINUOUSLY IN THE POPULATION

1262
01:14:08,177 --> 01:14:10,779
AND SET OUT TO DO A GWAS OF

1263
01:14:10,846 --> 01:14:12,214
RHYTHM AND MET OUR GOAL OF

1264
01:14:12,281 --> 01:14:14,950
GETTING TO A LARGE SAMPLE SIZE

1265
01:14:15,017 --> 01:14:16,718
BY WORKING WITH PERSONAL

1266
01:14:16,785 --> 01:14:18,787
GENETICS COMPANY 23 AND ME.

1267
01:14:18,854 --> 01:14:20,589
THEY HAVE GENOTYPE DATA ON A

1268
01:14:20,656 --> 01:14:21,557
VAST NUMBER OF PEOPLE WHO ALSO

1269
01:14:21,623 --> 01:14:25,527
CONSENTED TO RESEARCH AND IN A

1270
01:14:25,594 --> 01:14:27,162
STUDY OVER 600,000 PEOPLE ANSWER

1271
01:14:27,229 --> 01:14:29,031
THE SELF-REPORT QUESTION CAN YOU

1272
01:14:29,097 --> 01:14:30,432
CLAP IN TIME WITH THE MUSICAL

1273
01:14:30,499 --> 01:14:30,632
BEAT.

1274
01:14:30,699 --> 01:14:32,467
THE RESPONSES TO THAT QUESTION

1275
01:14:32,534 --> 01:14:34,336
BECAME THE PHENOTYPES FOR THE

1276
01:14:34,403 --> 01:14:36,004
GWAS STUDY AND I LIKE THIS

1277
01:14:36,071 --> 01:14:38,907
QUESTION AS A STARTING PLACE FOR

1278
01:14:38,974 --> 01:14:40,442
OUR GENOMIC STUDIES BECAUSE

1279
01:14:40,509 --> 01:14:42,878
MOVING IN TIME TO MUSICAL BEAT

1280
01:14:42,945 --> 01:14:44,746
IS A COMMON FEATURE ACROSS

1281
01:14:44,813 --> 01:14:46,915
CULTURES AND HAS CLINICAL

1282
01:14:46,982 --> 01:14:47,816
RELEVANCE.

1283
01:14:47,883 --> 01:14:49,384
I'M GOING WALK THROUGH KEY

1284
01:14:49,451 --> 01:14:51,587
RESULTS OF THE GWAS STUDY AND

1285
01:14:51,653 --> 01:14:53,889
TALK ABOUT HOW IT'S OPENED UP

1286
01:14:53,956 --> 01:14:55,691
NEW AVENUES FOR MUSIC AND

1287
01:14:55,757 --> 01:14:55,958
RESEARCH.

1288
01:14:56,024 --> 01:14:59,194
OF COURSE IF WE'RE USING A

1289
01:14:59,261 --> 01:15:02,764
SINGLE ITEM PHENOTYPE IT'S A

1290
01:15:02,831 --> 01:15:06,435
PROXY FOR PEOPLE'S RHYTHM

1291
01:15:06,501 --> 01:15:08,470
ABILITIES AND I'LL POINT OUT

1292
01:15:08,537 --> 01:15:10,372
HIGHLIGHT AND ONE HIGHLIGHT OF

1293
01:15:10,439 --> 01:15:11,540
THOSE RESULTS AND HERE WE ASKED

1294
01:15:11,607 --> 01:15:14,309
PEOPLE TO TAP IN TIME TO THE

1295
01:15:14,376 --> 01:15:17,079
BEAT OF MUSICAL EXCERPTS AND THE

1296
01:15:17,145 --> 01:15:21,083
RESULTS HAVE ACCURACY AS THE

1297
01:15:21,149 --> 01:15:24,319
STANDARD DEVIATION OF THE A

1298
01:15:24,386 --> 01:15:25,587
SYNCHRONY AND PEOPLE WHO

1299
01:15:25,654 --> 01:15:27,089
RESPONDED IN YELLOW WERE MORE

1300
01:15:27,155 --> 01:15:28,557
ACCURATE TAPPERS THAN PEOPLE WHO

1301
01:15:28,624 --> 01:15:31,660
RESPONDED NO AND WE DID OTHER

1302
01:15:31,727 --> 01:15:32,928
SENSITIVITY ANALYSES.

1303
01:15:32,995 --> 01:15:34,897
ALL TOGETHER THE EXPERIMENT

1304
01:15:34,963 --> 01:15:45,474
SHOWED THE SELF-REPORTED BEAT

1305
01:15:49,144 --> 01:15:49,311
S

1306
01:15:49,378 --> 01:15:50,078
SYNCHRONIZATION AND THIS SHOWS

1307
01:15:50,145 --> 01:15:50,979
ASSOCIATIONS WITH THE RESPONSES

1308
01:15:51,046 --> 01:16:01,323
TO THE QUESTION.

1309
01:16:06,361 --> 01:16:11,733
AND HERE WE FOUND 69 INDEPENDENT

1310
01:16:11,800 --> 01:16:13,568
GENOMIC LOCI WITH BEAT

1311
01:16:13,635 --> 01:16:15,537
SYNCHRONIZATION.

1312
01:16:15,604 --> 01:16:17,639
IT'S HIGHLY POLY GENIC AND

1313
01:16:17,706 --> 01:16:19,608
THERE'S NOT A SINGLE GENE FOR

1314
01:16:19,675 --> 01:16:20,776
RHYTHM.

1315
01:16:20,842 --> 01:16:22,911
THERE'S MANY GENES FOR RHYTHM.

1316
01:16:22,978 --> 01:16:24,279
WE WERE ABLE TO DISCOVER THIS

1317
01:16:24,346 --> 01:16:25,147
BECAUSE OF THE STATISTICAL POWER

1318
01:16:25,213 --> 01:16:28,417
OF THE LARGE STUDY WE DID A

1319
01:16:28,483 --> 01:16:30,085
NUMBER OF ADDITIONAL THINGS WITH

1320
01:16:30,152 --> 01:16:31,420
THE GWAS DATA SET.

1321
01:16:31,486 --> 01:16:33,488
I'LL SHOW HIGHLIGHTS NOW.

1322
01:16:33,555 --> 01:16:36,792
WE ASKED CAN THE BEAT

1323
01:16:36,858 --> 01:16:37,960
SYNCHRONIZATION FINDINGS HELP US

1324
01:16:38,026 --> 01:16:39,094
UNDERSTAND HOW MUSICALITY

1325
01:16:39,161 --> 01:16:39,995
RELATES TO HEALTH.

1326
01:16:40,062 --> 01:16:44,132
TO DO THIS WE HARNESSED AN OLD

1327
01:16:44,199 --> 01:16:48,870
THEORY WITH NEW METHODOLOGICAL

1328
01:16:48,937 --> 01:16:49,938
APPROACHES AND THE CONCEPT IS

1329
01:16:50,005 --> 01:16:55,277
WHEN A SINGLE GENETIC LOCUS CAN

1330
01:16:55,344 --> 01:16:57,579
AFFECT TWO PHENOTYPICALLY

1331
01:16:57,646 --> 01:17:00,682
EXCELLENT TRAITS AND CROSS-TRAIT

1332
01:17:00,749 --> 01:17:02,918
PHENOTYPIC CORRELATIONS OFTEN

1333
01:17:02,985 --> 01:17:05,487
REFLECT UNDERLYING GENETIC

1334
01:17:05,554 --> 01:17:08,090
CORRELATIONS DUE TO PLIO TROPHY

1335
01:17:08,156 --> 01:17:10,926
AND THERE WERE METHODS THAT GAVE

1336
01:17:10,993 --> 01:17:14,096
US A TECHNIQUE FOR TESTING THIS

1337
01:17:14,162 --> 01:17:23,538
IN DATA.

1338
01:17:23,605 --> 01:17:26,475
AND THE WORLD IS YOUR PLAYGROUND

1339
01:17:26,541 --> 01:17:30,145
TO DO BIG DATA AND THE GWAS OF

1340
01:17:30,212 --> 01:17:31,813
SUBJECTIVE WELL BEING IS

1341
01:17:31,880 --> 01:17:33,281
NEGATIVELY CORRELATED WITH THE

1342
01:17:33,348 --> 01:17:35,150
GWAS OF DEPRESSIVE SYSTEMS IS

1343
01:17:35,217 --> 01:17:36,318
WHAT YOU WOULD EXPECT BASED ON

1344
01:17:36,385 --> 01:17:39,488
THE PHENOTYPIC STUDIES.

1345
01:17:39,554 --> 01:17:40,922
SO IN THE NEXT PART OF OUR

1346
01:17:40,989 --> 01:17:44,126
RHYTHM GENETIC STUDIES WE TAKE

1347
01:17:44,192 --> 01:17:45,160
AN ITERATIVE APPROACH.

1348
01:17:45,227 --> 01:17:48,597
WE WANT TO START OUT WITH THE

1349
01:17:48,663 --> 01:17:50,465
HYPOTHESES OR ANALYSES AND THOSE

1350
01:17:50,532 --> 01:17:53,835
ARE WHAT WE CALL HYPOTHESIS

1351
01:17:53,902 --> 01:17:54,703
GENERATING ANALYSES.

1352
01:17:54,770 --> 01:17:57,439
I'LL EXPLAIN WHAT WE DO AS NEXT

1353
01:17:57,506 --> 01:17:57,639
STEPS.

1354
01:17:57,706 --> 01:18:00,108
WE GATHER DATA FROM OVER 60 GWAS

1355
01:18:00,175 --> 01:18:02,744
STUDIES AND LOOKED AT THE

1356
01:18:02,811 --> 01:18:06,581
OVERLAP WITH SYNCHRONIZATION AND

1357
01:18:06,648 --> 01:18:10,652
I'LL HAVE RESULTS ON CIRCADIAN

1358
01:18:10,719 --> 01:18:12,921
PHENOTYPES AND THERE'S

1359
01:18:12,988 --> 01:18:14,890
EVENINGNESS VERSUS MORNINGNESS

1360
01:18:14,956 --> 01:18:18,493
AND OUR FIRST OF ANALYSES IN THE

1361
01:18:18,560 --> 01:18:21,930
LEFT SHOWED IT WAS GENETICALLY

1362
01:18:21,997 --> 01:18:23,965
CORRELATED WITH EVENING CRONO

1363
01:18:24,032 --> 01:18:29,438
TYPE AND IT WAS CORRELATED WITH

1364
01:18:29,504 --> 01:18:33,842
LOWER LIKELIHOOD OF SHORTNESS OF

1365
01:18:33,909 --> 01:18:37,045
BREATH ON A WALK AND TESTED

1366
01:18:37,112 --> 01:18:39,848
MULTIPLE TRAITS IN A MULTIPLE

1367
01:18:39,915 --> 01:18:40,816
SAMPLE IN THE TRADITIONAL

1368
01:18:40,882 --> 01:18:42,684
PSYCHOLOGY WAY AND FOUND THE

1369
01:18:42,751 --> 01:18:44,553
SAME PHENOTYPIC S MIRRORING WHAT

1370
01:18:44,619 --> 01:18:47,155
WE FOUND GENETICALLY.

1371
01:18:47,222 --> 01:18:50,358
IN THE RIGHT COLUMN BEAT

1372
01:18:50,425 --> 01:18:52,861
SYNCHRONIZATION WAS CORRELATED

1373
01:18:52,928 --> 01:18:58,133
WITH EVENING CRONO TYPE AND

1374
01:18:58,200 --> 01:19:00,836
LIKELIHOOD OF SHORTNESS OF

1375
01:19:00,902 --> 01:19:02,904
BREATH AND THIS CAN GENERATE

1376
01:19:02,971 --> 01:19:03,505
HYPOTHESIS FOR NEW BEHAVIORAL

1377
01:19:03,572 --> 01:19:06,908
STUDIES.

1378
01:19:06,975 --> 01:19:08,410
SO THEN WE PERFORMED ADDITIONAL

1379
01:19:08,477 --> 01:19:10,846
ANALYSES AND WE IDENTIFIED A

1380
01:19:10,912 --> 01:19:11,813
COMMON GENETIC FACTOR AND THAT'S

1381
01:19:11,880 --> 01:19:14,850
A VARIABLE WITH A PORTION OF THE

1382
01:19:14,916 --> 01:19:15,750
GENETIC VARIATION ASSOCIATED

1383
01:19:15,817 --> 01:19:19,821
WITH BEAT SYNCHRONIZATION WAS

1384
01:19:19,888 --> 01:19:22,524
RELATED WITH MOTOR AND

1385
01:19:22,591 --> 01:19:23,325
PROCESSING AND RESPIRATORY

1386
01:19:23,391 --> 01:19:25,227
TRAITS AND THAT'S INTERESTING

1387
01:19:25,293 --> 01:19:26,461
BECAUSE THERE WAS LITERATURE

1388
01:19:26,528 --> 01:19:29,798
LINKING RESILIENCE AND THE MOTOR

1389
01:19:29,865 --> 01:19:32,067
AND RESPIRATORY DOMAINS TO

1390
01:19:32,134 --> 01:19:38,740
COGNITIVE RESILIENCE AND LONG

1391
01:19:38,807 --> 01:19:42,511
DECLINE PROCEEDED MOTOR DECLINE

1392
01:19:42,577 --> 01:19:44,980
AND THIS COULD BE A CO-FACTOR

1393
01:19:45,046 --> 01:19:47,249
AND COULD BE BECAUSE OF SHARED

1394
01:19:47,315 --> 01:19:47,549
GENETICS.

1395
01:19:47,616 --> 01:19:49,251
THAT'S ONE EXAMPLE HOW WE CAN

1396
01:19:49,317 --> 01:19:52,287
LINK MUSICALITY AND HEALTH

1397
01:19:52,354 --> 01:19:53,522
OUTCOMES USING BIG DATA.

1398
01:19:53,588 --> 01:19:57,459
SUMMARIZING KEY POINTS OF THE

1399
01:19:57,526 --> 01:19:59,027
STUDY WE SEE BEAT IS ASSOCIATED

1400
01:19:59,094 --> 01:20:04,299
WITH MANY GENES AND THE GENETIC

1401
01:20:04,366 --> 01:20:04,799
CORRELATIONS LINK BEAT

1402
01:20:04,866 --> 01:20:06,635
SYNCHRONIZATION TO HEALTH TRAITS

1403
01:20:06,701 --> 01:20:09,771
AND THIS APPROACH CAN LEAD US TO

1404
01:20:09,838 --> 01:20:10,839
HOW INDIVIDUAL DIFFERENCES IN

1405
01:20:10,906 --> 01:20:11,640
MUSICALITY RELATE TO HEALTH, AND

1406
01:20:11,706 --> 01:20:15,911
RESILIENCE.

1407
01:20:15,977 --> 01:20:17,646
ARE WE JUST INTERESTED IN THE

1408
01:20:17,712 --> 01:20:19,247
GENETICS OF RHYTHM SKILLS?

1409
01:20:19,314 --> 01:20:19,848
OF COURSE NOT.

1410
01:20:19,915 --> 01:20:22,450
I'M FORTUNATE TO BE A CO-FOUNDER

1411
01:20:22,517 --> 01:20:25,320
OF THE MUE CAT GENOMICS

1412
01:20:25,387 --> 01:20:26,922
CONSORTIUM AND WE BROUGHT

1413
01:20:26,988 --> 01:20:29,991
TOGETHER 40 EXPERTS AROUND THE

1414
01:20:30,058 --> 01:20:31,893
WORLD ON MUSICALITY USING

1415
01:20:31,960 --> 01:20:32,861
GENOMIC AND LARGE SCALE

1416
01:20:32,928 --> 01:20:34,196
POPULATION APPROACHES.

1417
01:20:34,262 --> 01:20:35,397
AN EXAMPLE HAS BEEN TO

1418
01:20:35,463 --> 01:20:37,499
COORDINATE LARGE-SCALE EXISTING

1419
01:20:37,566 --> 01:20:38,900
DATA.

1420
01:20:38,967 --> 01:20:43,171
BY JOINING FORCES AND PULLING

1421
01:20:43,238 --> 01:20:44,839
SUMMARY DATA WE'RE MEETING

1422
01:20:44,906 --> 01:20:46,241
ANALYSIS UP TO 60,000

1423
01:20:46,308 --> 01:20:47,309
PARTICIPANTS AND THAT HELPS

1424
01:20:47,375 --> 01:20:48,410
ACHIEVE RESULTS THAT WOULD NOT

1425
01:20:48,476 --> 01:20:50,979
BE POSSIBLE BY WORKING ALONE.

1426
01:20:51,046 --> 01:20:53,715
SO THE NEW STUDY WILL LOOK AT

1427
01:20:53,782 --> 01:20:55,550
HOW GENETIC VARIATION IS

1428
01:20:55,617 --> 01:20:58,386
ASSOCIATED WITH PEOPLE'S MUSICAL

1429
01:20:58,453 --> 01:20:59,688
ACTIVITIES AND INCLUDING HOW

1430
01:20:59,754 --> 01:21:00,322
MANY MUSICAL TRAINING PEOPLE

1431
01:21:00,388 --> 01:21:02,090
RECEIVE OVER THE LIFE SPAN.

1432
01:21:02,157 --> 01:21:04,059
WE'LL THEN DIG DEEP IN THE

1433
01:21:04,125 --> 01:21:05,360
RELATIONSHIP BETWEEN THAT

1434
01:21:05,427 --> 01:21:06,895
GENETIC SIGNAL AND A WIDE RANGE

1435
01:21:06,962 --> 01:21:09,064
OF NEUROLOGICAL AND BEHAVIORAL

1436
01:21:09,130 --> 01:21:09,297
TRAITS.

1437
01:21:09,364 --> 01:21:11,967
SO FAR WE'VE IDENTIFIED COHORTS

1438
01:21:12,033 --> 01:21:13,702
WITH EUROPEAN ANCESTRY DATA AND

1439
01:21:13,768 --> 01:21:15,136
WE'RE LOOKING FOR WAYS TO

1440
01:21:15,203 --> 01:21:16,938
CONNECT WITH MORE ANCESTRALLY

1441
01:21:17,005 --> 01:21:20,675
DIVERSE COHORTS, POTENTIALLY THE

1442
01:21:20,742 --> 01:21:22,744
NIH'S ALL OF US STUDY AND ADDING

1443
01:21:22,811 --> 01:21:23,878
MUSICALITY PHENOTYPING TO THE

1444
01:21:23,945 --> 01:21:26,681
ALL OF US COHORT WOULD BE GAME

1445
01:21:26,748 --> 01:21:29,084
CHANGER FOR THE WHOLE RESEARCH

1446
01:21:29,150 --> 01:21:35,257
ARENA OF MUSICALITY GENE EM --

1447
01:21:35,323 --> 01:21:36,491
GENOMICS AND LOOK AT HEALTH AND

1448
01:21:36,558 --> 01:21:38,660
WE CAN SEE A PRECISION MEDICINE

1449
01:21:38,727 --> 01:21:39,928
THEME EMERGE.

1450
01:21:39,995 --> 01:21:41,896
I SEE A FUTURE FOR

1451
01:21:41,963 --> 01:21:43,999
INDIVIDUALIZING MUSIC-BASED

1452
01:21:44,065 --> 01:21:46,101
TREATMENTS BASED ON PROFILES OF

1453
01:21:46,167 --> 01:21:47,168
INDIVIDUALS AND I THINK MANY

1454
01:21:47,235 --> 01:21:49,537
PEOPLE HERE WOULD AGREE THAT

1455
01:21:49,604 --> 01:21:50,405
TAKING INDIVIDUAL DIFFERENCES

1456
01:21:50,472 --> 01:21:52,974
INTO ACCOUNT IN GENERAL WOULD BE

1457
01:21:53,041 --> 01:21:54,909
A KEY STRATEGY FOR DISCOVERING

1458
01:21:54,976 --> 01:21:57,012
ROBUST MUSIC TREATMENT EFFICACY

1459
01:21:57,078 --> 01:22:00,615
AND WE HEARD ABOUT INDIVIDUAL

1460
01:22:00,682 --> 01:22:01,216
VARIATION DURING THE MEETING

1461
01:22:01,283 --> 01:22:06,021
FROM OTHERS AND WE HEARD HOW TO

1462
01:22:06,087 --> 01:22:09,257
SELECT AND CHARACTERIZE RESEARCH

1463
01:22:09,324 --> 01:22:09,858
PARTICIPANTS THROUGHOUT THE

1464
01:22:09,924 --> 01:22:10,892
POPULATION AND EVENTUALLY WE

1465
01:22:10,959 --> 01:22:12,761
WANT TO KNOW HOW TO TAILOR

1466
01:22:12,827 --> 01:22:13,595
INTERVENTIONS TO INDIVIDUALS AND

1467
01:22:13,662 --> 01:22:18,466
FIND OUT WHAT WORKS BEST FOR

1468
01:22:18,533 --> 01:22:18,667
WHOM.

1469
01:22:18,733 --> 01:22:20,135
AND I WAS STRUCK BY COMMENTS

1470
01:22:20,201 --> 01:22:22,904
ABOUT DOING THE HARD WORK OF

1471
01:22:22,971 --> 01:22:24,973
FIGURING OUT WHO WE ARE AND OUR

1472
01:22:25,040 --> 01:22:26,374
GENOMES ARE ONE ASPECT THAT

1473
01:22:26,441 --> 01:22:28,109
MAKES EACH OF US INDIVIDUALS.

1474
01:22:28,176 --> 01:22:30,812
LET'S LEARN MORE ABOUT THE

1475
01:22:30,879 --> 01:22:32,681
BIOLOGY ABOUT INDIVIDUAL

1476
01:22:32,747 --> 01:22:34,516
DIFFERENCES IN MUSICALITY EVEN

1477
01:22:34,582 --> 01:22:35,850
AT BASELINE AND ASPECTS LIKE

1478
01:22:35,917 --> 01:22:37,385
WHAT IS THE BIOLOGY THAT DRIVES

1479
01:22:37,452 --> 01:22:40,255
US TO ENGAGE WITH MUSIC.

1480
01:22:40,322 --> 01:22:43,191
THIS KNOWLEDGE CAN HELP US TO

1481
01:22:43,258 --> 01:22:44,459
STRATEGICALLY PERSONALIZE

1482
01:22:44,526 --> 01:22:44,793
INTERVENTIONS.

1483
01:22:44,859 --> 01:22:50,098
I THINK THAT WILL HELP WITH OUR

1484
01:22:50,165 --> 01:22:50,832
INTERVENTION STUDY DESIGNS.

1485
01:22:50,899 --> 01:22:52,934
MY PLEA IS TO THINK OF

1486
01:22:53,001 --> 01:22:53,568
INDIVIDUAL DIFFERENCES AND THOSE

1487
01:22:53,635 --> 01:22:56,071
MAY GO AS DEEP AS THE GENOME.

1488
01:22:56,137 --> 01:22:58,306
BIG DATA CAN HELP US UNRAVEL

1489
01:22:58,373 --> 01:22:59,941
SOME OF THE THESE COMPLEXITIES

1490
01:23:00,008 --> 01:23:01,843
AND PLEASE COMMUNICATE WITH OUR

1491
01:23:01,910 --> 01:23:03,144
COLLEAGUES IN THE POPULATION

1492
01:23:03,211 --> 01:23:04,679
HEALTH AND COMPLEX TRAIT

1493
01:23:04,746 --> 01:23:06,081
GENETICS FIELD TO STRESS THE

1494
01:23:06,147 --> 01:23:07,182
IMPORTANCE OF HUMAN MUSICALITY

1495
01:23:07,248 --> 01:23:08,950
AS IT RELATES TO HEALTH SO WE

1496
01:23:09,017 --> 01:23:13,722
CAN MAKE THE LARGE SAMPLE SIZES

1497
01:23:13,788 --> 01:23:14,122
HAPPEN.

1498
01:23:14,189 --> 01:23:16,157
SO THIS WORK IS VASTLY

1499
01:23:16,224 --> 01:23:16,991
COLLABORATIVE OF COURSE.

1500
01:23:17,058 --> 01:23:19,861
I WANT TO ACKNOWLEDGE THE NIH

1501
01:23:19,928 --> 01:23:21,129
SUPPORT THAT'S BEEN SO CRUCIAL

1502
01:23:21,196 --> 01:23:26,334
AND ESPECIALLY THE NIDCD AND THE

1503
01:23:26,401 --> 01:23:27,869
NIH OFFICE OF THE DIRECTOR FOR

1504
01:23:27,936 --> 01:23:30,305
THE SUPPORT OF THE NEW INNOVATOR

1505
01:23:30,372 --> 01:23:30,672
AWARD.

1506
01:23:30,739 --> 01:23:32,841
THAT SPARK THE HIGH-RISK ASPECTS

1507
01:23:32,907 --> 01:23:34,442
OF THE WORK I PREVENTED TODAY.

1508
01:23:34,509 --> 01:23:38,346
I ALSO WANT TO THANK THE

1509
01:23:38,413 --> 01:23:42,317
INSTITUTE FOR SUPPORTING MY

1510
01:23:42,384 --> 01:23:44,285
COLLABORATIONS WITH THE FISHER

1511
01:23:44,352 --> 01:23:47,021
LAB AND GRATEFUL FOR MY

1512
01:23:47,088 --> 01:23:49,090
WONDERFUL COLLABORATORS AND

1513
01:23:49,157 --> 01:23:51,159
TRAINEES IN MY LAB AND THANK YOU

1514
01:23:51,226 --> 01:24:01,569
FOR YOUR ATTENTION.

1515
01:24:11,913 --> 01:24:13,615
THAT WAS GREAT AND WE'RE A

1516
01:24:13,681 --> 01:24:15,650
LITTLE BEHIND AND I HAVE WEN

1517
01:24:15,717 --> 01:24:18,052
BREATHING DOWN MY BREAK AND

1518
01:24:18,119 --> 01:24:19,521
WE'LL HAVE A 10 MINUTE BREAK AND

1519
01:24:19,587 --> 01:24:19,854
COME BACK BY 10:05.

1520
01:24:19,921 --> 01:24:23,391
>> THANK YOU.

1521
01:24:23,458 --> 01:24:25,026
WELCOME BACK FROM THE BRIEF

1522
01:24:25,093 --> 01:24:31,299
BREAK AND BACK TO

1523
01:24:31,366 --> 01:24:31,666
DR. FINKELSTEIN.

1524
01:24:31,733 --> 01:24:36,337
>> SOMETIMES I'D LIKE TO HAVE A

1525
01:24:36,404 --> 01:24:37,872
MEET WHERE IT'S JUST ONE LONG

1526
01:24:37,939 --> 01:24:41,709
BREAK AND FOR THIS COMMUNITY

1527
01:24:41,776 --> 01:24:47,315
WOULD BE FANTASTIC.

1528
01:24:47,382 --> 01:24:48,349
SUN

1529
01:24:48,416 --> 01:24:51,085
TED ZANTO IS OUR NEXT SPEAKER

1530
01:24:51,152 --> 01:24:51,920
AND I'M SETTING THE WONDERFUL

1531
01:24:51,986 --> 01:24:55,123
CLOCK FOR 10 MINUTES.

1532
01:24:55,190 --> 01:24:57,525
>> I'M STILL EXCITED TO BE HERE.

1533
01:24:57,592 --> 01:24:58,092
I'LL TRY TO SPEAK A LITTLE

1534
01:24:58,159 --> 01:25:00,495
FASTER.

1535
01:25:00,562 --> 01:25:04,232
I'M HONORED AND EXCITED TO

1536
01:25:04,299 --> 01:25:05,533
PRESENT SOME OF THIS WORK I'M

1537
01:25:05,600 --> 01:25:07,368
GOING TO BRIEFLY SPEAK ABOUT AN

1538
01:25:07,435 --> 01:25:10,104
INTERVENTION WE'VE DONE USING A

1539
01:25:10,171 --> 01:25:20,715
DIGITAL RHYTHM TRAINING APP THAT

1540
01:25:21,683 --> 01:25:23,318
SHOWED MUSICAL TRAINING HELPS

1541
01:25:23,384 --> 01:25:24,652
SENSORY PROCESSING, ATTENTION,

1542
01:25:24,719 --> 01:25:27,489
MEMORY AND PROCESSING SPEED AND

1543
01:25:27,555 --> 01:25:31,125
WHAT'S COOL IS THAT THAT

1544
01:25:31,192 --> 01:25:34,529
INCREASE IN COGNITIVE ABILITIES

1545
01:25:34,596 --> 01:25:36,598
CAN FACILITATE TASKS SUCH AS

1546
01:25:36,664 --> 01:25:40,001
MUSICAL AND NON-MUSICAL THOUGHT

1547
01:25:40,068 --> 01:25:40,768
TO BE FACILITATED BY NEURAL

1548
01:25:40,835 --> 01:25:43,238
NETWORKS ENGAGED DURING THE

1549
01:25:43,304 --> 01:25:46,107
MUSIC TRAINING OR ANY TASK THAT

1550
01:25:46,174 --> 01:25:48,343
ENGAGED FOR EXAMPLE AUDITORY

1551
01:25:48,409 --> 01:25:52,514
DISCRIMINATIONABILITIY  --

1552
01:25:52,580 --> 01:25:55,783
DISCRIMINATION ABILITIES OR

1553
01:25:55,850 --> 01:25:57,952
MOTOR NETWORK AND IF ARE WERE TO

1554
01:25:58,019 --> 01:25:59,754
ENGAGE IN A MUSICAL INSTRUMENT

1555
01:25:59,821 --> 01:26:01,956
AND TRYING TO TRACK THE BAND

1556
01:26:02,023 --> 01:26:06,194
MATE THERE'S AUDITORY NETWORKS

1557
01:26:06,261 --> 01:26:08,830
AND AUDITORY DISCRIMINATION TO

1558
01:26:08,897 --> 01:26:09,597
DISCRIMINATE THE SOUNDS FROM

1559
01:26:09,664 --> 01:26:10,598
YOUR OWN AND THE ENVIRONMENT AND

1560
01:26:10,665 --> 01:26:13,167
FOCUS ON YOUR TARGET SOUND.

1561
01:26:13,234 --> 01:26:14,502
AND WHAT'S INTERESTING IS BY

1562
01:26:14,569 --> 01:26:18,406
ENGAGING THE NETWORKS WE BELIEVE

1563
01:26:18,473 --> 01:26:21,242
THAT CAN IMPROVE TASKS NON

1564
01:26:21,309 --> 01:26:25,013
MUSICAL SUCH AS YOUR ABILITY TO

1565
01:26:25,079 --> 01:26:28,850
PERHAPS DETECT SPEECH AND NOISE.

1566
01:26:28,917 --> 01:26:31,386
NOW, PRIOR RESEARCH HAS LARGELY

1567
01:26:31,452 --> 01:26:33,321
FOCUSSED ON -- THERE'S A LOT OF

1568
01:26:33,388 --> 01:26:35,690
NEW RESEARCH OF COURSE THAT'S

1569
01:26:35,757 --> 01:26:36,357
INTERVENTION BUT THERE'S A LOT

1570
01:26:36,424 --> 01:26:37,725
OF RESEARCH THAT HAS BEEN

1571
01:26:37,792 --> 01:26:39,193
FOCUSSED ON THESE

1572
01:26:39,260 --> 01:26:39,994
CROSS-SECTIONAL DESIGNS WHICH IS

1573
01:26:40,061 --> 01:26:41,396
POWERFUL AND NEEDED AND

1574
01:26:41,462 --> 01:26:44,098
NECESSARY AND I LOVE IT BUT AT

1575
01:26:44,165 --> 01:26:45,400
THE SAME TIME THERE'S THE

1576
01:26:45,466 --> 01:26:50,138
NAYSAYER WHO SAID THERE MAY BE

1577
01:26:50,204 --> 01:26:52,040
FUNDAMENTAL BASELINE GROUPS THAT

1578
01:26:52,106 --> 01:26:54,876
DRAW THEM TO OR FROM MUSICAL

1579
01:26:54,943 --> 01:26:55,143
TRAINING.

1580
01:26:55,209 --> 01:26:57,078
AND IT'S RELATIVELY UNCLEAR YET

1581
01:26:57,145 --> 01:27:00,348
WHAT ARE THE MECHANISMS THAT MAY

1582
01:27:00,415 --> 01:27:01,416
ENABLE MUSICAL TRAINING TO

1583
01:27:01,482 --> 01:27:05,253
ENABLE TRANSFER OF BENEFIT TO

1584
01:27:05,320 --> 01:27:05,887
NON-MUSICAL TASKS AS WELL AS

1585
01:27:05,954 --> 01:27:09,057
IT'S UNKNOWN WHETHER DIGITAL

1586
01:27:09,123 --> 01:27:10,792
INTERVENTIONS AND DIGITAL MUSIC

1587
01:27:10,858 --> 01:27:12,360
TRAINING MIGHT ALSO BENEFIT

1588
01:27:12,427 --> 01:27:14,128
COGNITIVE FUNCTIONS SIMILAR TO

1589
01:27:14,195 --> 01:27:16,097
TRADITIONAL MUSICAL INSTRUCTION.

1590
01:27:16,164 --> 01:27:17,865
AND THIS IS PARTICULARLY

1591
01:27:17,932 --> 01:27:20,234
RELEVANT I BELIEVE BECAUSE OUR

1592
01:27:20,301 --> 01:27:24,138
SOCIETY AND WORLD IS SATURATED

1593
01:27:24,205 --> 01:27:25,139
WITH TECHNOLOGY FOUND IN YOUR

1594
01:27:25,206 --> 01:27:27,175
HOMES, IN OUR POCKETS, AND SO

1595
01:27:27,241 --> 01:27:28,309
TODAY I'M GOING TO TALK ABOUT

1596
01:27:28,376 --> 01:27:31,546
OUR STUDY THAT WAS A RANDOMIZED

1597
01:27:31,613 --> 01:27:31,913
CLINICAL TRIAL.

1598
01:27:31,980 --> 01:27:34,582
WE ARE TARGETING OR ASSESSING

1599
01:27:34,649 --> 01:27:35,984
POTENTIAL MECHANISMS OF TRANSFER

1600
01:27:36,050 --> 01:27:38,953
TO BENEFIT NON-MUSICAL TASKS.

1601
01:27:39,020 --> 01:27:41,990
AND WE'RE GOING TO ASSESS THE

1602
01:27:42,056 --> 01:27:44,325
POTENTIAL FOR A DIGITAL MUSICAL

1603
01:27:44,392 --> 01:27:45,093
TRAINING INTERVENTION.

1604
01:27:45,159 --> 01:27:47,695
SPECIFICALLY, WE'RE LOOKING AT

1605
01:27:47,762 --> 01:27:52,767
THIS VIDEO GAME THAT WE'VE

1606
01:27:52,834 --> 01:27:56,070
DEVELOPED CALLED RHYTHMICITY AND

1607
01:27:56,137 --> 01:27:59,073
PLAYED ON AN iPAD SO AS GET

1608
01:27:59,140 --> 01:28:01,209
BETTER THE TASKS GET HARDER BUT

1609
01:28:01,275 --> 01:28:03,478
IF YOU START TO FALTER AND IT

1610
01:28:03,544 --> 01:28:05,013
BECOMES TOO DIFFICULT IT WILL

1611
01:28:05,079 --> 01:28:07,081
GET EASIER AND TRY TO KEEP YOU

1612
01:28:07,148 --> 01:28:11,252
IN THE SWEET SPOT STAY ENGAGED

1613
01:28:11,319 --> 01:28:13,321
AND HAS TIMING AND MEMORY

1614
01:28:13,388 --> 01:28:13,588
ABILITIES.

1615
01:28:13,655 --> 01:28:15,790
THE OTHER APP IS A WORD SEARCH

1616
01:28:15,857 --> 01:28:18,359
TRAINING INTERVENTION THAT WE

1617
01:28:18,426 --> 01:28:19,260
CALL WORDER.

1618
01:28:19,327 --> 01:28:22,497
IT'S ALSO PLAYED ON A TABLET BUT

1619
01:28:22,563 --> 01:28:24,932
NOT ADAPTIVE AND DOES NOT

1620
01:28:24,999 --> 01:28:27,301
NOTABLY TAX OR CHALLENGE YOUR

1621
01:28:27,368 --> 01:28:28,803
TIMING OR SHORT TERM MEMORY

1622
01:28:28,870 --> 01:28:29,837
ABILITIES.

1623
01:28:29,904 --> 01:28:33,107
SO WE RECRUITED 46 HEALTHY OLDER

1624
01:28:33,174 --> 01:28:35,576
ADULTS NON MUSICIANS AND

1625
01:28:35,643 --> 01:28:37,045
RANDOMIZED THEM TO RHYTHM OR

1626
01:28:37,111 --> 01:28:38,813
WORD SEARCH TRAINING AS CONTROL.

1627
01:28:38,880 --> 01:28:40,548
THE PARTICIPANTS ENGAGED IN

1628
01:28:40,615 --> 01:28:43,351
THEIR INTERVENTION AT HOME FOR

1629
01:28:43,418 --> 01:28:45,720
EIGHT WEEKS AND CAME INTO THE

1630
01:28:45,787 --> 01:28:47,655
LAB PREAND POST INTERVENTION

1631
01:28:47,722 --> 01:28:52,493
WHILE WE RECORDED EEG DATA WHILE

1632
01:28:52,560 --> 01:28:55,697
ENGAGED IN DIFFERENT COGNITIVE

1633
01:28:55,763 --> 01:28:56,297
TASKS.

1634
01:28:56,364 --> 01:28:58,566
THEY ASSESSED BEAT BASED TIMING

1635
01:28:58,633 --> 01:29:02,970
SUCH AS THE TASK SHOWN IN THE

1636
01:29:03,037 --> 01:29:08,342
UPPER LEFT AND ENDOGENOUS TIMING

1637
01:29:08,409 --> 01:29:09,010
ABILITY OR DURATION-BASED TIMING

1638
01:29:09,077 --> 01:29:10,611
USING A TARGET DISCRIMINATION

1639
01:29:10,678 --> 01:29:13,514
TASK AND ASSESSED IN THE UPPER

1640
01:29:13,581 --> 01:29:16,384
RIGHT A SHORT-TERM MEMORY

1641
01:29:16,451 --> 01:29:18,920
PARADIGM WHICH IS ESSENTIALLY

1642
01:29:18,986 --> 01:29:20,621
DELAYED RECOGNITION TASK WE

1643
01:29:20,688 --> 01:29:22,957
PRESENT A PICTURE AND ASK A

1644
01:29:23,024 --> 01:29:23,691
COUPLE SECONDS LATER IS THIS

1645
01:29:23,758 --> 01:29:25,727
WHAT YOU SAW.

1646
01:29:25,793 --> 01:29:28,963
IN TERMS OF RESULTS ON THE

1647
01:29:29,030 --> 01:29:31,532
EXOGENOUS TIMING TIME WHAT WE

1648
01:29:31,599 --> 01:29:35,203
SEE IS RHYTHM TRAINING MADE THEM

1649
01:29:35,269 --> 01:29:36,204
MORE RHYTHMIC.

1650
01:29:36,270 --> 01:29:40,641
THAT WAS INDEXED BY LOWERED

1651
01:29:40,708 --> 01:29:43,745
VARIABILITY AND WHAT'S

1652
01:29:43,811 --> 01:29:46,114
INTERESTING TO ME IS THE

1653
01:29:46,180 --> 01:29:47,315
DECREASE IN PERFORMANCE

1654
01:29:47,381 --> 01:29:50,384
VARIABILITY WAS CORRELATED WITH

1655
01:29:50,451 --> 01:29:53,554
A DECREASE IN NEURAL VARIABILITY

1656
01:29:53,621 --> 01:29:56,824
INDEXED BY INTRATRIAL COHERENCE

1657
01:29:56,891 --> 01:29:58,126
IN THE FREQUENCY BAND AND THIS

1658
01:29:58,192 --> 01:30:01,629
WAS LOCALIZED TO A SENSORIMOTOR

1659
01:30:01,696 --> 01:30:06,200
NETWORK INCLUDING THE INTERIOR

1660
01:30:06,267 --> 01:30:16,444
SIN CINGULATE AND WE USED THE

1661
01:30:16,511 --> 01:30:18,679
TASK TO TO THE YOUNG ADULTS CAN

1662
01:30:18,746 --> 01:30:22,784
BENEFIT FROM THE CUES TO ORIENT

1663
01:30:22,850 --> 01:30:24,919
THEIR ATTENTION WHEN A STIMULUS

1664
01:30:24,986 --> 01:30:27,922
WILL OCCUR AND FACILITATE THEIR

1665
01:30:27,989 --> 01:30:28,689
RESPONSE TIMES BECAUSE THEY CAN

1666
01:30:28,756 --> 01:30:31,559
EXPECT AND OLDER ADULTS DON'T

1667
01:30:31,626 --> 01:30:34,128
BENEFIT FROM THE TEMPORAL CUES.

1668
01:30:34,195 --> 01:30:38,800
FOLLOWING RHYTHM TRAINING IT DID

1669
01:30:38,866 --> 01:30:40,501
NOT IMPROVE THE PERFORMANCE AND

1670
01:30:40,568 --> 01:30:43,471
I DIDN'T GIVE DETAILS WITH THE

1671
01:30:43,538 --> 01:30:45,740
INTERVENTION BUT IT DIDN'T TAX

1672
01:30:45,807 --> 01:30:51,045
ENDOGENOUS TIMING IT'S MORE

1673
01:30:51,112 --> 01:30:57,752
EXOGENOUS THE RHYTHM TIMING

1674
01:30:57,819 --> 01:30:59,287
GROUP SAW AN IMPROVEMENT IN

1675
01:30:59,353 --> 01:31:00,588
THEIR ABILITY TO RECOGNIZE FACES

1676
01:31:00,655 --> 01:31:03,558
AND THOSE WHO IMPROVED MOST ON

1677
01:31:03,624 --> 01:31:10,131
THE ABILITY TO RECOGNIZE FACES

1678
01:31:10,198 --> 01:31:14,135
IMPROVED WITH THEIR ABILITY TO

1679
01:31:14,202 --> 01:31:15,036
REMEMBER RHYTHMS.

1680
01:31:15,102 --> 01:31:19,106
WE FOCUSSED ON BIOMARKERS A

1681
01:31:19,173 --> 01:31:20,208
COUPLE INVOLVED IN TEMPORAL

1682
01:31:20,274 --> 01:31:21,976
ATTENTION AND LOOKED AT THE P1

1683
01:31:22,043 --> 01:31:24,679
AND N1 OF THE EVENT-RELATED

1684
01:31:24,745 --> 01:31:26,714
POTENTIAL AS AN INDEX OF SENSORY

1685
01:31:26,781 --> 01:31:27,014
PROCESSING.

1686
01:31:27,081 --> 01:31:28,950
WE FOCUSSED ON THESE BECAUSE

1687
01:31:29,016 --> 01:31:30,585
THEY'RE KNOWN TO BE INVOLVED IN

1688
01:31:30,651 --> 01:31:32,587
FACILITATING MEMORY PROCESSES

1689
01:31:32,653 --> 01:31:34,121
AND ALSO KNOWN TO BE CHANGED IN

1690
01:31:34,188 --> 01:31:38,726
RESPONSE TO MUSICAL TRAINING.

1691
01:31:38,793 --> 01:31:39,760
HOWEVER, FOLLOWING RHYTHM

1692
01:31:39,827 --> 01:31:43,464
TRAINING NOTHING HAPPENED.

1693
01:31:43,531 --> 01:31:44,198
NEITHER TEMPORAL ATTENTION NOR

1694
01:31:44,265 --> 01:31:45,399
TEMPORAL PROCESSING CHANGED AND

1695
01:31:45,466 --> 01:31:47,735
WE LOOKED AT THE P3 EVENT

1696
01:31:47,802 --> 01:31:48,903
RELATED AND THE INDEX RELATED TO

1697
01:31:48,970 --> 01:31:53,040
MEMORY AND CODING.

1698
01:31:53,107 --> 01:31:54,508
HERE'S WHERE WE SEE THE

1699
01:31:54,575 --> 01:31:57,545
SIGNIFICANT DIFFERENCE.

1700
01:31:57,612 --> 01:31:59,146
WE SHOWED A POWER DURING THE P3

1701
01:31:59,213 --> 01:32:04,752
AND LOCALIZED TO THE POSTCENTRAL

1702
01:32:04,819 --> 01:32:06,988
GYRUS AND RIGHT SUPERIOR

1703
01:32:07,054 --> 01:32:08,055
PARIETAL LOBULE AND LOOKED AT

1704
01:32:08,122 --> 01:32:10,124
WHERE THEY'RE HOLDING

1705
01:32:10,191 --> 01:32:17,064
INFORMATION IN MEMORY.

1706
01:32:17,131 --> 01:32:21,369
AND WE SAW POST-RHYTHM TRAINING

1707
01:32:21,435 --> 01:32:23,070
WE SAW AN INCREASE ACCURACY AT

1708
01:32:23,137 --> 01:32:24,605
THE BEGINNING AND END OF THE

1709
01:32:24,672 --> 01:32:25,573
DELAYED PERIOD.

1710
01:32:25,640 --> 01:32:28,542
THIS IS WHEN THEY'RE ENCODING

1711
01:32:28,609 --> 01:32:29,810
INFORMATION AND RETRIEVING FROM

1712
01:32:29,877 --> 01:32:33,881
MEMORY BUT NOT DURING THE

1713
01:32:33,948 --> 01:32:36,183
MAINTENANCE PERIOD ITSELF AND

1714
01:32:36,250 --> 01:32:41,856
GOES TO THE RIGHT SUPERIOR

1715
01:32:41,923 --> 01:32:42,857
PARIETAL LOBULE AND RESEARCH

1716
01:32:42,924 --> 01:32:45,960
LOOKED AT THE CONTEXT OF MEMORY

1717
01:32:46,027 --> 01:32:46,160
TASKS.

1718
01:32:46,227 --> 01:32:48,396
WE INTERPRET THIS AS AN

1719
01:32:48,462 --> 01:32:49,730
INDICATION WHEN YOU ENGAGE IN

1720
01:32:49,797 --> 01:32:52,066
THIS RHYTHM TRAINING IT'S NOT

1721
01:32:52,133 --> 01:32:54,068
TRAINING YOUR ABILITY TO HOLD

1722
01:32:54,135 --> 01:32:55,736
MEMORY BUT FACILITATING A

1723
01:32:55,803 --> 01:32:57,305
NETWORK OF BRAIN REGIONS LIKELY

1724
01:32:57,371 --> 01:32:59,540
INVOLVED IN THE ENCODING AND

1725
01:32:59,607 --> 01:33:00,775
RETRIEVAL OF THESE MEMORIES THAT

1726
01:33:00,841 --> 01:33:03,411
CAN BE USED IN A DOMAIN GENERAL

1727
01:33:03,477 --> 01:33:04,445
MANNER SO YOU CAN REMEMBER NOT

1728
01:33:04,512 --> 01:33:11,619
JUST RHYTHMS BUT ALSO FACES.

1729
01:33:11,686 --> 01:33:13,321
I BELIEVE IT'S AN EARLY

1730
01:33:13,387 --> 01:33:15,022
INDICATOR THAT PERHAPS DIGITAL

1731
01:33:15,089 --> 01:33:16,991
RHYTHM TRAINING MAY BE A

1732
01:33:17,058 --> 01:33:19,160
FEASIBLE WAY TO IMPROVE VARIOUS

1733
01:33:19,226 --> 01:33:20,995
COGNITIVE FUNCTIONS SIMILARLY TO

1734
01:33:21,062 --> 01:33:23,664
WHAT WE'VE SEEN THROUGH

1735
01:33:23,731 --> 01:33:24,398
TRADITIONAL MUSICAL TRAINING.

1736
01:33:24,465 --> 01:33:26,867
THESE IMPROVEMENTS ARE BOTH

1737
01:33:26,934 --> 01:33:28,169
DOMAIN SPECIFIC AS WELL AS

1738
01:33:28,235 --> 01:33:29,770
DOMAIN GENERAL AND WHAT'S

1739
01:33:29,837 --> 01:33:32,640
IMPORTANT IS TO NOTE THAT WHAT

1740
01:33:32,707 --> 01:33:35,042
CHANGED FOLLOWING THE TRAINING

1741
01:33:35,109 --> 01:33:36,577
WAS WHAT WAS CHALLENGED BY THE

1742
01:33:36,644 --> 01:33:36,844
TRAINING.

1743
01:33:36,911 --> 01:33:40,414
WE SAW IMPROVEMENTS IN EXOGENOUS

1744
01:33:40,481 --> 01:33:43,684
TIMING AND SHORT TERM MEMORY AND

1745
01:33:43,751 --> 01:33:45,252
NOT IN ENDOGENOUS TRAINING

1746
01:33:45,319 --> 01:33:45,519
ABILITIES.

1747
01:33:45,586 --> 01:33:48,122
I WANT TO TAKE A QUICK MINUTE TO

1748
01:33:48,189 --> 01:33:48,823
TALK A LITTLE BIT ABOUT SOME

1749
01:33:48,889 --> 01:33:49,757
FUTURE RESEARCH DIRECTIONS I

1750
01:33:49,824 --> 01:33:52,059
THINK WOULD BE EXCITING FOR THE

1751
01:33:52,126 --> 01:33:53,928
FIELD PARTICULARLY BECAUSE

1752
01:33:53,995 --> 01:33:55,930
MOBILE DEVICES ARE UBIQUITOUS.

1753
01:33:55,997 --> 01:34:00,401
IT'S BEEN ESTIMATED 95% OF

1754
01:34:00,468 --> 01:34:01,669
LOW-INCOME HOUSEHOLDS IN THE

1755
01:34:01,736 --> 01:34:04,005
U.S. HAVE A SMARTPHONE OR A

1756
01:34:04,071 --> 01:34:04,438
TABLET DEVICE.

1757
01:34:04,505 --> 01:34:07,308
THIS PRESENTS A GREAT

1758
01:34:07,375 --> 01:34:08,743
OPPORTUNITY TO REACH THE VAST

1759
01:34:08,809 --> 01:34:10,678
MAJORITY OF MANY UNDER SERVED

1760
01:34:10,745 --> 01:34:12,380
POPULATIONS AND THESE DIGITAL

1761
01:34:12,446 --> 01:34:14,115
MUSIC-BASED INTERVENTIONS ARE

1762
01:34:14,181 --> 01:34:15,416
ADAPTABLE AND CAN BE

1763
01:34:15,483 --> 01:34:19,053
REPROGRAMMED AND REPROGRAMMED

1764
01:34:19,120 --> 01:34:21,922
AGAIN TO SYSTEMATICALLY ASSESS

1765
01:34:21,989 --> 01:34:24,058
COGNITIVE AND SENSORY FUNCTION

1766
01:34:24,125 --> 01:34:28,396
AND MOTOR ABILITIES AND

1767
01:34:28,462 --> 01:34:28,996
EMOTIONAL STATES AS WELL AS

1768
01:34:29,063 --> 01:34:30,097
PERHAPS SOCIAL ENGAGEMENT.

1769
01:34:30,164 --> 01:34:31,732
I BELIEVE THE DIGITAL

1770
01:34:31,799 --> 01:34:32,700
INTERVENTIONS BECAUSE OF THEIR

1771
01:34:32,767 --> 01:34:35,036
ADAPTABILITY COULD BE USED TO

1772
01:34:35,102 --> 01:34:36,203
ADAPT SPECIFICALLY TO NEEDS OF

1773
01:34:36,270 --> 01:34:36,837
DIFFERENT CLINICAL POPULATIONS

1774
01:34:36,904 --> 01:34:39,273
AS WELL.

1775
01:34:39,340 --> 01:34:47,214
NOW, BEYOND THE SOFTWARE ADVANCE

1776
01:34:47,281 --> 01:34:47,548
MA

1777
01:34:47,615 --> 01:34:50,484
-- ADVANCEMENTS THERE'S

1778
01:34:50,551 --> 01:34:51,786
COGNITIVE AND VIRTUAL REALITY

1779
01:34:51,852 --> 01:34:54,221
AND THERE'S OUR NEXT GENERATION

1780
01:34:54,288 --> 01:34:55,056
RHYTHM TRAINING APP WITH

1781
01:34:55,122 --> 01:34:56,857
COHERENCE AND A GOOD WAY TO

1782
01:34:56,924 --> 01:35:00,394
DEEPLY ENGAGE THE SENSES AND

1783
01:35:00,461 --> 01:35:01,862
MOTOR CORTEX AND MOTOR SYSTEM AS

1784
01:35:01,929 --> 01:35:03,998
WELL AS COGNITIVE FUNCTIONS FOR

1785
01:35:04,065 --> 01:35:06,200
HOPEFULLY THE BENEFIT OF OUR

1786
01:35:06,267 --> 01:35:09,103
HEALTH AND GENERAL WELLNESS.

1787
01:35:09,170 --> 01:35:14,375
I'D LIKE TO THANK EVERYONE WHOSE

1788
01:35:14,442 --> 01:35:17,278
MADE THIS POSSIBLE AND THE

1789
01:35:17,344 --> 01:35:17,545
MUSICIANS.

1790
01:35:17,611 --> 01:35:18,245
THEY PLAYED AN INSTRUMENTAL ROLE

1791
01:35:18,312 --> 01:35:18,479
IN THIS.

1792
01:35:18,546 --> 01:35:28,722
THANK YOU.

1793
01:35:39,433 --> 01:35:41,035
>> LET'S JUMP IN.

1794
01:35:41,102 --> 01:35:41,936
SING FOR CARDIOVASCULAR HEALTH.

1795
01:35:42,002 --> 01:35:42,636
CARDIOVASCULAR DISEASE IS THE

1796
01:35:42,703 --> 01:35:43,637
NUMBER ONE KILLER OF MEN AND

1797
01:35:43,704 --> 01:35:46,140
WOMEN IN THIS COUNTRY AND MOST

1798
01:35:46,207 --> 01:35:47,641
OTHER DEVELOPED COUNTRIES.

1799
01:35:47,708 --> 01:35:50,111
AND AGE IS A MAJOR RISK FACTOR.

1800
01:35:50,177 --> 01:35:51,645
CARDIOVASCULAR REHABILITATION IS

1801
01:35:51,712 --> 01:35:54,115
THE CORNERSTONE, A CORNERSTONE

1802
01:35:54,181 --> 01:35:55,149
OF TREATMENT.

1803
01:35:55,216 --> 01:35:56,684
THE GEOGRAPHY ON THE RIGHT

1804
01:35:56,750 --> 01:35:58,686
SHOWED MEDICARE DATA FROM 2016

1805
01:35:58,752 --> 01:36:00,187
AND 2017.

1806
01:36:00,254 --> 01:36:01,722
BUT WHAT YOU CAN SEE IS WITH

1807
01:36:01,789 --> 01:36:04,091
INCREASING AGE FOR BOTH MEN AND

1808
01:36:04,158 --> 01:36:06,193
WOMEN PARTICIPATION RATES FOR

1809
01:36:06,260 --> 01:36:08,496
CARDIOVASCULAR REHAB ARE

1810
01:36:08,562 --> 01:36:08,929
DRASTICALLY REDUCED.

1811
01:36:08,996 --> 01:36:11,765
PART OF THE REASON FOR THIS IS

1812
01:36:11,832 --> 01:36:14,101
THE PERCEPTION OR INABILITY TO

1813
01:36:14,168 --> 01:36:15,870
PARTICIPATE IN THE EXERCISE

1814
01:36:15,936 --> 01:36:17,238
PORTION OF CARDIOVASCULAR

1815
01:36:17,304 --> 01:36:17,872
REHABILITATION DUE TO FRAILTY

1816
01:36:17,938 --> 01:36:19,940
AND OTHER COMORBIDITIES.

1817
01:36:20,007 --> 01:36:22,376
HOWEVER, I'D LIKE TO THINK OF

1818
01:36:22,443 --> 01:36:24,712
SINGING AS A FORM OF EXERCISE

1819
01:36:24,778 --> 01:36:25,779
WHICH WE HEARD ABOUT AND I KNOW

1820
01:36:25,846 --> 01:36:29,116
MANY AGREE IN THE CROWD.

1821
01:36:29,183 --> 01:36:30,384
PERHAPS SINGING JUST LIKE

1822
01:36:30,451 --> 01:36:32,953
EXERCISE COULD BE A PROMISING

1823
01:36:33,020 --> 01:36:35,055
ADJUNCT NON-PHARMACOLOGIC

1824
01:36:35,122 --> 01:36:35,589
INTERVENTION TO REDUCING

1825
01:36:35,656 --> 01:36:39,160
CARDIOVASCULAR DISEASE RISK.

1826
01:36:39,226 --> 01:36:40,094
HOWEVER, THERE'S A CURRENT LACK

1827
01:36:40,161 --> 01:36:42,263
OF UNDERSTANDING INTO THE

1828
01:36:42,329 --> 01:36:45,099
BIOLOGICAL MECHANISMS BY WHICH

1829
01:36:45,166 --> 01:36:46,734
SINGING MAY IMPROVE

1830
01:36:46,800 --> 01:36:47,935
CARDIOVASCULAR HEALTH.

1831
01:36:48,002 --> 01:36:50,371
WHAT ARE VASCULAR ENDOTHELIAL

1832
01:36:50,437 --> 01:36:50,571
CELLS?

1833
01:36:50,638 --> 01:36:52,473
A SINGLE LAYER OF CELLS THAT

1834
01:36:52,540 --> 01:36:54,708
LINE THE INSIDE OF OUR BLOOD

1835
01:36:54,775 --> 01:36:57,244
VESSELS AND LYMPHATICS AND HEART

1836
01:36:57,311 --> 01:36:58,312
MUSCLE AND IMPORTANT FOR

1837
01:36:58,379 --> 01:36:58,846
CARDIOVASCULAR HEALTH AND

1838
01:36:58,913 --> 01:37:01,315
HOMEOSTASIS.

1839
01:37:01,382 --> 01:37:04,852
ONE THING THEY DO IS PRODUCE

1840
01:37:04,919 --> 01:37:06,187
NITRIC OXIDE OR NO.

1841
01:37:06,253 --> 01:37:12,393
IT LEADS TO VASO DILATION AND

1842
01:37:12,459 --> 01:37:14,862
PREVENTS ATHEROSCLEROSIS FROM

1843
01:37:14,929 --> 01:37:15,129
STARTING.

1844
01:37:15,196 --> 01:37:20,634
WHEN THE ENDOTHELIUM IS

1845
01:37:20,701 --> 01:37:21,802
COMPROMISED, PLAQUE CAN GET IN

1846
01:37:21,869 --> 01:37:27,541
THE WALL OF THE ARTERY YOU'RE

1847
01:37:27,608 --> 01:37:28,576
NOT AT RISK FOR A CARDIOVASCULAR

1848
01:37:28,642 --> 01:37:31,579
EVENT AND AT ARE RISK FOR STROKE

1849
01:37:31,645 --> 01:37:34,114
OR FOR ACUTE ISCHEMIA IF IT'S IN

1850
01:37:34,181 --> 01:37:36,250
THE LEG.

1851
01:37:36,317 --> 01:37:37,751
WE'RE TALKING ABOUT ALL THE

1852
01:37:37,818 --> 01:37:40,054
VASCULATURE.

1853
01:37:40,120 --> 01:37:44,325
WE KNOW SEVERAL THINGS IMPAIR

1854
01:37:44,391 --> 01:37:47,828
VASCULAR ENDOTHELIAL FUNCTION

1855
01:37:47,895 --> 01:37:50,931
AND DIABETES AND CHOLESTEROL AND

1856
01:37:50,998 --> 01:37:52,666
SEVERAL THINGS IMPROVE BLOOD

1857
01:37:52,733 --> 01:37:54,969
PRESSURE AND CHOLESTEROL,

1858
01:37:55,035 --> 01:38:00,374
EXERCISE, BUT WHAT ABOUT

1859
01:38:00,441 --> 01:38:02,509
SINGING?

1860
01:38:02,576 --> 01:38:04,478
YOU CAN MEASURE VASCULAR

1861
01:38:04,545 --> 01:38:05,913
ENDOTHELIAL FUNCTION INVASIVELY

1862
01:38:05,980 --> 01:38:07,581
AND NON-INVASIVELY.

1863
01:38:07,648 --> 01:38:12,286
IN MY LAB WE MEASURE IT

1864
01:38:12,353 --> 01:38:13,254
NON-INVASIVELY AND DILATION IN

1865
01:38:13,320 --> 01:38:18,125
THE UPPER ARM IS A MEASURE OF

1866
01:38:18,192 --> 01:38:21,095
THE LARGER BLOOD VESSELS AND THE

1867
01:38:21,161 --> 01:38:24,365
FINGER TIPS MEASURED IS A MARKER

1868
01:38:24,431 --> 01:38:24,898
OF MICROVASCULAR FUNCTION.

1869
01:38:24,965 --> 01:38:27,735
BOTH ARE IMPORTANT.

1870
01:38:27,801 --> 01:38:30,104
WHY THIS IS SUCH AN IMPORTANT

1871
01:38:30,170 --> 01:38:31,138
TOOL IN TRANSLATIONAL

1872
01:38:31,205 --> 01:38:33,941
CARDIOVASCULAR RESEARCH IS

1873
01:38:34,008 --> 01:38:38,445
BECAUSE WE KNOW WE KNOW THAT A

1874
01:38:38,512 --> 01:38:41,949
1% INCREASE IN BRACHIAL ARTERY

1875
01:38:42,016 --> 01:38:44,285
FLOW MEDIA DILATION IS

1876
01:38:44,351 --> 01:38:47,154
ASSOCIATED WITH A LOWER RISKS OF

1877
01:38:47,221 --> 01:38:56,397
CARDIOVASCULAR DISEASE.

1878
01:38:56,463 --> 01:38:58,832
WE STARTED A PILOT STUDY

1879
01:38:58,899 --> 01:39:00,434
BEGINNING FROM MY FELLOW WHO IS

1880
01:39:00,501 --> 01:39:01,368
NOW AN INTERVENTIONAL

1881
01:39:01,435 --> 01:39:02,670
CARDIOVASCULAR AND WANTED TO

1882
01:39:02,736 --> 01:39:04,305
STUDY SING AND HEART HEALTH.

1883
01:39:04,371 --> 01:39:06,173
WE OBTAINED PILOT FUNDING FROM

1884
01:39:06,240 --> 01:39:09,610
OUR INSTITUTION AND ENROLLED 60

1885
01:39:09,677 --> 01:39:10,577
SUBJECTS FROM OUR CARDIOLOGY

1886
01:39:10,644 --> 01:39:13,614
CLINIC AND THEY SANG TO A 14

1887
01:39:13,681 --> 01:39:15,115
MINUTE PRERECORDED VIDEO

1888
01:39:15,182 --> 01:39:19,486
INCLUDING A VOCAL WARM UP AND

1889
01:39:19,553 --> 01:39:22,122
SING THE STAR SPANGLED BANNER TO

1890
01:39:22,189 --> 01:39:24,425
FULFILL 15 MINUTES AND THIS WAS

1891
01:39:24,491 --> 01:39:25,292
RECORDED BY TAWNYA RUCK OUR

1892
01:39:25,359 --> 01:39:31,598
PROFESSOR OF VOICE.

1893
01:39:31,665 --> 01:39:34,401
AND WE MEASURED BEFORE AND AFTER

1894
01:39:34,468 --> 01:39:35,669
ENDOTHELIAL FUNCTION.

1895
01:39:35,736 --> 01:39:38,539
WHAT WE SAW WAS AN ACUTE

1896
01:39:38,605 --> 01:39:42,109
IMPROVEMENT IN THE FRAMINGHAM

1897
01:39:42,176 --> 01:39:49,783
REACTIVE HYPEREMIA IMPACT A

1898
01:39:49,850 --> 01:39:53,120
MAKER OF VASCULAR FUNCTION AND

1899
01:39:53,187 --> 01:39:55,989
WE GOT A GRANT FROM NIH ON

1900
01:39:56,056 --> 01:39:58,025
MARKERS OF CARDIOVASCULAR HEALTH

1901
01:39:58,092 --> 01:40:00,027
IN ADULTS WITH CORONARY DISEASE.

1902
01:40:00,094 --> 01:40:01,128
WE CHOSE THIS POPULATION BECAUSE

1903
01:40:01,195 --> 01:40:03,597
IN THE PILOT STUDY IT WAS THOSE

1904
01:40:03,664 --> 01:40:05,866
SUBJECTS THAT HAD WORSE

1905
01:40:05,933 --> 01:40:06,967
ENDOTHELIAL FUNCTION AT BASELINE

1906
01:40:07,034 --> 01:40:11,538
WHERE SAW THE MOST BENEFIT WITH

1907
01:40:11,605 --> 01:40:16,043
SINGING WE HAD AN R61

1908
01:40:16,110 --> 01:40:17,144
FEASIBILITY STUDY OF THE DESIGN

1909
01:40:17,211 --> 01:40:19,546
AND HERE'S A SCHEMATIC OF THE

1910
01:40:19,613 --> 01:40:22,116
MECHANISMS TESTED IN AIMS 2 AND

1911
01:40:22,182 --> 01:40:23,550
3.

1912
01:40:23,617 --> 01:40:25,486
MEASURING VASCULAR ENDOTHELIAL

1913
01:40:25,552 --> 01:40:32,192
FUNCTION AND MARKER OF AUTONOMIC

1914
01:40:32,259 --> 01:40:35,329
FUNCTION AND CORTISOL AND MOOD

1915
01:40:35,396 --> 01:40:38,098
LEVELS AND I NEEDED A LARGER

1916
01:40:38,165 --> 01:40:38,799
MUSICAL TEAM.

1917
01:40:38,866 --> 01:40:40,634
WE HAVE TWO PROFESSORS OF VOICE

1918
01:40:40,701 --> 01:40:44,138
AND TWO MUSICAL THERAPISTS ON MY

1919
01:40:44,204 --> 01:40:44,338
TEAM.

1920
01:40:44,405 --> 01:40:48,409
THE TOP RIGHT HERE SHOWS THE

1921
01:40:48,475 --> 01:40:49,443
RANDOMIZED CROSSOVER DESIGN OF

1922
01:40:49,510 --> 01:40:50,944
OUR STUDY.

1923
01:40:51,011 --> 01:40:52,913
THERE'S A REST CONTROL FOR 30

1924
01:40:52,980 --> 01:40:53,414
MINUTES.

1925
01:40:53,480 --> 01:40:55,115
THEY GET A HEARING TEST DURING

1926
01:40:55,182 --> 01:40:56,850
THAT 30 MINUTES AND THEN THERE'S

1927
01:40:56,917 --> 01:40:58,752
TWO DIFFERENT SINGING

1928
01:40:58,819 --> 01:40:59,086
INTERVENTIONS.

1929
01:40:59,153 --> 01:41:00,220
THE FIRST IS VERY SIMILAR TO

1930
01:41:00,287 --> 01:41:02,322
THAT OF OUR PILOT STUDY BUT

1931
01:41:02,389 --> 01:41:02,990
LONGER.

1932
01:41:03,056 --> 01:41:04,625
IT'S 30 MINUTES OF SING.

1933
01:41:04,691 --> 01:41:06,193
THE SECOND INTERVENTION IS IN

1934
01:41:06,260 --> 01:41:08,162
PERSON WITH A MUSIC THERAPIST.

1935
01:41:08,228 --> 01:41:10,464
WE TRIED TO STRUCTURE THE VISITS

1936
01:41:10,531 --> 01:41:13,934
SIMILARLY SO WE CAN REPRODUCE

1937
01:41:14,001 --> 01:41:15,803
THIS RIGOR AND CLINICAL TRIALS.

1938
01:41:15,869 --> 01:41:18,071
SO THE FIRST 10 MINUTES IS A

1939
01:41:18,138 --> 01:41:20,340
VOCAL WARM UP FOLLOWED BY TWO

1940
01:41:20,407 --> 01:41:21,642
SONG SELECTIONS BASED ON THE

1941
01:41:21,708 --> 01:41:23,610
PREFERENCES OF THE SUBJECT.

1942
01:41:23,677 --> 01:41:27,281
10 MINUTES EACH FOR THE SONGS.

1943
01:41:27,347 --> 01:41:28,615
ONE DIFFERENCE BEING OUR VOICE

1944
01:41:28,682 --> 01:41:30,284
PROFESSOR IN THE VIDEO PREFERRED

1945
01:41:30,350 --> 01:41:34,121
THE PIANO AND OUR MUSIC

1946
01:41:34,188 --> 01:41:34,955
THERAPIST PREFERRED THE GUITAR.

1947
01:41:35,022 --> 01:41:37,024
I'M HAPPY TO SAY WE JUST

1948
01:41:37,090 --> 01:41:38,125
FINISHED ENROLLMENT.

1949
01:41:38,192 --> 01:41:40,127
I HAVE A LITTLE BIT OF DATA TO

1950
01:41:40,194 --> 01:41:45,032
SHOW BUT NOT ALL.

1951
01:41:45,098 --> 01:41:47,301
THESE ARE THE SUBJECT

1952
01:41:47,367 --> 01:41:48,836
DEMOGRAPHICS AVERAGE AGE 68

1953
01:41:48,902 --> 01:41:52,940
YEARS, 40% WOMEN, 60% WOMEN.

1954
01:41:53,006 --> 01:41:54,107
NOT AS MUCH AS RACIAL DIVERSITY

1955
01:41:54,174 --> 01:41:56,543
BUT REPRESENTATIVE OF THE

1956
01:41:56,610 --> 01:41:58,111
WISCONSIN POPULATION AS A WHOLE.

1957
01:41:58,178 --> 01:42:00,714
ALL OF THEM HAD HISTORY OF

1958
01:42:00,781 --> 01:42:01,915
CORONARY DISEASE.

1959
01:42:01,982 --> 01:42:04,151
MOST HAD A STENT PLACED OR

1960
01:42:04,218 --> 01:42:06,520
HISTORY OF MYOCARDIAL IN

1961
01:42:06,587 --> 01:42:08,322
FUNCTION AND A QUARTER HAD

1962
01:42:08,388 --> 01:42:13,961
CORONARY GRAFTING SURGERY AND

1963
01:42:14,027 --> 01:42:20,667
RISK FACTORS AND 54% REPORTED A

1964
01:42:20,734 --> 01:42:22,102
LIMITATION THAT MAY LIMIT THEIR

1965
01:42:22,169 --> 01:42:25,839
EXERCISE REHAB.

1966
01:42:25,906 --> 01:42:28,141
THE FRAMINGHAM HYPEREMIA INDEX

1967
01:42:28,208 --> 01:42:30,110
AND SIGNIFICANT IMPROVEMENTS IN

1968
01:42:30,177 --> 01:42:33,113
SINGING INTERVENTION, 57% IN THE

1969
01:42:33,180 --> 01:42:36,016
VIDEO AND 41% IN THE IN-PERSON

1970
01:42:36,083 --> 01:42:37,117
COACHING VISIT.

1971
01:42:37,184 --> 01:42:39,586
AND THIS IS WHY A CONTROL IS

1972
01:42:39,653 --> 01:42:40,087
IMPORTANT.

1973
01:42:40,153 --> 01:42:42,489
SO RESTING CONTROL.

1974
01:42:42,556 --> 01:42:44,892
30% INCREASE IN VASCULAR

1975
01:42:44,958 --> 01:42:45,359
FUNCTION.

1976
01:42:45,425 --> 01:42:48,395
WHEN WE DO THE CROSSOVER DESIGN

1977
01:42:48,462 --> 01:42:50,163
ANALYSIS WE TAKE IN ACCOUNT

1978
01:42:50,230 --> 01:42:51,565
SUBJECT COMPARISON SPECIFIC

1979
01:42:51,632 --> 01:42:53,133
TREATMENT AND ORDER OF THE

1980
01:42:53,200 --> 01:42:54,334
TREATMENTS AND CARRY OVER

1981
01:42:54,401 --> 01:42:55,235
EFFECTS.

1982
01:42:55,302 --> 01:42:56,670
IT'S A COMPLEX ANALYSIS.

1983
01:42:56,737 --> 01:42:59,940
WHEN ALL IS SAID AND DONE THE

1984
01:43:00,007 --> 01:43:02,976
VIDEO COMES OUT ON TOP BY 25% IN

1985
01:43:03,043 --> 01:43:06,413
IMPROVEMENTS AFTER 30 MINUTES OF

1986
01:43:06,480 --> 01:43:06,613
SING.

1987
01:43:06,680 --> 01:43:08,916
THERE IS NO CHANGE IN MACRO

1988
01:43:08,982 --> 01:43:10,918
VASCULAR ENDOTHELIAL FUNCTION

1989
01:43:10,984 --> 01:43:15,122
AND NO CHANGE IN THE BRACHIAL

1990
01:43:15,188 --> 01:43:16,390
FUNCTION AND VASCULAR

1991
01:43:16,456 --> 01:43:19,359
DYSFUNCTION IS HARDER TO TREAT.

1992
01:43:19,426 --> 01:43:21,828
SO IN CONCLUSION WHICH ARE

1993
01:43:21,895 --> 01:43:25,866
DIFFICULT TO READ HERE, BUT,

1994
01:43:25,933 --> 01:43:27,834
IT'S NOT HOW THEY LOOKED

1995
01:43:27,901 --> 01:43:29,169
ORIGINALLY, I PROMISE.

1996
01:43:29,236 --> 01:43:33,607
30 MINUTES OF SINGING WITH A

1997
01:43:33,674 --> 01:43:35,442
VIDEO VISIT LED TO STATISTICALLY

1998
01:43:35,509 --> 01:43:36,410
SIGNIFICANT IMPROVEMENTS IN

1999
01:43:36,476 --> 01:43:37,544
CARDIOVASCULAR FUNCTION.

2000
01:43:37,611 --> 01:43:40,113
THERE WAS ACTUALLY A SMALL CARRY

2001
01:43:40,180 --> 01:43:42,049
OVER AFFECT IN THE VIDEO VISIT.

2002
01:43:42,115 --> 01:43:44,651
THAT'S A GOOD DISCUSSION POINT.

2003
01:43:44,718 --> 01:43:46,353
AND BOTH SINGING INTERVENTIONS

2004
01:43:46,420 --> 01:43:51,458
LED TO IMPROVEMENTS IN VASCULAR

2005
01:43:51,525 --> 01:43:52,025
ENDOTHELIAL FUNCTION.

2006
01:43:52,092 --> 01:43:54,928
THE IN PERSON MUSIC THERAPY

2007
01:43:54,995 --> 01:43:55,829
VISIT DID NOT DIFFER

2008
01:43:55,896 --> 01:43:57,798
SIGNIFICANTLY FROM THE CONTROL

2009
01:43:57,864 --> 01:43:58,098
VISIT.

2010
01:43:58,165 --> 01:44:00,400
BUT IS THERE NOISE THERE?

2011
01:44:00,467 --> 01:44:04,438
AND IMPROVEMENT IN THE CONTROL

2012
01:44:04,504 --> 01:44:06,607
REST ARM MAY HAVE DILUTED THE

2013
01:44:06,673 --> 01:44:07,240
OBSERVED AFFECT OF THE SINGING

2014
01:44:07,307 --> 01:44:11,712
INTERVENTIONS.

2015
01:44:11,778 --> 01:44:12,412
CONSIDERATIONS AFTER DOING THIS

2016
01:44:12,479 --> 01:44:13,280
WORK.

2017
01:44:13,347 --> 01:44:14,615
A CONTROL IS IMPORTANT.

2018
01:44:14,681 --> 01:44:16,316
BUT WHAT IS THE PROPER CONTROL.

2019
01:44:16,383 --> 01:44:18,251
WHAT'S THE RIGHT CONTROL FOR A

2020
01:44:18,318 --> 01:44:20,187
SINGING INTERVENTION?

2021
01:44:20,253 --> 01:44:22,122
WE CHOSE REST BUT MAYBE THAT'S

2022
01:44:22,189 --> 01:44:23,690
NOT THE PROPER CONTROL.

2023
01:44:23,757 --> 01:44:26,360
ARE THE TWO SINGING OF

2024
01:44:26,426 --> 01:44:26,994
INTERVENTIONS TRULY DIFFERENT

2025
01:44:27,060 --> 01:44:28,996
ARE IS THERE CONFOUNDING.

2026
01:44:29,062 --> 01:44:30,097
SPEAKING TO SEVERAL EXPERTS IN

2027
01:44:30,163 --> 01:44:31,698
THE ROOM, THERE'S SOME THOUGHT

2028
01:44:31,765 --> 01:44:32,833
THAT MEETING THE MUSIC

2029
01:44:32,899 --> 01:44:33,834
THERAPISTS FOR THE FIRST TIME

2030
01:44:33,900 --> 01:44:35,135
AND JUMPING RIGHT INTO SINGING

2031
01:44:35,202 --> 01:44:38,105
FOR 30 MINUTES MAY HAVE LED TO A

2032
01:44:38,171 --> 01:44:40,774
LITTLE BIT OF ANXIETY PERHAPS.

2033
01:44:40,841 --> 01:44:41,908
OR IS IT SOMETHING WITH ONE OF

2034
01:44:41,975 --> 01:44:43,543
THE SONG OPTIONS.

2035
01:44:43,610 --> 01:44:46,113
VIDEO FORMAT THERE WERE ONLY

2036
01:44:46,179 --> 01:44:47,814
FOUR SONG OPTIONS.

2037
01:44:47,881 --> 01:44:51,785
THE MUSIC THERAPY VISIT THERE

2038
01:44:51,852 --> 01:44:57,290
WERE OPTIONS WITH THE SONGS.

2039
01:44:57,357 --> 01:45:07,734
VASCULAREND -- VASCULAR

2040
01:45:07,801 --> 01:45:10,671
ENDOTHELIAL IS ONLY ONE ASPECT

2041
01:45:10,737 --> 01:45:13,407
AND WHAT ABOUT 30 MINUTES OF

2042
01:45:13,473 --> 01:45:15,642
SINGING WHAT THE RIGHT WASH OUT

2043
01:45:15,709 --> 01:45:15,942
PERIOD?

2044
01:45:16,009 --> 01:45:18,111
CLEARLY 48 HOURS IS NOT ENOUGH.

2045
01:45:18,178 --> 01:45:23,483
AND SOME OF THE MUSIC THERAPIES

2046
01:45:23,550 --> 01:45:24,484
WERE VIRTUAL DUE TO THE

2047
01:45:24,551 --> 01:45:25,018
PANDEMIC.

2048
01:45:25,085 --> 01:45:26,987
I'M OUT OF TIME BUT LOOK FOR

2049
01:45:27,054 --> 01:45:28,555
ANALYSES TO COME AND MOVING

2050
01:45:28,622 --> 01:45:30,190
FORWARD I NEED TO LOOK AT THE

2051
01:45:30,257 --> 01:45:33,493
CHRONIC VASCULAR ADAPTATION TO

2052
01:45:33,560 --> 01:45:33,727
SINGING.

2053
01:45:33,794 --> 01:45:35,662
OVER TIME AND MONTHS I WANT TO

2054
01:45:35,729 --> 01:45:36,997
EXPLORE THE DOSE EFFECT.

2055
01:45:37,064 --> 01:45:38,165
WHAT'S THE RIGHT FREQUENCY AND

2056
01:45:38,231 --> 01:45:39,132
DURATION.

2057
01:45:39,199 --> 01:45:42,402
I WANT TO LOOK AT GROUP SINGING

2058
01:45:42,469 --> 01:45:44,738
AS WELL AND CONSIDER A VIRTUAL

2059
01:45:44,805 --> 01:45:45,405
FORMAT AND PERHAPS DURING THE

2060
01:45:45,472 --> 01:45:46,573
PANEL DISCUSSION WE CAN TALK

2061
01:45:46,640 --> 01:45:47,607
ABOUT THE HEART FAILURE

2062
01:45:47,674 --> 01:45:54,114
POPULATION HAVING TO DO WITH THE

2063
01:45:54,181 --> 01:45:55,549
VAGUS  NERVE AND LET'S TALK

2064
01:45:55,615 --> 01:45:58,118
ABOUT IT DURING THE PANEL.

2065
01:45:58,185 --> 01:46:08,361
THANK YOU.

2066
01:46:12,232 --> 01:46:16,837
>> YESTERDAY, THALIA GOLDSTEIN

2067
01:46:16,903 --> 01:46:19,439
BROUGHT UP THE NEED TO TALK

2068
01:46:19,506 --> 01:46:22,676
ABOUT EMBODIMENT AND DANCE AND

2069
01:46:22,743 --> 01:46:23,276
NOW WE'RE GOING TO TALK ABOUT

2070
01:46:23,343 --> 01:46:30,117
DANCE.

2071
01:46:30,183 --> 01:46:33,220
I'D LIKE TO START OFF BY REALLY

2072
01:46:33,286 --> 01:46:36,389
QUICKLY THANKING THE ORGANIZERS

2073
01:46:36,456 --> 01:46:40,694
OF THIS PARTICULARLY DR. EDWARDS

2074
01:46:40,761 --> 01:46:43,530
AND DR. BOB FINKELSTEIN FOR

2075
01:46:43,597 --> 01:46:45,966
INVITING US AND TO OUR TEAM

2076
01:46:46,032 --> 01:46:48,001
WHICH SPANS EVERYONE FROM

2077
01:46:48,068 --> 01:46:50,470
UNDERGRADUATES TO SECTION HEADS.

2078
01:46:50,537 --> 01:46:51,304
ALSO WE HAVE INCREDIBLE

2079
01:46:51,371 --> 01:46:53,206
COMMUNITY PARTNERS WE'D LIKE TO

2080
01:46:53,273 --> 01:46:55,809
THANK AS WELL AS FUND FROM THE

2081
01:46:55,876 --> 01:46:57,711
NCCIH AND NIA THAT HAVE BEEN

2082
01:46:57,778 --> 01:46:58,879
INSTRUMENTAL TO THE WORK I'M

2083
01:46:58,945 --> 01:47:00,380
GOING SHARE WITH YOU.

2084
01:47:00,447 --> 01:47:02,182
MUSIC AND DANCE ARE SO CLOSELY

2085
01:47:02,249 --> 01:47:03,984
LINKED THAT IN MANY CULTURES

2086
01:47:04,050 --> 01:47:05,986
THEY'RE REFERRED TO WITH THE

2087
01:47:06,052 --> 01:47:06,386
SAME WORD.

2088
01:47:06,453 --> 01:47:09,156
SO THIS EMBODIMENT PIECE IS AN

2089
01:47:09,222 --> 01:47:10,524
IMPORTANT PART TO TALK ABOUT AND

2090
01:47:10,590 --> 01:47:12,759
I'LL START OFF BY SHOWING YOU A

2091
01:47:12,826 --> 01:47:14,961
VIDEO THAT START THE

2092
01:47:15,028 --> 01:47:16,630
COLLABORATION BETWEEN MYSELF AND

2093
01:47:16,696 --> 01:47:21,067
MY DANCE CO-P.I. WHO IS SITTING

2094
01:47:21,134 --> 01:47:22,102
RIGHT THERE AND THIS IS DATA

2095
01:47:22,169 --> 01:47:26,306
FROM A PILOT STUDY SHE RAN IN

2096
01:47:26,373 --> 01:47:27,374
PARKINSON'S DISEASE.

2097
01:47:27,440 --> 01:47:29,643
THE WOMAN YOUR WATCHING

2098
01:47:29,709 --> 01:47:30,877
PERFORMED SEVEN WEEKS THREE

2099
01:47:30,944 --> 01:47:33,480
TIMES A WEEK OF IMPROVISATIONAL

2100
01:47:33,547 --> 01:47:34,848
DANCE MOVEMENT AND THIS STARTED

2101
01:47:34,915 --> 01:47:37,117
OUR COLLABORATION TOGETHER.

2102
01:47:37,184 --> 01:47:39,152
IT ALSO HAS STARTED AN ONGOING

2103
01:47:39,219 --> 01:47:41,054
COMMUNITY CLASS AND THIS PILOT I

2104
01:47:41,121 --> 01:47:43,790
THINK WAS IN 2010 AND WE STILL

2105
01:47:43,857 --> 01:47:48,395
HAVE AN ONGOING COMMUNITY CLASS

2106
01:47:48,461 --> 01:47:54,100
FROM OUR RELATIONSHIPS AND

2107
01:47:54,167 --> 01:47:56,203
PROVIDED THE SHARED INQUIRY ON

2108
01:47:56,269 --> 01:47:57,571
SONG AND DANCE PEOPLE'S MINDS

2109
01:47:57,637 --> 01:47:59,539
AND BODIES.

2110
01:47:59,606 --> 01:48:01,274
THIS DIAGRAM IS SIMPLISTIC MODEL

2111
01:48:01,341 --> 01:48:03,844
WE STARTED WITH OUR FIRST GRANT

2112
01:48:03,910 --> 01:48:05,478
AND STARTED WITH DATA FROM OUR

2113
01:48:05,545 --> 01:48:06,646
FIRST PILOT TOGETHER.

2114
01:48:06,713 --> 01:48:09,082
THIS WAS LOOKING AT PEOPLE

2115
01:48:09,149 --> 01:48:11,418
LIVING WITH DEMENTIA EITHER MILD

2116
01:48:11,484 --> 01:48:12,485
COGNITIVE IMPAIRMENT OR EARLY

2117
01:48:12,552 --> 01:48:15,188
STAGE DEMENTIA AND THEIR

2118
01:48:15,255 --> 01:48:16,423
CAREGIVERS AND PARTICIPATING IN

2119
01:48:16,489 --> 01:48:19,593
AN INTERVENTION TOGETHER AND OUR

2120
01:48:19,659 --> 01:48:20,560
OVER ALL MECHANISTIC HYPOTHESIS

2121
01:48:20,627 --> 01:48:22,262
IS DANCE INCORPORATES TWO

2122
01:48:22,329 --> 01:48:27,767
BEHAVIORS WE KNOW ARE IMPORTANT

2123
01:48:27,834 --> 01:48:30,437
FOR BRAIN HEALTH AND ENGAGEMENT

2124
01:48:30,503 --> 01:48:35,842
AND THE MOVEMENT XHOENTZ OF

2125
01:48:35,909 --> 01:48:41,214
DANCE WOULD AND BALANCE IS A

2126
01:48:41,281 --> 01:48:42,549
SECONDARY RISK OF DEMENTIA AND

2127
01:48:42,616 --> 01:48:45,518
FALL RISK INCREASES AND THEY

2128
01:48:45,585 --> 01:48:51,858
OFTEN HAVE DEMENTIA AND APATHY

2129
01:48:51,925 --> 01:48:58,298
AND WE PREDICTED IMPROVED

2130
01:48:58,365 --> 01:49:00,400
COGNITIVE FUNCTION AND IMPROVE

2131
01:49:00,467 --> 01:49:10,110
THE QUALITY OF LIFE.

2132
01:49:10,176 --> 01:49:12,579
WE HAD A STUDY CALLED I MOVE AND

2133
01:49:12,646 --> 01:49:14,447
SPECIFIED FOR THREE YEARS.

2134
01:49:14,514 --> 01:49:16,182
WE DESIGN A FACTORIAL TRIAL TO

2135
01:49:16,249 --> 01:49:18,118
TRY TO ADDRESS MECHANISM WHICH

2136
01:49:18,184 --> 01:49:19,886
WAS A REQUIREMENT OF THE CALL

2137
01:49:19,953 --> 01:49:21,421
FOR GRANTS WITH THE TIGHT TIME

2138
01:49:21,488 --> 01:49:21,688
FRAME.

2139
01:49:21,755 --> 01:49:24,124
WE HAD THREE ACTIVE INTERVENTION

2140
01:49:24,190 --> 01:49:24,691
ARMS.

2141
01:49:24,758 --> 01:49:26,259
THERE WAS THE DANCE MOVEMENT

2142
01:49:26,326 --> 01:49:28,361
INTERVENTION ARM WHICH WAS

2143
01:49:28,428 --> 01:49:30,030
IMPROVISATIONAL MOVEMENT AND

2144
01:49:30,096 --> 01:49:32,232
JUST BY WAY OF QUICK EXPLANATION

2145
01:49:32,299 --> 01:49:34,634
THIS IS A FORM OF MODERN DANCE

2146
01:49:34,701 --> 01:49:37,270
AND IT IS BASICALLY INSTEAD OF

2147
01:49:37,337 --> 01:49:39,706
HAVING A SET CHOREOGRAPHY OR

2148
01:49:39,773 --> 01:49:42,575
STEPS YOU GIVE PEOPLE A MOVEMENT

2149
01:49:42,642 --> 01:49:44,144
PROMPT LIKE MAKE A ROUND SHAPE

2150
01:49:44,210 --> 01:49:45,712
WITH YOUR BODY INSTEAD OF FIRST

2151
01:49:45,779 --> 01:49:46,713
POSITION OR SOMETHING LIKE THAT.

2152
01:49:46,780 --> 01:49:49,015
THIS IS GREAT FOR POPULATIONS

2153
01:49:49,082 --> 01:49:51,017
WITH NEURODEGENERATIVE DISEASE

2154
01:49:51,084 --> 01:49:52,319
WHO MAY NOT BE ABLE TO REMEMBER

2155
01:49:52,385 --> 01:49:54,487
OR ACCURATELY PERFORM CERTAIN

2156
01:49:54,554 --> 01:49:56,022
DANCE MOVEMENTS.

2157
01:49:56,089 --> 01:49:58,591
PEOPLE DID THIS TWICE A WEEK FOR

2158
01:49:58,658 --> 01:50:00,427
AN HOUR FOR 12 WEEKS OR THEY

2159
01:50:00,493 --> 01:50:01,628
PARTICIPATED IN A SOCIAL GROUP

2160
01:50:01,695 --> 01:50:03,997
OR MOVEMENT ALONE GROUP AS TWO

2161
01:50:04,064 --> 01:50:05,231
ADDITIONAL CONTROL CONDITIONS.

2162
01:50:05,298 --> 01:50:06,967
IF SOMEONE WAS IN THE USUAL CARE

2163
01:50:07,033 --> 01:50:08,301
ARM THEY WERE OFFERED THE DANCE

2164
01:50:08,368 --> 01:50:13,039
CLASSES AT THE END OF THE STUDY.

2165
01:50:13,106 --> 01:50:16,209
THIS STUDY WAS INTERRUPTED BY

2166
01:50:16,276 --> 01:50:18,111
COVID WHICH YOU CAN IMAGINE WAS

2167
01:50:18,178 --> 01:50:21,614
DIFFICULT GIVEN THE STUDY

2168
01:50:21,681 --> 01:50:22,082
DESIGN.

2169
01:50:22,148 --> 01:50:23,583
AFTER HALF OUR RECRUITMENT WAS

2170
01:50:23,650 --> 01:50:27,687
DONE WE HAD A NINE-MONTH

2171
01:50:27,754 --> 01:50:30,657
SHUTDOWN FOR COVID AND USED A

2172
01:50:30,724 --> 01:50:31,591
RAPID DESIGN TO TRANSITION THE

2173
01:50:31,658 --> 01:50:33,426
THREE ACTIVE ARMS TO AN

2174
01:50:33,493 --> 01:50:35,929
ENVIRONMENT ENVIRONMENT WHICH

2175
01:50:35,996 --> 01:50:38,031
WAS PRETTY DIFFICULT BUT WE HAVE

2176
01:50:38,098 --> 01:50:39,099
AN AMAZING TEAM AND HAVE SUPPORT

2177
01:50:39,165 --> 01:50:42,102
FROM THE NIH IN THE PROCESS.

2178
01:50:42,168 --> 01:50:43,570
SO AFTER NINE MONTHS IN DECEMBER

2179
01:50:43,636 --> 01:50:46,806
2020 WE RESUMED THE INTERVENTION

2180
01:50:46,873 --> 01:50:47,073
VIRTUALLY.

2181
01:50:47,140 --> 01:50:48,174
THE INTERRUPTION HAPPENED

2182
01:50:48,241 --> 01:50:50,076
HALFWAY THROUGH RECRUITMENT.

2183
01:50:50,143 --> 01:50:58,284
WE FINISH THE STUDY WITH 101

2184
01:50:58,351 --> 01:50:59,853
DIADS TOTAL AND WE'RE STILL

2185
01:50:59,919 --> 01:51:01,054
DIGGING THROUGH RESULTS BECAUSE

2186
01:51:01,121 --> 01:51:03,156
IT'S QUITE COMPLICATED GIVEN THE

2187
01:51:03,223 --> 01:51:05,825
INTERRUPTION AND STUDY DESIGN

2188
01:51:05,892 --> 01:51:07,894
AND I'LL SHOW RESULTS AND TALK

2189
01:51:07,961 --> 01:51:09,195
ABOUT LESSONS LEARNED.

2190
01:51:09,262 --> 01:51:10,263
I FEEL LIKE IN A LOT OF WAYS

2191
01:51:10,330 --> 01:51:12,065
THIS IS A PIONEERING STUDY AND

2192
01:51:12,132 --> 01:51:13,433
SOME OF THOSE LESSONS LEARN

2193
01:51:13,500 --> 01:51:16,970
READY SOME OF THE MOST IMPORTANT

2194
01:51:17,037 --> 01:51:17,771
PIECES OF IT.

2195
01:51:17,837 --> 01:51:22,108
WE HYPOTHESIZED CHANGES IN THE

2196
01:51:22,175 --> 01:51:23,376
SOM

2197
01:51:23,443 --> 01:51:24,411
SOMATO MOTOR AND DEFAULT NOTE

2198
01:51:24,477 --> 01:51:25,612
WORK AND LOOK AT SOCIAL AND

2199
01:51:25,678 --> 01:51:27,981
MOVEMENT FACTORS AND DID NOT

2200
01:51:28,048 --> 01:51:30,016
SHOW SIGNIFICANT RESULT.

2201
01:51:30,083 --> 01:51:31,985
WE DID SEE TRENDS IN THE

2202
01:51:32,052 --> 01:51:33,887
EXPECTED DIRECTION FOR THE

2203
01:51:33,953 --> 01:51:35,288
SOMATO MOTOR REGIONS WHICH WE

2204
01:51:35,355 --> 01:51:37,123
FOUND POSITIVE GIVEN THE STUDY

2205
01:51:37,190 --> 01:51:40,994
WOUND UP UNDER POWERED AND

2206
01:51:41,061 --> 01:51:42,996
VIRTUAL WHICH REDUCED PEOPLE'S

2207
01:51:43,063 --> 01:51:44,431
SPACE TO ENGAGE IN MOVEMENT IN

2208
01:51:44,497 --> 01:51:46,032
THEIR HOMES THAN WHAT THEY HAD

2209
01:51:46,099 --> 01:51:48,068
IN THE DANCE STUDIO.

2210
01:51:48,134 --> 01:51:49,135
AS FAR AS LESSONS LEARNED ONE OF

2211
01:51:49,202 --> 01:51:50,503
THE MOST IMPORTANT I WANTED TO

2212
01:51:50,570 --> 01:51:52,639
START OFF BY SHARING WAS WE HAVE

2213
01:51:52,705 --> 01:51:54,174
NOT SO FAR FOUND INTERACTIONS

2214
01:51:54,240 --> 01:51:57,010
WITH COVID WHICH IS PRETTY COOL.

2215
01:51:57,077 --> 01:52:00,947
THE VIRTUAL INTERVENTIONS WE MAY

2216
01:52:01,014 --> 01:52:02,782
BE UNDER POWERED BECAUSE IT WAS

2217
01:52:02,849 --> 01:52:05,351
NOT PLANNED TO HAVE HALF

2218
01:52:05,418 --> 01:52:06,186
INTERVENTION VIRTUAL AND

2219
01:52:06,252 --> 01:52:07,787
INTERRUPTIONS WITH COVID HAVEN'T

2220
01:52:07,854 --> 01:52:10,090
BEEN SIGNIFICANT WITH OUTCOMES

2221
01:52:10,156 --> 01:52:13,860
BUT INVENTIONS WITH DISEASE

2222
01:52:13,927 --> 01:52:14,727
STAGE HAVE AND THERE'S EARLY

2223
01:52:14,794 --> 01:52:17,330
STAGE DEMENTIA AND WORKED WITH

2224
01:52:17,397 --> 01:52:19,599
OUR ALZHEIMER'S DISEASE RESEARCH

2225
01:52:19,666 --> 01:52:20,800
CENTER AND NEVERTHELESS THERE'S

2226
01:52:20,867 --> 01:52:22,102
DIFFERENCES IN ASSOCIATIONS WITH

2227
01:52:22,168 --> 01:52:23,603
BRAIN NETWORK OUTCOMES IN

2228
01:52:23,670 --> 01:52:25,205
BETWEEN BRAIN NETWORKS AND

2229
01:52:25,271 --> 01:52:26,272
BEHAVIORS DEPENDING ON WHETHER

2230
01:52:26,339 --> 01:52:29,576
SOMEONE HAS NCI OR DEMENTIA.

2231
01:52:29,642 --> 01:52:30,410
WE ARE STILL TRYING TO

2232
01:52:30,477 --> 01:52:31,744
UNDERSTAND THE IMPACT.

2233
01:52:31,811 --> 01:52:34,013
THAT SAID IT'S IMPORTANT FOR THE

2234
01:52:34,080 --> 01:52:37,450
AUDIENCE IN DESIGNING A GROUP

2235
01:52:37,517 --> 01:52:38,218
INTERVENTION AND HAVING

2236
01:52:38,284 --> 01:52:39,285
DIFFERENT DISEASE STAGES WITHIN

2237
01:52:39,352 --> 01:52:40,720
THE SAME GROUP AND THE IMPACTS

2238
01:52:40,787 --> 01:52:42,555
THAT COULD HAVE ON THE SOCIAL

2239
01:52:42,622 --> 01:52:44,457
CONNECTIONS AND ON SOME OF THE

2240
01:52:44,524 --> 01:52:45,892
OUTCOMES YOU'RE INTERESTED IN.

2241
01:52:45,959 --> 01:52:47,360
ANOTHER THING WE DID NOT EXPECT

2242
01:52:47,427 --> 01:52:49,095
WAS WE GOT REALLY POSITIVE

2243
01:52:49,162 --> 01:52:50,096
FEEDBACK ON THE MOVEMENT ALONE

2244
01:52:50,163 --> 01:52:52,899
GROUP DURING COVID.

2245
01:52:52,966 --> 01:52:54,400
PEOPLE WERE DOING THE DANCE

2246
01:52:54,467 --> 01:52:56,169
INTERVENTION BUT NOT INTERACTING

2247
01:52:56,236 --> 01:52:57,370
WITH OTHERS AND BOTH CAREGIVERS

2248
01:52:57,437 --> 01:52:58,705
AND THE PEOPLE WITH DEMENTIA

2249
01:52:58,771 --> 01:52:59,906
GAVE US POSITIVE FEEDBACK.

2250
01:52:59,973 --> 01:53:02,976
WE HAVE ALSO IN THE MEANTIME

2251
01:53:03,042 --> 01:53:05,945
FINISHED A PILOT STUDY TO

2252
01:53:06,012 --> 01:53:08,681
CREATED AN IN HEALTH APP TO

2253
01:53:08,748 --> 01:53:09,249
FACILITATE DANCE MOVEMENT

2254
01:53:09,315 --> 01:53:10,817
BETWEEN CARE PARTNERS AND

2255
01:53:10,884 --> 01:53:14,087
HOMEBOUND OLDER ADULTS AND TAKE

2256
01:53:14,154 --> 01:53:16,289
THAT FORWARD BUT I THINK THERE'S

2257
01:53:16,356 --> 01:53:17,891
A LOT OF OPPORTUNITY HERE EVEN

2258
01:53:17,957 --> 01:53:19,425
THOUGH THERE'S SOCIAL CONNECTION

2259
01:53:19,492 --> 01:53:21,427
IS AN IMPORTANT PART OF ALL THIS

2260
01:53:21,494 --> 01:53:22,362
ARTS-BASED WORK.

2261
01:53:22,428 --> 01:53:26,099
HOW DO WE CREATE IN HEALTH

2262
01:53:26,166 --> 01:53:27,934
INTERVENTIONS FOR THE SOCIAL

2263
01:53:28,001 --> 01:53:29,536
CONNECTIVITY AND LASTLY I'LL

2264
01:53:29,602 --> 01:53:31,671
MOVE INTO ISSUES WE CONFRONTED

2265
01:53:31,738 --> 01:53:32,772
IN THIS STUDY THAT INFORMED OUR

2266
01:53:32,839 --> 01:53:33,907
NEXT STUDY.

2267
01:53:33,973 --> 01:53:35,942
THE CURRENT TRIAL WE'RE RUNNING

2268
01:53:36,009 --> 01:53:37,177
WE CALL I GROOVE AND THIS STUDY

2269
01:53:37,243 --> 01:53:39,679
IS AIMED AT LOOKING AT THE

2270
01:53:39,746 --> 01:53:41,981
AFFECTS OF DOSING ON DANCE

2271
01:53:42,048 --> 01:53:43,483
SPECIFICALLY THE PRIME TER

2272
01:53:43,550 --> 01:53:43,750
FREQUENCY.

2273
01:53:43,816 --> 01:53:45,051
WE'RE USING MULTIPLE DIFFERENT

2274
01:53:45,118 --> 01:53:46,786
FORM OF DANCE AND THE IDEA IS TO

2275
01:53:46,853 --> 01:53:48,421
TASK WHETHER DANCING ONCE, TWICE

2276
01:53:48,488 --> 01:53:51,491
OR THREE TIMES A WEEK THE

2277
01:53:51,558 --> 01:53:55,495
IMPACTS THAT FREQUENCY HAS ON

2278
01:53:55,562 --> 01:53:56,129
CARDIOVASCULAR RESPIRATORY AND

2279
01:53:56,196 --> 01:54:00,967
COGNITION DURING THE SIX-MONTH

2280
01:54:01,034 --> 01:54:01,301
STUDY.

2281
01:54:01,367 --> 01:54:03,937
IN THIS WE ARE WANTING TO LOOK

2282
01:54:04,003 --> 01:54:06,172
AT THESE OUTCOMES AND THIS IS

2283
01:54:06,239 --> 01:54:07,040
REALLY IMPORTANT PART FOR FUTURE

2284
01:54:07,106 --> 01:54:10,109
WORK TO BE ABLE TO UNDERSTAND

2285
01:54:10,176 --> 01:54:14,581
THINGS BETTER.

2286
01:54:14,647 --> 01:54:18,184
I'D ALSO LIKE TO TRANSITION FROM

2287
01:54:18,251 --> 01:54:26,092
THIS MAYBE.

2288
01:54:26,159 --> 01:54:36,636
I'M SORRY, CAN YOU ADVANCE?

2289
01:54:55,021 --> 01:54:56,422
PEOPLE BROUGHT UP DOSING.

2290
01:54:56,489 --> 01:54:58,825
A REGULAR PRACTICE OF DANCE

2291
01:54:58,891 --> 01:55:00,426
UNLIKE EXERCISE FOR SOME PEOPLE

2292
01:55:00,493 --> 01:55:03,229
BUT FOR LARGE SWATHS OF THE

2293
01:55:03,296 --> 01:55:03,896
POPULATION PEOPLE DANCE BECAUSE

2294
01:55:03,963 --> 01:55:04,998
THEY WANT TO DANCE.

2295
01:55:05,064 --> 01:55:08,067
IF THEY HAVE A REGULAR PRACTICE

2296
01:55:08,134 --> 01:55:14,107
OF DANCE -- THIS IS COMING FROM

2297
01:55:14,173 --> 01:55:17,143
A SENSE OF DESIRE AND THIS TAPS

2298
01:55:17,210 --> 01:55:18,711
INTO KNOWN PSYCHOLOGICAL

2299
01:55:18,778 --> 01:55:21,147
MECHANISMS OF BEHAVIOR CHANGE

2300
01:55:21,214 --> 01:55:22,782
AND THINGS LIKE INTRINSIC

2301
01:55:22,849 --> 01:55:24,450
MOTIVATION AND THESE CAUSES OF

2302
01:55:24,517 --> 01:55:27,620
THE BEHAVIOR OF DANCE HAVE THEIR

2303
01:55:27,687 --> 01:55:30,123
OWN CAUSES LIKE ENGAGING IN

2304
01:55:30,189 --> 01:55:32,325
MUSIC AND DOPAMINE RELEASE AND

2305
01:55:32,392 --> 01:55:33,626
DIFFERENT BRAIN NETWORKS

2306
01:55:33,693 --> 01:55:34,794
ASSOCIATED WITH THE MUSIC AND

2307
01:55:34,861 --> 01:55:35,762
MOVEMENT.

2308
01:55:35,828 --> 01:55:38,097
THE REGULAR PRACTICE OF

2309
01:55:38,164 --> 01:55:39,198
INCORPORATES PHYSICAL ACTIVITY,

2310
01:55:39,265 --> 01:55:40,667
COGNITIVE SIMULATION AND SOCIAL

2311
01:55:40,733 --> 01:55:41,567
ENGAGEMENT WHICH WE KNOW ARE

2312
01:55:41,634 --> 01:55:42,735
IMPORTANT AND THOSE THINGS IN

2313
01:55:42,802 --> 01:55:47,840
TURN ARE LINKED TO BIOLOGICAL

2314
01:55:47,907 --> 01:55:51,010
FACTORS MECHANISTICALLY RELATED

2315
01:55:51,077 --> 01:55:53,646
TO THE OUTCOMES LIKE COGNITIVE

2316
01:55:53,713 --> 01:55:55,815
MECHANISMS LIKE CONNECTIVITY

2317
01:55:55,882 --> 01:55:57,116
STRUCTURAL AND FUNCTIONAL

2318
01:55:57,183 --> 01:55:58,117
CONNECTIVITY AND OUTCOMES

2319
01:55:58,184 --> 01:56:00,420
RELATED TO CHANGES IN STRESS AND

2320
01:56:00,486 --> 01:56:04,257
SOCIAL INTERACTION.

2321
01:56:04,324 --> 01:56:05,391
THINGS WE THINK ARE IMPORTANT,

2322
01:56:05,458 --> 01:56:09,329
ONE IS TO LOOK AT STANDARDIZED

2323
01:56:09,395 --> 01:56:09,595
OUTCOMES.

2324
01:56:09,662 --> 01:56:12,131
OUR GROUP ACROSS DIFFERENT STUDY

2325
01:56:12,198 --> 01:56:14,901
OUR GROUP RECENTLY COMPLETED A

2326
01:56:14,967 --> 01:56:18,705
SCOPING REVIEW AND WE FOUND OVER

2327
01:56:18,771 --> 01:56:21,341
50 DIFFERENT COGNITIVE TESTS AND

2328
01:56:21,407 --> 01:56:23,843
STUDIES OF AGING AND 30 WERE

2329
01:56:23,910 --> 01:56:25,211
USED IN ONE STUDY.

2330
01:56:25,278 --> 01:56:26,079
WHEN YOU THINK WHY.

2331
01:56:26,145 --> 01:56:28,348
ONE REASON IS WE DON'T FULLY

2332
01:56:28,414 --> 01:56:28,915
UNDERSTAND WHAT COGNITIVE

2333
01:56:28,981 --> 01:56:39,492
DOMAINS ARE AFFECTED BY DANCE.

2334
01:56:43,329 --> 01:56:45,665
AND WE FOUND SOMETHING SIMILAR

2335
01:56:45,732 --> 01:56:46,599
IN PHYSICAL MEASURES AND

2336
01:56:46,666 --> 01:56:47,400
MOBILITY OUTCOMES.

2337
01:56:47,467 --> 01:56:49,068
I'D RAISE THE POINT WE DON'T

2338
01:56:49,135 --> 01:56:50,703
HAVE ANY PHYSICAL OUTCOME TESTS

2339
01:56:50,770 --> 01:56:52,505
THAT TEST SOME OF THE UNIQUE

2340
01:56:52,572 --> 01:56:53,840
COMPONENTS OF DANCE YOU SAW THE

2341
01:56:53,906 --> 01:56:57,443
AFFECTS OF IN THE FIRST VIDEO

2342
01:56:57,510 --> 01:57:00,346
THAT CAPTURE THING LIKE FLUIDITY

2343
01:57:00,413 --> 01:57:01,514
OF MOTION AND CONFIDENCE AND

2344
01:57:01,581 --> 01:57:02,081
MOVEMENT.

2345
01:57:02,148 --> 01:57:04,717
WE WOULD LIKE TO MAKE A PITCH

2346
01:57:04,784 --> 01:57:07,019
FOR THIS MEETING TO GET INTO

2347
01:57:07,086 --> 01:57:10,089
SOME OF THE WORK OF CREATING

2348
01:57:10,156 --> 01:57:12,792
STANDARDIZED DATA SETS.

2349
01:57:12,859 --> 01:57:17,096
ALSO THERE'S GREAT WORK BEING

2350
01:57:17,163 --> 01:57:18,931
DONE WITH PEOPLE IN NORTHERN

2351
01:57:18,998 --> 01:57:20,066
EASTERN UNIVERSITY AND

2352
01:57:20,133 --> 01:57:21,167
INSTRUMENTING THESE TASKS WILL

2353
01:57:21,234 --> 01:57:24,837
HELP US BETTER INFORMATION THE

2354
01:57:24,904 --> 01:57:26,072
O

2355
01:57:26,139 --> 01:57:26,339
OUTCOMES.

2356
01:57:26,406 --> 01:57:31,043
THE NIH HAS GREAT NEUROIMAGING

2357
01:57:31,110 --> 01:57:36,382
LIKE IMAGING DURING MOVEMENT AND

2358
01:57:36,449 --> 01:57:37,950
MULTIPLE PEOPLE SIMULTANEOUSLY

2359
01:57:38,017 --> 01:57:44,223
AND IMAGE PERIPHERAL FUNCTION

2360
01:57:44,290 --> 01:57:46,092
AND INTERVENTION MAPPING AND

2361
01:57:46,159 --> 01:57:47,427
LONG-TERM AFFECTS OF DANCE AND

2362
01:57:47,493 --> 01:57:49,128
REASONS PEOPLE MAINTAIN.

2363
01:57:49,195 --> 01:57:55,234
THIS RELATES TO REYNA'S POINT OF

2364
01:57:55,301 --> 01:57:57,036
PERSONALIZATION OF DANCE.

2365
01:57:57,103 --> 01:57:58,905
ARE THERE FORMS THAT MIGHT BE

2366
01:57:58,971 --> 01:58:01,607
BETTER FOR CERTAIN PROPOSITIONS

2367
01:58:01,674 --> 01:58:03,976
LIKE IMPROVISATIONAL DANCE FOR

2368
01:58:04,043 --> 01:58:06,979
PEOPLE WITH MEMORY PROBLEMS?

2369
01:58:07,046 --> 01:58:09,916
AND IF YOU'RE INTERESTED IN

2370
01:58:09,982 --> 01:58:12,351
CARDIORESPIRATORY ILLNESSES AND

2371
01:58:12,418 --> 01:58:16,389
AN OUTCOME LIKE WEST AFRICAN

2372
01:58:16,456 --> 01:58:18,090
DANCE MAY BE MORE ADVANTAGEOUS

2373
01:58:18,157 --> 01:58:20,560
AND CERTAIN CULTURAL DANCE

2374
01:58:20,626 --> 01:58:22,094
PRACTICES MAY HAVE SPECIFIC

2375
01:58:22,161 --> 01:58:23,262
HEALTH BENEFITS AND FINALLY TO

2376
01:58:23,329 --> 01:58:25,765
WRAP UP THE IDEA OF THE ROLE OF

2377
01:58:25,832 --> 01:58:26,399
MUSIC AND DANCE AND WHAT THAT

2378
01:58:26,466 --> 01:58:29,669
MEANS.

2379
01:58:29,735 --> 01:58:31,704
THE RELATIONSHIP BETWEEN THE

2380
01:58:31,771 --> 01:58:32,205
TWO.

2381
01:58:32,271 --> 01:58:35,007
I'D LIKE TO CLOSE WITH A QUOTE

2382
01:58:35,074 --> 01:58:37,777
THAT CORE ASPECTS OF MUSICAL

2383
01:58:37,844 --> 01:58:39,512
RHYTHM CAN ONLY BE FULLY

2384
01:58:39,579 --> 01:58:41,414
UNDERSTAND IN THE CONTEXT OF

2385
01:58:41,481 --> 01:58:42,648
THEIR ORIGINS AND PARTICIPATORY

2386
01:58:42,715 --> 01:58:43,449
SOCIAL EXPERIENCE OF DANCE.

2387
01:58:43,516 --> 01:58:47,086
I'D LIKE TO SAY ON THAT NOTE

2388
01:58:47,153 --> 01:58:49,355
WHEN WE TALK ABOUT FUTURE AS

2389
01:58:49,422 --> 01:58:50,690
MUSIC OF MEDICINE DANCE MAY BE

2390
01:58:50,756 --> 01:58:52,325
ONE OF THE FUTURE DIRECTIONS TO

2391
01:58:52,391 --> 01:58:52,525
GO IN.

2392
01:58:52,592 --> 01:59:02,768
THANK YOU.

2393
01:59:06,906 --> 01:59:10,009
>> THANK YOU TO ALL THE SPEAKERS

2394
01:59:10,076 --> 01:59:12,445
PHOR FOR THE WONDERFUL

2395
01:59:12,512 --> 01:59:14,046
PRESENTATIONS THAT AND SUPERB ON

2396
01:59:14,113 --> 01:59:17,116
TIMING AND THANK YOU FOR YOUR --

2397
01:59:17,183 --> 01:59:18,551
I'M SURE MANY HOURS WENT IN FOR

2398
01:59:18,618 --> 01:59:19,151
PRACTICE.

2399
01:59:19,218 --> 01:59:19,752
THANK YOU.

2400
01:59:19,819 --> 01:59:21,420
WE'RE NOW MOVING TO THE PANELIST

2401
01:59:21,487 --> 01:59:21,721
DISCUSSION.

2402
01:59:21,787 --> 01:59:23,122
I'LL INTRODUCE THE PANELISTS

2403
01:59:23,189 --> 01:59:26,092
FIRST AND THEN YOU CAN COME ON

2404
01:59:26,158 --> 01:59:29,228
STAGE TO THE PANELIST TABLE.

2405
01:59:29,295 --> 01:59:32,031
WE'LL HAVE DR. MARIA GEFFEN FROM

2406
01:59:32,098 --> 01:59:37,837
UNIVERSITY OF PENNSYLVANIA AND

2407
01:59:37,904 --> 01:59:41,541
THEN WE'LL HAVE SHIHAB SHAMMA

2408
01:59:41,607 --> 01:59:42,742
FROM UNIVERSITY OF MARYLAND

2409
01:59:42,808 --> 01:59:47,480
COLLEGE PARK AND WON'T HAVE LEE

2410
01:59:47,547 --> 01:59:49,815
LINDQUIST WHO COULDN'T JOIN US

2411
01:59:49,882 --> 01:59:53,920
DUE TO PERSONAL ILLNESS AS OF

2412
01:59:53,986 --> 01:59:57,590
WEDNESDAY SO SHE SENDS HER

2413
01:59:57,657 --> 02:00:05,231
REGRET AND WE'LL HAVE TOT

2414
02:00:05,298 --> 02:00:09,335
MACHOVER AND LUANA COL OWE CA

2415
02:00:09,402 --> 02:00:11,037
FROM UNIVERSITY OF PAIR MAYOR

2416
02:00:11,103 --> 02:00:12,438
AND JULIET KING.

2417
02:00:12,505 --> 02:00:13,039
PLEASE COME JOIN THE PANELIST

2418
02:00:13,105 --> 02:00:23,215
TABLE.

2419
02:00:50,042 --> 02:00:55,348
>> WHILE WE'RE WAITING.

2420
02:00:55,414 --> 02:01:05,958
THANK YOU AGAIN AND WELL START

2421
02:01:10,029 --> 02:01:10,763
WITH YOU.

2422
02:01:10,830 --> 02:01:12,031
>> I'D LIKE TO THANK THE

2423
02:01:12,098 --> 02:01:13,332
ORGANIZERS FOR INVITING ME TO BE

2424
02:01:13,399 --> 02:01:18,904
PART OF THE WORKSHOP.

2425
02:01:18,971 --> 02:01:20,640
I'VE BEEN LEARNING SO MUCH.

2426
02:01:20,706 --> 02:01:22,108
MY LABORATORY IS FOR AUDITORY

2427
02:01:22,174 --> 02:01:24,710
PERCEPTION AND LEARNING.

2428
02:01:24,777 --> 02:01:27,647
AND WHAT WE STUDY WHILE WE DON'T

2429
02:01:27,713 --> 02:01:31,083
STUDY THE MUSIC DIRECTLY WE

2430
02:01:31,150 --> 02:01:34,687
STUDY THE NEURAL MECHANISMS FOR

2431
02:01:34,754 --> 02:01:36,055
COMPUTATIONS THE BRAIN PERFORM

2432
02:01:36,122 --> 02:01:37,189
FUNDAMENTAL TO OUR UNDERSTANDING

2433
02:01:37,256 --> 02:01:40,326
AND OUR PERCEPTION OF LEARNING.

2434
02:01:40,393 --> 02:01:50,936
SO THIS WORK YOU CAN HEAR HERE.

2435
02:02:07,453 --> 02:02:10,089
THANK YOU.

2436
02:02:10,156 --> 02:02:20,466
CAN YOU STOP THIS.

2437
02:02:31,243 --> 02:02:33,579
THERE'S FREQUENCY DISCRIMINATION

2438
02:02:33,646 --> 02:02:35,414
AND THE BRAIN COMPUTES THE

2439
02:02:35,481 --> 02:02:38,250
DIFFERENCE IN THE FREQUENCY AND

2440
02:02:38,317 --> 02:02:39,485
ANOTHER ONE IS PATTERN

2441
02:02:39,552 --> 02:02:41,153
RECOGNITION AND PATTERN

2442
02:02:41,220 --> 02:02:41,420
DETECTION.

2443
02:02:41,487 --> 02:02:43,789
WE CAN THINK OF A MELODY IN THE

2444
02:02:43,856 --> 02:02:46,392
FORM OF A SEQUENCE PARTICULARLY

2445
02:02:46,459 --> 02:02:48,427
SEQUENCE OF NOTES AND YOUR BRAIN

2446
02:02:48,494 --> 02:02:51,497
IS DETECTING THAT THOSE PATTERNS

2447
02:02:51,564 --> 02:02:53,799
AND THE REGULARITIES AND THE

2448
02:02:53,866 --> 02:02:55,935
VIOLATIONS OF THOSE

2449
02:02:56,001 --> 02:02:57,503
REGULARITIES.

2450
02:02:57,570 --> 02:03:01,340
SO OUR GOAL IS TO UNDERSTAND AT

2451
02:03:01,407 --> 02:03:04,343
THE LEVEL OF NEURONAL CIRCUITS

2452
02:03:04,410 --> 02:03:06,612
HOW THE BRAIN IS PERFORMING

2453
02:03:06,679 --> 02:03:10,049
THOSE AND ALSO MORE COMPLEXITY

2454
02:03:10,116 --> 02:03:10,382
COMPUTATIONS.

2455
02:03:10,449 --> 02:03:12,418
OF COURSE THOSE COMPUTATION

2456
02:03:12,485 --> 02:03:15,755
IMPORTANT NOT JUST FOR MUSIC

2457
02:03:15,821 --> 02:03:16,822
PERCEPTION BUT SPEECH

2458
02:03:16,889 --> 02:03:18,457
RECOGNITION AND AUDITORY

2459
02:03:18,524 --> 02:03:20,092
NAVIGATION AND A NUMBER OF

2460
02:03:20,159 --> 02:03:20,626
SOUND-RELATED TASKS.

2461
02:03:20,693 --> 02:03:23,496
WE FOCUSSED ON THE AUDITORY

2462
02:03:23,562 --> 02:03:26,766
CORTEX BECAUSE WE THINK IT'S

2463
02:03:26,832 --> 02:03:28,334
CONSIDERED TO BE THE KEY REGION

2464
02:03:28,400 --> 02:03:30,102
WHERE INFORMATION IN THE BRAIN

2465
02:03:30,169 --> 02:03:31,637
IS TRANSFORMED FROM REPRESENTING

2466
02:03:31,704 --> 02:03:34,106
THE PHYSICAL STRUCTURE OF THE

2467
02:03:34,173 --> 02:03:37,042
ACOUSTIC FORM INTO MORE ABSTRACT

2468
02:03:37,109 --> 02:03:38,444
MORE COGNITIVE REPRESENTATIONS.

2469
02:03:38,511 --> 02:03:42,348
AND AS WE HEARD FROM PREVIOUS

2470
02:03:42,414 --> 02:03:43,983
PRESENTATIONS THE AUDITORY

2471
02:03:44,049 --> 02:03:46,318
CORTEX COMMUNICATES WITH

2472
02:03:46,385 --> 02:03:47,453
EMOTIONAL AND COGNITIVE CENTERS

2473
02:03:47,520 --> 02:03:49,588
OF THE BRAIN AND PROVIDES THE

2474
02:03:49,655 --> 02:03:54,426
KEY AUDITORY INFORMATION TO

2475
02:03:54,493 --> 02:03:56,829
THOSE CENTERS.

2476
02:03:56,896 --> 02:04:00,065
'AUDITORY CORTEX IS NOT A MODEL

2477
02:04:00,132 --> 02:04:01,700
BUT COMPRISED OF A COMPLEX

2478
02:04:01,767 --> 02:04:04,804
NETWORK OF DIFFERENT CELL TYPE

2479
02:04:04,870 --> 02:04:09,408
AND THOSE CELL TYPES FORM

2480
02:04:09,475 --> 02:04:11,110
FUNDAMENTAL MICROCIRCUITS WHOLE

2481
02:04:11,177 --> 02:04:12,745
GOES IS TO PERFORM THE

2482
02:04:12,812 --> 02:04:14,113
COMPUTATIONS.

2483
02:04:14,180 --> 02:04:16,549
THE MICROSECTORS ARE COMPRISED

2484
02:04:16,615 --> 02:04:21,720
OF CELL TYPES EXCITATORY AND

2485
02:04:21,787 --> 02:04:24,423
INHIBITORY AND WE FOCUSSED ON

2486
02:04:24,490 --> 02:04:30,095
TWO INHIBITORY NEURONS AND WE

2487
02:04:30,162 --> 02:04:33,499
HAVE SHOWN THOSE SPECIFIC

2488
02:04:33,566 --> 02:04:35,734
INHIBITORY NEURONS ARE KEY TO

2489
02:04:35,801 --> 02:04:39,171
PERFORMING THESE COMPUTATIONS,

2490
02:04:39,238 --> 02:04:42,107
FREQUENCY DISCRIMINATION AND

2491
02:04:42,174 --> 02:04:42,575
PATTERN DETECTION.

2492
02:04:42,641 --> 02:04:47,513
WHY IS THIS IMPORTANT?

2493
02:04:47,580 --> 02:04:51,283
IT'S IMPORTANT BECAUSE

2494
02:04:51,350 --> 02:04:52,484
UNDERSTANDING HOW THE

2495
02:04:52,551 --> 02:04:53,986
FUNDAMENTAL COMPUTATIONS ARE

2496
02:04:54,053 --> 02:04:59,058
PERFORMED CAN HELP IDENTIFY

2497
02:04:59,124 --> 02:05:03,662
TARGETS BOTH FOR MUSIC BASED OR

2498
02:05:03,729 --> 02:05:05,998
MORE PHYSICAL OR OCCUPATIONAL

2499
02:05:06,065 --> 02:05:08,234
THERAPISTS AND FOR MORPHOLOGICAL

2500
02:05:08,300 --> 02:05:12,104
TOOLS AND THEY'RE IMPORTANT IN

2501
02:05:12,171 --> 02:05:17,009
AGE-RELATED HEARING LOSS AND

2502
02:05:17,076 --> 02:05:17,910
COMMUNICATION DIFFICULTIES

2503
02:05:17,977 --> 02:05:18,444
ASSOCIATED WITH NEURAL

2504
02:05:18,510 --> 02:05:22,081
DEVELOPMENT DISORDERS OR WITH

2505
02:05:22,147 --> 02:05:24,850
AGING.

2506
02:05:24,917 --> 02:05:29,555
>> THANK YOU.

2507
02:05:29,622 --> 02:05:31,957
WE'RE GOING TO MOVE TO SHIHAB.

2508
02:05:32,024 --> 02:05:35,361
>> THANK YOU, MARIA.

2509
02:05:35,427 --> 02:05:39,865
LIKE MARIA WE WORK ON THE

2510
02:05:39,932 --> 02:05:43,202
AUDITORY CORTEX AND BASICALLY

2511
02:05:43,269 --> 02:05:44,603
MUCH TO DO WITH VARIETIES OF

2512
02:05:44,670 --> 02:05:50,109
SOUNDS BUT MUSIC IS ONE OF THE

2513
02:05:50,175 --> 02:06:00,619
DRIVERS BECAUSE IT AFFECTS

2514
02:06:00,686 --> 02:06:05,724
PLASTICITY IN THE BRAIN.

2515
02:06:05,791 --> 02:06:11,430
THE DRIVER IS COGNITION AND THE

2516
02:06:11,497 --> 02:06:16,435
COGNITIVE FUNCTIONS THAT ALLOW

2517
02:06:16,502 --> 02:06:19,905
US TO BEHAVE AND LUCKILY MUSIC

2518
02:06:19,972 --> 02:06:23,008
IS INVOLVED IN ALL THE COGNITIVE

2519
02:06:23,075 --> 02:06:27,546
FUNCTIONS OF THE BRAIN.

2520
02:06:27,613 --> 02:06:28,914
FOR EXAMPLE PERCEPTION IS

2521
02:06:28,981 --> 02:06:39,325
OBVIOUS AND ACTION.

2522
02:06:40,859 --> 02:06:44,063
WHEN YOU PLAY OR SING AN

2523
02:06:44,129 --> 02:06:45,731
INSTRUMENT YOU INVOLVE THE

2524
02:06:45,798 --> 02:06:47,566
CORTEX AND VARIETIES OF OTHER

2525
02:06:47,633 --> 02:06:48,233
SYSTEMS.

2526
02:06:48,300 --> 02:06:50,102
BECAUSE WE'RE TALKING -- THESE

2527
02:06:50,169 --> 02:06:55,641
FUNCTIONS ARE HAVE BEEN STUDY

2528
02:06:55,708 --> 02:06:59,712
NOW FOR A LONG TIME AND BECAUSE

2529
02:06:59,778 --> 02:07:01,313
WE'RE IN A SESSION ABOUT THE

2530
02:07:01,380 --> 02:07:03,882
FUTURE I THOUGHT I'D FOCUS ON

2531
02:07:03,949 --> 02:07:05,784
ONE COGNITIVE FUNCTION WHICH IS

2532
02:07:05,851 --> 02:07:06,385
TRULY FUNDAMENTAL AND THAT IS

2533
02:07:06,452 --> 02:07:14,093
IMAGINATION.

2534
02:07:14,159 --> 02:07:16,128
ARGUABLY IMAGINATION IS THE MOST

2535
02:07:16,195 --> 02:07:17,029
FUNDAMENTAL AND PROBABLY THE

2536
02:07:17,096 --> 02:07:22,101
MOST DIFFICULT OF ALL THESE

2537
02:07:22,167 --> 02:07:26,739
COGNITIVE FUNCTIONS AND ALSO

2538
02:07:26,805 --> 02:07:29,641
CONSEQUENTIAL AND ANY IMAGE YOU

2539
02:07:29,708 --> 02:07:34,880
GENERATE COMES FROM THE MIND AND

2540
02:07:34,947 --> 02:07:45,357
MEMORY AND THE STUDY OF

2541
02:08:03,409 --> 02:08:05,377
IMAGINATION HAS BEEN TOUGH

2542
02:08:05,444 --> 02:08:07,246
PARTLY BECAUSE YOU NEED TO

2543
02:08:07,312 --> 02:08:10,115
UNDERSTAND THAT WHEN YOU IMAGINE

2544
02:08:10,182 --> 02:08:11,850
YOU ACTUALLY GENERATE SIGNALS IN

2545
02:08:11,917 --> 02:08:14,086
THE BRAIN AND CAN RECORD THEM

2546
02:08:14,153 --> 02:08:15,921
AND THEY'RE INCREDIBLY PRECISE.

2547
02:08:15,988 --> 02:08:22,027
THEY'RE SO PRECISE THAT YOU CAN

2548
02:08:22,094 --> 02:08:24,430
ASK SUBJECT TO IMAGINE AN AND

2549
02:08:24,496 --> 02:08:30,102
TELL WHICH IS THE ONE AND THAT'S

2550
02:08:30,169 --> 02:08:32,971
HOW PRECISE THEY CAN BE.

2551
02:08:33,038 --> 02:08:35,474
AND THEY ENGAGE ACTIONS AND A

2552
02:08:35,541 --> 02:08:38,277
LOT OF CIRCUITS IN YOUR BRAIN TO

2553
02:08:38,343 --> 02:08:45,451
THE POINT WE ALL KNOW FROM

2554
02:08:45,517 --> 02:08:46,585
PROFESSIONAL FROM PROFESSIONAL

2555
02:08:46,652 --> 02:08:48,887
SINGERS OR ATHLETES OR MUSICIANS

2556
02:08:48,954 --> 02:08:50,055
YOU CAN DO A LOT OF REHEARSING

2557
02:08:50,122 --> 02:08:52,357
WITHOUT HAVING TO MOVE A SINGLE

2558
02:08:52,424 --> 02:08:57,563
FINGER OR THAT IS KEY.

2559
02:08:57,629 --> 02:09:00,232
ALL OF THAT IS DONE THROUGH

2560
02:09:00,299 --> 02:09:00,933
REHEARSAL JAF OF IMAGINATION.

2561
02:09:00,999 --> 02:09:06,839
IT'S DIFFICULT TO STUDY.

2562
02:09:06,905 --> 02:09:08,841
BECAUSE WHEN YOU STUDY WITH

2563
02:09:08,907 --> 02:09:10,075
HUMANS YOU BASICALLY HAVE TO

2564
02:09:10,142 --> 02:09:13,912
TRUST THEM.

2565
02:09:13,979 --> 02:09:14,880
YOU HAVE TO ASK THEM TO DO WHAT

2566
02:09:14,947 --> 02:09:16,915
YOU WANT THEM TO IMAGINE AND

2567
02:09:16,982 --> 02:09:18,684
HOPE TO GOD THEY DON'T JUST PICK

2568
02:09:18,750 --> 02:09:22,521
UP THEIR CHECK AND LEAVE.

2569
02:09:22,588 --> 02:09:24,423
AND LEAVE YOU WITH DATA THAT

2570
02:09:24,490 --> 02:09:26,091
DON'T ADD UP TO MUCH.

2571
02:09:26,158 --> 02:09:27,993
OF COURSE IT MAY BE DIFFICULT

2572
02:09:28,060 --> 02:09:30,095
WITH HUMANS BUT MORE DIFFICULT

2573
02:09:30,162 --> 02:09:32,097
WITH ANIMALS WHO COULDN'T GIVE A

2574
02:09:32,164 --> 02:09:37,402
HOOT ABOUT WHAT YOU CARE ABOUT

2575
02:09:37,469 --> 02:09:38,837
AND SO IT'S TOUGH TO DO ALL OF

2576
02:09:38,904 --> 02:09:41,607
THAT AND THE SIGNALS THAT YOU

2577
02:09:41,673 --> 02:09:45,644
RECORD ARE INCREDIBLY SMALL.

2578
02:09:45,711 --> 02:09:46,545
THEY'RE REAL BUT THEY'RE SMALL

2579
02:09:46,612 --> 02:09:49,448
AND THE WE HAVE IS JUST NOT

2580
02:09:49,515 --> 02:09:51,583
ADEQUATE TO TAKE CARE OF ALL OF

2581
02:09:51,650 --> 02:09:58,157
THAT AND FINALLY THE CONSEQUENCE

2582
02:10:04,263 --> 02:10:04,329
S.

2583
02:10:04,329 --> 02:10:08,133
AND WE HAVE IMAGINATION AND

2584
02:10:08,200 --> 02:10:10,102
INSPIRATION AND ANY OF YOU WHO

2585
02:10:10,169 --> 02:10:12,871
HAVE DONE ANY COMPETITION OR

2586
02:10:12,938 --> 02:10:14,339
BETWEEN RUNNING OR COMPETITION

2587
02:10:14,406 --> 02:10:16,308
IN MUSIC AND ALL THAT STUFF, YOU

2588
02:10:16,375 --> 02:10:18,110
IMAGINE THE GOAL AND IF YOU

2589
02:10:18,177 --> 02:10:19,912
DON'T YOU'RE REALLY NOT GOING TO

2590
02:10:19,978 --> 02:10:22,080
GET VERY FAR.

2591
02:10:22,147 --> 02:10:23,549
AND SO FINALLY I JUST WANT TO

2592
02:10:23,615 --> 02:10:27,019
SAY THAT I WAS REALLY MYSELF

2593
02:10:27,085 --> 02:10:31,723
INSPIRED BY YESTERDAY'S

2594
02:10:31,790 --> 02:10:34,359
DEMONSTRATION OF THE PARKINSON'S

2595
02:10:34,426 --> 02:10:36,595
PATIENTS WHO COULD INSTEAD OF

2596
02:10:36,662 --> 02:10:38,096
BASICALLY PLAYING A TUNE FOR

2597
02:10:38,163 --> 02:10:40,566
THEM OR BEAT AND ALL THAT STUFF

2598
02:10:40,632 --> 02:10:42,834
TO ACTUALLY MOVE.

2599
02:10:42,901 --> 02:10:45,103
THEY CAN BE TRAINED TO IMAGINE

2600
02:10:45,170 --> 02:10:46,572
THAT AND TO MOVE AND THAT WOULD

2601
02:10:46,638 --> 02:10:47,639
BE ULTIMATELY REALLY WHAT WE

2602
02:10:47,706 --> 02:10:51,310
NEED TO DO.

2603
02:10:51,376 --> 02:10:52,678
HAVE THEM ALL THE TIME IMAGINING

2604
02:10:52,744 --> 02:10:55,547
WHAT THEY NEED TO DO SO THEY CAN

2605
02:10:55,614 --> 02:11:00,419
MOVE AND SO THANK YOU FOR THAT

2606
02:11:00,485 --> 02:11:10,095
AMAZING DEMONSTRATION YESTERDAY.

2607
02:11:10,162 --> 02:11:20,572
>> WE'RE NOW MOVING ON.

2608
02:11:24,876 --> 02:11:25,677
>> I THOUGHT THERE'D BE A HUGE

2609
02:11:25,744 --> 02:11:27,312
AMOUNT OF CONTINUITY BUT I THINK

2610
02:11:27,379 --> 02:11:28,347
THERE'S CONTINUITY.

2611
02:11:28,413 --> 02:11:30,082
WE TALKED ABOUT IMAGINATION.

2612
02:11:30,148 --> 02:11:31,350
I DO A LOT OF THINGS WITH MUSIC

2613
02:11:31,416 --> 02:11:33,051
AND TECHNOLOGY I WANT TO FOCUS

2614
02:11:33,118 --> 02:11:35,287
ON CREATIVITY AND COMPOSITION.

2615
02:11:35,354 --> 02:11:37,889
AND HOW IMPORTANT IT IS TO

2616
02:11:37,956 --> 02:11:38,724
INCLUDE CREATIVITY AND

2617
02:11:38,790 --> 02:11:40,359
COMPOSITION AS A CENTRAL PART OF

2618
02:11:40,425 --> 02:11:43,028
OUR MUSICAL ACTIVITIES FOR EVERY

2619
02:11:43,095 --> 02:11:43,428
POSSIBLE REASON.

2620
02:11:43,495 --> 02:11:46,098
TO ME CREATIVITY IS SOMETHING

2621
02:11:46,164 --> 02:11:48,433
WHICH IS MISSING ENORMOUSLY IN

2622
02:11:48,500 --> 02:11:50,269
OUR SOCIETY AND SOMETHING WE

2623
02:11:50,335 --> 02:11:52,471
DON'T CULTIVATE CONSCIOUSLY AND

2624
02:11:52,537 --> 02:11:54,740
IMPORTANT TO DO SO AND IT'S THE

2625
02:11:54,806 --> 02:11:56,842
MISSING INGREDIENT FOR CREATING

2626
02:11:56,908 --> 02:11:59,077
ACTORS IN THE WORLD XHO WHO HAVE

2627
02:11:59,144 --> 02:12:01,113
AGENCY AND OPTIMISM AND OPEN

2628
02:12:01,179 --> 02:12:03,015
MINDEDNESS AND ABLE TO CONNECT

2629
02:12:03,081 --> 02:12:04,883
TO OTHERS.

2630
02:12:04,950 --> 02:12:10,022
MUSIC IS A FANTASTIC LABORATORY

2631
02:12:10,088 --> 02:12:11,857
FOR BEING CREATIVE.

2632
02:12:11,923 --> 02:12:14,526
THE DIFFICULTY IS COMPOSITION'S

2633
02:12:14,593 --> 02:12:14,726
HARD.

2634
02:12:14,793 --> 02:12:17,329
IT'S NOT ACCESSIBLE TO MOST

2635
02:12:17,396 --> 02:12:17,929
PEOPLE.

2636
02:12:17,996 --> 02:12:20,132
WE TALKED YESTERDAY ABOUT

2637
02:12:20,198 --> 02:12:22,100
IDOLIZING MUSICIANS AND NORMAL

2638
02:12:22,167 --> 02:12:23,268
PEOPLE.

2639
02:12:23,335 --> 02:12:28,273
I WAS AT THE BOSTON SYMPHONY

2640
02:12:28,340 --> 02:12:31,176
HALL WITH ONE GOLD PLAQUE ON TOP

2641
02:12:31,243 --> 02:12:32,244
OF THE ORCHESTRA.

2642
02:12:32,311 --> 02:12:33,745
DO YOU KNOW WHAT THAT IS?

2643
02:12:33,812 --> 02:12:35,881
THERE'S ONLY ONE NAME IN THE

2644
02:12:35,947 --> 02:12:41,486
ENTIRE THING WHICH IS BEETHOVEN.

2645
02:12:41,553 --> 02:12:45,457
YOU GO THERE AND GROWING UP IN

2646
02:12:45,524 --> 02:12:48,860
BOSTON A FRIEND WANTED TO BE A

2647
02:12:48,927 --> 02:12:49,728
XOERS AND THOUGHT I CAN'T BE A

2648
02:12:49,795 --> 02:12:52,064
XOERS BECAUSE ONLY BEETHOVEN.

2649
02:12:52,130 --> 02:12:55,801
HOW DO YOU ALLOW EVERYBODY TO BE

2650
02:12:55,867 --> 02:12:56,301
A XOERS THAT'S WHAT I'M

2651
02:12:56,368 --> 02:12:57,002
INTERESTED IN REGARDLESS OF AGE

2652
02:12:57,069 --> 02:13:06,211
OR BACKGROUND OR HEALTH.

2653
02:13:06,278 --> 02:13:10,115
WE HAVE HYPERSCORE SOFTWARE WITH

2654
02:13:10,182 --> 02:13:13,618
A LOT OF A.I. TO MAKE MOTIVES,

2655
02:13:13,685 --> 02:13:16,088
MELODIES AND TURN THEM INTO

2656
02:13:16,154 --> 02:13:18,824
COMPOSITIONS AN MAKE NOTATIONS

2657
02:13:18,890 --> 02:13:22,127
AND WE HAVE KIDS WRITE PIECES

2658
02:13:22,194 --> 02:13:23,195
FOR THE PHILHARMONIC AND ROCK

2659
02:13:23,261 --> 02:13:32,404
BANDS AS WELL.

2660
02:13:32,471 --> 02:13:33,405
COMPOSITION IS WHERE YOU PLAN

2661
02:13:33,472 --> 02:13:35,273
OUT AND MAKE A PIECE.

2662
02:13:35,340 --> 02:13:41,880
I'M LOOKING AT MUSICAL DISCOVERY

2663
02:13:41,947 --> 02:13:44,850
AS A NEXT METAPHOR AND LOTS OF

2664
02:13:44,916 --> 02:13:46,785
AMAZING SCARY THINGS ABOUT

2665
02:13:46,852 --> 02:13:48,353
GENERATIVE A.I.

2666
02:13:48,420 --> 02:13:51,623
WE HAD A WHOLE WEEK AT M.I.T.

2667
02:13:51,690 --> 02:13:53,225
SANCTIONED BY OUR PRESIDENT IN

2668
02:13:53,291 --> 02:13:55,394
WHAT CAN BE DONE AND MUSIC CAN

2669
02:13:55,460 --> 02:13:57,229
MAKE A MODEL OF WHAT'S POSITIVE

2670
02:13:57,295 --> 02:13:59,164
IN GENERATIVE A.I.

2671
02:13:59,231 --> 02:14:00,732
WE NEED SPACES TO TWEAK

2672
02:14:00,799 --> 02:14:01,633
SOMETHING AND TAKE A LITTLE

2673
02:14:01,700 --> 02:14:02,834
SOMETHING YOU'VE MADE AND HAVE

2674
02:14:02,901 --> 02:14:05,103
AN ENVIRONMENT TO PUSH IT IN ONE

2675
02:14:05,170 --> 02:14:06,972
DIRECTION AND MOVE IT AND HAVE

2676
02:14:07,038 --> 02:14:08,240
RESULTS SIMILAR BUT DIFFERENT

2677
02:14:08,306 --> 02:14:18,817
ENOUGH IN AN INTERESTING WAY.

2678
02:14:24,523 --> 02:14:31,396
THAT'S HARD BUT REWARDING AND A

2679
02:14:31,463 --> 02:14:33,498
STUDENT FILLED THIS WITH SENSORS

2680
02:14:33,565 --> 02:14:34,833
TO MEASURE MOVEMENT AND SPEED

2681
02:14:34,900 --> 02:14:37,369
AND CONNECTED TO A GENERATIVE

2682
02:14:37,436 --> 02:14:39,304
A.I. SYSTEM I FILLED UP WITH

2683
02:14:39,371 --> 02:14:43,108
SOUNDS AND DEPENDING ON HOW SHE

2684
02:14:43,175 --> 02:14:46,111
MOVES SHE'S NOT COMPOSING SHE'S

2685
02:14:46,178 --> 02:14:48,313
EXPLORING AND IN THE CONTEXT

2686
02:14:48,380 --> 02:14:49,314
WHERE SHE DISCOVERS LIMITS OF

2687
02:14:49,381 --> 02:14:52,017
SPACE AND FINDS HUMAN VOICE

2688
02:14:52,083 --> 02:14:54,119
WITHIN THERE AND CREATES A

2689
02:14:54,186 --> 02:15:01,827
CHARACTER ON STAGE.

2690
02:15:01,893 --> 02:15:05,530
WE'RE WORK BEING WITH THE DALLAS

2691
02:15:05,597 --> 02:15:10,268
CENTER WHERE THIS TOOL WILL BE

2692
02:15:10,335 --> 02:15:18,109
ALL OVER THE PLACE.

2693
02:15:18,176 --> 02:15:21,313
WHEN I WAS AT JULIARD BEETHOVEN

2694
02:15:21,379 --> 02:15:25,817
WAS THE MODEL AND IF YOU'RE A

2695
02:15:25,884 --> 02:15:29,087
COMPOSER THIS AND FOUND AS A

2696
02:15:29,154 --> 02:15:34,326
XOERS IN A PRACTICE ROOM TRYING

2697
02:15:34,392 --> 02:15:40,699
OUT A PIECE YOU WRITE IT DOWN

2698
02:15:40,765 --> 02:15:46,104
AND THE THINK YOU CANT HEAR IT

2699
02:15:46,171 --> 02:15:54,112
AND IT CAN BE A BEAUTIFUL IVE

2700
02:15:54,179 --> 02:16:04,389
EXPERIENCES.

2701
02:16:11,530 --> 02:16:14,666
WE HAVE CITY ORCHESTRAS AND

2702
02:16:14,733 --> 02:16:16,034
PEOPLE CAN COLLABORATE AND MAKE

2703
02:16:16,101 --> 02:16:17,202
THIS TOGETHER.

2704
02:16:17,269 --> 02:16:19,271
IT'S A FANTASTIC TO BRING OUT

2705
02:16:19,337 --> 02:16:20,171
CREATIVITY AND TO HAVE PEOPLE

2706
02:16:20,238 --> 02:16:22,340
GET TO KNOW EACH OTHER IN A

2707
02:16:22,407 --> 02:16:22,641
CITY.

2708
02:16:22,707 --> 02:16:23,942
IT TURNS OUT WE FOUND THEM

2709
02:16:24,009 --> 02:16:26,111
AROUND THE WORLD AND DOING ONE

2710
02:16:26,177 --> 02:16:28,046
IN BOSTON AND DUBAI AND DOING

2711
02:16:28,113 --> 02:16:33,285
ONE CALLED WELL BEING OF THE

2712
02:16:33,351 --> 02:16:35,387
WORLD WITH A GROUP IN PARIS WITH

2713
02:16:35,453 --> 02:16:36,555
100 SITES AROUND THE WORLD FOR

2714
02:16:36,621 --> 02:16:40,659
PEOPLE TO EXPRESS THEMSELVES

2715
02:16:40,725 --> 02:16:41,993
THROUGH SOUND WHAT HEALTH AND

2716
02:16:42,060 --> 02:16:43,528
WELLNESS IS AND WHAT IT FEELS

2717
02:16:43,595 --> 02:16:43,728
LIKE.

2718
02:16:43,795 --> 02:16:44,896
ALL THESE LEAD TO A

2719
02:16:44,963 --> 02:16:50,035
COLLABORATION WITH RESULTS IN A

2720
02:16:50,101 --> 02:17:00,612
PIECE TO PERFORM IN JUNE 2025

2721
02:17:01,913 --> 02:17:03,949
AND I BELIEVE IT AFFECTS OUR

2722
02:17:04,015 --> 02:17:06,384
WELL BEING IN MANY WAYS.

2723
02:17:06,451 --> 02:17:14,125
THANK YOU.

2724
02:17:14,192 --> 02:17:15,060
>> THANK YOU, TOD.

2725
02:17:15,126 --> 02:17:22,534
NOW MOVING ON TO LUANA AND TWO

2726
02:17:22,601 --> 02:17:23,602
MINUTES, IF WE CAN.

2727
02:17:23,668 --> 02:17:24,402
THANK YOU.

2728
02:17:24,469 --> 02:17:27,706
>> WE STARTED WITH LETS BRING

2729
02:17:27,772 --> 02:17:28,473
PEOPLE TOGETHER.

2730
02:17:28,540 --> 02:17:30,075
THAT'S HOW WE START AT THE

2731
02:17:30,141 --> 02:17:33,478
UNIVERSITY OF MARYLAND.

2732
02:17:33,545 --> 02:17:35,480
ONE DAY IN 2018 THE LEADERSHIP

2733
02:17:35,547 --> 02:17:38,116
BROUGHT TO MY LAB SEVERAL

2734
02:17:38,183 --> 02:17:38,583
PEOPLE.

2735
02:17:38,650 --> 02:17:43,755
ONE WAS A SERGEANT FROM A TRAUMA

2736
02:17:43,822 --> 02:17:47,292
CENTER AND SHE TOLD ME I TREAT

2737
02:17:47,359 --> 02:17:50,328
PATIENT WITH TRAUMA WITH VIRTUAL

2738
02:17:50,395 --> 02:17:52,797
REALITY AND USED MUSIC AND THEY

2739
02:17:52,864 --> 02:17:58,136
FEEL BETTER BUT WE DON'T KNOW

2740
02:17:58,203 --> 02:18:02,374
WHY AND THEN EVENTUALLY THEY

2741
02:18:02,440 --> 02:18:06,177
CAME IT THE LAB AND SAID WE ARE

2742
02:18:06,244 --> 02:18:10,048
FILMING IN 3-D AND V.R. IN OPERA

2743
02:18:10,115 --> 02:18:12,550
WITH THE MAESTRO AND HAVE A

2744
02:18:12,617 --> 02:18:16,154
VIOLINIST BUT AGAIN WE THINK

2745
02:18:16,221 --> 02:18:21,326
WE'RE DON'T KNOW WHY IT WORKS.

2746
02:18:21,393 --> 02:18:23,628
MY LAB WAS SEARCHING PLACEBO AND

2747
02:18:23,695 --> 02:18:26,097
MECHANISM TO REDUCE PAIN AND

2748
02:18:26,164 --> 02:18:30,135
SOMEHOW I FELT, OH, MY GOD, I

2749
02:18:30,201 --> 02:18:31,536
HAVE SOMEONE WITH VIRTUAL

2750
02:18:31,603 --> 02:18:36,574
REALITY AND ENGINEER SURGEONS.

2751
02:18:36,641 --> 02:18:39,711
THE MY BROTHER WAS AN MUSICIAN

2752
02:18:39,778 --> 02:18:42,113
AND ENGINEER AND A SAID WHAT AM

2753
02:18:42,180 --> 02:18:46,117
I GOING TO DO NOW.

2754
02:18:46,184 --> 02:18:48,119
HE SAID MUSIC HAS POWER YOU

2755
02:18:48,186 --> 02:18:49,587
CAN'T IMAGINE.

2756
02:18:49,654 --> 02:18:50,655
I DON'T HAVE THAT IN MY SKILLS

2757
02:18:50,722 --> 02:19:00,999
BUT I TRUST HIM.

2758
02:19:06,705 --> 02:19:11,109
AND WITH MY COLLEAGUES WORKING

2759
02:19:11,176 --> 02:19:13,578
WITH ASPECTS RELATED TO PLACEBO

2760
02:19:13,645 --> 02:19:17,015
THE FIRST QUESTION WAS OKAY WHAT

2761
02:19:17,082 --> 02:19:19,384
IS THE GAP AND WHAT WE NEED TO

2762
02:19:19,451 --> 02:19:22,120
DO AND WHERE THE WEAKNESS IN

2763
02:19:22,187 --> 02:19:32,564
TERMS OF THE CONTROL.

2764
02:19:33,498 --> 02:19:35,567
WE USED THIS VIRTUAL REALITY

2765
02:19:35,633 --> 02:19:37,402
WHERE WE DIVIDE BETWEEN NATURE

2766
02:19:37,469 --> 02:19:39,237
AND MUSIC VERSUS SOMETHING MORE

2767
02:19:39,304 --> 02:19:45,243
COMPLEX, MORE THAN THE OPERA.

2768
02:19:45,310 --> 02:19:47,612
AND HAVE A 3-D SOUND THAN WHAT

2769
02:19:47,679 --> 02:19:50,115
YOU ARE LISTENING NOW AND ALSO

2770
02:19:50,181 --> 02:19:58,490
WE CAN BE IMMERSE D AND IF YOU

2771
02:19:58,556 --> 02:20:01,793
COME TO THE LAB YOU WILL

2772
02:20:01,860 --> 02:20:07,699
EXPERIENCE A 3-D MUSIC AND

2773
02:20:07,766 --> 02:20:07,932
VIDEO.

2774
02:20:07,999 --> 02:20:12,470
THIS MESMERIZING JELLY FISH

2775
02:20:12,537 --> 02:20:14,806
AFFECT PAIN AND IN OUR LAB WE

2776
02:20:14,873 --> 02:20:16,241
WANTED TO KNOW WHY.

2777
02:20:16,307 --> 02:20:22,113
WE USED THERMAL STIMULATION AND

2778
02:20:22,180 --> 02:20:32,690
HAD MUSIC AND IN THIS CASE --

2779
02:20:34,259 --> 02:20:44,736
AND PEOPLE EXPERIENCED DIFFERENT

2780
02:20:51,309 --> 02:20:57,248
LEVELS OF ENJOYMENT.

2781
02:20:57,315 --> 02:21:00,451
WHEN PEOPLE ENJOY THE MUSIC THEY

2782
02:21:00,518 --> 02:21:01,820
HAVE INCREASED PAIN TOLERANCE.

2783
02:21:01,886 --> 02:21:04,923
WE SAID YOU CAN STOP THE PAINFUL

2784
02:21:04,989 --> 02:21:09,494
STIMULATION WHEN YOU CAN'T

2785
02:21:09,561 --> 02:21:20,104
TOLERATE ANYMORE AND WE SAW THEY

2786
02:21:21,973 --> 02:21:24,475
WERE EXPERIENCING PAIN BECAUSE

2787
02:21:24,542 --> 02:21:29,914
THE SYMPATHETIC ACTIVITY WENT

2788
02:21:29,981 --> 02:21:33,785
UP.

2789
02:21:33,852 --> 02:21:42,894
AND THE LEVEL OF ENJOYMENT AND

2790
02:21:42,961 --> 02:21:49,934
TOLERATION IMPROVED AND WITH

2791
02:21:50,001 --> 02:21:50,935
PAIN RELATED IMPROVEMENT

2792
02:21:51,002 --> 02:21:52,470
COMPARED TO THE 2-D YOU JUST SAW

2793
02:21:52,537 --> 02:21:57,642
AND IT WAS DIFFERENT THAN OUR

2794
02:21:57,709 --> 02:22:06,184
CONTROL AND WE LOOK AT THE

2795
02:22:06,251 --> 02:22:09,454
MECHANISM TRANSLATING THIS TO

2796
02:22:09,520 --> 02:22:10,889
THE BEDSIDE UP OUR LONG LASTING

2797
02:22:10,955 --> 02:22:12,924
TRIALS WHERE WE STUDIO IN OUR

2798
02:22:12,991 --> 02:22:18,496
CHRONIC PATIENT HOW THEY IMPROVE

2799
02:22:18,563 --> 02:22:19,631
OVER MONTHS AND USED MUSIC

2800
02:22:19,697 --> 02:22:24,469
THROUGH V.R. AT HOME.

2801
02:22:24,535 --> 02:22:26,671
WE WERE ABLE TO BUILD THE LINE

2802
02:22:26,738 --> 02:22:29,841
OF RESEARCH OF PROJECTS WHERE

2803
02:22:29,908 --> 02:22:31,309
WE'RE MULTI-DISCIPLINARY AND

2804
02:22:31,376 --> 02:22:33,478
MUSICIANS AND SURGEONS WORKING

2805
02:22:33,544 --> 02:22:37,949
TOGETHER AND OUR TRAINEES OF

2806
02:22:38,016 --> 02:22:39,150
COURSE AND PROGRAM OFFICER THAT

2807
02:22:39,217 --> 02:22:40,618
IS SUPPORTIVE.

2808
02:22:40,685 --> 02:22:42,020
IT'S NOW SOMETHING THAT IS

2809
02:22:42,086 --> 02:22:43,354
HELPING US TO STUDY THE

2810
02:22:43,421 --> 02:22:46,124
MECHANISM IN THE LAB BUT ALSO TO

2811
02:22:46,190 --> 02:22:48,493
TRANSLATE WITH CLINICAL TRIALS.

2812
02:22:48,559 --> 02:22:56,601
THANK YOU.

2813
02:22:56,668 --> 02:23:02,106
>> WE'RE MOVING ON TO OUR LAST

2814
02:23:02,173 --> 02:23:06,210
PANELIST COMMENT.

2815
02:23:06,277 --> 02:23:10,114
>> WOW.

2816
02:23:10,181 --> 02:23:12,483
>> AN ACTIVITYIVE SAID IF YOU

2817
02:23:12,550 --> 02:23:14,385
DON'T HAVE A SEAT AT THE TABLE

2818
02:23:14,452 --> 02:23:15,687
BRING A CHAIR.

2819
02:23:15,753 --> 02:23:18,122
THANK YOU FOR THIS SEAT AT THIS

2820
02:23:18,189 --> 02:23:18,323
TABLE.

2821
02:23:18,389 --> 02:23:23,928
IT TRULY IS AN HONOR AND A DREAM

2822
02:23:23,995 --> 02:23:25,396
COME TRUE.

2823
02:23:25,463 --> 02:23:27,565
WE SURVIVED A GLOBAL PANDEMIC.

2824
02:23:27,632 --> 02:23:29,934
NOW WE'RE IN ONE OF SOCIAL

2825
02:23:30,001 --> 02:23:30,468
ISOLATION.

2826
02:23:30,535 --> 02:23:35,640
SEVERAL COUNTRIES ARE AT WAR THE

2827
02:23:35,707 --> 02:23:36,307
SCIENTIFIC EFFORTS FOR WARMING

2828
02:23:36,374 --> 02:23:39,444
OF THE CLIMATE IS UNEQUIVOCAL.

2829
02:23:39,510 --> 02:23:42,113
ACROSS THE WORLD ADULTS LIVING

2830
02:23:42,180 --> 02:23:45,383
WITH DEMENTIA IS EXPECTED TO

2831
02:23:45,450 --> 02:23:54,125
TRIPLE FROM 57 MILLION IN 2017

2832
02:23:54,192 --> 02:24:00,064
TO 150 MILLION BY 2050 AND MASS

2833
02:24:00,131 --> 02:24:04,168
SHOOTINGS IS AN AMERICAN PROBLEM

2834
02:24:04,235 --> 02:24:05,837
AND 6 MILLION PEOPLE DIE BECAUSE

2835
02:24:05,903 --> 02:24:08,106
OF TRAUMATIC INJURIES WHICH IS

2836
02:24:08,172 --> 02:24:10,041
MORE THAN ALL THE CONTAGIOUS

2837
02:24:10,108 --> 02:24:11,743
DISEASES PUT TOGETHER SO I

2838
02:24:11,809 --> 02:24:12,910
ASSUME EVERYBODY IN THE ROOM

2839
02:24:12,977 --> 02:24:14,912
AGREES THAT WE NEED THERAPY OF

2840
02:24:14,979 --> 02:24:15,513
ARTS INTERVENTIONS MORE THAN

2841
02:24:15,580 --> 02:24:21,019
EVER.

2842
02:24:21,085 --> 02:24:22,120
FORTUNATELY, INITIATIVES

2843
02:24:22,186 --> 02:24:27,258
COMBINING ARTS AND HEALTH ARE

2844
02:24:27,325 --> 02:24:29,427
COMBINING ARTS AND HEALTH ARE

2845
02:24:29,494 --> 02:24:31,863
UNDERWAY AND ADVOCACY GROUP HAVE

2846
02:24:31,929 --> 02:24:33,865
PROMOTED THE ARTS IN HEALTH CARE

2847
02:24:33,931 --> 02:24:39,704
AND COMMUNITY SETTINGS AADDS  --

2848
02:24:39,771 --> 02:24:41,639
AS WE SEE HERE AND THERE'S

2849
02:24:41,706 --> 02:24:44,542
GLOBAL SUPPORT FROM FUNDING

2850
02:24:44,609 --> 02:24:48,479
AGENCIES AND POLICY MAKERS YET

2851
02:24:48,546 --> 02:24:52,850
RECENTLY A FEW NOTABLE COGNITIVE

2852
02:24:52,917 --> 02:24:56,354
NEUROSCIENTISTS PUBLISHED A

2853
02:24:56,421 --> 02:24:58,723
PRE-PRINT IN NATURE PERSPECTIVES

2854
02:24:58,790 --> 02:24:59,490
THAT CLAIM SINCE THERE'S NO

2855
02:24:59,557 --> 02:25:02,460
COMPELLING EFFORTS FOR THE VALUE

2856
02:25:02,527 --> 02:25:06,197
OF ARTS AND HEALING IT IS

2857
02:25:06,264 --> 02:25:08,900
UNETHICAL FOR ART THERAPY TO BE

2858
02:25:08,966 --> 02:25:10,768
USED WITH PATIENTS.

2859
02:25:10,835 --> 02:25:13,438
GRANTED, ART THERAPY WAS ILL

2860
02:25:13,504 --> 02:25:16,074
DEFINED AND CONFLATED AMONG ARTS

2861
02:25:16,140 --> 02:25:18,209
AND HEALTH PROFESSIONALS.

2862
02:25:18,276 --> 02:25:21,746
I'VE BEEN AN ART THERAPIST HALF

2863
02:25:21,813 --> 02:25:24,482
MY LIFE AND FAMILIAR WITH THE

2864
02:25:24,549 --> 02:25:27,151
CRIT IKDZ AND AS ONE WHO HAS

2865
02:25:27,218 --> 02:25:28,453
DEDICATED MY CAREER TO EXPLORING

2866
02:25:28,519 --> 02:25:32,790
THE SYSTEMATIC INTEGRATION OF

2867
02:25:32,857 --> 02:25:39,497
ART THERAPY AND AWARE OF THE

2868
02:25:39,564 --> 02:25:42,600
NECESSITY OF MEASUREMENT TO

2869
02:25:42,667 --> 02:25:43,801
ESTABLISH TRUTH.

2870
02:25:43,868 --> 02:25:46,104
THEY HAVE QUANTITATIVE METHODS

2871
02:25:46,170 --> 02:25:48,473
THAT REQUIRE REPLICATION AND

2872
02:25:48,539 --> 02:25:49,774
GENERALIZABILITY BUT FAILED TO

2873
02:25:49,841 --> 02:25:52,977
MENTION THAT REGULATED MEDICAL

2874
02:25:53,044 --> 02:25:55,046
AND HEALTH CARE PROFESSIONALS

2875
02:25:55,113 --> 02:25:56,514
AND MOST APPLIED THERAPEUTIC

2876
02:25:56,581 --> 02:25:59,250
ARTS PRACTICES DO NOT RELY

2877
02:25:59,317 --> 02:26:02,320
SOLELY ON SCIENTIFIC EVIDENCE TO

2878
02:26:02,386 --> 02:26:03,521
ESTABLISH BEST PRACTICE

2879
02:26:03,588 --> 02:26:06,190
STRATEGIES THE CONVERGENCE OF

2880
02:26:06,257 --> 02:26:09,760
ARTS AND SCIENCES REQUIRES THE

2881
02:26:09,827 --> 02:26:12,230
CONSIDERATION OF SENSE-BASED

2882
02:26:12,296 --> 02:26:12,497
KNOWLEDGE.

2883
02:26:12,563 --> 02:26:16,000
A RANGE OF METHODOLOGIES AND

2884
02:26:16,067 --> 02:26:16,901
SHARED LANGUAGE.

2885
02:26:16,968 --> 02:26:20,037
WE HAVE AN ETHICAL AN MORAL

2886
02:26:20,104 --> 02:26:20,938
OBLIGATION AND THANK YOU,

2887
02:26:21,005 --> 02:26:25,676
DR. GERBERDING, A MEDICAL

2888
02:26:25,743 --> 02:26:26,878
IMPERATIVE TO UNDERSTAND THE

2889
02:26:26,944 --> 02:26:34,118
SCIENCE OF ARTS AND

2890
02:26:34,185 --> 02:26:40,358
THERAPEUTICS.

2891
02:26:40,424 --> 02:26:41,025
TRANSLATE BEHAVIOR INTO THE LAB

2892
02:26:41,092 --> 02:26:43,528
AND THIS IS IS MADE POSSIBLE

2893
02:26:43,594 --> 02:26:44,962
WITH IMAGING TECHNOLOGIES THAT

2894
02:26:45,029 --> 02:26:49,333
ALLOW FOR THE TRACKING OF BRAIN

2895
02:26:49,400 --> 02:26:51,035
AND BODY ACTIVITIES IN THE CHILD

2896
02:26:51,102 --> 02:26:54,105
AND IN THE PROCESS UPHOLD AN

2897
02:26:54,172 --> 02:26:57,175
ECOLOGICAL VALIDITY WITHIN A

2898
02:26:57,241 --> 02:27:02,380
NECESSARY SOCIO CULTURAL

2899
02:27:02,446 --> 02:27:02,847
CONTEXT.

2900
02:27:02,914 --> 02:27:12,490
TRADITION

2901
02:27:12,557 --> 02:27:14,091
TRADITIONALLY AESTHETICS HAS

2902
02:27:14,158 --> 02:27:17,929
BEEN FOCUSSED ON TWO DIMENSIONAL

2903
02:27:17,995 --> 02:27:21,933
VISUAL ARTWORK.

2904
02:27:21,999 --> 02:27:23,601
MOSTLY RECEPT EXPRESSION AND

2905
02:27:23,668 --> 02:27:25,102
RECOGNIZING WHAT IS HAPPENING

2906
02:27:25,169 --> 02:27:29,273
WITHIN THE AESTHETIC SPACE BUT

2907
02:27:29,340 --> 02:27:31,976
MORE RECENTLY NEURAL AESTHETICS

2908
02:27:32,043 --> 02:27:36,480
HAS EXPANDED TO DANCE AND MUSIC

2909
02:27:36,547 --> 02:27:38,616
AND TO PERFORMANCE ALLOWING US

2910
02:27:38,683 --> 02:27:41,385
TO SEE HOW RECEPTIVE AND

2911
02:27:41,452 --> 02:27:43,821
EXPRESSIVE CREATIVE PRACTICES

2912
02:27:43,888 --> 02:27:47,758
CAN BE EXPLORED AND UNDERSTOOD

2913
02:27:47,825 --> 02:27:50,628
WITH SCIENCE WHICH GIVES US

2914
02:27:50,695 --> 02:27:52,964
INCREDIBLE INSIGHTS INTO ALL

2915
02:27:53,030 --> 02:27:57,368
KINDS OF SYSTEMS AND INVITES THE

2916
02:27:57,435 --> 02:27:59,503
EMERGENCE AND CONNECTEDNESS WITH

2917
02:27:59,570 --> 02:28:02,106
THE FIELD OF CREATIVITY SCIENCES

2918
02:28:02,173 --> 02:28:04,976
AND NETWORK NEUROSCIENCE WHICH

2919
02:28:05,042 --> 02:28:07,478
WITHIN AN UNDERSTANDING OF LARGE

2920
02:28:07,545 --> 02:28:09,747
SCALE BRAIN NETWORKS WITH AN

2921
02:28:09,814 --> 02:28:12,483
UNDERSTANDING OF HOW DIFFERENT

2922
02:28:12,550 --> 02:28:16,153
FUNCTIONAL HUBS AND NETWORKS

2923
02:28:16,220 --> 02:28:19,056
OPERATE WITHIN OUR BRAINS AND

2924
02:28:19,123 --> 02:28:22,126
WHEN WE LEARN MORE HOW THIS

2925
02:28:22,193 --> 02:28:26,130
CONTRIBUTES VERY EXPLICITLY TO

2926
02:28:26,197 --> 02:28:29,934
POSITIVE HEALTH OUTCOMES.

2927
02:28:30,001 --> 02:28:33,304
MOBILE BRAIN BODY IMAGING

2928
02:28:33,371 --> 02:28:36,507
INCLUDING EEG, VIRTUAL REALITY,

2929
02:28:36,574 --> 02:28:42,113
MAYBE EVEN THE SUNIL 6,000 SKIN

2930
02:28:42,179 --> 02:28:43,681
RESPONSE.

2931
02:28:43,748 --> 02:28:45,750
TRACKING BIOLOGICAL AND

2932
02:28:45,816 --> 02:28:49,687
PHYSIOLOGICAL MEASURES THAT

2933
02:28:49,754 --> 02:28:51,455
ALLOW US MORE INFORMATION ABOUT

2934
02:28:51,522 --> 02:28:52,356
REWARD SYSTEMS IN THE BRAIN

2935
02:28:52,423 --> 02:28:55,493
WHICH ALLOW US TO UNDERSTAND

2936
02:28:55,559 --> 02:28:58,095
APPROACH AND AVOIDANCE WITHIN

2937
02:28:58,162 --> 02:28:59,363
DIFFERENT ENVIRONMENTAL

2938
02:28:59,430 --> 02:29:04,001
SITUATIONS WHICH OF COURSE GIVES

2939
02:29:04,068 --> 02:29:08,673
US INSIGHT INTO AROUSAL AND

2940
02:29:08,739 --> 02:29:10,107
ENTEROCEPTION CAPTURED IN THE

2941
02:29:10,174 --> 02:29:15,913
RESEARCH DOMAIN CRITERIA.

2942
02:29:15,980 --> 02:29:17,214
SO WE HAVE AN OPPORTUNITY.

2943
02:29:17,281 --> 02:29:20,117
I DON'T THINK THE SCIENTISTS

2944
02:29:20,184 --> 02:29:21,886
MEANT TO BE MALICIOUS.

2945
02:29:21,952 --> 02:29:22,653
I DON'T THINK THEY'RE INFORMED

2946
02:29:22,720 --> 02:29:24,755
WE HAVE AN OPPORTUNITY TO

2947
02:29:24,822 --> 02:29:29,427
TRANSCEND OUR SILOS ENGAGE IN

2948
02:29:29,493 --> 02:29:31,696
COMMUNITY AND ENGAGE IN DIALOGUE

2949
02:29:31,762 --> 02:29:34,098
AND TAKE WE ARE INDIVIDUAL

2950
02:29:34,165 --> 02:29:37,201
NEURONS AND AS MS. FLEMING SAID

2951
02:29:37,268 --> 02:29:39,070
EARLIER WE ARE EMBODYING

2952
02:29:39,136 --> 02:29:39,904
CREATIVITY WITHIN OUR

2953
02:29:39,970 --> 02:29:42,106
INTERACTIONS TOGETHER.

2954
02:29:42,173 --> 02:29:50,014
THANK YOU.

2955
02:29:50,081 --> 02:29:52,550
>> THANK YOU TO ALL THE

2956
02:29:52,616 --> 02:29:54,819
PANELISTS FOR YOUR COMMENTS.

2957
02:29:54,885 --> 02:29:56,687
I'M HOPING THE NEXT TWO SESSIONS

2958
02:29:56,754 --> 02:29:58,489
WILL BE MORE AN TIME.

2959
02:29:58,556 --> 02:30:06,197
I'M SORRY NOW CAN WE MOVE TO THE

2960
02:30:06,263 --> 02:30:10,935
SLIDES WITH KEY QUESTIONS WE

2961
02:30:11,001 --> 02:30:12,470
HAVE 20 MINUTES LEFT FOR

2962
02:30:12,536 --> 02:30:13,304
DISCUSSION.

2963
02:30:13,371 --> 02:30:16,140
THE CO-CHAIRS CONJURED UP SOME

2964
02:30:16,207 --> 02:30:18,109
QUESTIONS HERE.

2965
02:30:18,175 --> 02:30:20,211
IF ANY OF THOSE STRIKE ACHORD

2966
02:30:20,277 --> 02:30:24,048
WITH YOU GO TO THE MICROPHONE TO

2967
02:30:24,115 --> 02:30:26,150
ANSWER SO WE DON'T NEED TO ASK

2968
02:30:26,217 --> 02:30:29,587
THEM OURSELVES.

2969
02:30:29,653 --> 02:30:36,394
I SEE MOVEMENT ALREADY.

2970
02:30:36,460 --> 02:30:40,297
>> THIS IS A QUESTION FOR KEVIN.

2971
02:30:40,364 --> 02:30:42,633
I LOVE THIS IDEA THAT YOU'RE

2972
02:30:42,700 --> 02:30:48,139
FINDING HOW DIFFERENT ASPECTS OF

2973
02:30:48,205 --> 02:30:57,448
SOUND REDUCE PAIN AND I QUESTION

2974
02:30:57,515 --> 02:30:58,849
BACH BUT I WONDER IF THERE

2975
02:30:58,916 --> 02:31:05,089
SHOULD BE MORE COLLABORATION

2976
02:31:05,156 --> 02:31:07,658
WITH COMPOSERS LIKE A CELLIST

2977
02:31:07,725 --> 02:31:10,127
WHO HAS MAPPED UP THE AUDIBLE

2978
02:31:10,194 --> 02:31:11,529
SPECTO GRAMS OF ANIMAL SPECIES

2979
02:31:11,595 --> 02:31:17,802
AND CREATED AN ALBUM CALLED

2980
02:31:17,868 --> 02:31:18,936
MUSIC FOR CATS THAT IS FOR CATS

2981
02:31:19,003 --> 02:31:20,070
AND I THINK IT'S IMPORTANT

2982
02:31:20,137 --> 02:31:21,238
BECAUSE IF WE'RE TRYING TO

2983
02:31:21,305 --> 02:31:26,110
UNDERSTAND WHAT THE DIFFERENCES

2984
02:31:26,177 --> 02:31:28,045
IS BETWEEN MUSIC AND SOUND WE

2985
02:31:28,112 --> 02:31:29,747
NEED TO UNDERSTAND WHAT THE

2986
02:31:29,814 --> 02:31:30,481
PURPOSE MIGHT BE IN ANOTHER

2987
02:31:30,548 --> 02:31:34,118
SPECIES AND REMINDS ME OF AN

2988
02:31:34,185 --> 02:31:37,822
EXPERIMENT PETER GABRIEL DID

2989
02:31:37,888 --> 02:31:40,391
WHERE HE WOULD GO AND PLAY HIS

2990
02:31:40,458 --> 02:31:44,462
INSTRUMENTS FOR THE VINOVOS AND

2991
02:31:44,528 --> 02:31:45,663
THEY JUST WANTED TO LISTEN AND

2992
02:31:45,729 --> 02:31:46,797
NOT PLAY WITH HIM.

2993
02:31:46,864 --> 02:31:50,100
I THINK WE'D ALL WANT TO LISTEN

2994
02:31:50,167 --> 02:31:51,469
TO PETER GABRIEL UNTIL THERE

2995
02:31:51,535 --> 02:31:53,037
WITH YOU COMMUNICATION AND THEY

2996
02:31:53,103 --> 02:31:55,606
SAID LET'S PLAY A SONG WITH

2997
02:31:55,673 --> 02:31:58,108
PETER FOR MOM IN A DIFFERENT

2998
02:31:58,175 --> 02:32:08,285
ROOM.

2999
02:32:20,931 --> 02:32:21,966
>> WHEN YOU QUESTION TRY TO

3000
02:32:22,032 --> 02:32:23,534
LIMIT TO ONE MINUTE AND WHEN YOU

3001
02:32:23,601 --> 02:32:24,502
TRY TO ANSWER LIMIT TO TWO

3002
02:32:24,568 --> 02:32:26,103
MINUTES.

3003
02:32:26,170 --> 02:32:30,107
NOW, KEVIN.

3004
02:32:30,174 --> 02:32:33,444
>> THANKS FOR THE QUESTION.

3005
02:32:33,511 --> 02:32:39,984
WHEN AND HOW RODENT IS PERCEIVED

3006
02:32:40,050 --> 02:32:43,954
IN HUMAN MUSIC IS A BIG QUESTION

3007
02:32:44,021 --> 02:32:45,556
TO US AND TO REVIEWERS WHEN WE

3008
02:32:45,623 --> 02:32:50,728
TRIED TO SUBMIT THE PAPER.

3009
02:32:50,794 --> 02:32:53,497
IT'S STILL DIFFERENT BETWEEN

3010
02:32:53,564 --> 02:32:58,068
ANIMAL AND HUMAN BEINGS.

3011
02:32:58,135 --> 02:32:59,136
WE HIGHLIGHT IT'S IN THE ONLY

3012
02:32:59,203 --> 02:33:03,274
WHAT TYPE OF MUSIC WHICH COULD

3013
02:33:03,340 --> 02:33:04,642
HAVE AN ANALGESIC AFFECT BUT THE

3014
02:33:04,708 --> 02:33:08,979
KEY IS THE INTENSITY.

3015
02:33:09,046 --> 02:33:10,514
LIKE WE MIGHT MISS THAT.

3016
02:33:10,581 --> 02:33:12,483
IT'S SLIGHTLY HIGHER THAN

3017
02:33:12,550 --> 02:33:21,659
BACKGROUND.

3018
02:33:21,725 --> 02:33:25,496
FOR YOUR QUESTION YES, RODENT

3019
02:33:25,563 --> 02:33:29,033
ARE QUITE SOCIAL AND VERY

3020
02:33:29,099 --> 02:33:30,067
INTERESTINGLY THEY USE BOTH

3021
02:33:30,134 --> 02:33:34,972
SOUND AND ULTRASOUND TO

3022
02:33:35,039 --> 02:33:35,739
COMMUNICATE.

3023
02:33:35,806 --> 02:33:39,877
SO IT'S HARD FOR US TO PREDICT

3024
02:33:39,944 --> 02:33:48,786
WHAT TYPE OF RODENT MUSIC.

3025
02:33:48,852 --> 02:33:50,621
WE'RE TRYING TO ANALYZE HOW THEY

3026
02:33:50,688 --> 02:33:55,125
USE ULTRASOUND TO COMMUNICATE

3027
02:33:55,192 --> 02:33:56,360
AND BECAUSE MOUSE CAN

3028
02:33:56,427 --> 02:33:57,461
COMMUNICATE WITH SOUND WHICH WE

3029
02:33:57,528 --> 02:34:01,599
CAN HEAR AND ULTRASOUND AND A

3030
02:34:01,665 --> 02:34:04,535
FRIEND OF OURS IS STARTING LIKE

3031
02:34:04,602 --> 02:34:09,506
WHEN AND HOW ULTRASOUND MEANS

3032
02:34:09,573 --> 02:34:09,773
ANYTHING.

3033
02:34:09,840 --> 02:34:11,742
SO IN FUTURE WE'LL KEEP TRYING

3034
02:34:11,809 --> 02:34:12,910
AND TRYING TO FIND BEST MUSIC

3035
02:34:12,977 --> 02:34:14,111
FOR RODENTS.

3036
02:34:14,178 --> 02:34:22,786
THANK YOU.

3037
02:34:22,853 --> 02:34:24,755
>> WE STUDIED FOR A BIT OF TIME

3038
02:34:24,822 --> 02:34:28,592
HOW THE BRAIN ENCODES THIS ULTRA

3039
02:34:28,659 --> 02:34:33,130
SONIC VOCALIZATIONS AND IN FACT

3040
02:34:33,197 --> 02:34:34,865
THERE'S SPECIALIZED NEURONS IN

3041
02:34:34,932 --> 02:34:38,569
THE AUDITORY CORTEX THAT ALLOW

3042
02:34:38,636 --> 02:34:40,804
MICE TO HEAR AND RATS AND ROW

3043
02:34:40,871 --> 02:34:45,843
DEPARTMENTS TO HEAR SPECIFICALLY

3044
02:34:45,909 --> 02:34:46,910
THE VOCALIZATIONS.

3045
02:34:46,977 --> 02:34:47,444
INTERESTINGLY IT'S VERY

3046
02:34:47,511 --> 02:34:51,215
DIFFICULT TO STUDY THE RESPONSES

3047
02:34:51,281 --> 02:34:54,451
OF NEURONS IN MICE AND OTHER

3048
02:34:54,518 --> 02:34:57,254
RODENTS TO OTHER SPECIES.

3049
02:34:57,321 --> 02:34:59,356
THEY'RE INHERENTLY SO FEARFUL IF

3050
02:34:59,423 --> 02:35:01,425
WE PLAY BACK, FOR EXAMPLE, A

3051
02:35:01,492 --> 02:35:03,060
SOUND OF A PREDATOR WE WERE

3052
02:35:03,127 --> 02:35:05,496
AFRAID WE'RE GOING TO LOSE THAT

3053
02:35:05,562 --> 02:35:09,066
MOUSE FOR FUTURE EXPERIMENTS.

3054
02:35:09,133 --> 02:35:10,134
THAT'S SOMETHING WE THINK ABOUT

3055
02:35:10,200 --> 02:35:15,339
IN EXPERIMENTAL DESIGNS.

3056
02:35:15,406 --> 02:35:20,911
>> I'LL START BEING BAD COP NEXT

3057
02:35:20,978 --> 02:35:21,412
QUESTION QUICKLY.

3058
02:35:21,478 --> 02:35:24,882
>> I GET TO WORK WITH CHRISTINA

3059
02:35:24,948 --> 02:35:25,349
HUGENSCHMIDT.

3060
02:35:25,416 --> 02:35:26,717
I WANTED TO SAY PART OF THE

3061
02:35:26,784 --> 02:35:30,487
REASON I'M HERE I THINK IS

3062
02:35:30,554 --> 02:35:33,891
BECAUSE I'M CO-P.I. ON AN RO1,

3063
02:35:33,957 --> 02:35:36,493
ACTUALLY, TWO.

3064
02:35:36,560 --> 02:35:38,062
IT'S RARE.

3065
02:35:38,128 --> 02:35:40,330
STARTING WITH ARTISTS ARE

3066
02:35:40,397 --> 02:35:42,499
EQUALLY IMPORTANT IN THE

3067
02:35:42,566 --> 02:35:44,234
RESEARCH AND THANK YOU PUBLICLY

3068
02:35:44,301 --> 02:35:48,505
FOR BELIEVING IN THAT AND

3069
02:35:48,572 --> 02:35:49,373
INTERDISCIPLINARY TEAMS ARE

3070
02:35:49,440 --> 02:35:50,507
CRITICAL TO THE FUTURE OF

3071
02:35:50,574 --> 02:35:52,142
FUNDING AND EDUCATION TOO.

3072
02:35:52,209 --> 02:35:53,844
I WONDER IF THOSE OF US IN

3073
02:35:53,911 --> 02:35:55,079
POSITIONS AT UNIVERSITIES WHERE

3074
02:35:55,145 --> 02:35:56,747
WE'RE IN SCIENCE DEPARTMENTS WE

3075
02:35:56,814 --> 02:36:00,017
MIGHT GO TO OUR DEANS ABOUT

3076
02:36:00,084 --> 02:36:02,553
POSITIONS THAT ARE ARTISTS IN

3077
02:36:02,619 --> 02:36:03,687
THOSE DEPARTMENT AND IN ARTS

3078
02:36:03,754 --> 02:36:06,256
DEPARTMENTS WHAT MIGHT IT LOOK

3079
02:36:06,323 --> 02:36:08,459
LIKE IF THE NEUROSCIENTIST WAS A

3080
02:36:08,525 --> 02:36:11,462
MEMBER OF THE DANCE DEPARTMENT.

3081
02:36:11,528 --> 02:36:16,967
HOW TO ORGANIZE THAT IS

3082
02:36:17,034 --> 02:36:19,570
INTERESTING TO ME OWNER THING

3083
02:36:19,636 --> 02:36:23,941
ARE IMPORTANT ARE REPUBLLICABIL

3084
02:36:24,007 --> 02:36:25,642
AND IT'S SOMETHING WE HAVE TO

3085
02:36:25,709 --> 02:36:26,410
THINK ABOUT THAT'S NOT

3086
02:36:26,477 --> 02:36:36,487
NECESSARILY ALWAYS OUR TRAINING.

3087
02:36:36,553 --> 02:36:39,123
HOW DO WE GET LEGAL TEAM ON OUR

3088
02:36:39,189 --> 02:36:41,625
TEAMS AND I SEE MY JOB AS BEING

3089
02:36:41,692 --> 02:36:43,093
TRANSLATIONAL AND THE WORK I DO

3090
02:36:43,160 --> 02:36:43,994
HAS TO REACH COMMUNITY.

3091
02:36:44,061 --> 02:36:45,796
HOW DO WE PUT THAT IN OUR

3092
02:36:45,863 --> 02:36:48,098
RESEARCH TEAMS AND FORMALLY

3093
02:36:48,165 --> 02:36:48,899
WRITE THAT.

3094
02:36:48,966 --> 02:36:50,100
>> THANK YOU FOR THAT EXCELLENT

3095
02:36:50,167 --> 02:36:50,400
QUESTION.

3096
02:36:50,467 --> 02:36:52,503
BRING IT UP AT THE NEXT SESSION.

3097
02:36:52,569 --> 02:36:53,370
WE'LL TALK ABOUT THAT

3098
02:36:53,437 --> 02:36:54,104
SPECIFICALLY.

3099
02:36:54,171 --> 02:36:56,240
THANK YOU.

3100
02:36:56,306 --> 02:36:58,075
>> MAYBE WELL MOVE ON TO THE

3101
02:36:58,142 --> 02:37:04,148
RIGHT SIDE.

3102
02:37:04,214 --> 02:37:04,882
>> THANK YOU FOR YOUR

3103
02:37:04,948 --> 02:37:06,617
COOPERATION IN MY MANY E-MAILS.

3104
02:37:06,683 --> 02:37:10,487
IF I QUESTION IS TWOFOLD.

3105
02:37:10,554 --> 02:37:11,522
THERE'S BEEN EVIDENCE FOR SEX

3106
02:37:11,588 --> 02:37:12,489
DIFFERENCES IN PAIN.

3107
02:37:12,556 --> 02:37:16,393
HAVE THOSE TRANSLATED TO THE

3108
02:37:16,460 --> 02:37:17,528
RESPONSE IN USING MUSIC TO TREAT

3109
02:37:17,594 --> 02:37:19,930
PAIN AND FOR DANCE THERE'S A LOT

3110
02:37:19,997 --> 02:37:23,901
OF NEGATIVE GENDER BIASSED WITH

3111
02:37:23,967 --> 02:37:26,103
DANCE AND MORE MASCULINE AND

3112
02:37:26,170 --> 02:37:26,570
FEMININE.

3113
02:37:26,637 --> 02:37:28,806
DOES THAT AFFECT DESIGN,

3114
02:37:28,872 --> 02:37:29,840
FEASIBILITY AND IMPLEMENTATION

3115
02:37:29,907 --> 02:37:34,111
WHEN WHY YOU CARRY OUT STUDIES

3116
02:37:34,178 --> 02:37:43,954
ON DANCE?

3117
02:37:44,021 --> 02:37:46,089
>> MUSIC DOESN'T HAVE A SEX

3118
02:37:46,156 --> 02:37:47,324
PREFERENCE, MEN, WOMEN LIKE

3119
02:37:47,391 --> 02:37:48,492
MUSIC.

3120
02:37:48,559 --> 02:37:51,061
IN OUR LAB WE SEE LARGER

3121
02:37:51,128 --> 02:37:53,730
PREVALENCE OF WOMEN AFFECTED BY

3122
02:37:53,797 --> 02:37:53,931
PAIN.

3123
02:37:53,997 --> 02:37:56,099
BUT WHEN WE RECRUIT MEN THEY

3124
02:37:56,166 --> 02:37:58,101
EQUALLY RESPONDED TO THE BENEFIT

3125
02:37:58,168 --> 02:38:03,941
OF MUSIC.

3126
02:38:04,007 --> 02:38:07,044
AND WE TENDED TO SEE A

3127
02:38:07,110 --> 02:38:08,345
PREFERENCE THAT WORKED BETTER

3128
02:38:08,412 --> 02:38:08,912
FOR WOMEN.

3129
02:38:08,979 --> 02:38:10,414
MUSIC NO MATTER IF YOU'RE A MAN

3130
02:38:10,480 --> 02:38:14,985
OR WOMEN YOU TEND TO LIKE AND

3131
02:38:15,052 --> 02:38:20,023
RESPONSE WITH ANALGESIA.

3132
02:38:20,090 --> 02:38:25,329
>> AND THANK YOU ALL THE

3133
02:38:25,395 --> 02:38:25,829
E-MAILS.

3134
02:38:25,896 --> 02:38:26,797
YOU'RE INCREDIBLY ORGANIZED.

3135
02:38:26,864 --> 02:38:29,700
>> ON THE DANCE SIDE THERE'S

3136
02:38:29,766 --> 02:38:32,369
ISSUES RECRUITING MEN IN DANCE

3137
02:38:32,436 --> 02:38:34,605
STUDIES AND THEY'RE HISTORICALLY

3138
02:38:34,671 --> 02:38:35,339
HEAVY WOMEN.

3139
02:38:35,405 --> 02:38:36,673
THIS BRINGS UP A LARGER POINT WE

3140
02:38:36,740 --> 02:38:38,809
WOUND UP TALKING ABOUT AT DINNER

3141
02:38:38,876 --> 02:38:39,710
LAST NIGHT NOT JUST THE

3142
02:38:39,776 --> 02:38:44,047
DISCUSSION OF WHO THE ARTS-BASED

3143
02:38:44,114 --> 02:38:46,450
INTERVENTIONS WORK FOR BUT WHO

3144
02:38:46,516 --> 02:38:48,418
THEY DO NOT WORK FOR AND IF WE

3145
02:38:48,485 --> 02:38:50,053
THINK ABOUT THIS IN A PUBLIC

3146
02:38:50,120 --> 02:38:51,555
HEALTH CONTEXT IT'S IMPORTANT TO

3147
02:38:51,622 --> 02:38:56,293
UNDERSTAND THE SOCIAL BARRIERS

3148
02:38:56,360 --> 02:38:58,462
TO THE ARTS AND SEXISM AND HOW

3149
02:38:58,528 --> 02:39:01,098
THAT PLAYS OUT IN HOW MEN VIEW

3150
02:39:01,164 --> 02:39:03,233
THEIR ROLE AND WHAT THEY CAN DO

3151
02:39:03,300 --> 02:39:06,270
IN SOCIETAL ACCEPTABLE WAYS IS A

3152
02:39:06,336 --> 02:39:06,503
BIG ONE.

3153
02:39:06,570 --> 02:39:07,137
>> THANKS TO THE PANEL FOR GREAT

3154
02:39:07,204 --> 02:39:09,373
SESSION.

3155
02:39:09,439 --> 02:39:11,008
I'M GOING TO DIRECT MY QUESTION

3156
02:39:11,074 --> 02:39:12,709
TO THE PAIN RESEARCHERS.

3157
02:39:12,776 --> 02:39:14,745
YOU HAD A SHORT AMOUNT OF TIME

3158
02:39:14,811 --> 02:39:18,115
SO I REALIZE YOU COULDN'T DIG

3159
02:39:18,181 --> 02:39:19,416
INTO MECHANISMS BUT BASED ON

3160
02:39:19,483 --> 02:39:20,984
YOUR OWN WORK AND YOUR

3161
02:39:21,051 --> 02:39:22,986
UNDERSTANDING OF THE LITERATURE,

3162
02:39:23,053 --> 02:39:29,359
CAN YOU SPEAK TO THE BALANCE OF

3163
02:39:29,426 --> 02:39:31,461
EFFICACY AND THE USUAL SUSPECTS,

3164
02:39:31,528 --> 02:39:37,901
DISTRACTION, REWARD ACTIVATION,

3165
02:39:37,968 --> 02:39:38,669
PARASYMPATHETIC ACTIVATION.

3166
02:39:38,735 --> 02:39:40,103
WHAT ARE YOU SEEING?

3167
02:39:40,170 --> 02:39:42,506
HOW DO THE DIFFERENT ARMS ALL

3168
02:39:42,572 --> 02:39:46,109
INFLUENCE THE ANALGESIC AFFECTS

3169
02:39:46,176 --> 02:39:55,552
OF MUSIC?

3170
02:39:55,619 --> 02:40:00,490
>> MUSIC HAS A LARGER AFFECT

3171
02:40:00,557 --> 02:40:02,859
COMPARED TO MERE CONSTRUCTION

3172
02:40:02,926 --> 02:40:04,528
AND AUGMENTATION OF DEFECTS AND

3173
02:40:04,594 --> 02:40:08,031
THIS IS PROMISING.

3174
02:40:08,098 --> 02:40:10,100
WE HAVE A TOOL TO OFFER TO OUR

3175
02:40:10,167 --> 02:40:16,773
PATIENT.

3176
02:40:16,840 --> 02:40:20,143
AND EVEN WHEN WE USE THE SHAM

3177
02:40:20,210 --> 02:40:23,080
V.R. AND MUSIC WITHIN THE SHAM

3178
02:40:23,146 --> 02:40:28,518
V.R. WE SEE WE CAN AUGMENT THE

3179
02:40:28,585 --> 02:40:34,091
AFFECTS OF MUSIC BY PEOPLE

3180
02:40:34,157 --> 02:40:37,661
FOCUSSED.

3181
02:40:37,728 --> 02:40:39,296
>> I WANTED TO KNOW A LOT OF

3182
02:40:39,363 --> 02:40:42,532
WHAT WE TALKED ABOUT SO FAR

3183
02:40:42,599 --> 02:40:48,238
SEEMS TO ME HAS BEEN MUSIC

3184
02:40:48,305 --> 02:40:53,176
MOVEMENT WITH OR WITHOUT USED TO

3185
02:40:53,243 --> 02:40:53,877
AMELIORATE CONDITIONS.

3186
02:40:53,944 --> 02:40:58,915
WHAT ABOUT WHAT HAS BEEN PURSUED

3187
02:40:58,982 --> 02:41:01,051
WITH RESEARCH INTO DIAGNOSTIC OR

3188
02:41:01,118 --> 02:41:02,386
WHERE MAYBE LISTENING TARGETS

3189
02:41:02,452 --> 02:41:06,189
WERE ANOTHER THERAPY OR

3190
02:41:06,256 --> 02:41:06,523
INTERVENTION.

3191
02:41:06,590 --> 02:41:12,496
MAYBE MORE EFFICACIOUS OR

3192
02:41:12,562 --> 02:41:15,899
EFFICACIOUS AND WHETHER THERE'S

3193
02:41:15,966 --> 02:41:19,302
ENOUGH RESEARCH ON MUSIC AS A

3194
02:41:19,369 --> 02:41:22,105
DIAGNOSTIC OR PERHAPS OTHER TYPE

3195
02:41:22,172 --> 02:41:23,707
OF TREATMENTS.

3196
02:41:23,774 --> 02:41:27,978
>> THANK YOU -- WAS IT DRIRECTE

3197
02:41:28,045 --> 02:41:28,945
TO ME?

3198
02:41:29,012 --> 02:41:29,946
THAT'S AN IMPORTANT QUESTION.

3199
02:41:30,013 --> 02:41:33,316
I THINK WE'RE STILL AT THE

3200
02:41:33,383 --> 02:41:36,520
INITIAL STAGES OF UNDERSTANDING

3201
02:41:36,586 --> 02:41:40,891
HOW HUMAN MUSICALITY VARIABLES

3202
02:41:40,957 --> 02:41:43,960
HOW HUMAN ENGAGE WITH MUSIC AND

3203
02:41:44,027 --> 02:41:49,399
HOW THEY RELATE TO INTERVALS AND

3204
02:41:49,466 --> 02:41:50,634
I TALKED ABOUT RISK AND

3205
02:41:50,700 --> 02:41:51,301
RESILIENCE.

3206
02:41:51,368 --> 02:41:53,637
IT COULD BE UNDERSTANDING THE

3207
02:41:53,703 --> 02:41:56,506
BIOLOGICAL BASIS OF MUSIC AND

3208
02:41:56,573 --> 02:41:59,509
THE MANY WAYS TO MEASURE

3209
02:41:59,576 --> 02:42:01,211
MUSICALITY CAN ADDRESS RISK AND

3210
02:42:01,278 --> 02:42:02,112
RESILIENCE FOR A VARIETY OF

3211
02:42:02,179 --> 02:42:03,547
HEALTH TRAITS AND DISORDERS AND

3212
02:42:03,613 --> 02:42:04,815
CONDITIONS AND THAT REALLY

3213
02:42:04,881 --> 02:42:10,120
COULD -- THEY COULD BE

3214
02:42:10,187 --> 02:42:12,489
SCREENERS.

3215
02:42:12,556 --> 02:42:14,658
AND THE PEOPLE ARE NOT ALWAYS

3216
02:42:14,724 --> 02:42:16,159
GETTING SCREAMS.

3217
02:42:16,226 --> 02:42:17,994
IN MY LAB WE'RE INTERESTED IN

3218
02:42:18,061 --> 02:42:21,865
HOW RHYTHM RELATES TO SPEECH AND

3219
02:42:21,932 --> 02:42:22,632
LANGUAGE DISORDER AND COULD

3220
02:42:22,699 --> 02:42:26,103
VARIOUS WAYS OF MEASURING

3221
02:42:26,169 --> 02:42:28,271
IMPAIRMENT HELP US GET FIND

3222
02:42:28,338 --> 02:42:31,341
CHILDREN WHO ARE AT HIGHER RISK

3223
02:42:31,408 --> 02:42:32,209
FOR DEVELOPING DEVELOPMENT

3224
02:42:32,275 --> 02:42:34,444
SPEECH AND LANGUAGE DISORDER AND

3225
02:42:34,511 --> 02:42:35,078
GET THEM INTO TRADITIONAL

3226
02:42:35,145 --> 02:42:36,046
TREATMENT BECAUSE WE KNOW

3227
02:42:36,113 --> 02:42:38,115
THERE'S A HUGE GAP THERE AND

3228
02:42:38,181 --> 02:42:39,716
PERHAPS A SUBSET WOULD RESPOND

3229
02:42:39,783 --> 02:42:41,184
WELL TO TREATMENT THAT'S INVOLVE

3230
02:42:41,251 --> 02:42:45,355
RHYTHM BUT WE'RE NOT ALWAYS

3231
02:42:45,422 --> 02:42:46,490
TRYING TO IMPROVE THE MUSIC

3232
02:42:46,556 --> 02:42:48,959
SKILLS AS A WAY TO IMPROVE

3233
02:42:49,025 --> 02:42:50,760
THINGS DOWN STREAM.

3234
02:42:50,827 --> 02:42:52,028
THERE'S TIMES IT'S APPROPRIATE

3235
02:42:52,095 --> 02:42:54,097
AND WHEN IT'S PART OF A LARGER

3236
02:42:54,164 --> 02:42:55,632
PICTURE OF CHARACTERIZING THE

3237
02:42:55,699 --> 02:42:57,834
PERSON'S HEALTH AND WHY WE NEED

3238
02:42:57,901 --> 02:43:01,538
THE BIG DATA WE'RE LOOKING AT

3239
02:43:01,605 --> 02:43:06,910
THE RANGE OF HOW HUMANS ENGAGE

3240
02:43:06,977 --> 02:43:17,187
WITH MUSIC.

3241
02:43:19,723 --> 02:43:21,625
>> A GENERAL OBSERVATION I CAME

3242
02:43:21,691 --> 02:43:24,394
HERE WITH THAT THOUGHT AND FEEL

3243
02:43:24,461 --> 02:43:25,795
MORE STRONGLY NOW.

3244
02:43:25,862 --> 02:43:28,131
FIRST, HOW MUCH INFORMATION IS

3245
02:43:28,198 --> 02:43:30,100
EMERGING ABOUT WHAT PHENOMENON

3246
02:43:30,167 --> 02:43:31,801
EFFECT AND WHAT IN OUR MUSICAL

3247
02:43:31,868 --> 02:43:35,805
BEHAVIOR AND HOW TO MEASURE THAT

3248
02:43:35,872 --> 02:43:38,742
AND ALSO HOW HUMBLE WE HAVE TO

3249
02:43:38,808 --> 02:43:40,744
BE WITH MUSIC AS INCREDIBLY

3250
02:43:40,810 --> 02:43:42,512
COMPLEX AND WHAT WE WANT I THINK

3251
02:43:42,579 --> 02:43:47,684
AS A COMPOSER WHAT I WANT IS A

3252
02:43:47,751 --> 02:43:50,887
SET OF TOOLS IF I KNOW I WERE TO

3253
02:43:50,954 --> 02:43:52,656
MANIPULATE THIS IT WOULD HAVE A

3254
02:43:52,722 --> 02:43:56,760
SPECIFIC EFFECT AND WORKING WITH

3255
02:43:56,826 --> 02:43:58,094
GAMMA FREQUENCIES AND WE KNOW

3256
02:43:58,161 --> 02:44:05,569
THAT ENTRAINS THE BRAIN WHICH

3257
02:44:05,635 --> 02:44:06,636
STIMULATES MICROGLIAL CELLS AND

3258
02:44:06,703 --> 02:44:09,806
ONE CHALLENGE IS IN MUSIC SCHOOL

3259
02:44:09,873 --> 02:44:12,142
WE HAD THE HARMONY BOCK THAT

3260
02:44:12,209 --> 02:44:14,711
GAVE THE BASIC RULES OF HARMONY

3261
02:44:14,778 --> 02:44:16,846
AND COME UP WITH A HARMONY FOR

3262
02:44:16,913 --> 02:44:20,183
HEALTH BOOK THAT WOULD BE --

3263
02:44:20,250 --> 02:44:21,251
SPECIFIC THINGS THAT COULD BE

3264
02:44:21,318 --> 02:44:24,521
USED AS A TOOL KIT BY CREATORS

3265
02:44:24,588 --> 02:44:27,958
AND I THINK THE SAME THING GOES

3266
02:44:28,024 --> 02:44:28,892
FOR DIAGNOSIS.

3267
02:44:28,959 --> 02:44:30,093
IT'S EXCITING WE'RE HERE BUT

3268
02:44:30,160 --> 02:44:39,936
IT'S A LOT OF WORK.

3269
02:44:40,003 --> 02:44:44,107
>> I WAS GOING TO CLOSE WITH

3270
02:44:44,174 --> 02:44:46,042
RENEE.

3271
02:44:46,109 --> 02:44:51,848
>> MY QUESTION IS FOR DR. ZANTO

3272
02:44:51,915 --> 02:44:54,150
AND I IMPRESSED WITH FACES BEING

3273
02:44:54,217 --> 02:44:56,653
IMPROVED WITH RHYTHM TRAINING

3274
02:44:56,720 --> 02:45:00,090
AND THAT SPARKED -- WE'VE BEEN

3275
02:45:00,156 --> 02:45:02,525
HEARING MUSIC AS A SOCIAL

3276
02:45:02,592 --> 02:45:13,136
CONNECTOR AND GLUE AND I MIGHT

3277
02:45:14,237 --> 02:45:18,208
POSIT AND WHAT ABOUT PEOPLE WITH

3278
02:45:18,275 --> 02:45:28,652
PROSE  PROSOPAGNOSIA.

3279
02:45:33,723 --> 02:45:35,759
>> I CAN SPECULATE.

3280
02:45:35,825 --> 02:45:40,630
WHAT WE SAW A DOMAIN GENERAL

3281
02:45:40,697 --> 02:45:41,064
IMPROVED.

3282
02:45:41,131 --> 02:45:41,631
REGARDLESS OF THE PATHWAYS

3283
02:45:41,698 --> 02:45:43,633
WHETHER VISUAL OR AUDITORY, I

3284
02:45:43,700 --> 02:45:45,101
BELIEVE WHAT HAPPENED WAS AN

3285
02:45:45,168 --> 02:45:46,102
INTENTIONAL CONTROL IMPROVEMENT

3286
02:45:46,169 --> 02:45:48,305
SO IT'S ALMOST INDEPENDENT OF

3287
02:45:48,371 --> 02:45:53,743
THE SENSORY MODALITY.

3288
02:45:53,810 --> 02:45:58,114
THE SUPERIOR PARIETAL LOBULE

3289
02:45:58,181 --> 02:46:00,150
EXPANDS SEEING OBJECT S AS WELL

3290
02:46:00,216 --> 02:46:01,051
AS VERBAL INFORMATION AND NAMES

3291
02:46:01,117 --> 02:46:01,985
AN SOUNDS.

3292
02:46:02,052 --> 02:46:03,653
IT SEEMS TO BE INDEPENDENT OF

3293
02:46:03,720 --> 02:46:14,097
THE SENSORY MODALITY.

3294
02:46:14,497 --> 02:46:15,098
>> HELPS SHORT TERM MEMORY

3295
02:46:15,165 --> 02:46:16,633
BECAUSE I FORGOT MY QUESTION.

3296
02:46:16,700 --> 02:46:17,834
THANK YOU FOR CUEING ME.

3297
02:46:17,901 --> 02:46:20,036
THIS IS FOR TOD.

3298
02:46:20,103 --> 02:46:22,572
YOU'VE DONE A LOT OF GROUP

3299
02:46:22,639 --> 02:46:23,973
COMPOSITIONAL PROJECT FOR CITIES

3300
02:46:24,040 --> 02:46:24,908
AND NOW ARE A WORLDWIDE ONE.

3301
02:46:24,974 --> 02:46:27,143
AND I WONDER IF THE TECHNOLOGY

3302
02:46:27,210 --> 02:46:31,414
WILL ENABLE YOU TO MARKET IT TO

3303
02:46:31,481 --> 02:46:32,515
CORPORATIONS AND HAVING A

3304
02:46:32,582 --> 02:46:34,017
TENSION BETWEEN REMOTE WORKERS

3305
02:46:34,084 --> 02:46:35,885
AND WORKERS THAT WANT TO GO BACK

3306
02:46:35,952 --> 02:46:38,088
TO THE OFFICE.

3307
02:46:38,154 --> 02:46:40,323
THERE'S SO MANY AREAS OF AID YOU

3308
02:46:40,390 --> 02:46:41,791
CAN PROVIDE FOR SOCIAL COHESION

3309
02:46:41,858 --> 02:46:44,928
AND IN OUR SYSTEM ALONE HEALTH

3310
02:46:44,994 --> 02:46:48,198
CARE WORKERS, SCHOOLS, THE NIH

3311
02:46:48,264 --> 02:46:49,632
COULD ALL WORK ON AN COMPOSITION

3312
02:46:49,699 --> 02:46:50,767
TOGETHER AND BE MORE INTERESTED

3313
02:46:50,834 --> 02:47:01,177
IN ARTS AND HEALTH.

3314
02:47:39,983 --> 02:47:43,553
>> I REALIZED THE ONLY WAY TO

3315
02:47:43,620 --> 02:47:45,355
GET THE PROJECTS TO WORK IS GET

3316
02:47:45,422 --> 02:47:47,590
OUT IN THE CITY AND MEET

3317
02:47:47,657 --> 02:47:50,927
HUNDREDS OF PEOPLE AND LEADERS

3318
02:47:50,994 --> 02:47:51,461
AND COMMUNITIES.

3319
02:47:51,528 --> 02:47:52,662
A LOT OF THESE ARE PERSON TO

3320
02:47:52,729 --> 02:47:52,962
PERSON.

3321
02:47:53,029 --> 02:47:55,198
THE ONE WE'RE DOING AROUND THE

3322
02:47:55,265 --> 02:47:56,332
WORLD WE'RE TRYING SOMETHING

3323
02:47:56,399 --> 02:47:57,400
DIFFERENT BECAUSE WE CAN'T GO TO

3324
02:47:57,467 --> 02:48:00,170
100 PLACES AROUND THE WORLD.

3325
02:48:00,236 --> 02:48:02,739
WE SPENT TIME AND THIS FALL

3326
02:48:02,806 --> 02:48:05,008
WE'VE HAD FIVE SITES ON FOUR

3327
02:48:05,074 --> 02:48:06,376
CONTINENTS AND SENT THEM THE

3328
02:48:06,443 --> 02:48:08,578
CONTEXT AND SENT THEM THE

3329
02:48:08,645 --> 02:48:09,212
PROMPTS.

3330
02:48:09,279 --> 02:48:10,580
WE TOLD THEM HOW TO SET UP A

3331
02:48:10,647 --> 02:48:12,282
BOTH AND ALL HAVE DONE THIS

3332
02:48:12,348 --> 02:48:13,383
WITHOUT US.

3333
02:48:13,450 --> 02:48:14,417
ALL REMOTELY AND WE'RE

3334
02:48:14,484 --> 02:48:15,852
CONNECTING IT.

3335
02:48:15,919 --> 02:48:17,954
I THINK THIS IS THE START YOU

3336
02:48:18,021 --> 02:48:18,888
MENTIONED NOT JUST ORGANIZATIONS

3337
02:48:18,955 --> 02:48:22,091
BUT PEOPLE WORKING REMOTELY.

3338
02:48:22,158 --> 02:48:23,726
I THINK IT'S INCREDIBLY

3339
02:48:23,793 --> 02:48:24,494
IMPORTANT AND POSSIBLE AND

3340
02:48:24,561 --> 02:48:26,095
SOMETHING WE DON'T KNOW HOW TO

3341
02:48:26,162 --> 02:48:27,664
DO BUT WE'RE WORKING ON IT RIGHT

3342
02:48:27,730 --> 02:48:27,831
NOW.

3343
02:48:27,897 --> 02:48:29,199
THANK YOU.

3344
02:48:29,265 --> 02:48:31,167
>> I HAVE A COUPLE QUICK THINGS

3345
02:48:31,234 --> 02:48:34,103
TO SAY BEFORE WE GO TO LUNCH.

3346
02:48:34,170 --> 02:48:36,272
LUNCH FROM 11:30 TO 12:30.

3347
02:48:36,339 --> 02:48:38,007
WONDERFUL DISCUSSION.

3348
02:48:38,074 --> 02:48:40,376
IT'S FRUSTRATING TO TOUCH ON SO

3349
02:48:40,443 --> 02:48:43,480
MANY TOPICS AND NOT HAVE MORE

3350
02:48:43,546 --> 02:48:43,680
TIME.

3351
02:48:43,746 --> 02:48:45,181
MAYBE WE'LL DIG INTO THEM IN THE

3352
02:48:45,248 --> 02:48:45,415
FUTURE.

3353
02:48:45,482 --> 02:48:46,082
WE'RE TALKING ABOUT THE FUTURE

3354
02:48:46,149 --> 02:48:48,518
TODAY AND MONEY.

3355
02:48:48,585 --> 02:48:56,159
I'M FROM NIH.

3356
02:48:56,226 --> 02:49:00,063
NIH NOW HAS THE HEAL INITIATIVE,

3357
02:49:00,129 --> 02:49:01,731
HELPING END ADDICTION LONG TERM

3358
02:49:01,798 --> 02:49:02,999
AND MY INSTITUTE IS GETTING

3359
02:49:03,066 --> 02:49:06,669
ROUGHLY $300 MILLION A YEAR FOR

3360
02:49:06,736 --> 02:49:08,872
THE PAIN INITIATIVE.

3361
02:49:08,938 --> 02:49:10,840
NIDA THE NATIONAL INSTITUTE OF

3362
02:49:10,907 --> 02:49:12,842
DRUG ABUSE IS GETTING ABOUT

3363
02:49:12,909 --> 02:49:15,778
ANOTHER $900 MILLION AND WE'RE

3364
02:49:15,845 --> 02:49:17,680
TRYING TO FIND NON-ADDICTIVE

3365
02:49:17,747 --> 02:49:19,215
TREATMENTS FOR PAIN AND THIS

3366
02:49:19,282 --> 02:49:19,916
EXACTLY IN THE SPACE.

3367
02:49:19,983 --> 02:49:21,150
THE CHALLENGE FOR US AT NIH AND

3368
02:49:21,217 --> 02:49:23,486
MAYBE FOR YOU TO HELP US WITH IS

3369
02:49:23,553 --> 02:49:25,088
HELP US FRAME INITIATIVES THAT

3370
02:49:25,154 --> 02:49:29,459
COULD BRING THIS COMMUNITY IN.

3371
02:49:29,526 --> 02:49:31,227
THIS IS A POWERFUL SOURCE OF

3372
02:49:31,294 --> 02:49:32,929
FUNDING AND YOU ALL HAVE A

3373
02:49:32,996 --> 02:49:34,297
TREMENDOUS AMOUNT TO CONTRIBUTE.

3374
02:49:34,364 --> 02:49:38,868
OKAY, LUNCH.

3375
02:49:38,935 --> 02:49:43,640
>> THANK YOU TO SESSION 4 AND

3376
02:49:43,706 --> 02:49:46,209
WE'LL NOW BREAK FOR BRUNCH

3377
02:49:46,276 --> 02:49:48,378
PROMPTLY AT 12:30 PLEASE AND

3378
02:49:48,444 --> 02:49:49,979
I'LL BE KICKING THINGS OFF.

3379
02:49:50,046 --> 02:49:50,380
THANK YOU.

3380
02:49:50,446 --> 02:50:20,543
SEE YOU BACK SOON.

3381
02:50:20,610 --> 02:50:23,246
>> WE'RE MOVING INTO SESSION 5

3382
02:50:23,313 --> 02:50:25,348
AND IT'S BEING LED BY THREE

3383
02:50:25,415 --> 02:50:27,150
WONDERFUL CO-CHAIRS DR. THOMAS

3384
02:50:27,216 --> 02:50:33,523
FROM THE INSTITUTE OF MENTAL

3385
02:50:33,590 --> 02:50:42,632
HEALTH, MS. CARE LINE LINE SFER

3386
02:50:42,699 --> 02:50:45,802
AND I'M INTRODUCE OUR SPEAKERS

3387
02:50:45,868 --> 02:50:56,279
AND KICK OFF SESSION 5.

3388
02:51:33,282 --> 02:51:38,121
>> I'M PLEASE TO INDUCE OUR

3389
02:51:38,187 --> 02:51:41,391
SPEAKERS, CHARLES LIM AND JOKE

3390
02:51:41,457 --> 02:51:48,131
BRADT AND JEFFEREY DUSEK AND

3391
02:51:48,197 --> 02:51:50,299
DEBRA BURNS AND JULENE JOHNSON.

3392
02:51:50,366 --> 02:51:52,201
>> IT'S GREAT TO SEE YOU ALL.

3393
02:51:52,268 --> 02:51:53,336
I HAVE TO SAY WHEN I FIRST

3394
02:51:53,403 --> 02:51:55,872
WALKED INTO THE ROOM YESTERDAY I

3395
02:51:55,938 --> 02:51:58,808
JUST COULD NOT BELIEVE THE

3396
02:51:58,875 --> 02:52:03,880
COLLECTIVE BRAIN POWER AND YEARS

3397
02:52:03,946 --> 02:52:14,490
OF COMMITMENT AND AND LOVE FOR

3398
02:52:19,896 --> 02:52:21,764
THE TOPIC AND CONCERN FOR THE

3399
02:52:21,831 --> 02:52:25,902
BUILDING AND WITH THAT THANK YOU

3400
02:52:25,968 --> 02:52:27,437
FOR BEING HERE AND I'M CHIEF OF

3401
02:52:27,503 --> 02:52:29,839
SURGERY IN UCSF AND A SPEND MY

3402
02:52:29,906 --> 02:52:33,543
TIME TRYING TO MAKE PEOPLE HEAR

3403
02:52:33,609 --> 02:52:43,986
BETTER OR HEAR AGAIN.

3404
02:52:44,787 --> 02:52:46,089
MEDICINE'S WHAT I DO ALL DAY

3405
02:52:46,155 --> 02:52:46,289
LONG.

3406
02:52:46,355 --> 02:52:47,457
LET ME OFFER A SLIGHTLY

3407
02:52:47,523 --> 02:52:48,124
DIFFERENT PERSPECTIVE WHEN WE

3408
02:52:48,191 --> 02:52:53,896
TALK ABOUT THE IDEA OF MUSIC AS

3409
02:52:53,963 --> 02:53:01,671
MEDICINE MEDICINES DO SOME

3410
02:53:01,738 --> 02:53:04,340
THINGS WELL BUT NOT TO BE HAPPY

3411
02:53:04,407 --> 02:53:04,507
IN.

3412
02:53:04,574 --> 02:53:07,777
YOU DON'T GO TO THE DOCTOR TO

3413
02:53:07,844 --> 02:53:11,447
THINK WITH THE THINGS YOU LOVE

3414
02:53:11,514 --> 02:53:14,784
BUT TO LIVE AND HAVE BASIC

3415
02:53:14,851 --> 02:53:17,053
ARCHITECTURE IN PLACE.

3416
02:53:17,120 --> 02:53:18,588
AS SOMEBODY WHO NEVER HAD THE

3417
02:53:18,654 --> 02:53:20,990
CONVICTION TO BE AN ARTIST BUT

3418
02:53:21,057 --> 02:53:22,391
ALWAYS LOVED MUSIC MORE THAN

3419
02:53:22,458 --> 02:53:24,761
ANYTHING ELSE IT DROVE KNOW SEEK

3420
02:53:24,827 --> 02:53:30,433
A CAREER IN MEDICINE TO HELP

3421
02:53:30,500 --> 02:53:39,976
PEOPLE HEAR AGAIN AND START A

3422
02:53:40,042 --> 02:53:41,878
LAB AND TO HELP WITH COLLEAGUES

3423
02:53:41,944 --> 02:53:46,883
TO BRING IDEAS TO A LARGER

3424
02:53:46,949 --> 02:53:47,150
AUDIENCE.

3425
02:53:47,216 --> 02:53:49,418
I'LL TALK ABOUT THE SOUND HEALTH

3426
02:53:49,485 --> 02:53:49,685
NETWORK.

3427
02:53:49,752 --> 02:53:52,255
MY FIRST OBJECTIVE IS TO CLARIFY

3428
02:53:52,321 --> 02:53:54,190
WHAT I'M SURE IS CONFUSING YOU

3429
02:53:54,257 --> 02:53:55,458
HEARD THE TERM SOUND HEALTH

3430
02:53:55,525 --> 02:53:57,093
INITIATIVE AND YOU HEAR SOUND

3431
02:53:57,160 --> 02:53:59,529
HEALTH NETWORK AND THEY ALL

3432
02:53:59,595 --> 02:54:01,631
SOUND THE SAME AND NOBODY KNOWS

3433
02:54:01,697 --> 02:54:03,432
WHAT IT MEANS ANYMORE.

3434
02:54:03,499 --> 02:54:06,536
I'LL TRY TO CLARIFY HOW THEY

3435
02:54:06,602 --> 02:54:17,146
CAME TO BE WITH A SHORT HISTORY.

3436
02:54:23,920 --> 02:54:26,522
IT'S A PARTNERSHIP AND SUNIL HAS

3437
02:54:26,589 --> 02:54:27,190
BEEN THE PERSON WHO MADE THE

3438
02:54:27,256 --> 02:54:35,665
NETWORK POSSIBLE.

3439
02:54:35,731 --> 02:54:39,769
WE KNOW THE NIH AND UCSF ENTERED

3440
02:54:39,836 --> 02:54:41,237
THE FRAY BECAUSE WE ANSWERED THE

3441
02:54:41,304 --> 02:54:41,904
CALL FOR PROPOSALS WITH

3442
02:54:41,971 --> 02:54:52,181
COLLEAGUES.

3443
02:54:55,585 --> 02:54:58,321
THIS IS OUR LEADERSHIP TEAM AND

3444
02:54:58,387 --> 02:54:59,088
HELP THE NETWORK BECOME A

3445
02:54:59,155 --> 02:55:09,298
REALITY.

3446
02:55:20,810 --> 02:55:22,945
THEY REALIZED SCIENTIST AND

3447
02:55:23,012 --> 02:55:27,450
ARTISTS CAN HELP IN A WAY THAT'S

3448
02:55:27,516 --> 02:55:28,618
VALIDATE AND SCIENTISTS WERE

3449
02:55:28,684 --> 02:55:29,352
DOING THE WORK WITHOUT THE

3450
02:55:29,418 --> 02:55:35,024
REPRESENTATION OF A LARGE

3451
02:55:35,091 --> 02:55:38,527
FUNDING BODY AND DISSEMINATING

3452
02:55:38,594 --> 02:55:40,229
THEIR WORK SO SELECTED

3453
02:55:40,296 --> 02:55:41,530
INDIVIDUALS BUT NOT A LOT OF

3454
02:55:41,597 --> 02:55:41,797
COHESION.

3455
02:55:41,864 --> 02:55:45,601
WE'RE GRATEFUL THIS HAPPENED.

3456
02:55:45,668 --> 02:55:47,103
WITHOUT IT NOTHING WOULD HAVE

3457
02:55:47,169 --> 02:55:48,371
COME TO BE.

3458
02:55:48,437 --> 02:55:49,672
YOU HEARD ABOUT THE 2017 MEETING

3459
02:55:49,739 --> 02:55:52,041
AT THE NIH.

3460
02:55:52,108 --> 02:55:53,109
THIS WAS WAS A PIVOTAL MEETING

3461
02:55:53,175 --> 02:55:55,878
BECAUSE IT'S THE FIRST TIME THE

3462
02:55:55,945 --> 02:55:58,347
NIH CONVENED SCIENTISTS TO SAY,

3463
02:55:58,414 --> 02:56:00,016
HEY, TALK TO US ABOUT MUSIC.

3464
02:56:00,082 --> 02:56:05,621
AT THAT TIME THE NIH WANTED TO

3465
02:56:05,688 --> 02:56:06,722
LEARN THE STATUS OF THE FIELD

3466
02:56:06,789 --> 02:56:08,758
AND HOW MUCH HAD BEEN DONE AND

3467
02:56:08,824 --> 02:56:10,426
WHAT THE GAPS IN KNOWLEDGE WAS.

3468
02:56:10,493 --> 02:56:12,261
THEY REALIZED THERE WERE HUGE

3469
02:56:12,328 --> 02:56:13,229
GAPS IN KNOWLEDGE.

3470
02:56:13,296 --> 02:56:14,196
AS A FIELD WE'VE DONE A LOT BUT

3471
02:56:14,263 --> 02:56:17,333
SO LITTLE.

3472
02:56:17,400 --> 02:56:18,668
THAT'S BECAUSE WE'VE BEEN DOING

3473
02:56:18,734 --> 02:56:20,803
THESE ON A SHOESTRING BUDGET.

3474
02:56:20,870 --> 02:56:24,273
OUT OF THAT AROSE THE PAPER

3475
02:56:24,340 --> 02:56:26,342
REVEALING THE KEY FINDINGS OF

3476
02:56:26,409 --> 02:56:27,810
THE CONFERENCE AND AFTER THAT

3477
02:56:27,877 --> 02:56:30,880
THERE WAS ANOTHER MEETING OF THE

3478
02:56:30,947 --> 02:56:33,149
KENNEDY CENTER AND FRANCIS

3479
02:56:33,215 --> 02:56:34,717
COLLINS LED THE EFFORT AT THE

3480
02:56:34,784 --> 02:56:37,586
NIH TO GET THE NIH TO AGREE TO

3481
02:56:37,653 --> 02:56:40,790
FUND MUSIC-BASED RESEARCH.

3482
02:56:40,856 --> 02:56:43,092
THIS WAS A PIVOTAL MOMENT FOR

3483
02:56:43,159 --> 02:56:44,393
THE FIELD OF RESEARCH.

3484
02:56:44,460 --> 02:56:47,430
I COULD NOT BELIEVE THAT

3485
02:56:47,496 --> 02:56:57,673
HAPPENED.

3486
02:57:04,814 --> 02:57:06,182
THE QUESTION CAME UP CAN MUSIC

3487
02:57:06,248 --> 02:57:09,051
BE A FORM OF MEDICINE AND THIS

3488
02:57:09,118 --> 02:57:10,820
IS WHERE THE SOUND HEALTH

3489
02:57:10,886 --> 02:57:12,655
NETWORK COMES IN.

3490
02:57:12,722 --> 02:57:17,893
WE'RE TRYING TO CODIFY THE

3491
02:57:17,960 --> 02:57:20,730
INSTITUTIONAL LEVEL TO SAY

3492
02:57:20,796 --> 02:57:21,864
EVERYBODY IN THE WORLD SHOULD

3493
02:57:21,931 --> 02:57:22,898
UNDERSTAND THERE'S A ROLE FOR

3494
02:57:22,965 --> 02:57:33,442
MUSIC AS A FORM OF MEDICINE.

3495
02:57:36,746 --> 02:57:38,848
WE DECIDED TO DO OUR LAUNCH AND

3496
02:57:38,914 --> 02:57:41,917
COVID HIT AND DECIDED TO DO ALL

3497
02:57:41,984 --> 02:57:43,152
THIS VIRTUALLY.

3498
02:57:43,219 --> 02:57:44,987
WE HAD WHAT WE THOUGHT WAS A

3499
02:57:45,054 --> 02:57:50,092
NICE PROGRAM THAT TALKED ABOUT

3500
02:57:50,159 --> 02:57:57,433
OUR MISSION AND GOALS THE

3501
02:57:57,500 --> 02:57:59,201
MISSION GOAL IS TO PROMOTE

3502
02:57:59,268 --> 02:58:00,102
RESEARCH AND PUBLIC AWARENESS

3503
02:58:00,169 --> 02:58:02,238
ABOUT THE IMPACT OF MUSIC ON

3504
02:58:02,304 --> 02:58:06,075
HEALTH AND WELLNESS AND ENGAGE A

3505
02:58:06,142 --> 02:58:09,578
BROAD RANGE OF MULTIDISCIPLINARY

3506
02:58:09,645 --> 02:58:11,914
STAKEHOLDERS WITH MUSIC AND ARTS

3507
02:58:11,981 --> 02:58:13,983
ORGANIZATIONS, FUNDERS AND

3508
02:58:14,050 --> 02:58:14,750
GENERAL PUBLIC.

3509
02:58:14,817 --> 02:58:15,451
ESSENTIALLY ANYBODY WHO CARES

3510
02:58:15,518 --> 02:58:16,485
ABOUT THE ARTS OR MUSIC SHOULD

3511
02:58:16,552 --> 02:58:18,387
BE PART OF THIS BUT ALSO PEOPLE

3512
02:58:18,454 --> 02:58:20,456
THAT DON'T KNOW THEY CARE ABOUT

3513
02:58:20,523 --> 02:58:22,224
THE ARTS OR MUSIC UNTIL THEY

3514
02:58:22,291 --> 02:58:24,193
LOSE IT SHOULD FEEL THE IMPACT

3515
02:58:24,260 --> 02:58:24,560
OF THESE THINGS.

3516
02:58:24,627 --> 02:58:35,071
THERE'S THREATS IN PLACE.

3517
02:58:35,938 --> 02:58:38,674
MUSICIANS WERE STRUGGLING IN

3518
02:58:38,741 --> 02:58:42,378
MANY WAYS AND IT'S OUR DUTY TO

3519
02:58:42,445 --> 02:58:47,516
GIVE VOICE FOR ARTISTS AND AS WE

3520
02:58:47,583 --> 02:58:49,185
GO THROUGH THE COLLECTIVE

3521
02:58:49,251 --> 02:58:51,454
SCIENCE IT'S NOT JUST THE ARTS,

3522
02:58:51,520 --> 02:58:52,221
A LOT OF ARTS SPEAK FOR

3523
02:58:52,288 --> 02:58:53,923
THEMSELVES AND YOU HAVE OTHER

3524
02:58:53,989 --> 02:59:04,533
THINGS TO SAY BESIDES TURNING TO

3525
02:59:16,946 --> 02:59:19,448
YOUR ARTWORK WE ROLLED OUT OR

3526
02:59:19,515 --> 02:59:22,384
TARGET GROUP AND WE'RE A WORK IN

3527
02:59:22,451 --> 02:59:22,651
PROGRESS.

3528
02:59:22,718 --> 02:59:23,919
WE'RE BRAND NEW.

3529
02:59:23,986 --> 02:59:24,954
WE'RE ALWAYS TRYING TO FIGURE

3530
02:59:25,020 --> 02:59:26,522
OUT HOW TO DO THIS BETTER.

3531
02:59:26,589 --> 02:59:28,090
SO IF YOU HAVE IDEAS TELL US.

3532
02:59:28,157 --> 02:59:29,158
WE ARE NOT STUCK IN OUR WAYS OF

3533
02:59:29,225 --> 02:59:39,635
HOW WE ARE DOING THINGS.

3534
02:59:40,536 --> 02:59:42,104
WORE HOPING VERSIONS ARE BETTER

3535
02:59:42,171 --> 02:59:43,806
AND BETTER AND OFFERING MUSIC

3536
02:59:43,873 --> 02:59:45,141
HEALTH CONTENT THAT NEED THAT

3537
02:59:45,207 --> 02:59:46,475
AND OFFERING NETWORKING TOOLS

3538
02:59:46,542 --> 02:59:47,977
FOR PEOPLE THAT DON'T KNOW HOW

3539
02:59:48,043 --> 02:59:49,712
TO REACH ONE ANOTHER AND THEN

3540
02:59:49,778 --> 02:59:50,312
OFFERING A RANGE OF DIFFERENT

3541
02:59:50,379 --> 02:59:55,751
COMMUNICATIONS.

3542
02:59:55,818 --> 02:59:57,987
IF YOU LOOK AT THE RESOURCES AND

3543
02:59:58,053 --> 03:00:00,523
OUR WEBSITE IS A GOOD PLACE TO

3544
03:00:00,589 --> 03:00:00,756
START.

3545
03:00:00,823 --> 03:00:06,028
IT'S GOT A LOT OF WHAT WE CARE

3546
03:00:06,095 --> 03:00:06,428
ABOUT.

3547
03:00:06,495 --> 03:00:07,930
YOU'LL FIND CLEARING HOUSE OF

3548
03:00:07,997 --> 03:00:09,899
DATA AND PUBLICATIONS AND IF

3549
03:00:09,965 --> 03:00:11,367
YOU'RE A RESEARCHER AND

3550
03:00:11,433 --> 03:00:11,834
EDUCATIONAL WORKSHOP.

3551
03:00:11,901 --> 03:00:17,239
GENERAL INFORMATION.

3552
03:00:17,306 --> 03:00:19,275
THEN WE OFFER WEBINARS AND

3553
03:00:19,341 --> 03:00:20,409
THEY'RE TREMENDOUS AND ALWAYS

3554
03:00:20,476 --> 03:00:22,878
THERE TO LOOK AT.

3555
03:00:22,945 --> 03:00:24,880
WE HAD ONE THERAPEUTIC

3556
03:00:24,947 --> 03:00:28,918
APPLICATIONS OF MUSICAL

3557
03:00:28,984 --> 03:00:31,187
IMPROVISATION AND INFANT BONDING

3558
03:00:31,253 --> 03:00:33,489
AND TRUE LUMINARIES IN THE

3559
03:00:33,556 --> 03:00:38,227
SCIENTIFIC COMMUNITY SPREADING

3560
03:00:38,294 --> 03:00:44,433
THESE THINGS AND THEN BEYOND THE

3561
03:00:44,500 --> 03:00:46,368
WEBINAR AND DESIGN IN-PERSON

3562
03:00:46,435 --> 03:00:47,903
MEETINGS AND THIS WAS CONVENED

3563
03:00:47,970 --> 03:00:50,973
WITH THE NIH AND SAME WAY THE

3564
03:00:51,040 --> 03:00:53,943
KENNEDY CENTER SPEARHEADED THE

3565
03:00:54,009 --> 03:00:55,578
SOUND HEALTH EVENTS.

3566
03:00:55,644 --> 03:00:57,179
WHEN THE SOUND HEALTH TEAM

3567
03:00:57,246 --> 03:01:01,183
CONVENED WAS THE INITIATIVE TRY

3568
03:01:01,250 --> 03:01:06,388
TO BRING SOUND AND HEALTH

3569
03:01:06,455 --> 03:01:07,256
TOGETHER.

3570
03:01:07,323 --> 03:01:13,395
THE SOUND HEALTH NETWORK WORKS

3571
03:01:13,462 --> 03:01:14,863
WITH THE NATIONAL ENDOWMENT FOR

3572
03:01:14,930 --> 03:01:17,933
THE ARTS AND HOPEFULLY IT MAKES

3573
03:01:18,000 --> 03:01:26,942
SOME SENSE.

3574
03:01:27,009 --> 03:01:29,678
WE SENSED THERE WAS A GREAT DEAL

3575
03:01:29,745 --> 03:01:30,946
OF MENTAL HEALTH ISSUES AT THE

3576
03:01:31,013 --> 03:01:32,348
TAIL END OF THE PANDEMIC AND HAD

3577
03:01:32,414 --> 03:01:39,054
A REMARKABLE SYMPOSIUM HOW MUSIC

3578
03:01:39,121 --> 03:01:44,126
IMPROVES MENTAL WELL BEING AT

3579
03:01:44,193 --> 03:01:54,737
LAST SUMMER AND PICTURES OF THE

3580
03:01:55,838 --> 03:02:03,178
ARTIS

3581
03:02:03,245 --> 03:02:05,214
ARTISTS WHERE HE HAD DIFFERENT

3582
03:02:05,281 --> 03:02:05,514
TOPICS.

3583
03:02:05,581 --> 03:02:07,016
IF YOU'VE NEVER BEEN AT A SOUND

3584
03:02:07,082 --> 03:02:08,617
HEALTH EVENT AT THE KENNEDY

3585
03:02:08,684 --> 03:02:11,520
UNDER THE NEXT TIME MARK YOUR

3586
03:02:11,587 --> 03:02:12,388
CALENDARS

3587
03:02:12,454 --> 03:02:14,356
IT'S A SPECIAL SERIES OF THINGS

3588
03:02:14,423 --> 03:02:16,292
AND THOSE WHO WANT TO NETWORK

3589
03:02:16,358 --> 03:02:17,826
BUT CAN'T IN PERSON WE'RE

3590
03:02:17,893 --> 03:02:23,465
OFFERING VIRTUAL NETWORKING.

3591
03:02:23,532 --> 03:02:25,301
IT'S A PLATFORM YOU CAN AT A SET

3592
03:02:25,367 --> 03:02:27,102
TIME WE'LL HAVE A TOPIC AND

3593
03:02:27,169 --> 03:02:29,271
EXPERTS AVAILABLE AND YOU'LL

3594
03:02:29,338 --> 03:02:31,340
BASICALLY CONVENE IN THIS

3595
03:02:31,407 --> 03:02:33,142
VIRTUAL SPACE.

3596
03:02:33,208 --> 03:02:34,877
NEED A VIRTUAL MEETING SPACE AND

3597
03:02:34,943 --> 03:02:36,879
NICE WAY TO BRING PEOPLE INTO

3598
03:02:36,945 --> 03:02:38,547
THE FIELD TO ACCESS THE FIELD

3599
03:02:38,614 --> 03:02:47,456
AND EASY TO USE AND AVAILABLE.

3600
03:02:47,523 --> 03:02:50,459
FROM A COMMUNICATION PERSPECTIVE

3601
03:02:50,526 --> 03:02:59,068
WE ARE ON FACEBOOK AND TWIT

3602
03:02:59,134 --> 03:03:01,570
TWITTER/X, INSTAGRAM AND YOUTUBE

3603
03:03:01,637 --> 03:03:03,472
AND WE'RE GRATEFUL FOR PEOPLE

3604
03:03:03,539 --> 03:03:05,007
WHO OPEN OUR NEWSLETTERS AND

3605
03:03:05,074 --> 03:03:06,542
THANK YOU FOR PUTTING EFFORT TO

3606
03:03:06,608 --> 03:03:13,749
MAKE IT A MEANINGFUL NEWSLETTER.

3607
03:03:13,816 --> 03:03:15,484
IN THE END ONE THING I HOPE IS

3608
03:03:15,551 --> 03:03:17,820
OBVIOUS THERE'S A NEED FOR

3609
03:03:17,886 --> 03:03:19,888
RIGOROUS SCIENCE FOR THESE

3610
03:03:19,955 --> 03:03:20,389
THINGS.

3611
03:03:20,456 --> 03:03:21,457
THEY'RE NOT JUST OPINIONS OR

3612
03:03:21,523 --> 03:03:22,257
THINGS YOU LOVE.

3613
03:03:22,324 --> 03:03:25,160
TO MAKE THIS REAL, IT NEEDS

3614
03:03:25,227 --> 03:03:25,461
SCIENCE.

3615
03:03:25,527 --> 03:03:27,363
THE WHOLE POINT OF THIS IS TO

3616
03:03:27,429 --> 03:03:29,231
BUILD A NEW FORM OF SCIENCE.

3617
03:03:29,298 --> 03:03:31,333
NOT THE WAY SCIENTISTS HAVE DONE

3618
03:03:31,400 --> 03:03:32,935
THINGS IN THE PAST 100 YEARS BUT

3619
03:03:33,001 --> 03:03:34,503
IN THE NEXT 100 YEARS.

3620
03:03:34,570 --> 03:03:36,105
THAT'S INTERDISCIPLINARY BY

3621
03:03:36,171 --> 03:03:37,306
NATURE AND ASKING QUESTIONS THAT

3622
03:03:37,373 --> 03:03:43,479
USED TO BE OFF LIMITS.

3623
03:03:43,545 --> 03:03:48,517
OUR GOVERNMENT POLICY LEADERS

3624
03:03:48,584 --> 03:03:59,128
NEED THE INFORMATION WE WANT TO

3625
03:04:02,331 --> 03:04:05,334
BE THE GLUE THAT BRINGS THIS

3626
03:04:05,401 --> 03:04:06,668
FIELD TOGETHER FOR SCIENCE AND

3627
03:04:06,735 --> 03:04:07,469
HEALTH AND WELLNESS.

3628
03:04:07,536 --> 03:04:18,013
WITH THEY WANT TO THANK YOU.

3629
03:04:20,516 --> 03:04:21,216
HELLO.

3630
03:04:21,283 --> 03:04:24,086
WE'VE HEARD MANY TIMES YESTERDAY

3631
03:04:24,153 --> 03:04:25,988
AND INCLUDING JUST NOW THERE'S A

3632
03:04:26,054 --> 03:04:28,157
NEED TO BRING MULTI-DISCIPLINE

3633
03:04:28,223 --> 03:04:29,291
TEAM TOGETHER TO TACKLE THE

3634
03:04:29,358 --> 03:04:29,525
ISSUES.

3635
03:04:29,591 --> 03:04:35,330
THAT'S WHAT IS HAPPENING.

3636
03:04:35,397 --> 03:04:37,399
WE HAVE THE SOUND HEALTH NETWORK

3637
03:04:37,466 --> 03:04:39,835
WHICH DOES A FANTASTIC JOB AND

3638
03:04:39,902 --> 03:04:43,472
NIH FUNDED FOUR MORE NETWORKS,

3639
03:04:43,539 --> 03:04:46,074
ONE FOCUSSED FOR PAIN AND ONE

3640
03:04:46,141 --> 03:04:50,245
ALSO ON MUSIC FOR ALZHEIMER'S

3641
03:04:50,312 --> 03:05:01,089
DISEASE AND ALZHEIMER'S RELATE

3642
03:05:02,458 --> 03:05:02,958
DEMENTIA AND THAT WILL HELP MOVE

3643
03:05:03,025 --> 03:05:04,293
THE NEEDLE IN OUR UNDERSTANDING

3644
03:05:04,359 --> 03:05:05,394
OF THESE TOPICS.

3645
03:05:05,461 --> 03:05:07,463
MY RESEARCH FOCUSSED ON THE

3646
03:05:07,529 --> 03:05:09,298
DEVELOPMENT AND TESTING OF MUSIC

3647
03:05:09,364 --> 03:05:11,467
THERAPY PROTOCOLS FOR CHRONIC

3648
03:05:11,533 --> 03:05:13,836
PAIN MANAGEMENT.

3649
03:05:13,902 --> 03:05:17,773
I'M A PROFESSOR AT DREXEL

3650
03:05:17,840 --> 03:05:20,442
UNIVERSITY AND BOARD CERTIFIED

3651
03:05:20,509 --> 03:05:21,543
MUSIC THERAPIST AND HAVE

3652
03:05:21,610 --> 03:05:24,346
EXPERIENCE IN WORKING WITH

3653
03:05:24,413 --> 03:05:27,416
PEOPLE WIN CHRONIC PAIN AND

3654
03:05:27,483 --> 03:05:29,151
INTRODUCED YOU TO THE NEW MUSIC

3655
03:05:29,218 --> 03:05:32,020
AND OURS IS BRAND NEW, TWO

3656
03:05:32,087 --> 03:05:34,957
MONTHS NEW, MUSIC FOR PAIN

3657
03:05:35,023 --> 03:05:38,327
NETWORK RESEARCH NETWORK THAT IS

3658
03:05:38,393 --> 03:05:43,131
AIMED AT BRINGING

3659
03:05:43,198 --> 03:05:44,166
MULTIDISCIPLINARY RESEARCHERS

3660
03:05:44,233 --> 03:05:46,502
TOGETHER TO HELP INCREASE THE

3661
03:05:46,568 --> 03:05:47,302
MECHANISTIC UNDERSTANDING OF HOW

3662
03:05:47,369 --> 03:05:47,769
MUSIC HELPS WITH PAIN

3663
03:05:47,836 --> 03:05:49,438
MANAGEMENT.

3664
03:05:49,505 --> 03:05:59,248
LET ME INTRODUCE OUR TEAM.

3665
03:05:59,314 --> 03:05:59,848
I'M SORRY.

3666
03:05:59,915 --> 03:06:01,683
IF I HAD KNOWN THE SCREEN WOULD

3667
03:06:01,750 --> 03:06:06,788
BE SO PEX LATED WE WOULD HAVE

3668
03:06:06,855 --> 03:06:10,425
USED LARGER FRONT AND WE HAVE A

3669
03:06:10,492 --> 03:06:11,927
REHABILITATION PSYCHOLOGIST WITH

3670
03:06:11,994 --> 03:06:13,462
OVER 40 YEARS OF CLINICAL

3671
03:06:13,529 --> 03:06:14,396
EXPERIENCE AND RESEARCH

3672
03:06:14,463 --> 03:06:15,364
EXPERIENCE IN EVALUATING THE

3673
03:06:15,430 --> 03:06:22,738
AFFECTS AND MECHANISMS OF LIKE

3674
03:06:22,804 --> 03:06:23,572
PSYCHOLOGICAL PAIN INTERVENTION

3675
03:06:23,639 --> 03:06:31,813
AND MECHANISMS FOR PAIN.

3676
03:06:31,880 --> 03:06:42,391
DR. ZATORRE AND DR. ROY IS A

3677
03:06:52,167 --> 03:06:55,470
NEURO PSYCHOLOGIST AND HIS

3678
03:06:55,537 --> 03:06:56,705
RESEARCH AT TO THE FOREFRONT AT

3679
03:06:56,772 --> 03:06:57,839
UNDERSTANDING HOW THE BRAIN

3680
03:06:57,906 --> 03:06:58,807
ENCODES THE SUBJECTIVE

3681
03:06:58,874 --> 03:07:01,476
EXPERIENCE OF PAIN AND

3682
03:07:01,543 --> 03:07:03,478
ELUCIDATING THE MEDIATORS OF

3683
03:07:03,545 --> 03:07:08,550
PAIN RELIEVING INTERVENTION AND

3684
03:07:08,617 --> 03:07:17,826
WE HAVE DR. FINAN FROM UVA AND

3685
03:07:17,893 --> 03:07:21,430
LOOKS AT NEUROBIOLOGICAL MODELS

3686
03:07:21,496 --> 03:07:25,701
LOOKING AT PROCESSING OF PAIN

3687
03:07:25,767 --> 03:07:27,970
MANAGEMENT AND DR. ROBB YOU'LL

3688
03:07:28,036 --> 03:07:29,938
HEAR MORE ABOUT HER LATER OR

3689
03:07:30,005 --> 03:07:33,041
FROM HER FROM INDIANA UNIVERSITY

3690
03:07:33,108 --> 03:07:39,348
AND MUSIC THERAPIST WITH THE

3691
03:07:39,414 --> 03:07:40,415
EXPERTISE IN THE DESIGN OF

3692
03:07:40,482 --> 03:07:43,752
THERAPY AND INTERVENTION TRIALS

3693
03:07:43,819 --> 03:07:48,924
AND CONSIDER THAYER FROM U.C.

3694
03:07:48,991 --> 03:07:52,160
IRVINE A PSYCHOLOGIST AND GOOD

3695
03:07:52,227 --> 03:07:57,366
JAZZ MUSICIANS WHO SPECIALIZES

3696
03:07:57,432 --> 03:07:58,700
IN ASPECTS OF SELF-REGULATION.

3697
03:07:58,767 --> 03:07:59,635
AS YOU KNOW CHRONIC PAIN AND

3698
03:07:59,701 --> 03:08:02,204
ACUTE PAIN ARE ONE OF THE MOST

3699
03:08:02,270 --> 03:08:03,672
COMMON AND COSTLY HEALTH

3700
03:08:03,739 --> 03:08:06,508
PROBLEMS OUR SOCIETY FACES.

3701
03:08:06,575 --> 03:08:10,178
CHRONIC PAIN ALONE IS ONE OF THE

3702
03:08:10,245 --> 03:08:11,947
LEADING CAUSES OF DISABILITY IN

3703
03:08:12,014 --> 03:08:14,349
THE U.S.

3704
03:08:14,416 --> 03:08:17,986
ABOUT 43% OF U.S. POPULATION

3705
03:08:18,053 --> 03:08:19,154
LIVE WITH CHRONIC PAIN AND LEADS

3706
03:08:19,221 --> 03:08:22,724
TO HALF A TRILLION DOLLARS

3707
03:08:22,791 --> 03:08:22,991
ANNUALLY.

3708
03:08:23,058 --> 03:08:24,993
TRADITIONAL TREATMENTS HAVE

3709
03:08:25,060 --> 03:08:28,997
ACTUALLY LOW TREATMENT EFFICACY

3710
03:08:29,064 --> 03:08:30,732
AND UNDESIRABLE SIDE EFFECTS.

3711
03:08:30,799 --> 03:08:35,470
A LOT OF CLINICAL AND LABORATORY

3712
03:08:35,537 --> 03:08:36,972
STUDIES HAVE PROVIDED EVIDENCE

3713
03:08:37,039 --> 03:08:40,542
OF THE TREATMENT BENEFITS OF

3714
03:08:40,609 --> 03:08:41,143
MUSIC-BASED INTERVENTIONS FOR

3715
03:08:41,209 --> 03:08:48,083
ACUTE AND CHRONIC PAIN.

3716
03:08:48,150 --> 03:08:51,453
SYSTEM REVIEW SHOWING EFFECT

3717
03:08:51,520 --> 03:08:55,557
SIZES BETWEEN .6 TO .91 WHICH IS

3718
03:08:55,624 --> 03:08:58,760
MODERATE TO LARGE EFFECT SIZES.

3719
03:08:58,827 --> 03:09:02,230
THE SYSTEMATIC REVIEWS ALSO

3720
03:09:02,297 --> 03:09:04,099
SIGNIFICANT HETEROGENEITY ACROSS

3721
03:09:04,166 --> 03:09:04,399
STUDIES.

3722
03:09:04,466 --> 03:09:05,934
WE BELIEVE THAT'S PARTLY DUE

3723
03:09:06,001 --> 03:09:07,302
BECAUSE WE DON'T UNDERSTAND WHAT

3724
03:09:07,369 --> 03:09:16,812
THE UNDERLYING MECHANISMS ARE.

3725
03:09:16,878 --> 03:09:18,146
WITHOUT BETTER UNDERSTANDING

3726
03:09:18,213 --> 03:09:19,448
CLINICIANS AND RESEARCHERS NEED

3727
03:09:19,514 --> 03:09:21,817
TO RELY ON TRIAL AND ERROR TO

3728
03:09:21,883 --> 03:09:25,821
TRY TO OPTIMIZE A TREATMENT

3729
03:09:25,887 --> 03:09:28,623
BENEFITS OF MUSIC-BASED

3730
03:09:28,690 --> 03:09:29,925
INTERVENTIONS.

3731
03:09:29,991 --> 03:09:33,895
WITHOUT UNDERSTANDING THE

3732
03:09:33,962 --> 03:09:35,997
UNDERLYING MECHANISMS AND LARGER

3733
03:09:36,064 --> 03:09:37,265
HETEROGENEITY WE BELIEVE IT MAY

3734
03:09:37,332 --> 03:09:38,700
BE ONE OF THE REASONS WHY

3735
03:09:38,767 --> 03:09:40,302
THERE'S A RELATIVELY LOW UPTAKE

3736
03:09:40,368 --> 03:09:47,943
IN CLINICAL SETTINGS OF

3737
03:09:48,009 --> 03:09:49,344
CLINICAL-BASED INTERVENTIONS FOR

3738
03:09:49,411 --> 03:09:50,946
PAIN MANAGEMENT AND THEY'LL BE

3739
03:09:51,012 --> 03:09:53,949
ESSENTIAL IN MOVING THE NEEDLE

3740
03:09:54,015 --> 03:09:57,018
FORWARD.

3741
03:09:57,085 --> 03:09:59,488
AND AGAIN I APOLOGIZE FOR THE

3742
03:09:59,554 --> 03:10:01,389
SMALL LETTER TYPE.

3743
03:10:01,456 --> 03:10:03,825
ALL OF US PRESENTERS HAD TO

3744
03:10:03,892 --> 03:10:05,193
SUBMIT THE SLIDES WELL IN

3745
03:10:05,260 --> 03:10:07,062
ADVANCE, SO WE HAD NO CHANCE TO

3746
03:10:07,129 --> 03:10:09,498
UPDATE IT AFTER WE SAW WHAT THE

3747
03:10:09,564 --> 03:10:10,665
SCREEN SITUATION IS SO THAT'S

3748
03:10:10,732 --> 03:10:13,401
WHY YOU PROBABLY ARE THINK WHY

3749
03:10:13,468 --> 03:10:14,736
ARE THESE PRESENTERS NOT

3750
03:10:14,803 --> 03:10:17,272
LEARNING FROM THE MISTAKE OF

3751
03:10:17,339 --> 03:10:18,673
PREVIOUS PRESENTERS.

3752
03:10:18,740 --> 03:10:19,474
THAT'S WHY.

3753
03:10:19,541 --> 03:10:21,643
LET ME READ TO YOU BECAUSE WE

3754
03:10:21,710 --> 03:10:23,245
ARE QUITE SMART.

3755
03:10:23,311 --> 03:10:25,247
WE DO HAVE GOOD INTELLIGENCE

3756
03:10:25,313 --> 03:10:27,282
BUT -- ALREADY.

3757
03:10:27,349 --> 03:10:27,482
OKAY.

3758
03:10:27,549 --> 03:10:29,951
NOW THAT WE GOT.

3759
03:10:30,018 --> 03:10:31,419
AS THE BEEN BOTHERING ME SO MUCH

3760
03:10:31,486 --> 03:10:34,623
SO I HAD TO SAY SOMETHING ABOUT

3761
03:10:34,689 --> 03:10:34,790
IT.

3762
03:10:34,856 --> 03:10:40,362
I'LL READ TO YOU, AIM 1 -- ONE

3763
03:10:40,428 --> 03:10:43,465
IS TO BUILD THE NETWORK OF

3764
03:10:43,532 --> 03:10:45,834
MULTIDISCIPLINARY RESEARCHERS TO

3765
03:10:45,901 --> 03:10:50,906
BRING THE BRIGHTEST MINDS FROM

3766
03:10:50,972 --> 03:10:53,341
NEUROPHYSIOLOGY AND TACKLE THE

3767
03:10:53,408 --> 03:10:54,276
DIFFICULT QUESTIONS AROUND

3768
03:10:54,342 --> 03:10:55,343
MECHANISTIC UNDERSTANDING AND

3769
03:10:55,410 --> 03:10:57,279
I'LL SAY MORE ABOUT WHY THIS IS

3770
03:10:57,345 --> 03:10:58,079
SO CHALLENGING IN THE NEXT

3771
03:10:58,146 --> 03:11:07,455
SLIDE.

3772
03:11:07,522 --> 03:11:09,624
WE'VE TRIED TO GET CLARITY

3773
03:11:09,691 --> 03:11:10,425
AROUND DEFINITIONS BECAUSE

3774
03:11:10,492 --> 03:11:12,394
THERE'S SO MANY CONFUSING TERMS

3775
03:11:12,460 --> 03:11:13,061
IN THE LITERATURE.

3776
03:11:13,128 --> 03:11:16,398
WE ARE ALSO CONDUCTING SCOPING

3777
03:11:16,464 --> 03:11:17,799
REVIEWS TO HELP BETTER

3778
03:11:17,866 --> 03:11:18,567
UNDERSTAND WHERE WE ARE

3779
03:11:18,633 --> 03:11:21,036
CURRENTLY WITH OUR MECHANISTIC

3780
03:11:21,102 --> 03:11:23,471
UNDERSTANDING AND WHERE THE GAP

3781
03:11:23,538 --> 03:11:25,273
ARE AND PRIORITIZE WHERE WE NEED

3782
03:11:25,340 --> 03:11:29,945
IT GO.

3783
03:11:30,011 --> 03:11:33,315
IDENTIFYING CHALLENGES AND

3784
03:11:33,381 --> 03:11:35,517
METHODOLOGICAL CHALLENGES AND

3785
03:11:35,584 --> 03:11:37,085
TACKLE THEM WITH THE BRIGHT

3786
03:11:37,152 --> 03:11:39,187
MINDS IN THE NETWORK AND

3787
03:11:39,254 --> 03:11:41,923
IDENTIFY TREATMENT RESPONSE

3788
03:11:41,990 --> 03:11:44,025
VARIABLES AND PREDICTIVE

3789
03:11:44,092 --> 03:11:46,494
BIOMARKERS AND AN IMPORTANT AIM

3790
03:11:46,561 --> 03:11:47,963
IS TO TRAIN YOUNG INVESTIGATORS

3791
03:11:48,029 --> 03:11:50,599
NOT ONLY IN MECHANISTIC RESEARCH

3792
03:11:50,665 --> 03:11:52,901
BUT GRANT WRITING TO BE

3793
03:11:52,968 --> 03:11:54,603
SUCCESSFUL IN GETTING NIH

3794
03:11:54,669 --> 03:11:54,836
FUNDING.

3795
03:11:54,903 --> 03:11:59,040
TO GIVE YOU AN IDEA AND AGAIN

3796
03:11:59,107 --> 03:12:02,244
SORE ARE -- SORRY YOU DON'T

3797
03:12:02,310 --> 03:12:04,179
REALLY THIS BUT THIS IS

3798
03:12:04,246 --> 03:12:06,648
CONCEPTUAL FRAMEWORK TO BEGIN TO

3799
03:12:06,715 --> 03:12:07,449
EXPLAIN THE COMPLEXITY.

3800
03:12:07,515 --> 03:12:09,951
THE MECHANISMS WE NEED TO LOOK

3801
03:12:10,018 --> 03:12:13,989
AT MAY BE IN DIFFERENT SYSTEMS.

3802
03:12:14,055 --> 03:12:15,557
THE REWARD SYSTEM AND MOTOR

3803
03:12:15,624 --> 03:12:18,159
SYSTEM AND COGNITIVE MNEMONIC

3804
03:12:18,226 --> 03:12:18,460
SYSTEM.

3805
03:12:18,526 --> 03:12:20,996
NONE OF NONE OF THESE ACT IN

3806
03:12:21,062 --> 03:12:22,197
ISOLATION.

3807
03:12:22,264 --> 03:12:24,566
WHAT ADDS TO THAT COMPLEXITY IS

3808
03:12:24,633 --> 03:12:26,001
THE COMPLEXITY, THE BEAUTIFUL

3809
03:12:26,067 --> 03:12:27,402
COMPLEXITY OF MUSIC.

3810
03:12:27,469 --> 03:12:29,070
MUSIC IS SUCH A COMPLEXITY

3811
03:12:29,137 --> 03:12:29,938
PHENOMENON AS WE HEARD OVER AND

3812
03:12:30,005 --> 03:12:32,941
OVER.

3813
03:12:33,008 --> 03:12:35,210
OUR RELATIONSHIP TO THE MUSIC IS

3814
03:12:35,277 --> 03:12:37,212
MORE COMPLEX.

3815
03:12:37,279 --> 03:12:38,246
WHAT IS MY RELATIONSHIP TO THE

3816
03:12:38,313 --> 03:12:40,749
MUSIC AND MEMORIES AND

3817
03:12:40,815 --> 03:12:41,249
PREFERENCE?

3818
03:12:41,316 --> 03:12:42,651
MY MUSIC TRAINING, FOR EXAMPLE,

3819
03:12:42,717 --> 03:12:47,455
AND PUT ON TOP OF THAT THE

3820
03:12:47,522 --> 03:12:48,056
COMPLEXITY OF THE PERSON WITH

3821
03:12:48,123 --> 03:12:49,291
PAIN.

3822
03:12:49,357 --> 03:12:51,226
PAIN ETIOLOGY AND DEMOGRAPHIC

3823
03:12:51,293 --> 03:12:51,826
VARIABLES AND THE SOCIAL

3824
03:12:51,893 --> 03:12:52,193
COMPONENT.

3825
03:12:52,260 --> 03:12:54,663
ARE WE TALKING ABOUT SOMEBODY

3826
03:12:54,729 --> 03:12:57,198
ENGAGING WITH MUSIC SOLO OR IN

3827
03:12:57,265 --> 03:13:00,535
GROUP, GOING TO A CONCERT,

3828
03:13:00,602 --> 03:13:02,604
ACTIVE MUSIC TAKING, RECEPTIVE.

3829
03:13:02,671 --> 03:13:04,005
THERE'S SO MANY THINGS WE NEED

3830
03:13:04,072 --> 03:13:05,674
TO TAKE IN CONSIDERATION.

3831
03:13:05,740 --> 03:13:10,712
FOR EXAMPLE, ALSO WE KNOW REWARD

3832
03:13:10,779 --> 03:13:11,479
CIRCUITRY PLAYS BE AN IMPORTANT

3833
03:13:11,546 --> 03:13:13,782
ROLE IN PAIN MANAGEMENT AND KNOW

3834
03:13:13,848 --> 03:13:17,319
IT GETS ACTIVATED STRONGLY BY

3835
03:13:17,385 --> 03:13:17,519
MUSIC.

3836
03:13:17,585 --> 03:13:20,221
NOW THERE'S GROWING EVIDENCE HA

3837
03:13:20,288 --> 03:13:25,794
SHOWING THE REWARD CIRCUITRY

3838
03:13:25,860 --> 03:13:30,598
PROBABLY MRIZ  PLAYS A ROLE IN

3839
03:13:30,665 --> 03:13:31,833
PAIN MANAGEMENT AND ALMOST ALL

3840
03:13:31,900 --> 03:13:34,803
THE RESEARCH HAS BEEN WITH THIL

3841
03:13:34,869 --> 03:13:35,103
VOLUNTEERS.

3842
03:13:35,170 --> 03:13:36,771
WHAT DOES THE DATA AND FINDINGS

3843
03:13:36,838 --> 03:13:39,474
MEAN FOR PEOPLE WITH CHRONIC

3844
03:13:39,541 --> 03:13:39,808
PAIN?

3845
03:13:39,874 --> 03:13:41,209
WE KNOW CHRONIC PAIN ALTERS YOUR

3846
03:13:41,276 --> 03:13:44,179
REWARD CIRCUITRY.

3847
03:13:44,245 --> 03:13:44,846
MEANING, PEOPLE WITH CHRONIC

3848
03:13:44,913 --> 03:13:46,715
PAIN MIGHT RESPOND DIFFERENTLY

3849
03:13:46,781 --> 03:13:47,449
TO REWARDS.

3850
03:13:47,515 --> 03:13:52,921
WE KNOW THAT'S TRUE.

3851
03:13:52,988 --> 03:13:54,089
WHAT DOES THAT RESEARCH IF WE

3852
03:13:54,155 --> 03:13:56,091
ONLY FOCUS ON STUDIES WITH

3853
03:13:56,157 --> 03:13:58,126
HEALTHY VOLUNTEERS HOW'S THAT

3854
03:13:58,193 --> 03:13:59,561
TRANSLATE TO CLINICAL

3855
03:13:59,627 --> 03:13:59,861
POPULATIONS?

3856
03:13:59,928 --> 03:14:00,929
THAT RESEARCH NEEDS TO GET

3857
03:14:00,996 --> 03:14:01,463
EXPANDED TO THE CLINICAL

3858
03:14:01,529 --> 03:14:06,167
POPULATIONS.

3859
03:14:06,234 --> 03:14:08,970
WE'LL BE FUNDING PILOT STUDIES

3860
03:14:09,037 --> 03:14:10,372
AND I JUST LOST MY THING BUT

3861
03:14:10,438 --> 03:14:11,172
IT'S OKAY.

3862
03:14:11,239 --> 03:14:13,141
I DON'T NEED IT ANYMORE.

3863
03:14:13,208 --> 03:14:15,610
WE'LL BE FUNDING PILOT STUDIES

3864
03:14:15,677 --> 03:14:17,445
ONE YEAR IN DURATION AND THE

3865
03:14:17,512 --> 03:14:18,747
OTHER NETWORKS WILL BE DOING

3866
03:14:18,813 --> 03:14:21,850
THIS AS WELL THAT WILL HOPEFULLY

3867
03:14:21,916 --> 03:14:23,718
LEAD TO SUCCESSFUL NIH

3868
03:14:23,785 --> 03:14:24,052
APPLICATIONS.

3869
03:14:24,119 --> 03:14:28,423
OUR NETWORK WILL ALSO BE FUNDING

3870
03:14:28,490 --> 03:14:30,692
SCHOLARS, Ph.D. POSTDOCS,

3871
03:14:30,759 --> 03:14:33,395
HOPEFULLY ONE OR TWO A YEAR FOR

3872
03:14:33,461 --> 03:14:35,096
SIX OR 12 MONTHS TO GO STUDY IN

3873
03:14:35,163 --> 03:14:37,532
THE LABS OF ONE OF OUR CORE

3874
03:14:37,599 --> 03:14:39,134
INVESTIGATIVE TEAM MEMBERS.

3875
03:14:39,200 --> 03:14:41,936
THAT MIGHT EXPAND TO OTHER LABS

3876
03:14:42,003 --> 03:14:43,705
IN THE FUTURE.

3877
03:14:43,772 --> 03:14:46,041
IF YOU WOULD LIKE TO JOIN A

3878
03:14:46,107 --> 03:14:48,009
NETWORK, TAKE A PICTURE OF OUR

3879
03:14:48,076 --> 03:14:48,943
QR CODE.

3880
03:14:49,010 --> 03:14:51,179
I HOPE THEY WORK ON THE SCREEN

3881
03:14:51,246 --> 03:14:52,847
SO YOU CAN STAY UP TO DATE ABOUT

3882
03:14:52,914 --> 03:14:56,384
THE ACTIVITIES THAT WE PUT ON.

3883
03:14:56,451 --> 03:15:00,555
WE'LL BE DOING WEBINARS AND BIG

3884
03:15:00,622 --> 03:15:02,724
PRESENCE OF LOTS OF

3885
03:15:02,791 --> 03:15:05,894
MULTI-DISCIPLINARY CONFERENCES,

3886
03:15:05,960 --> 03:15:07,395
WE'LL HAVE YOU FIND

3887
03:15:07,462 --> 03:15:07,729
COLLABORATORS.

3888
03:15:07,796 --> 03:15:08,963
YOU'LL BE ELIGIBLE TO APPLY FOR

3889
03:15:09,030 --> 03:15:11,166
A PILOT FUNDING OR SCHOLAR

3890
03:15:11,232 --> 03:15:12,534
PROGRAM IF THAT'S WHAT YOU WOULD

3891
03:15:12,600 --> 03:15:14,602
LIKE TO BE PARTICIPATING IN AND

3892
03:15:14,669 --> 03:15:17,405
WE WILL ALSO BE SEEKING YOUR

3893
03:15:17,472 --> 03:15:20,241
INPUT IN TERMS OF THE RESEARCH

3894
03:15:20,308 --> 03:15:23,478
AGENDA CONCEPTUAL FRAMEWORK,

3895
03:15:23,545 --> 03:15:28,216
YOUR TRAINING NEEDS OR WEBINAR

3896
03:15:28,283 --> 03:15:29,951
TOPICS.

3897
03:15:30,018 --> 03:15:32,754
I WANT TO THANK NCCIH AND THE

3898
03:15:32,821 --> 03:15:35,423
OFFICE OF THE DIRECTOR FOR THEIR

3899
03:15:35,490 --> 03:15:37,559
FUNDING BECAUSE WE ARE JUST

3900
03:15:37,625 --> 03:15:38,126
ABSOLUTELY THRILLED TO GET

3901
03:15:38,193 --> 03:15:38,326
GOING.

3902
03:15:38,393 --> 03:15:48,570
THANK YOU.

3903
03:16:03,585 --> 03:16:07,455
I'M JEF DUSEK.

3904
03:16:07,522 --> 03:16:09,824
I'VE NEVER HAD MORE FUN

3905
03:16:09,891 --> 03:16:10,992
FOLLOWING SOMEONE GIVING A CALL

3906
03:16:11,059 --> 03:16:12,727
AND SHE GAVE ALL THE BACKGROUND

3907
03:16:12,794 --> 03:16:15,463
I NEEDED INCLUDING THE SLIDES SO

3908
03:16:15,530 --> 03:16:16,131
THANK YOU FOR THAT.

3909
03:16:16,197 --> 03:16:19,467
I'M GOING TO TALK ABOUT A

3910
03:16:19,534 --> 03:16:22,203
DIFFERENT NETWORK.

3911
03:16:22,270 --> 03:16:26,808
THE SAME NETWORK BUT THIS IS THE

3912
03:16:26,875 --> 03:16:28,743
EFFECTIVE NETWORK TO ADVANCE

3913
03:16:28,810 --> 03:16:35,450
SCIENTIFIC EVIDENCE TO

3914
03:16:35,517 --> 03:16:36,618
MUSIC-BASED INTERVENTIONS FOR

3915
03:16:36,684 --> 03:16:40,255
PAIN AND SUPPORT COLLABORATIVE

3916
03:16:40,321 --> 03:16:46,327
EFFORTS AND THAT WAS MADE BY

3917
03:16:46,394 --> 03:16:46,528
SAM.

3918
03:16:46,594 --> 03:16:51,833
THE STATE OF MUSIC THERAPY

3919
03:16:51,900 --> 03:16:59,774
RESEARCH -- YOU HEARD ABOUT THE

3920
03:16:59,841 --> 03:17:00,542
WORK BEING DONE.

3921
03:17:00,608 --> 03:17:03,912
TO GIVE BACKGROUND, I'M A

3922
03:17:03,978 --> 03:17:07,248
NEUROSCIENTIST BY TRAINING AND

3923
03:17:07,315 --> 03:17:12,554
STUDY BYPASS STUDY AND YOGA AND

3924
03:17:12,620 --> 03:17:23,131
MEDITATION AND REIKI AND I'M

3925
03:17:23,598 --> 03:17:26,167
ECLECTIC AND MULTIDISCIPLINARY

3926
03:17:26,234 --> 03:17:28,570
AND I CAN NAG PEOPLE TO CONVENE

3927
03:17:28,636 --> 03:17:34,008
AND I'M LEARNING ABOUT MUSIC

3928
03:17:34,075 --> 03:17:42,951
THERAPISTS ON MY TEAM THERE'S A

3929
03:17:43,017 --> 03:17:44,886
LOT OF MECHANISMS WE HEARD ABOUT

3930
03:17:44,953 --> 03:17:47,455
AND JOKE MENTIONED SOME IS IN

3931
03:17:47,522 --> 03:17:49,190
LABS AND SOME IN OTHER

3932
03:17:49,257 --> 03:17:49,991
RANDOMIZED TRIALS.

3933
03:17:50,058 --> 03:17:51,926
WE NEED TO THINK ABOUT HOW DO WE

3934
03:17:51,993 --> 03:17:53,294
ENGAGE THE RIGHT PEOPLE IN THE

3935
03:17:53,361 --> 03:17:53,995
RIGHT ROOMS?

3936
03:17:54,062 --> 03:17:57,198
THESE AIMS AND YOU'LL SEE IN A

3937
03:17:57,265 --> 03:17:58,366
FEW SECONDS THEY WERE DEVISED

3938
03:17:58,433 --> 03:18:03,471
BEFORE I KNEW ALL THE DIFFERENT

3939
03:18:03,538 --> 03:18:04,505
INTERVENTIONS AND FOLKS IN THE

3940
03:18:04,572 --> 03:18:06,908
ROOM AND WE HAD CERTAIN THINGS

3941
03:18:06,975 --> 03:18:10,111
IN RFA WE'D RESPOND TO AND SOME

3942
03:18:10,178 --> 03:18:14,616
THINGS YOU'D SAY GEE, JEFF, IT

3943
03:18:14,682 --> 03:18:16,084
SOUNDS SIMILAR AND AN UNDERSTAND

3944
03:18:16,150 --> 03:18:20,455
BUT WE CAN PIVOT AND LACK OF

3945
03:18:20,521 --> 03:18:25,159
INCLUSIVITY AND JOKE DID A

3946
03:18:25,226 --> 03:18:26,194
WONDERFUL JOB ON WHY PAIN

3947
03:18:26,261 --> 03:18:28,696
RESEARCH IS IMPORTANT.

3948
03:18:28,763 --> 03:18:31,566
I'M GOING TO TO AIMS AND TURN

3949
03:18:31,633 --> 03:18:33,534
THIS WAY BECAUSE IT'S EASIER.

3950
03:18:33,601 --> 03:18:36,804
IS THAT LEGIBLE?

3951
03:18:36,871 --> 03:18:37,305
ALL RIGHT.

3952
03:18:37,372 --> 03:18:37,472
SEE.

3953
03:18:37,538 --> 03:18:40,842
SO OUR ACTIVITIES AND THIS IS

3954
03:18:40,908 --> 03:18:43,211
OUR FLOW DIAGRAM.

3955
03:18:43,278 --> 03:18:45,179
AIM ONE DEVELOP MEANINGFUL

3956
03:18:45,246 --> 03:18:49,717
INCLUSIVE AND INTERDISCIPLINARY

3957
03:18:49,784 --> 03:18:52,854
COLLABORATION WITH MUSICIANS AND

3958
03:18:52,920 --> 03:18:54,689
PAIN RESEARCHERS AND TO

3959
03:18:54,756 --> 03:18:55,623
COLLABORATE.

3960
03:18:55,690 --> 03:19:02,163
THE PART I LIKE IS THE

3961
03:19:02,230 --> 03:19:02,530
BI-DIRECTIONAL.

3962
03:19:02,597 --> 03:19:05,266
BOARD CERTIFIED MUSIC THERAPISTS

3963
03:19:05,333 --> 03:19:06,768
ADVISING RESEARCHERS AND VICE

3964
03:19:06,834 --> 03:19:06,968
VERSA.

3965
03:19:07,035 --> 03:19:08,002
WE WANT EXPERTS ON BOTH SIDES.

3966
03:19:08,069 --> 03:19:10,038
SOMEONE WAS TALKING ABOUT THE

3967
03:19:10,104 --> 03:19:11,939
DANCE P.I. OR MULTIPLE P.I. WITH

3968
03:19:12,006 --> 03:19:12,473
THE Ph.D.

3969
03:19:12,540 --> 03:19:13,875
THAT'S THE KIND OF MODEL WE'RE

3970
03:19:13,941 --> 03:19:17,278
LOOKING FOR AS WE WANT TO KNOW

3971
03:19:17,345 --> 03:19:18,146
EVERYONE HAS THEIR EXPERTISE AND

3972
03:19:18,212 --> 03:19:21,249
WANT TO VALUE THAT AND HAVE MOCK

3973
03:19:21,316 --> 03:19:21,683
STUDY REVIEWS.

3974
03:19:21,749 --> 03:19:24,585
I DO A LOT OF STUDY SECTION

3975
03:19:24,652 --> 03:19:27,455
REVIEW FOR NCCIH AND A LOT OF

3976
03:19:27,522 --> 03:19:29,824
THE PEOPLE I KNOW THAT ARE

3977
03:19:29,891 --> 03:19:30,892
INDIVIDUALS NEVER DO THAT.

3978
03:19:30,958 --> 03:19:32,393
THEY DON'T KNOW WHAT HAPPENS.

3979
03:19:32,460 --> 03:19:33,394
WE'RE TRYING TO GIVE MOCK SENSE

3980
03:19:33,461 --> 03:19:34,629
OF WHAT THAT LOOKS LIKE.

3981
03:19:34,696 --> 03:19:35,963
WHEN HAVE YOU 27 PEOPLE IN THE

3982
03:19:36,030 --> 03:19:38,099
ROOM, WHAT'S IT LOOK LIKE AND

3983
03:19:38,166 --> 03:19:41,936
HOW DO YOU HAVE WRITE YOUR AIMS

3984
03:19:42,003 --> 03:19:43,604
AND PRESENTATIONS AND DOING

3985
03:19:43,671 --> 03:19:43,871
RESEARCH.

3986
03:19:43,938 --> 03:19:49,877
WE'LL HAVE TRAINING AND SUMMER

3987
03:19:49,944 --> 03:19:54,282
INSTITUTE.

3988
03:19:54,349 --> 03:19:58,753
THERE'S 10 HOSPITALS AND WE HAVE

3989
03:19:58,820 --> 03:20:02,957
OTHER MUSIC THERAPY WE'LL HAVE

3990
03:20:03,024 --> 03:20:04,492
RESEARCHERS AND INDIVIDUALS

3991
03:20:04,559 --> 03:20:09,163
OPPORTUNITIES FOR INTERNSHIPS

3992
03:20:09,230 --> 03:20:15,703
FOR THE SUMMER AND ROTATION.

3993
03:20:15,770 --> 03:20:17,939
THEY'LL GET A SENSE AM I

3994
03:20:18,005 --> 03:20:19,474
INTERESTED IN THIS AND HOW DO

3995
03:20:19,540 --> 03:20:20,675
YOU DO THIS IN THE HOSPITAL?

3996
03:20:20,742 --> 03:20:22,643
ALL THE GREAT PRESENTATIONS WERE

3997
03:20:22,710 --> 03:20:23,711
TALKING ABOUT LAB-BASED WORK.

3998
03:20:23,778 --> 03:20:25,413
I WORK IN HOSPITALS.

3999
03:20:25,480 --> 03:20:27,315
THAT'S A BIG LAB.

4000
03:20:27,382 --> 03:20:28,716
IT'S ALSO A REALLY BIG LAB.

4001
03:20:28,783 --> 03:20:31,085
IT'S NOT EASY TO WORK IN

4002
03:20:31,152 --> 03:20:33,388
SOMETIMES AND TRYING TO USE

4003
03:20:33,454 --> 03:20:34,522
RESEARCH SKILLS IN THE

4004
03:20:34,589 --> 03:20:35,957
ENVIRONMENT CAN BE CHALLENGING

4005
03:20:36,023 --> 03:20:37,024
AND ALSO FUN.

4006
03:20:37,091 --> 03:20:42,597
WE HAVE OUTPUTS AND TRAINING

4007
03:20:42,663 --> 03:20:47,468
RESEARC

4008
03:20:47,535 --> 03:20:50,905
RESEARCHER AND WE'LL ARRANGE

4009
03:20:50,972 --> 03:20:53,341
MEETINGS AND JOANNE IS ONE OF

4010
03:20:53,408 --> 03:20:58,346
THE MPIs AND THEY GOT A GREAT

4011
03:20:58,413 --> 03:21:00,748
INFRASTRUCTURE AT MOUNT SINAI

4012
03:21:00,815 --> 03:21:02,683
AND WE'LL TAKE ADVANTAGE OF THAT

4013
03:21:02,750 --> 03:21:04,018
IN THE COMING YEARS.

4014
03:21:04,085 --> 03:21:05,153
EVEN THE SKILL SETS OF ALL THE

4015
03:21:05,219 --> 03:21:08,089
PEOPLE IN OUR NETWORK.

4016
03:21:08,156 --> 03:21:12,527
WE'LL HOST MEETING AND CAPACITY

4017
03:21:12,593 --> 03:21:13,494
BUILDING, DATA INFRASTRUCTURE,

4018
03:21:13,561 --> 03:21:15,463
FUTURE APPLICATIONS AND THEN

4019
03:21:15,530 --> 03:21:23,070
OTHER CLINICIANS.

4020
03:21:23,137 --> 03:21:27,341
THAT'S AIM ONE.

4021
03:21:27,408 --> 03:21:33,448
AND TAXONOMY WHAT DO YOU MEAN BY

4022
03:21:33,514 --> 03:21:34,048
X?

4023
03:21:34,115 --> 03:21:37,185
DEB BURNS WILL SAY IT'S A

4024
03:21:37,251 --> 03:21:40,455
PROFESSION NOT INTERVENTION GET

4025
03:21:40,521 --> 03:21:41,456
IT RIGHT AND, ALL RIGHT.

4026
03:21:41,522 --> 03:21:43,658
AND ALL THE DIFFERENT ASPECTS

4027
03:21:43,724 --> 03:21:47,261
AND WHAT IT ENTAILS.

4028
03:21:47,328 --> 03:21:49,530
WHEN WE DO THE WORK IN

4029
03:21:49,597 --> 03:21:50,565
COLLABORATION WE'D LOVE TO

4030
03:21:50,631 --> 03:21:51,232
COLLABORATE AND THINK ABOUT THE

4031
03:21:51,299 --> 03:21:54,635
TAXONOMY.

4032
03:21:54,702 --> 03:21:58,873
I'M A BIG OUTCOMES FAN.

4033
03:21:58,940 --> 03:22:01,142
RICHARD GERSHON WILL TALK THIS

4034
03:22:01,209 --> 03:22:03,177
AFTERNOON AND THEY HAVE TOOL

4035
03:22:03,244 --> 03:22:05,513
KITS AND OUTCOMES ARE CRITICAL.

4036
03:22:05,580 --> 03:22:07,215
WE'LL UNDERSTAND THE BEST

4037
03:22:07,281 --> 03:22:08,983
PRACTICES FOR PATIENT-REPORTED

4038
03:22:09,050 --> 03:22:14,355
OUTCOMES IN THE LAB AND CLINIC

4039
03:22:14,422 --> 03:22:18,226
SETTINGS AND RELEVANT GENOMIC

4040
03:22:18,292 --> 03:22:20,862
EXPERTS AND HE AND A WORKED

4041
03:22:20,928 --> 03:22:23,698
TOGETHER BACK IN 2003 AND 2004

4042
03:22:23,764 --> 03:22:26,567
DOING CROSS-SECTIONAL STUDY OF

4043
03:22:26,634 --> 03:22:29,704
LONG-TERM MEDITATORS AND NOVICES

4044
03:22:29,770 --> 03:22:31,272
AND LOOKING THAT'S GENE

4045
03:22:31,339 --> 03:22:33,441
EXPRESSION AND FINDING WHAT WAS

4046
03:22:33,508 --> 03:22:37,478
DIFFERENTLY EXPRESSED.

4047
03:22:37,545 --> 03:22:43,618
CAN WE USE THE CLUES TO USE

4048
03:22:43,684 --> 03:22:45,019
MUSIC UNDERSTAND STRESS AND WE

4049
03:22:45,086 --> 03:22:45,987
HAVE MORE SPECIFIC TOOLS.

4050
03:22:46,053 --> 03:22:52,627
WE'RE EXCITED ABOUT THE OMICS

4051
03:22:52,693 --> 03:22:53,928
OPPORTUNITIES.

4052
03:22:53,995 --> 03:23:04,539
AND WE USE THE ELECTRONIC HEALTH

4053
03:23:07,775 --> 03:23:16,250
RECORD AS A TOOL.

4054
03:23:16,317 --> 03:23:18,986
SAM DEVELOPED A STRATEGY FOR

4055
03:23:19,053 --> 03:23:22,790
TAKING WRITTEN NOTES AND USING

4056
03:23:22,857 --> 03:23:24,659
THE STRATEGY FOR CHARTING WHAT

4057
03:23:24,725 --> 03:23:26,827
WAS DONE IN A MUSIC THERAPY

4058
03:23:26,894 --> 03:23:27,862
SESSION WITH A PATIENT.

4059
03:23:27,929 --> 03:23:29,597
AND IT'S REALLY LONG BECAUSE

4060
03:23:29,664 --> 03:23:33,134
THERE'S A LOT OF ASPECTS.

4061
03:23:33,200 --> 03:23:36,304
DATA HARMONIZATION AND NOT IN A

4062
03:23:36,370 --> 03:23:37,338
MUSICAL WAY BUT GETTING TOGETHER

4063
03:23:37,405 --> 03:23:41,008
AND HOW DO WE HARMONIZE WHAT

4064
03:23:41,075 --> 03:23:43,511
HAPPENS IN ONE SETTING AND

4065
03:23:43,578 --> 03:23:45,846
RECORDS WITH ANOTHER AND WANT TO

4066
03:23:45,913 --> 03:23:48,916
BUILD THE ELECTRONIC DATA MINING

4067
03:23:48,983 --> 03:23:50,184
APPROACHES ACROSS MULTIPLE

4068
03:23:50,251 --> 03:23:51,519
INSTITUTIONS AND DISSEMINATE ALL

4069
03:23:51,586 --> 03:23:54,956
THAT STUFF AND GET THE WORD OUT.

4070
03:23:55,022 --> 03:23:56,691
AND WE'LL INITIATE POD STUDIES.

4071
03:23:56,757 --> 03:24:02,196
WE HAVE TO SPEND A THIRD TO HALF

4072
03:24:02,263 --> 03:24:12,273
OUR BUDGET PER YEAR OWN THESE

4073
03:24:12,340 --> 03:24:14,342
AND I'M ASSOCIATE EDITOR FOR

4074
03:24:14,408 --> 03:24:15,443
INTEGRATIVE HEALTH AND MEDICINE

4075
03:24:15,509 --> 03:24:17,144
AND PAIN MEDICINE.

4076
03:24:17,211 --> 03:24:21,082
WE HAVEN'T GOT A LOT OF MUSIC

4077
03:24:21,148 --> 03:24:22,783
THERAPY INTERVENTIONS.

4078
03:24:22,850 --> 03:24:28,255
WE'RE OPEN TO IT.

4079
03:24:28,322 --> 03:24:30,891
IT'S A WHOLE UMBRELLA AND WE'LL

4080
03:24:30,958 --> 03:24:37,898
SEND IT OUT FOR REVIEW.

4081
03:24:37,965 --> 03:24:38,633
I'M ON THE LEFT.

4082
03:24:38,699 --> 03:24:46,841
DR. MALIK AND THE OMICS

4083
03:24:46,907 --> 03:24:52,913
GENTLEMEN DR. BHASIN FROM EMORY

4084
03:24:52,980 --> 03:24:53,948
AND JOANNE LOEWY IN THE LACK.

4085
03:24:54,015 --> 03:24:56,083
I'M AT THE POINT OF MY CAREER I

4086
03:24:56,150 --> 03:24:57,118
LIKE PEOPLE WHO ANSWER MY CALLED

4087
03:24:57,184 --> 03:25:02,556
AND WILL ANSWER MY TEXTS.

4088
03:25:02,623 --> 03:25:04,925
AND THERE'S A FEW MORE CHAIRS OF

4089
03:25:04,992 --> 03:25:06,160
THE NETWORK.

4090
03:25:06,227 --> 03:25:06,861
WE WERE SAYING YESTERDAY IT

4091
03:25:06,927 --> 03:25:08,195
SHOULD BE FUN TO DO AND GET UP

4092
03:25:08,262 --> 03:25:09,730
IN THE MORNING HOW CAN WE FIGURE

4093
03:25:09,797 --> 03:25:12,366
THIS OUT AND GET THE PASSION.

4094
03:25:12,433 --> 03:25:18,372
WE HAVE FOLKS WHO ARE MPIs AND

4095
03:25:18,439 --> 03:25:19,540
IF YOU DON'T KNOW SAM HE'S GOT A

4096
03:25:19,607 --> 03:25:23,177
MOHAWK AND A DRUMMER AND

4097
03:25:23,244 --> 03:25:24,378
BRILLIANT MUSIC THERAPIST AND

4098
03:25:24,445 --> 03:25:28,649
GETTING HIS Ph.D. IN CLINICAL

4099
03:25:28,716 --> 03:25:31,052
SCIENCE AT CASE WESTERN RESERVE.

4100
03:25:31,118 --> 03:25:34,055
HE'S BRILLIANT KNOW THAT.

4101
03:25:34,121 --> 03:25:39,727
AND WE HAVE FOLKS FROM MOUNT

4102
03:25:39,794 --> 03:25:50,337
SINAI AND KAMAL CHEMALI AND WE

4103
03:25:55,576 --> 03:26:01,248
HAVE A SICKLE CELL AND WE'RE

4104
03:26:01,315 --> 03:26:05,286
TRYING TO DEEP DIVE ON SICKLE

4105
03:26:05,352 --> 03:26:09,924
CELL DISEASE AND WE HAVE A GOOD

4106
03:26:09,990 --> 03:26:12,026
EXPERT IN SICKLE CELL.

4107
03:26:12,093 --> 03:26:18,466
AND WE HAVE AN EXTERNAL ADVISORY

4108
03:26:18,532 --> 03:26:18,733
COMMITTEE.

4109
03:26:18,799 --> 03:26:22,369
SO WE ARE REALLY EXCITED TO MOVE

4110
03:26:22,436 --> 03:26:22,770
FORWARD.

4111
03:26:22,837 --> 03:26:27,108
WE'RE LESS THAN TWO MONTHS OLD

4112
03:26:27,174 --> 03:26:31,445
SO WE'RE STILL TODDLERS OR NOT

4113
03:26:31,512 --> 03:26:33,614
TODDLERS BARELY OUT OF DIAPERS.

4114
03:26:33,681 --> 03:26:39,787
THE BRAND NEW NETWORK IS

4115
03:26:39,854 --> 03:26:41,956
INTERPLACED ON TOP OF ANOTHER

4116
03:26:42,022 --> 03:26:45,359
NETWORK AND IT WAS DEVELOPED BY

4117
03:26:45,426 --> 03:26:47,161
PHILANTHROPIC EFFORTS AND NOW AT

4118
03:26:47,228 --> 03:26:50,297
UCI THE FIRST PRACTICE-BASED

4119
03:26:50,364 --> 03:26:53,934
NETWORK IN INTEGRATIVE MEDICINE

4120
03:26:54,001 --> 03:26:59,507
AND THE CLINICAL NETWORK STARTED

4121
03:26:59,573 --> 03:27:01,809
AND UP TO 26 SITES.

4122
03:27:01,876 --> 03:27:03,544
WE HAVE A BROAD REACH ACROSS THE

4123
03:27:03,611 --> 03:27:04,578
U.S.

4124
03:27:04,645 --> 03:27:06,647
IN FACT I HAD A MAP BUT WE ADDED

4125
03:27:06,714 --> 03:27:07,648
MEMBERS SO I HAVE WORDS COMING

4126
03:27:07,715 --> 03:27:10,918
UP NEXT.

4127
03:27:10,985 --> 03:27:11,252
FORGIVE ME.

4128
03:27:11,318 --> 03:27:12,386
BEFORE THAT, WHAT HAVE WE DONE

4129
03:27:12,453 --> 03:27:14,088
AS A NETWORK?

4130
03:27:14,155 --> 03:27:18,726
I'M FINISHING UP AN ACUPUNCTURE

4131
03:27:18,793 --> 03:27:20,127
AS A MODEL FOR WHAT WE'LL DO IN

4132
03:27:20,194 --> 03:27:21,629
MUSIC THERAPY.

4133
03:27:21,695 --> 03:27:24,231
WE HAVE A MUSIC THERAPY FOR

4134
03:27:24,298 --> 03:27:34,708
SICKLE CELL JUST FUNDED.

4135
03:27:35,810 --> 03:27:39,947
AND ALL THESE PROJECTS WERE FUND

4136
03:27:40,014 --> 03:27:41,549
NCCIH AND WE'VE DONE

4137
03:27:41,615 --> 03:27:43,584
OBSERVATIONAL RESEARCH AND

4138
03:27:43,651 --> 03:27:44,218
ELECTRONIC HEALTH RECORD LIKE

4139
03:27:44,285 --> 03:27:48,088
SEVEN DIFFERENT EMRs.

4140
03:27:48,155 --> 03:27:49,690
IT IS A PAIN.

4141
03:27:49,757 --> 03:27:54,929
THIS WAS A NUMBER OF YEARS AGO

4142
03:27:54,995 --> 03:27:57,131
TRYING TO HARMONIZE WAS A PAIN

4143
03:27:57,198 --> 03:27:59,533
BUT THE IDEA IS WITH TOGETHER TO

4144
03:27:59,600 --> 03:28:02,303
GET 5,000 PATIENTS ENROLLED AND

4145
03:28:02,369 --> 03:28:06,173
UNDERSTANDING IN REAL CLINICAL.

4146
03:28:06,240 --> 03:28:07,875
MUSIC THERAPY IS NOT SO MUCH IN

4147
03:28:07,942 --> 03:28:10,177
THE AMBULATORY SETTINGS BUT

4148
03:28:10,244 --> 03:28:11,345
STARTING TO.

4149
03:28:11,412 --> 03:28:13,480
SO I FEEL LIKE MUSIC THERAPY

4150
03:28:13,547 --> 03:28:14,648
COULD LEARN FROM WHAT WE'VE DONE

4151
03:28:14,715 --> 03:28:15,883
WITH INTEGRATIVE HEALTH AND

4152
03:28:15,950 --> 03:28:16,150
MEDICINE.

4153
03:28:16,217 --> 03:28:20,955
HERE'S THE NETWORK.

4154
03:28:21,021 --> 03:28:22,890
UCI IS THE LEAD.

4155
03:28:22,957 --> 03:28:23,924
WE HAVE CLEVELAND WHOLE HEALTH

4156
03:28:23,991 --> 03:28:25,359
AND MOUNT SINAI ON THE RIGHT AND

4157
03:28:25,426 --> 03:28:28,262
YOU CAN SEE ACROSS THE COUNTRY

4158
03:28:28,329 --> 03:28:30,531
WE'VE GOT MARYLAND, BOSTON AND

4159
03:28:30,598 --> 03:28:32,700
THE IDEA IS WE'RE GOING TO BRING

4160
03:28:32,766 --> 03:28:34,568
THIS AT OUR MONTHLY MEETINGS THE

4161
03:28:34,635 --> 03:28:37,037
IDEA OF MUSIC THERAPY AND

4162
03:28:37,104 --> 03:28:39,273
NETWORK TO OUR ALREADY-EXISTING

4163
03:28:39,340 --> 03:28:41,675
MONTHLY MEETINGS AND DEVELOP A

4164
03:28:41,742 --> 03:28:43,010
WORK GROUP BASED ON

4165
03:28:43,077 --> 03:28:45,246
PARTICIPATING IN THE CLINICAL

4166
03:28:45,312 --> 03:28:45,479
AVENUES.

4167
03:28:45,546 --> 03:28:46,447
WE'RE NOT STRAIGHT FROM SCRATCH.

4168
03:28:46,513 --> 03:28:48,282
WE'RE START FROM A GROUP THAT

4169
03:28:48,349 --> 03:28:51,018
WORKED TOGETHER AND HAVE PAPERS

4170
03:28:51,085 --> 03:28:52,119
PUBLISHED TOGETHER AND CAN WE

4171
03:28:52,186 --> 03:28:53,587
LEVERAGE WHAT WE LEARNED IN

4172
03:28:53,654 --> 03:28:55,489
INTEGRATE OF HEALTH AND MEDICINE

4173
03:28:55,556 --> 03:28:56,790
AND BRING IT TO THE MUSIC

4174
03:28:56,857 --> 03:28:59,193
THERAPY NETWORK AND COLLABORATE

4175
03:28:59,260 --> 03:29:00,427
WITH PEOPLE WHO GET THE WORK AND

4176
03:29:00,494 --> 03:29:01,462
AN APPRECIATE YOUR QUESTIONS AT

4177
03:29:01,528 --> 03:29:03,464
THE END AND THANK YOU FOR YOUR

4178
03:29:03,530 --> 03:29:13,707
ATTENTION.

4179
03:29:33,861 --> 03:29:38,599
>> I SHOULD HAVE WORN MY HEELDZ.

4180
03:29:38,666 --> 03:29:40,601
-- HEELS.

4181
03:29:40,668 --> 03:29:41,635
WEN WHEN HE GOT TOGETHER JOKE

4182
03:29:41,702 --> 03:29:43,237
SAID SHE WAS GLAD I WAS IN THE

4183
03:29:43,304 --> 03:29:43,904
GROUP BECAUSE I LIKE TO SPEAK MY

4184
03:29:43,971 --> 03:29:54,081
MIND.

4185
03:30:09,964 --> 03:30:13,867
I'M IN A UNIQUE POSITION MY

4186
03:30:13,934 --> 03:30:21,008
UNIVERSITY IS DIVORCING AND

4187
03:30:21,075 --> 03:30:23,010
INDIANA UNIVERSITY AND PURDUE

4188
03:30:23,077 --> 03:30:24,578
AND IT WILL BE TWO SEPARATE

4189
03:30:24,645 --> 03:30:27,448
UNIVERSITIES SO WE ARE ON THE IU

4190
03:30:27,514 --> 03:30:35,456
SIDE.

4191
03:30:35,522 --> 03:30:40,461
THEY'VE GIVEN A BACKGROUND BUT

4192
03:30:40,527 --> 03:30:42,129
I'M GOING TO DO IT IN A

4193
03:30:42,196 --> 03:30:44,231
DIFFERENT PASSION.

4194
03:30:44,298 --> 03:30:45,566
ONE THING ABOUT MUSIC

4195
03:30:45,632 --> 03:30:47,368
INTERVENTIONS IS PATIENTS LIKE

4196
03:30:47,434 --> 03:30:47,568
THEM.

4197
03:30:47,634 --> 03:30:50,637
THEY'RE VERY ACCEPTABLE.

4198
03:30:50,704 --> 03:30:52,172
THEORETICALLY HOSPITALS LIKE

4199
03:30:52,239 --> 03:30:54,441
USING THEM TOO BECAUSE IT'S

4200
03:30:54,508 --> 03:30:57,378
MUSIC AND IT'S HARMLESS AND

4201
03:30:57,444 --> 03:31:02,016
PEOPLE ENJOY MUSIC AND THE ARTS.

4202
03:31:02,082 --> 03:31:03,550
BUT THEY'RE LOW RISK.

4203
03:31:03,617 --> 03:31:05,953
THEY ARE COMPLEX.

4204
03:31:06,020 --> 03:31:08,922
AND THEY CAN INCLUDE A WIDE

4205
03:31:08,989 --> 03:31:15,462
VARIETY OF COMPONENTS RANGING

4206
03:31:15,529 --> 03:31:18,365
FROM RECEPTIVE MUSIC LISTENING

4207
03:31:18,432 --> 03:31:20,601
CAN BE COMPLICATED BY PREFERENCE

4208
03:31:20,667 --> 03:31:24,505
AND STRUCTURES AND THE

4209
03:31:24,571 --> 03:31:26,740
PERFORMANCE AND/OR RECORDING

4210
03:31:26,807 --> 03:31:28,709
QUALITY MUSIC INTERVENTION

4211
03:31:28,776 --> 03:31:32,613
RESEARCH HAS NOT FOLLOWED THE

4212
03:31:32,679 --> 03:31:35,349
PATHWAY BUT OMITTED A CENTRAL

4213
03:31:35,416 --> 03:31:37,851
DEVELOPMENT AND OPTIMIZATION

4214
03:31:37,918 --> 03:31:38,952
STUDY THAT WOULD CREATE FRAME

4215
03:31:39,019 --> 03:31:40,487
WORKS TO GUIDE THE CHOICE OF

4216
03:31:40,554 --> 03:31:42,156
INTERVENTION COMPONENTS AND OVER

4217
03:31:42,222 --> 03:31:43,023
ALL FORMAT.

4218
03:31:43,090 --> 03:31:46,393
AT THIS POINT, WE DON'T REALLY

4219
03:31:46,460 --> 03:31:47,094
KNOW HOW RESEARCHERS DECIDE

4220
03:31:47,161 --> 03:31:48,629
WHICH COMPONENTS TO INCLUDE IN

4221
03:31:48,695 --> 03:31:51,465
MUSIC INTERVENTIONS TO TARGET

4222
03:31:51,532 --> 03:31:56,637
PAIN RELATED OUTCOMES.

4223
03:31:56,703 --> 03:31:57,171
SECONDLY, MUSIC-BASED

4224
03:31:57,237 --> 03:31:59,506
INTERVENTION STUDIES HAVE A HIGH

4225
03:31:59,573 --> 03:32:02,109
RATE OF BIAS BECAUSE

4226
03:32:02,176 --> 03:32:03,377
OVERRELIANCE ON MEASURES AND

4227
03:32:03,444 --> 03:32:04,645
OUTCOME MEASURES ARE THE GOLD

4228
03:32:04,711 --> 03:32:07,414
STANDARD FOR PAIN RESEARCH,

4229
03:32:07,481 --> 03:32:09,216
THEY'RE MODERATELY RELIABLE AND

4230
03:32:09,283 --> 03:32:11,218
CAN BE INFLUENCED BY INDIVIDUAL

4231
03:32:11,285 --> 03:32:12,019
AND ENVIRONMENTAL CONTEXTUAL

4232
03:32:12,086 --> 03:32:21,595
FACTORS.

4233
03:32:21,662 --> 03:32:25,332
THE GOAL IS TO DEVELOP BASIC AND

4234
03:32:25,399 --> 03:32:27,434
MECHANISTIC AND TRANSLATIONAL

4235
03:32:27,501 --> 03:32:30,504
RESEARCH IN MUSIC TO LINK

4236
03:32:30,571 --> 03:32:32,272
MECHANISMS OF MUSIC-BASED

4237
03:32:32,339 --> 03:32:33,107
INTERVENTIONS IN THE CONTEXT OF

4238
03:32:33,173 --> 03:32:33,640
CHRONIC PAIN.

4239
03:32:33,707 --> 03:32:36,210
AT THE SAME TIME, WE WILL BE

4240
03:32:36,276 --> 03:32:37,878
IDENTIFYING NOVEL TECHNOLOGIES

4241
03:32:37,945 --> 03:32:39,880
THAT WILL ENHANCE AND COMPLEMENT

4242
03:32:39,947 --> 03:32:41,281
THE CURRENT GOLD STANDARD IN

4243
03:32:41,348 --> 03:32:41,982
PAIN MEASUREMENT WITH OBJECTIVE

4244
03:32:42,049 --> 03:32:49,690
MEASURES.

4245
03:32:49,756 --> 03:32:50,290
PREVIOUS INTERVENTION BASED

4246
03:32:50,357 --> 03:32:56,630
RESEARCH OCCURRED IN SILOS AND

4247
03:32:56,697 --> 03:32:59,733
THE LACK OF INTEGRATION LEADS TO

4248
03:32:59,800 --> 03:33:01,735
LOW-QUALITY EVIDENCE AND

4249
03:33:01,802 --> 03:33:04,004
EQUIVOCAL RESULT.

4250
03:33:04,071 --> 03:33:10,444
CROSS-DISCIPLINARY IS REQUIRES

4251
03:33:10,511 --> 03:33:12,212
TO UNDERSTAND THE IMPACT MUSIC

4252
03:33:12,279 --> 03:33:13,981
INFLUENCES PAIN-RELATED

4253
03:33:14,047 --> 03:33:15,149
OUTCOMES.

4254
03:33:15,215 --> 03:33:19,453
THE PILOT PROGRAM WILL SPORT THE

4255
03:33:19,520 --> 03:33:20,921
DEVELOPMENT OF NEW RESEARCH

4256
03:33:20,988 --> 03:33:23,690
TEAMS BRIDGING DISCIPLINARY

4257
03:33:23,757 --> 03:33:26,860
BOUNDARIES.

4258
03:33:26,927 --> 03:33:29,096
THIS DRAFT CONCEPTUAL FRAMEWORK

4259
03:33:29,163 --> 03:33:33,267
SERVES AS A STARTING POINT FOR

4260
03:33:33,333 --> 03:33:34,401
IDENTIFYING CURRENT GAPS IN

4261
03:33:34,468 --> 03:33:37,704
KNOWLEDGE AND EXPLORING NOVEL

4262
03:33:37,771 --> 03:33:40,474
TECHNOLOGIES FOR CHRONIC PAIN

4263
03:33:40,541 --> 03:33:40,774
EXPERIENCES.

4264
03:33:40,841 --> 03:33:41,475
MUSIC-BASED INTERVENTION

4265
03:33:41,542 --> 03:33:45,412
RESEARCH HAS NOT STUDIED HOW IT

4266
03:33:45,479 --> 03:33:47,147
MEDIATED PROCESS.

4267
03:33:47,214 --> 03:33:48,048
CONNECTING THE BASIC AND

4268
03:33:48,115 --> 03:33:49,416
EMPLOYED RESEARCH TO CLINICAL

4269
03:33:49,483 --> 03:33:51,318
TRIALS WILL ASSIST IN EXPLAINING

4270
03:33:51,385 --> 03:33:54,955
HOW VARIOUS COMPONENTS MEET THE

4271
03:33:55,022 --> 03:33:56,190
PSYCHOSOCIAL AND NEURAL

4272
03:33:56,256 --> 03:33:58,192
PROCESSES RELATED TO

4273
03:33:58,258 --> 03:33:59,526
PAIN-RELATED OUTCOME.

4274
03:33:59,593 --> 03:34:01,295
OUR NETWORK TEAM REVIEWED

4275
03:34:01,361 --> 03:34:04,364
ARTICLES TO MAP THE SCIENCE TO

4276
03:34:04,431 --> 03:34:06,433
REFINE THE DRAFT FRAMEWORK.

4277
03:34:06,500 --> 03:34:07,201
DATA EXTRACTION WILL ALSO

4278
03:34:07,267 --> 03:34:09,336
PROVIDE THE NEEDED INFORMATION

4279
03:34:09,403 --> 03:34:10,504
TO CREATE A PHASED PROCESS FOR

4280
03:34:10,571 --> 03:34:14,208
MUSIC INTERVENTION DEVELOPMENT

4281
03:34:14,274 --> 03:34:14,875
AND INTERVENTION.

4282
03:34:14,942 --> 03:34:19,279
ON THIS FRAMEWORK THE POTENTIAL

4283
03:34:19,346 --> 03:34:21,648
MECHANISMS OF MUSIC-BASED

4284
03:34:21,715 --> 03:34:23,550
INTERVENTION IDENTIFIED BY THE

4285
03:34:23,617 --> 03:34:33,794
ASTERISKS.

4286
03:34:43,270 --> 03:34:48,208
TO THE RESULTS LOOK AT PAIN

4287
03:34:48,275 --> 03:34:48,675
INTENSITY AND HIGHLY

4288
03:34:48,742 --> 03:34:59,253
HETEROGENOUS AND THEY REQUIRE

4289
03:35:00,320 --> 03:35:03,257
INTERPRETATION OF THE VOCABULARY

4290
03:35:03,323 --> 03:35:04,324
WITHIN THE QUESTIONNAIRE AND

4291
03:35:04,391 --> 03:35:05,659
COMPLETING THEM CAN BE TIME

4292
03:35:05,726 --> 03:35:15,869
CONSUMING AND LOSS OF IMMEDIACY.

4293
03:35:15,936 --> 03:35:23,944
AND DIRECT MEASURES OF

4294
03:35:24,011 --> 03:35:27,447
BIOMARKERS AND MEASURE METABOLIC

4295
03:35:27,514 --> 03:35:28,548
STRUCTURES AND CAN PROVIDE AN

4296
03:35:28,615 --> 03:35:32,719
OBJECTIVE MARKER OF PAIN TO

4297
03:35:32,786 --> 03:35:34,621
COMPLEMENT CURRENT PSYCHO

4298
03:35:34,688 --> 03:35:36,556
PHYSICAL MEASUREMENTS.

4299
03:35:36,623 --> 03:35:41,962
THE COULD ALSO TRACK NEURAL

4300
03:35:42,029 --> 03:35:47,301
CHANGES RESULT FROM MUSIC

4301
03:35:47,367 --> 03:35:51,471
RESEARCH THAT SHOWS THE CHANGES

4302
03:35:51,538 --> 03:35:53,307
AND MECHANISMS AND STRUCTURES

4303
03:35:53,373 --> 03:35:58,645
AFTER MUSIC INVOLVEMENT.

4304
03:35:58,712 --> 03:36:01,715
TO ILLUSTRATE THE CURRENT STATE

4305
03:36:01,782 --> 03:36:05,886
OF THE LITERATURE, THIS DIAGRAM

4306
03:36:05,952 --> 03:36:06,820
REPRESENTS THE CO-OCCURRENCE OF

4307
03:36:06,887 --> 03:36:08,855
PAIN BIOMARKERS WITH THE TERMS

4308
03:36:08,922 --> 03:36:14,027
MUSIC AND PAIN FROM 400 PUB MED

4309
03:36:14,094 --> 03:36:15,395
CITATIONS.

4310
03:36:15,462 --> 03:36:16,797
THE CIRCLES REPRESENT THE

4311
03:36:16,863 --> 03:36:18,298
FREQUENCY MAGNITUDE OF TERMS.

4312
03:36:18,365 --> 03:36:20,801
THE LINE THICKNESS REPRESENTS

4313
03:36:20,867 --> 03:36:23,270
HOW MANY TIMES THE TERMS APPEAR

4314
03:36:23,337 --> 03:36:23,603
TOGETHER.

4315
03:36:23,670 --> 03:36:34,147
FOR REFERENCE, SO THERE IS

4316
03:36:35,382 --> 03:36:37,984
THERE'S ONLY ONE STUDY THAT

4317
03:36:38,051 --> 03:36:39,686
CONNECTS PAIN AND OMIC AND ON

4318
03:36:39,753 --> 03:36:43,190
THE LEFT SINCE THE SLIDES ARE

4319
03:36:43,256 --> 03:36:46,059
HARD TO READ ON THE LEFT THE

4320
03:36:46,126 --> 03:36:50,097
BOTTOM GREEN IS

4321
03:36:50,163 --> 03:36:50,497
ELECTROPHYSIOLOGY.

4322
03:36:50,564 --> 03:36:53,467
RIGHT ABOVE IT IS IMAGING.

4323
03:36:53,533 --> 03:36:55,869
THE TOP BLUE IS BEHAVIOR WHICH

4324
03:36:55,936 --> 03:36:58,939
WOULD BE YOUR AUTONOMIC AND

4325
03:36:59,005 --> 03:37:00,307
FACES, BEHAVIORAL RESPONSES TO

4326
03:37:00,374 --> 03:37:02,442
PAIN AND THE TWO RED ONES THE

4327
03:37:02,509 --> 03:37:07,447
TOP RED IS PAIN, THE BOTTOM RED

4328
03:37:07,514 --> 03:37:08,248
IS MUSIC.

4329
03:37:08,315 --> 03:37:10,217
IT SHOWS THE CONNECTION OF

4330
03:37:10,283 --> 03:37:11,718
WHAT'S AVAILABLE IN THE

4331
03:37:11,785 --> 03:37:12,719
LITERATURE IF ANYBODY'S

4332
03:37:12,786 --> 03:37:13,019
INTERESTED.

4333
03:37:13,086 --> 03:37:17,290
THIS IS DONE BY A FREE WARE

4334
03:37:17,357 --> 03:37:21,094
PROGRAM CALLED LOST VIEWER AND

4335
03:37:21,161 --> 03:37:23,063
IF YOU DO A LITERATURE REVIEW

4336
03:37:23,130 --> 03:37:24,231
USE YOUR LIBRARIANS BECAUSE

4337
03:37:24,297 --> 03:37:34,708
THEY'LL FIND EVERYTHING.

4338
03:37:38,345 --> 03:37:41,948
I TOOK THE SAME 400 PAPERS AND

4339
03:37:42,015 --> 03:37:43,016
DID ANALYSIS AND THE FIGURE ON

4340
03:37:43,083 --> 03:37:45,619
THE LEFT DEMONSTRATES THE LACK

4341
03:37:45,685 --> 03:37:46,253
OF COLLABORATION BETWEEN EXPERTS

4342
03:37:46,319 --> 03:37:50,557
WHICH IS A BARRIER TO THE

4343
03:37:50,624 --> 03:37:50,824
RESEARCH.

4344
03:37:50,891 --> 03:37:55,629
YOU CAN THE SILOED NATURE AND

4345
03:37:55,695 --> 03:37:56,263
POCKETS OF PEOPLE DOING THESE

4346
03:37:56,329 --> 03:38:01,802
STUDIES.

4347
03:38:01,868 --> 03:38:04,237
I THOUGHT IT WAS AN ASSUMPTION I

4348
03:38:04,304 --> 03:38:04,771
HAD AND WENT OH, LOOK.

4349
03:38:04,838 --> 03:38:07,374
THERE'S THE DATA.

4350
03:38:07,441 --> 03:38:10,410
SO MOST OF THESE AUTHORS HAVE

4351
03:38:10,477 --> 03:38:13,013
ONLY PUBLISHED A COUPLE STUDIOS

4352
03:38:13,079 --> 03:38:14,448
AND THERE'S ONLY FIVE AUTHOR

4353
03:38:14,514 --> 03:38:15,916
GROUPS THAT AUTHORED AT LEAST

4354
03:38:15,982 --> 03:38:17,250
FIVE PAPERS.

4355
03:38:17,317 --> 03:38:20,420
NOT ONLY ARE THERE SILOS BUT A

4356
03:38:20,487 --> 03:38:23,457
LACK OF TRAJECTORY OF RESEARCH

4357
03:38:23,523 --> 03:38:27,127
WE WOULD LIKE TO SEE.

4358
03:38:27,194 --> 03:38:29,963
THE FIGURE ON THE RIGHT IS

4359
03:38:30,030 --> 03:38:30,297
ORGANIZATION.

4360
03:38:30,363 --> 03:38:32,432
HERE WE HAVE ANOTHER EXAMPLE OF

4361
03:38:32,499 --> 03:38:34,734
BEING SILOED BECAUSE

4362
03:38:34,801 --> 03:38:35,502
ORGANIZATIONS ARE NOT WORKING

4363
03:38:35,569 --> 03:38:41,141
WITH ONE ANOTHER EITHER.

4364
03:38:41,208 --> 03:38:43,009
SO TO START THE INTEGRATION OF

4365
03:38:43,076 --> 03:38:48,748
EXPERTISE AND TEAM AND

4366
03:38:48,815 --> 03:38:59,326
ORGANIZATIONS, WE HAD A TEAM

4367
03:39:00,627 --> 03:39:02,395
WHOSE EXPERTISE EXPANDS MUSIC,

4368
03:39:02,462 --> 03:39:05,966
MECHANISMS, PAIN, MEASUREMENT

4369
03:39:06,032 --> 03:39:12,772
AND MECHANICAL ENGINEERING.

4370
03:39:12,839 --> 03:39:15,208
AND INTERVENTION PAIN RESEARCH

4371
03:39:15,275 --> 03:39:17,177
AND ENGINEERING EXPERTISE IN

4372
03:39:17,244 --> 03:39:18,211
DEVELOPING TECHNOLOGIES TO

4373
03:39:18,278 --> 03:39:21,648
MEASURE AND TREAT PAIN-RELATED

4374
03:39:21,715 --> 03:39:21,948
CONDITIONS.

4375
03:39:22,015 --> 03:39:26,786
THE TWO LABS CONDUCT AND THE

4376
03:39:26,853 --> 03:39:30,023
LABS CONDUCT MECHANISTIC AND

4377
03:39:30,090 --> 03:39:34,594
INTERVENTION RESEARCH LOOKING AT

4378
03:39:34,661 --> 03:39:35,428
COMPUTER SIMULATED AND

4379
03:39:35,495 --> 03:39:37,330
DISRUPTIVE TECHNOLOGY AND

4380
03:39:37,397 --> 03:39:40,667
QUANTITATIVE SENSORY TESTING AND

4381
03:39:40,734 --> 03:39:43,436
QUALITATIVE METHODS AND CLINICAL

4382
03:39:43,503 --> 03:39:43,970
DATA CAPTURE.

4383
03:39:44,037 --> 03:39:46,306
OUR TEAM FROM UTAH BRINGS

4384
03:39:46,373 --> 03:39:47,974
EXPERTISE IN INTERVENTION

4385
03:39:48,041 --> 03:39:49,709
DEVELOPMENT FROM BASIC AND

4386
03:39:49,776 --> 03:39:52,679
APPLIED SCIENCE RESEARCH,

4387
03:39:52,746 --> 03:39:53,947
MOLECULAR TOXICOLOGY AND

4388
03:39:54,014 --> 03:39:56,116
GRANTSMANSHIP AND EDUCATION AND

4389
03:39:56,182 --> 03:40:00,420
MENTORSHIP.

4390
03:40:00,487 --> 03:40:02,822
THEN VANDERBILT AND MARYLAND AND

4391
03:40:02,889 --> 03:40:13,433
LUANA AND JOE SCHLESSINGER LOOK

4392
03:40:14,000 --> 03:40:24,477
AT COMPUTATIONAL METHODS SUCH AS

4393
03:40:24,811 --> 03:40:26,046
MACHINE LEARNING AND THIS CORE

4394
03:40:26,112 --> 03:40:30,450
INVESTIGATIVE TEAM WILL WORK TO

4395
03:40:30,517 --> 03:40:33,920
BUILD A CROSS-DISCIPLINARY

4396
03:40:33,987 --> 03:40:34,888
NETWORK AND LOOK MUSIC'S

4397
03:40:34,955 --> 03:40:37,490
CAPACITY TO ALLEVIATE PAIN AND

4398
03:40:37,557 --> 03:40:38,758
COMPLEMENT PATIENT-REPORTED

4399
03:40:38,825 --> 03:40:38,992
OUTCOME.

4400
03:40:39,059 --> 03:40:40,360
THE NETWORK WILL BRING NEW

4401
03:40:40,427 --> 03:40:42,829
INVESTIGATORS INTO THE FIELD TO

4402
03:40:42,896 --> 03:40:45,031
BRIDGE GAP IN BASIC APPLIED AND

4403
03:40:45,098 --> 03:40:47,434
CLINICAL RESEARCH, DISSEMINATE A

4404
03:40:47,500 --> 03:40:49,069
CONCEPTUAL FRAMEWORK FOR

4405
03:40:49,135 --> 03:40:53,340
UNDERSTANDING THE MECHANISMS AND

4406
03:40:53,406 --> 03:40:55,442
MUSIC-BASED INTERVENTIONS AND

4407
03:40:55,508 --> 03:40:59,512
GATHER PRELIMINARY DATA FOR

4408
03:40:59,579 --> 03:40:59,846
LARGER TRIALS.

4409
03:40:59,913 --> 03:41:10,090
THANK YOU.

4410
03:41:29,709 --> 03:41:31,444
>> IT'S A LABOR OF LOVE AND

4411
03:41:31,511 --> 03:41:33,947
SHOUT OUT TO FRANCIS COLLINS AND

4412
03:41:34,014 --> 03:41:34,814
RENEE FLEMING FOR YOUR VISION IN

4413
03:41:34,881 --> 03:41:44,324
DOING THIS.

4414
03:41:44,391 --> 03:41:45,025
GOOD AFTERNOON.

4415
03:41:45,091 --> 03:41:47,427
I'M JOLENE JOHNSON A PROFESSOR

4416
03:41:47,494 --> 03:41:48,561
OF COGNITIVE NEUROSCIENCE AT

4417
03:41:48,628 --> 03:41:49,262
UNIVERSITY OF CALIFORNIA SAN

4418
03:41:49,329 --> 03:41:51,398
FRANCISCO.

4419
03:41:51,464 --> 03:41:54,868
I'M HAPPY TO INTRODUCE OUR NEW

4420
03:41:54,934 --> 03:41:57,904
U-24 RESEARCH TO ACCELERATE

4421
03:41:57,971 --> 03:42:00,407
MECHANISTIC STUDIES OF MUSIC FOR

4422
03:42:00,473 --> 03:42:00,674
DEMENTIA.

4423
03:42:00,740 --> 03:42:01,841
IT'S DIFFERENT THAN THE OTHER

4424
03:42:01,908 --> 03:42:03,443
THREE NETWORKS THAT WERE

4425
03:42:03,510 --> 03:42:07,447
PRESENTED.

4426
03:42:07,514 --> 03:42:08,715
WE'RE THANKFUL FOR SUPPORT FROM

4427
03:42:08,782 --> 03:42:11,451
THE NATIONAL INSTITUTE OF AGING

4428
03:42:11,518 --> 03:42:17,957
AND NATIONAL ENDOWMENT FOR THE

4429
03:42:18,024 --> 03:42:22,996
ARTS AND MELITA BELGRAVE IN THE

4430
03:42:23,063 --> 03:42:23,630
AUDIENCE AND THANK YOU FOR THE

4431
03:42:23,697 --> 03:42:28,601
INVITATION.

4432
03:42:28,668 --> 03:42:30,470
WE'VE KNOWN FOR DECADES PEOPLE

4433
03:42:30,537 --> 03:42:33,406
LIVING WITH DEMENTIA CAN ENGAGE

4434
03:42:33,473 --> 03:42:35,375
WITH MUSIC IN MEANINGFUL WAYS

4435
03:42:35,442 --> 03:42:36,876
EVEN TO THE LATE STAGES.

4436
03:42:36,943 --> 03:42:37,343
IN THE UNITED STATES

4437
03:42:37,410 --> 03:42:41,448
APPROXIMATELY  6.7 MILLION

4438
03:42:41,514 --> 03:42:42,649
ADULTS AGE 65 AND OVER LIVE WITH

4439
03:42:42,716 --> 03:42:53,059
ALZHEIMER'S DISEASE.

4440
03:42:55,161 --> 03:42:59,499
THE NUMBER ONLY INCREASES WITH

4441
03:42:59,566 --> 03:43:01,801
LEWY BODY AND SOMEONE LIVING

4442
03:43:01,868 --> 03:43:05,672
WITH DEMENTIA HAS CHALLENGES.

4443
03:43:05,739 --> 03:43:09,209
THERE'S AN URGENT NEED FOR

4444
03:43:09,275 --> 03:43:10,477
COST-EFFECTIVE APPROACHES TO

4445
03:43:10,543 --> 03:43:13,346
REDUCE THE BURDEN AND IMPROVE

4446
03:43:13,413 --> 03:43:17,183
QUALITY OF LIFE FOR PEOPLE

4447
03:43:17,250 --> 03:43:23,423
LIVING WITH DEMENTIA.

4448
03:43:23,490 --> 03:43:26,893
MUSIC-BASED INTERVENTIONS ARE A

4449
03:43:26,960 --> 03:43:28,628
PROMISING APPROACH AND AN

4450
03:43:28,695 --> 03:43:29,729
INCREASING NUMBER OF STUDIES

4451
03:43:29,796 --> 03:43:31,064
SHOW MUSIC-BASED INTERVENTIONS

4452
03:43:31,131 --> 03:43:33,199
CAN LEAD TO IMPROVED QUALITY OF

4453
03:43:33,266 --> 03:43:36,069
LIFE AND EMOTIONAL WELL BEING IN

4454
03:43:36,136 --> 03:43:37,804
ADDITION TO DECREASING

4455
03:43:37,871 --> 03:43:38,304
BEHAVIORAL ISSUES.

4456
03:43:38,371 --> 03:43:48,882
THE STUDIES HAVE LIMITATIONS.

4457
03:43:53,453 --> 03:43:54,788
THEY TEND TO BE SIMULTANEOUS AND

4458
03:43:54,854 --> 03:43:56,923
NEED TO IMPROVE OUR

4459
03:43:56,990 --> 03:43:59,959
UNDERSTANDING THE MECHANISM.

4460
03:44:00,026 --> 03:44:03,363
OUR GOAL IS TO UNDERSTAND THE

4461
03:44:03,429 --> 03:44:05,365
MECHANISMS BY WHICH MUSIC-BASED

4462
03:44:05,431 --> 03:44:07,433
INTERVENTIONS AFFECT HEALTH AND

4463
03:44:07,500 --> 03:44:11,171
BEING FOR OLDER ADULTS AND THEIR

4464
03:44:11,237 --> 03:44:12,972
CARE PARTNERS.

4465
03:44:13,039 --> 03:44:15,375
WE'LL BUILD A MULTIDISCIPLINE

4466
03:44:15,441 --> 03:44:16,409
AND RESEARCH INSTITUTE OFFERING

4467
03:44:16,476 --> 03:44:26,986
PILOT FUNDS AND KEY RESOURCES.

4468
03:44:30,089 --> 03:44:37,797
AND WE ARE RESEARCH LED BY

4469
03:44:37,864 --> 03:44:42,836
MELITA BELLGRAVE AND JING CHENG

4470
03:44:42,902 --> 03:44:43,536
AND MYSELF LOOKING AT DEMENTIA

4471
03:44:43,603 --> 03:44:44,504
AND MUSIC.

4472
03:44:44,571 --> 03:44:48,575
I'M HONORED TO BE ABLE TO HAVE

4473
03:44:48,641 --> 03:44:49,108
THIS OPPORTUNITY.

4474
03:44:49,175 --> 03:44:52,745
I FINISHED MY Ph.D. STUDYING THE

4475
03:44:52,812 --> 03:44:54,013
PRESERVED MEMORY FOR MUSIC IN

4476
03:44:54,080 --> 03:44:55,615
PEOPLE LIVING WITH ALZHEIMER'S

4477
03:44:55,682 --> 03:44:58,084
DISEASE SEVERAL DECADES AGO.

4478
03:44:58,151 --> 03:44:58,685
IT'S A REAL OPPORTUNITY TO

4479
03:44:58,751 --> 03:45:09,128
RETURN TO MY PASSION.

4480
03:45:10,830 --> 03:45:12,165
WE ALSO HAVE OTHER CONTRIBUTORS

4481
03:45:12,232 --> 03:45:15,869
WHO ARE HERE TODAY.

4482
03:45:15,935 --> 03:45:18,338
WE PLAN TO GROW OUR RESEARCH

4483
03:45:18,404 --> 03:45:20,673
NETWORK BY ADDING CORES AND

4484
03:45:20,740 --> 03:45:21,541
NODES VIA THE PILOT PROGRAM OVER

4485
03:45:21,608 --> 03:45:26,145
THE NEXT FIVE YEARS.

4486
03:45:26,212 --> 03:45:29,382
OUR PLAN TO BUILD THE

4487
03:45:29,449 --> 03:45:29,949
MULTIDISCIPLINARY RESEARCH

4488
03:45:30,016 --> 03:45:32,719
NETWORK INCLUDE HOSTING A

4489
03:45:32,785 --> 03:45:34,420
RETREAT IN YEAR ONE, OFFERING

4490
03:45:34,487 --> 03:45:36,222
PILOT GRANTS AND COHORT BUILDING

4491
03:45:36,289 --> 03:45:39,425
AND MENTORING, HOSTING WORKSHOPS

4492
03:45:39,492 --> 03:45:41,995
AND TRAINING AND FACILITATING

4493
03:45:42,061 --> 03:45:43,663
WORKING GROUPS IN COLLABORATION

4494
03:45:43,730 --> 03:45:45,064
WITH THE OTHER NETWORK YOU HEARD

4495
03:45:45,131 --> 03:45:47,967
ABOUT RECENTLY.

4496
03:45:48,034 --> 03:45:54,641
IN ADDITION MEETING WITH THE

4497
03:45:54,707 --> 03:45:54,941
NIH.

4498
03:45:55,008 --> 03:45:57,944
OUR RETREAT IS BASED ON THE

4499
03:45:58,011 --> 03:45:59,545
PRINCIPLES OF THE CAT FUTURE

4500
03:45:59,612 --> 03:46:02,949
INITIATIVES INVOLVING 50 TO 60

4501
03:46:03,016 --> 03:46:07,086
STAKEHOLDERS REPRESENTING

4502
03:46:07,153 --> 03:46:08,421
MULTIPLE DISCIPLINES HELPING

4503
03:46:08,488 --> 03:46:11,691
PREPARE THE TEAMS TO APPLY FOR

4504
03:46:11,758 --> 03:46:14,527
PILOT FUNDING AND ULTIMATELY NIH

4505
03:46:14,594 --> 03:46:16,930
FUNDING.

4506
03:46:16,996 --> 03:46:19,432
WE HAVE A TENNESSEE

4507
03:46:24,871 --> 03:46:26,339
TENTATIVE DATE 15 MILES FROM

4508
03:46:26,406 --> 03:46:29,943
HERE AND PLAN TWO INTENSIVE DAYS

4509
03:46:30,009 --> 03:46:31,978
OF DISCUSSIONS KEY NOTE SPEAKERS

4510
03:46:32,045 --> 03:46:35,348
AND BREAKOUTS AND A PUBLIC EVENT

4511
03:46:35,415 --> 03:46:37,050
TO HELP SHOWCASE THE

4512
03:46:37,116 --> 03:46:39,085
TECHNOLOGIES AND APPROACH AND

4513
03:46:39,152 --> 03:46:39,719
INTERDISCIPLINARY NATURE OF OUR

4514
03:46:39,786 --> 03:46:46,059
RESEARCH NETWORK.

4515
03:46:46,125 --> 03:46:47,961
WE'LL CREATE KEY RESOURCES AND

4516
03:46:48,027 --> 03:46:50,596
COLLABORATIVE PUBLICATIONS,

4517
03:46:50,663 --> 03:46:52,865
GUIDELINES AND BEST PRACTICES,

4518
03:46:52,932 --> 03:46:56,636
ONLINE CATALOG OF MUSIC-BASED

4519
03:46:56,703 --> 03:46:58,404
INTERVENTIONS TESTED AND

4520
03:46:58,471 --> 03:47:00,139
DEVELOPED AND HOPE TO DECREASE

4521
03:47:00,206 --> 03:47:03,676
THE TIME IT TAKES TO DEVELOP A

4522
03:47:03,743 --> 03:47:05,645
MUSIC BASED INVENTION AND REFINE

4523
03:47:05,712 --> 03:47:07,447
IT AND DISSEMINATE THAT TO

4524
03:47:07,513 --> 03:47:11,484
COMMUNITIES FOR BETTER UPTAKE.

4525
03:47:11,551 --> 03:47:14,420
WE'LL ALSO WORK WITH MOBILE

4526
03:47:14,487 --> 03:47:15,455
BRAIN-BODY TECHNOLOGIES AND

4527
03:47:15,521 --> 03:47:21,728
SOCIAL MEDIA AND WEBSITES.

4528
03:47:21,794 --> 03:47:24,397
THE NIH STAGE MODEL AND BEHAVIOR

4529
03:47:24,464 --> 03:47:27,433
CHANGE METHODS WILL HELP PROVIDE

4530
03:47:27,500 --> 03:47:29,102
A FRAMEWORK FOR TESTING

4531
03:47:29,168 --> 03:47:29,969
MUSIC-BASED INTERVENTION IN THE

4532
03:47:30,036 --> 03:47:34,107
CONTEXT OF DEMENTIA.

4533
03:47:34,173 --> 03:47:37,677
MOBILE ESPN ALERT-BRAIN-BODY

4534
03:47:37,744 --> 03:47:39,078
IMAGING TECHNOLOGIES WILL LOOK

4535
03:47:39,145 --> 03:47:40,380
AT HOW MUSIC-BASED INTERVENTIONS

4536
03:47:40,446 --> 03:47:45,018
AFFECT THE BRAIN AND BODY IN

4537
03:47:45,084 --> 03:47:47,854
TIME SETTING AND PROMOTE NEURAL

4538
03:47:47,920 --> 03:47:51,424
AND NON-NEURAL MECHANISMS FOR

4539
03:47:51,491 --> 03:47:55,228
MUSIC-BASED INTERVENTIONS.

4540
03:47:55,294 --> 03:47:58,131
WITH THE EXPERTISE OF DR. VIDAL

4541
03:47:58,197 --> 03:48:00,199
WILL INTEGRATE THEM WITH THE

4542
03:48:00,266 --> 03:48:00,466
PILOTS.

4543
03:48:00,533 --> 03:48:03,436
ONE DEDICATED TO OUR RESEARCH

4544
03:48:03,503 --> 03:48:06,806
NETWORK AND ADDITIONAL SYSTEMS

4545
03:48:06,873 --> 03:48:08,908
AVAILABLE BY THE UNIVERSITY OF

4546
03:48:08,975 --> 03:48:11,444
HOUSTON AND NATIONAL SCIENCE

4547
03:48:11,511 --> 03:48:21,888
FUNDING BRAIN CENTERS.

4548
03:48:32,799 --> 03:48:34,634
IN ADDITION TO FUNDING OUR

4549
03:48:34,700 --> 03:48:35,701
NETWORKS WILL FACILITATE

4550
03:48:35,768 --> 03:48:36,769
MENTORING AND COHORT BUILDING

4551
03:48:36,836 --> 03:48:38,971
FOR THE PILOT STUDY

4552
03:48:39,038 --> 03:48:40,339
INVESTIGATORS TO HELP BUILD

4553
03:48:40,406 --> 03:48:42,508
COMMUNITY AND SHARE LESSONS

4554
03:48:42,575 --> 03:48:43,443
LEARNED.

4555
03:48:43,509 --> 03:48:45,478
THE PILOTS WILL HELP US WORK

4556
03:48:45,545 --> 03:48:47,113
TOWARDS BUILDING A COMMON DATA

4557
03:48:47,180 --> 03:48:48,848
ELEMENTS RELEVANT TO DEVELOPING

4558
03:48:48,915 --> 03:48:50,116
AND TESTING MUSIC-BASED

4559
03:48:50,183 --> 03:48:51,484
INTERVENTIONS IN THE CONTEXT OF

4560
03:48:51,551 --> 03:48:52,318
ALZHEIMER'S DISEASE AND RELATED

4561
03:48:52,385 --> 03:49:02,562
DEMENTIAS.

4562
03:49:05,832 --> 03:49:08,234
THIS SCHEMATIC ON THE LEFT

4563
03:49:08,301 --> 03:49:08,868
ILLUSTRATE THE EARLY THOUGHTS

4564
03:49:08,935 --> 03:49:10,136
ABOUT MUSIC AND BRAIN AND WHAT

4565
03:49:10,203 --> 03:49:17,743
YOU CAN SEE HERE IN THE LANGUAGE

4566
03:49:17,810 --> 03:49:27,086
MODEL THERE'S IS A LINE AND THEY

4567
03:49:27,153 --> 03:49:37,396
DIDN'T UNDERSTAND HOW MUSIC WAS

4568
03:49:37,463 --> 03:49:37,797
PRO

4569
03:49:37,864 --> 03:49:41,234
PROCESSED BY THE BRAIN AND

4570
03:49:41,300 --> 03:49:43,436
HOPEFULLY IT WILL IDENTIFY

4571
03:49:43,503 --> 03:49:44,704
BIOLOGICAL AND BEHAVIORAL AND

4572
03:49:44,770 --> 03:49:46,906
CONSIDERING THE BRAIN NET WORKS

4573
03:49:46,973 --> 03:49:48,341
AS WE HOPE TO FOCUS AND

4574
03:49:48,407 --> 03:49:53,379
ACCELERATE THE MECHANISTIC

4575
03:49:53,446 --> 03:49:53,613
STUDIES.

4576
03:49:53,679 --> 03:49:54,981
THANK YOU FOR THE NATIONAL

4577
03:49:55,047 --> 03:49:56,482
INSTITUTE OF AGING AND NATIONAL

4578
03:49:56,549 --> 03:49:57,683
ENDOWMENT FOR THE ARTS AND WE'RE

4579
03:49:57,750 --> 03:49:59,252
ALL EXCITED TO GET STARTED AND

4580
03:49:59,318 --> 03:49:59,552
STAY TUNED.

4581
03:49:59,619 --> 03:50:09,962
THANK YOU VERY MUCH.

4582
03:50:10,263 --> 03:50:20,439
>> THANK YOU.

4583
03:50:22,241 --> 03:50:32,685
NOR SPEAKERS AND I'M CAROLINE

4584
03:50:37,523 --> 03:50:37,657
SFERRAZZA.

4585
03:50:37,723 --> 03:50:43,396
WE HAVE AZA ALLSOP AND

4586
03:50:43,462 --> 03:50:44,397
CHRISTOPHER BAILEY.

4587
03:50:44,463 --> 03:50:55,007
NICK SKINNER FROM THE BALTIMORE

4588
03:50:58,578 --> 03:51:09,222
SIM FONNY AND LOREA REBOUNDS AN

4589
03:51:11,023 --> 03:51:14,994
KRISTIN SAKODA AND RUTH ARE

4590
03:51:15,061 --> 03:51:15,194
KATZ.

4591
03:51:15,261 --> 03:51:20,066
JOIN ME IN WELCOMING THEM TO THE

4592
03:51:20,132 --> 03:51:21,300
STAGE.

4593
03:51:21,367 --> 03:51:22,134
AZA, TAKE IT AWAY.

4594
03:51:22,201 --> 03:51:26,872
>> I'M HONORED AND EXCITED TO BE

4595
03:51:26,939 --> 03:51:28,774
HERE I'M A MUSIC ARTIST AND

4596
03:51:28,841 --> 03:51:30,142
FORTUNATE TO HAVE BEEN TRAINED

4597
03:51:30,209 --> 03:51:34,847
AND WORK AS A NEURO SCIENTIST

4598
03:51:34,914 --> 03:51:37,450
AND MUSIC THERAPIST AT HOWARD

4599
03:51:37,516 --> 03:51:39,885
AND MY WORK AT THE SOCIAL DOMAIN

4600
03:51:39,952 --> 03:51:41,554
IS A POWERFUL LENS FOR US TO

4601
03:51:41,621 --> 03:51:44,156
THINK AND RETHINK HOW TO TREAT

4602
03:51:44,223 --> 03:51:45,625
MENTAL HEALTH SYSTEMS ON ONE

4603
03:51:45,691 --> 03:51:48,794
HAND AND ALSO HOW DO WE EVOLVE

4604
03:51:48,861 --> 03:51:51,197
SOCIETY TO BE A MORE COLLECTIVE

4605
03:51:51,264 --> 03:51:52,765
SUSTAINABLE ONE.

4606
03:51:52,832 --> 03:51:54,734
IN THE LAB WE TAKE A

4607
03:51:54,800 --> 03:51:55,434
MULTI-DIMENSIONAL APPROACH

4608
03:51:55,501 --> 03:51:57,270
LOOKING AT MODEL SYSTEMS IN

4609
03:51:57,336 --> 03:51:58,704
ANIMALS THROUGH HUMANS ASKING

4610
03:51:58,771 --> 03:52:00,373
HOW DOES THE BRAIN ENGAGE IN

4611
03:52:00,439 --> 03:52:01,907
SOCIAL INFORMATION PROCESSING,

4612
03:52:01,974 --> 03:52:05,711
WHAT ARE TOOLS LIKE MUSIC AND

4613
03:52:05,778 --> 03:52:08,648
PSYCHEDELICS TO SHIFT THE ARE

4614
03:52:08,714 --> 03:52:09,415
REPRESENTATIONS TO DRIVE SOCIAL

4615
03:52:09,482 --> 03:52:11,450
BEHAVIOR AND HELP US EVOLVE.

4616
03:52:11,517 --> 03:52:14,220
I DON'T HAVE TIME TO TELL YOU

4617
03:52:14,287 --> 03:52:17,990
ABOUT EVERYTHING BUT

4618
03:52:18,057 --> 03:52:19,592
MECHANISTICALLY WE HAVE NOVEL

4619
03:52:19,659 --> 03:52:23,162
TWO-PERSON BEHAVIORAL MODELS

4620
03:52:23,229 --> 03:52:24,730
LOOKING AT HARMONIC PROGRESSION

4621
03:52:24,797 --> 03:52:27,033
AND IF WE SHUFFLE THEM AND

4622
03:52:27,099 --> 03:52:29,635
PEOPLE CAN INTERACT OR DON'T

4623
03:52:29,702 --> 03:52:32,038
INTERACT WITH EACH OTHER WE CAN

4624
03:52:32,104 --> 03:52:37,009
SEE EXCITING THINGS LIKE THE GUY

4625
03:52:37,076 --> 03:52:39,145
GYRUS IN THE OVERLAP OF HARMONY

4626
03:52:39,211 --> 03:52:40,446
AND SOCIAL INFORMATION

4627
03:52:40,513 --> 03:52:41,981
PROCESSING AND IT DOESN'T COME

4628
03:52:42,048 --> 03:52:46,519
ONLINE WITH ONLY ONE OR THE

4629
03:52:46,585 --> 03:52:46,952
OTHER.

4630
03:52:47,019 --> 03:52:50,556
WE THINK THROUGH NEUROSYNCHRONY

4631
03:52:50,623 --> 03:52:54,193
AND CAN THAT BE AREAS TO TREAT

4632
03:52:54,260 --> 03:52:57,530
WHEN THE GYRUS HAS ACTIVITY AND

4633
03:52:57,596 --> 03:52:59,532
SOCIAL ANXIETY DISORDER AND

4634
03:52:59,598 --> 03:53:00,466
AUTISM AND WE WORK IN

4635
03:53:00,533 --> 03:53:01,767
IMPLEMENTATION DURING COVID-19

4636
03:53:01,834 --> 03:53:08,107
WE HAD A VIRTUAL STUDY IN WOMEN

4637
03:53:08,174 --> 03:53:12,278
OF AFRICAN DESCENT AND AFTER

4638
03:53:12,345 --> 03:53:16,916
HEARING ABOUT THE HORRIBLE

4639
03:53:16,982 --> 03:53:19,385
STATISTICS IN MATERNAL OUTCOMES

4640
03:53:19,452 --> 03:53:21,087
AND THERE WE PERCEIVED LESS

4641
03:53:21,153 --> 03:53:23,022
STRESS IN THOSE WHO PARTICIPATED

4642
03:53:23,089 --> 03:53:26,492
AND EXCITE ABOUT THE CENTER AT

4643
03:53:26,559 --> 03:53:27,927
COLLECTIVE HEALING WE'RE

4644
03:53:27,993 --> 03:53:31,163
INTERESTED IN MULTI-MODAL

4645
03:53:31,230 --> 03:53:32,598
LANGUAGES LIKE DANCE AND THEATRE

4646
03:53:32,665 --> 03:53:35,334
AND HOW THEY'RE LEVERAGED IN

4647
03:53:35,401 --> 03:53:36,569
GROUP-BASED PROTOCOLS NOT ONLY

4648
03:53:36,635 --> 03:53:38,270
TO TREAT SOCIAL STRESS BUT

4649
03:53:38,337 --> 03:53:40,973
ENHANCE FAMILY AND COUPLE

4650
03:53:41,040 --> 03:53:45,177
DYNAMICS AND ENGAGE AND

4651
03:53:45,244 --> 03:53:47,079
FACILITATE CLIMATE ACTION AND

4652
03:53:47,146 --> 03:53:48,948
WHAT MIGHT BE THE ROLE OF

4653
03:53:49,014 --> 03:53:51,217
PROTOCOLS TO HELP ACHIEVE THESE

4654
03:53:51,283 --> 03:53:51,417
ENDS.

4655
03:53:51,484 --> 03:53:55,054
I WANT SHARE ONGOING STUDY WE

4656
03:53:55,121 --> 03:53:56,522
HAVE FOR INSTANCE WE'RE DOING

4657
03:53:56,589 --> 03:54:00,059
LIVE MUSIC MINDFULNESS DOING

4658
03:54:00,126 --> 03:54:02,528
MUSICIANS VERSUS VIRTUAL AND

4659
03:54:02,595 --> 03:54:03,462
GROUP DRUMMING WHERE WE'RE NOT

4660
03:54:03,529 --> 03:54:05,998
ONLY ABLE TO SEE EFFECTS ON

4661
03:54:06,065 --> 03:54:15,141
ANXIETY AND STUDY IS SYNCHRONY

4662
03:54:15,207 --> 03:54:20,413
AND DESYNCHRONY AND ARE KEY FOR

4663
03:54:20,479 --> 03:54:21,013
SCALING THE BEAUTIFUL WORK

4664
03:54:21,080 --> 03:54:22,114
EVERYONE HAS BEEN TALKING ABOUT.

4665
03:54:22,181 --> 03:54:22,615
THANK YOU ALL FOR YOUR

4666
03:54:22,681 --> 03:54:32,858
ATTENTION.

4667
03:54:34,994 --> 03:54:36,762
>> YOU ARE MY SUNSHINE, MY ONLY

4668
03:54:36,829 --> 03:54:40,065
SUNSHINE, YOU MAKE ME HAPPY WHEN

4669
03:54:40,132 --> 03:54:42,201
SKIES ARE GRAY, YOU'LL NEVER

4670
03:54:42,268 --> 03:54:45,805
KNOW DEAR HOW MUCH I LOVE

4671
03:54:45,871 --> 03:54:49,375
YOU, 'TILL YOU TAKE MY SUNSHINE

4672
03:54:49,442 --> 03:54:49,575
AWAY.

4673
03:54:49,642 --> 03:54:52,678
THE OTHER NIGHT, DEAR, WHILE I

4674
03:54:52,745 --> 03:54:55,781
WAS SLEEPING I DREAMT I HELD YOU

4675
03:54:55,848 --> 03:55:01,587
IN MY ARMS, WHEN I AWOKE, DEAR I

4676
03:55:01,654 --> 03:55:05,024
WAS MISTAKEN SO I HELD MY HEAD

4677
03:55:05,090 --> 03:55:05,925
AND I CRIED.

4678
03:55:05,991 --> 03:55:07,560
THAT WAS THE SONG MY FATHER SANG

4679
03:55:07,626 --> 03:55:09,662
TO ME WHEN I WAS A LITTLE BOY TO

4680
03:55:09,728 --> 03:55:11,697
HELP ME GO TO SLEEP AT NIGHT

4681
03:55:11,764 --> 03:55:14,800
BECAUSE I WAS AFRAID OF THE

4682
03:55:14,867 --> 03:55:15,468
DARK.

4683
03:55:15,534 --> 03:55:17,503
WHEN I WAS DIAGNOSED WITH

4684
03:55:17,570 --> 03:55:24,710
TERMINAL GLAUCOMA AFTER FORMING

4685
03:55:24,777 --> 03:55:26,545
THE PROGRAM AT WHO AND RIGHT

4686
03:55:26,612 --> 03:55:29,315
WHEN I FELT I NEEDED TO

4687
03:55:29,381 --> 03:55:31,050
ACCELERATE MY INTEREST I BECAME

4688
03:55:31,116 --> 03:55:33,786
CONSUMED WITH MY SENSE OF WHAT I

4689
03:55:33,853 --> 03:55:36,555
HAD LOST IN THE PAST WITH THE

4690
03:55:36,622 --> 03:55:39,291
VISUAL WORLD AND MY SENSE OF THE

4691
03:55:39,358 --> 03:55:41,794
FUTURE AND THE ANXIETY AND DREAD

4692
03:55:41,861 --> 03:55:43,829
OF THIS WORLD THAT WAS DARK AND

4693
03:55:43,896 --> 03:55:45,498
DANGEROUS AND I HAD NO IDEA HOW

4694
03:55:45,564 --> 03:55:53,239
I WAS GOING TO FUNCTION IN IT.

4695
03:55:53,305 --> 03:55:55,107
THOSE TWIN TECTONIC PLATES OF

4696
03:55:55,174 --> 03:55:59,545
PAST AND FUTURE BEGAN TO WEAR

4697
03:55:59,612 --> 03:56:01,914
AWAY AT MY CONCEPTION OF THE

4698
03:56:01,981 --> 03:56:04,416
PRESENT MOMENT AND TRIED TO

4699
03:56:04,483 --> 03:56:07,019
COMPARTMENTALIZE IT AND GO ON

4700
03:56:07,086 --> 03:56:11,891
WITH THE WORK AND WITH MY

4701
03:56:11,957 --> 03:56:13,993
COLLEAGUES WE FORMED THE JAMIL

4702
03:56:14,059 --> 03:56:16,695
ARTS AND HEALTH LAB TO LOOK AT

4703
03:56:16,762 --> 03:56:17,830
THE TRIANGLE OF PRACTICE AND

4704
03:56:17,897 --> 03:56:19,231
POLICY AND THERE'S BEEN TALK

4705
03:56:19,298 --> 03:56:21,133
ABOUT PRACTICE AND RESEARCH BUT

4706
03:56:21,200 --> 03:56:22,101
FOR W.H.O. IN PARTICULAR POLICY

4707
03:56:22,167 --> 03:56:24,503
IS IMPORTANT TO ENSURE THE

4708
03:56:24,570 --> 03:56:25,838
RESEARCH DOES NOT SIT ON THE

4709
03:56:25,905 --> 03:56:26,672
SHELF.

4710
03:56:26,739 --> 03:56:28,908
IT GETS TO THE MOST NUMBER OF

4711
03:56:28,974 --> 03:56:31,477
PEOPLE PARTICULARLY THE EXCLUDED

4712
03:56:31,544 --> 03:56:33,879
AND VULNERABLE POPULATIONS.

4713
03:56:33,946 --> 03:56:36,382
CERTAINLY OVER THE LAST FEW

4714
03:56:36,448 --> 03:56:37,349
YEARS WE'VE SEEN SOME WONDERFUL

4715
03:56:37,416 --> 03:56:39,451
POLICY MOVEMENT.

4716
03:56:39,518 --> 03:56:44,957
WE'VE SEEN IN AUSTRALIA A

4717
03:56:45,024 --> 03:56:55,534
NATIONAL MANDATE TO HAVE ARTS

4718
03:57:02,408 --> 03:57:11,617
AND THERAPY AND IN SAUDI ARABIA

4719
03:57:11,684 --> 03:57:12,985
AND WE CALL FOR AN ALL

4720
03:57:13,052 --> 03:57:14,320
GOVERNMENT APPROACH TO THE ARTS

4721
03:57:14,386 --> 03:57:15,454
AND FOR THE HEALTH OF

4722
03:57:15,521 --> 03:57:21,193
INDIVIDUALS AND COMMUNITIES.

4723
03:57:21,260 --> 03:57:22,528
THERE'S TALK OF PERHAPS JOINING

4724
03:57:22,595 --> 03:57:24,863
TOGETHER AND FORMING A

4725
03:57:24,930 --> 03:57:27,499
RESOLUTION IN THE WORLD HEALTH

4726
03:57:27,566 --> 03:57:29,234
ASSEMBLY TO UNLOCK AN INVESTMENT

4727
03:57:29,301 --> 03:57:30,135
IN THE ART WORLD SPECIFICALLY

4728
03:57:30,202 --> 03:57:31,437
FOR THE HEALTH OF INDIVIDUALS

4729
03:57:31,503 --> 03:57:32,972
AND COMMUNITIES.

4730
03:57:33,038 --> 03:57:36,775
SPARK AS RENEE CORRECTLY SAID BY

4731
03:57:36,842 --> 03:57:39,912
HER OPENING THE WORLD HEALTH

4732
03:57:39,979 --> 03:57:41,680
ASSEMBLY LAST MAY AND IT WASN'T

4733
03:57:41,747 --> 03:57:44,984
JUST HER ARTICULATE WORDS THAT

4734
03:57:45,050 --> 03:57:50,990
GALVANIZE THE AUDIENCE BUT HER

4735
03:57:51,056 --> 03:57:51,390
SONG.

4736
03:57:51,457 --> 03:57:52,691
FOR THREE AND A HALF MINUTES THE

4737
03:57:52,758 --> 03:57:55,461
WORLD WAS ONE AND REINFORCED OUR

4738
03:57:55,527 --> 03:57:57,796
OWN IDEA THAT MERE PRESENTATION

4739
03:57:57,863 --> 03:58:00,633
OF THE EVIDENCE IS ESSENTIAL AS

4740
03:58:00,699 --> 03:58:03,502
THE COVER CHARGE TO THE

4741
03:58:03,569 --> 03:58:08,574
NIGHTCLUB OF POLICY BUT IT IS

4742
03:58:08,641 --> 03:58:15,347
NOT THE END OF THE GAME AND WE

4743
03:58:15,414 --> 03:58:17,149
HAVE TO TALK ABOUT THE SCIENCE

4744
03:58:17,216 --> 03:58:20,019
THAT INVOLVES ALL LEVELS OF

4745
03:58:20,085 --> 03:58:22,488
UNDERSTANDING AND NOT JUST OUR

4746
03:58:22,554 --> 03:58:23,455
UNDERSTANDING BUT BEING ABLE TO

4747
03:58:23,522 --> 03:58:25,157
FEEL THE EXPERIENCE OF WHAT

4748
03:58:25,224 --> 03:58:27,292
WE'RE DESCRIBING.

4749
03:58:27,359 --> 03:58:29,728
OF COURSE, FOR ME, I FELT AT

4750
03:58:29,795 --> 03:58:31,964
THAT TIME THAT IT'S ALL WELL AND

4751
03:58:32,031 --> 03:58:34,533
GOOD LIKE DOROTHY THIS BAG OF

4752
03:58:34,600 --> 03:58:34,767
TRICKS.

4753
03:58:34,833 --> 03:58:35,668
I THOUGHT THERE'S NOTHING IN

4754
03:58:35,734 --> 03:58:40,939
THERE THAT WILL HELP ME COME

4755
03:58:41,006 --> 03:58:41,140
HOME.

4756
03:58:41,206 --> 03:58:41,974
I WAS WRONG.

4757
03:58:42,041 --> 03:58:43,909
FOR ME IT WAS MUSIC.

4758
03:58:43,976 --> 03:58:45,277
UNLIKE SIGHTED PEOPLE, FOR

4759
03:58:45,344 --> 03:58:49,481
PEOPLE VISUALLY IMPAIRED, MUSIC

4760
03:58:49,548 --> 03:58:50,816
AND SOUND IS VISIBLE.

4761
03:58:50,883 --> 03:58:51,450
IT IS CONCRETE.

4762
03:58:51,517 --> 03:59:01,860
IT IS NOT ABSTRACT.

4763
03:59:11,236 --> 03:59:13,405
I STARTED USING ORAL INFORMATION

4764
03:59:13,472 --> 03:59:16,608
TO GIVE ME A CONCRETE PALPABLE

4765
03:59:16,675 --> 03:59:18,477
AND YES, VISIBLE UNDERSTANDING

4766
03:59:18,544 --> 03:59:20,512
OF THE PHYSICAL WORLD AROUND ME

4767
03:59:20,579 --> 03:59:31,056
WHICH WE CALL ECHO LOCATION.

4768
03:59:37,696 --> 03:59:40,265
MY BODY WAS NO LONGER A LIVING

4769
03:59:40,332 --> 03:59:43,302
PRISON BUT CONCEIVE IT AS A WOMB

4770
03:59:43,368 --> 03:59:47,773
OFFERING ME AN OPPORTUNITY FOR

4771
03:59:47,840 --> 03:59:56,215
DEEP CONTEMPLATION WIT

4772
03:59:56,281 --> 03:59:58,317
DISTRACTION AND I WOULD LISTEN

4773
03:59:58,383 --> 04:00:00,252
TO A MELODY AND HAVE A MEMORY OF

4774
04:00:00,319 --> 04:00:05,991
THE NOTE JUST PLAYED AND THE

4775
04:00:06,058 --> 04:00:14,333
EXPERIENCE THE NET BEING PLAYED

4776
04:00:14,399 --> 04:00:17,636
AND FORM A CHORD, PAST, PRESENT

4777
04:00:17,703 --> 04:00:20,739
AND FUTURE BECAME HARMONIZED AND

4778
04:00:20,806 --> 04:00:21,540
HEALED MY FRACTURED SENSE OF

4779
04:00:21,607 --> 04:00:24,576
TIME AND FOR THE FIRST TIME IN

4780
04:00:24,643 --> 04:00:35,187
YEARS I COULD FIND MYSELF LUXURE

4781
04:00:38,090 --> 04:00:42,895
IATING IN THE AND LIKE YOU CLOSE

4782
04:00:42,961 --> 04:00:44,863
YOUR EYES TO TRACE THE GENTLE

4783
04:00:44,930 --> 04:00:48,967
SLOPE OF A LOVER'S FOREARM, SO

4784
04:00:49,034 --> 04:00:51,270
TOO DO I ACCEPT THE CLOSING OF

4785
04:00:51,336 --> 04:00:54,006
MY EYES TO BETTER SHARE THIS

4786
04:00:54,072 --> 04:00:59,978
MOMENT WITH YOU.

4787
04:01:00,045 --> 04:01:10,222
THANK YOU.

4788
04:01:11,690 --> 04:01:17,996
>> FIRST, ON BEHALF OF THE

4789
04:01:18,063 --> 04:01:19,565
BALTIMORE SYMPHONY WE'RE

4790
04:01:19,631 --> 04:01:21,066
APPRECIATE THE INVITATION.

4791
04:01:21,133 --> 04:01:22,501
MANY UNDER SERVED COMMUNITIES

4792
04:01:22,568 --> 04:01:24,336
ACROSS THE COUNTRY HAVE LIMITED

4793
04:01:24,403 --> 04:01:26,171
OR NO MUSIC PROGRAM IN THEIR

4794
04:01:26,238 --> 04:01:26,905
SCHOOLS.

4795
04:01:26,972 --> 04:01:29,808
IN BALTIMORE CITY ONLY 40% OF

4796
04:01:29,875 --> 04:01:32,978
SCHOOLS HAVE MUSIC PROGRAMMING.

4797
04:01:33,045 --> 04:01:34,880
87% OF SCHOOLS DON'T HAVE ANY

4798
04:01:34,947 --> 04:01:36,782
STRUMAL PROGRAMMING AT ALL.

4799
04:01:36,849 --> 04:01:39,284
THE LACK OF MUSIC EDUCATION

4800
04:01:39,351 --> 04:01:41,987
PERPETUATES A GLARING

4801
04:01:42,054 --> 04:01:42,287
INEQUALITY.

4802
04:01:42,354 --> 04:01:47,025
THE BALTIMORE SYMPHONY ORCHESTRA

4803
04:01:47,092 --> 04:01:47,626
IS PROVIDING BALTIMORE YOUTH

4804
04:01:47,693 --> 04:01:50,729
WITH EQUITABLE ACCESS TO

4805
04:01:50,796 --> 04:01:51,563
COMMUNITY-BASED MUSIC

4806
04:01:51,630 --> 04:01:55,467
INSTRUCTION AND PROGRAMMING THAT

4807
04:01:55,534 --> 04:01:56,535
TEACHES MUSIC SKILLS

4808
04:01:56,602 --> 04:01:58,303
TRANSFERRABLE TO ALL AREAS OF

4809
04:01:58,370 --> 04:01:59,538
THEIR LIVES.

4810
04:01:59,605 --> 04:02:01,740
WE'RE SERVING 850 STUDENTS

4811
04:02:01,807 --> 04:02:03,141
ACROSS BALTIMORE THROUGH

4812
04:02:03,208 --> 04:02:04,843
IN-SCHOOL AND AFTER-SCHOOL

4813
04:02:04,910 --> 04:02:07,246
PROGRAMMING AT SEVEN SITES.

4814
04:02:07,312 --> 04:02:09,147
DURING THE SUMMER WE HOST SUMMER

4815
04:02:09,214 --> 04:02:11,516
PROGRAMMING AT GAUCHER COLLEGE

4816
04:02:11,583 --> 04:02:14,686
WITH A FULL THREE WEEK SUMMER

4817
04:02:14,753 --> 04:02:15,387
SESSION.

4818
04:02:15,454 --> 04:02:18,891
WITH THE MODEL WE CREATE A

4819
04:02:18,957 --> 04:02:19,925
MUSICAL PATHWAY FOR STUDENTS

4820
04:02:19,992 --> 04:02:23,695
SERVING PRE-K THROUGH 12th GRADE

4821
04:02:23,762 --> 04:02:26,632
AND BEYOND.

4822
04:02:26,698 --> 04:02:27,466
OUR YOUNGER STUDENTS RECEIVE

4823
04:02:27,532 --> 04:02:29,835
MUSIC CLASSES WHICH LAYS THE

4824
04:02:29,902 --> 04:02:35,474
MUSICAL FOUNDATION FOR THE AFTER

4825
04:02:35,540 --> 04:02:36,975
SCHOOL MODEL WHERE THEY RECEIVE

4826
04:02:37,042 --> 04:02:39,478
GROUP INSTRUCTION AND

4827
04:02:39,544 --> 04:02:41,847
SECTIONALS, ENSEMBLE REHEARSALS

4828
04:02:41,914 --> 04:02:43,448
AND MANY PERFORMANCE

4829
04:02:43,515 --> 04:02:44,616
OPPORTUNITIES.

4830
04:02:44,683 --> 04:02:48,020
THIS MONTHS ALONE WE'LL HAVE 15

4831
04:02:48,086 --> 04:02:48,687
CONCERTS FOR VARIOUS COMMUNITIES

4832
04:02:48,754 --> 04:02:53,325
IN BALTIMORE.

4833
04:02:53,392 --> 04:02:56,762
THIS PROVIDED AT NO COST TO

4834
04:02:56,828 --> 04:02:58,397
STUDENTS AND FAMILIES.

4835
04:02:58,463 --> 04:03:00,899
WE PROVIDE SERVICES THAT HELP

4836
04:03:00,966 --> 04:03:02,367
REMOVE OBSTACLES THAT STAND IN

4837
04:03:02,434 --> 04:03:05,103
THE WAY OF A STUDENT GROWTH AND

4838
04:03:05,170 --> 04:03:05,470
SUCCESS.

4839
04:03:05,537 --> 04:03:06,104
WE PROVIDE TRANSPORTATION

4840
04:03:06,171 --> 04:03:09,107
SUPPORT TO AND FROM PROGRAMMING,

4841
04:03:09,174 --> 04:03:11,310
ACCESS TO MENTAL HEALTH

4842
04:03:11,376 --> 04:03:11,977
RESOURCES, COORDINATION TO

4843
04:03:12,044 --> 04:03:15,948
SERVICE PROVIDERS THAT HELP MEET

4844
04:03:16,014 --> 04:03:19,818
THE NEEDS REGARDING LEGAL AND

4845
04:03:19,885 --> 04:03:21,186
HEALTH SECURITY ISSUES AND

4846
04:03:21,253 --> 04:03:25,757
REMOVE BARRIERS FOR STUDENTS TO

4847
04:03:25,824 --> 04:03:29,962
ATTEND SOME OF THE MOST

4848
04:03:30,028 --> 04:03:32,731
PRESTIGIOUS INSTITUTIONS.

4849
04:03:32,798 --> 04:03:37,336
MUSIC SHOULD RING THROUGH ALL

4850
04:03:37,402 --> 04:03:39,638
OUR COMMUNITIES REGARDLESS OF

4851
04:03:39,705 --> 04:03:40,839
SOCIO ECONOMIC TECHNOLOGY AND

4852
04:03:40,906 --> 04:03:43,108
SHOULD BE A FUNDAMENTAL RIGHT

4853
04:03:43,175 --> 04:03:45,243
ALL STUDENTS HAVE PART OF THEIR

4854
04:03:45,310 --> 04:03:47,379
EDUCATION AND THE BALTIMORE

4855
04:03:47,446 --> 04:03:48,413
ORCHESTRA IS WORKING TO ADDRESS

4856
04:03:48,480 --> 04:03:48,814
THESE DISPARITIES.

4857
04:03:48,880 --> 04:03:57,055
THANK YOU.

4858
04:03:57,122 --> 04:03:58,824
>> ALL RIGHT.

4859
04:03:58,890 --> 04:03:59,524
EVERYONE.

4860
04:03:59,591 --> 04:04:05,831
I'M LORA ROBINSON AND A

4861
04:04:05,897 --> 04:04:07,299
BOARD-CERTIFIED THERAPIST FOR

4862
04:04:07,366 --> 04:04:08,867
HOWARD UNIVERSITY.

4863
04:04:08,934 --> 04:04:09,801
I'M EXCITED TO SHARE THE

4864
04:04:09,868 --> 04:04:11,470
PLATFORM WITH MY FELLOW HOWARD

4865
04:04:11,536 --> 04:04:12,504
FACULTY HERE.

4866
04:04:12,571 --> 04:04:15,741
WHEN I THINK OF CAPACITY

4867
04:04:15,807 --> 04:04:18,310
BUILDING, I THINK OF MY STUDENTS

4868
04:04:18,377 --> 04:04:19,945
AND THE FACT THAT HOWARD

4869
04:04:20,012 --> 04:04:24,883
UNIVERSITY IS THE ONLY

4870
04:04:24,950 --> 04:04:26,218
HISTORICALLY BLACK COLLEGE IS

4871
04:04:26,284 --> 04:04:27,652
THE ONLY COLLEGE WITH MUSIC

4872
04:04:27,719 --> 04:04:29,921
THERAPY AS A PROGRAM AND WHEN WE

4873
04:04:29,988 --> 04:04:32,024
TALK ABOUT NETWORKING AS RENEE

4874
04:04:32,090 --> 04:04:33,191
FLEMING SPOKE TO THIS MORNING,

4875
04:04:33,258 --> 04:04:34,359
IT'S NOT JUST ABOUT COMING

4876
04:04:34,426 --> 04:04:37,929
TOGETHER IN THESE SPACES WITH

4877
04:04:37,996 --> 04:04:40,165
FELLOWS THAT ARE INTEGRATED INTO

4878
04:04:40,232 --> 04:04:43,468
THE SPACES ALREADY THAT ARE

4879
04:04:43,535 --> 04:04:44,703
THINKING ABOUT THESE CONSTANTLY

4880
04:04:44,770 --> 04:04:46,505
BUT HOW DO WE REACH THE NEXT

4881
04:04:46,571 --> 04:04:47,773
GENERATION OF RESEARCHERS AND

4882
04:04:47,839 --> 04:04:50,175
CLINICIAN AND CREATIVE THINKERS?

4883
04:04:50,242 --> 04:04:53,979
I REALLY JUST URGE YOU ALL TO

4884
04:04:54,046 --> 04:04:56,014
CONSIDER THE FACT THAT THERE ARE

4885
04:04:56,081 --> 04:04:59,551
MANY UNTAPPED RESOURCES IN

4886
04:04:59,618 --> 04:05:03,455
SPACES SUCH AS HBCUs AND

4887
04:05:03,522 --> 04:05:07,025
HISPANIC-SERVING INSTITUTIONS,

4888
04:05:07,092 --> 04:05:07,592
ASIAN AMERICAN AND NATIVE

4889
04:05:07,659 --> 04:05:08,894
AMERICAN SERVING INSTITUTIONS

4890
04:05:08,960 --> 04:05:11,463
THAT HAVE NOT BEEN SOURCED YET

4891
04:05:11,530 --> 04:05:13,231
BECAUSE PROGRAMS LIKE MUSIC

4892
04:05:13,298 --> 04:05:14,232
THERAPY AND DANCE THERAPY ARE

4893
04:05:14,299 --> 04:05:18,470
NOT INTEGRATED INTO THE SPACES.

4894
04:05:18,537 --> 04:05:20,105
WHAT I REALLY IMPLORE MY

4895
04:05:20,172 --> 04:05:21,840
STUDENTS TO DO IN OUR TIME

4896
04:05:21,907 --> 04:05:23,408
TOGETHER AND OUR CLINICAL

4897
04:05:23,475 --> 04:05:27,345
SESSIONS AND IN OUR CLASS WORK

4898
04:05:27,412 --> 04:05:28,747
IS WHAT RESOURCES DO THEY BRING

4899
04:05:28,814 --> 04:05:29,314
TO THE UNIVERSITY WE CANNOT

4900
04:05:29,381 --> 04:05:32,284
TEACH THEM.

4901
04:05:32,350 --> 04:05:38,590
A LOT OF THESE SPACES S MUSIC IS

4902
04:05:38,657 --> 04:05:40,192
EMBEDDED IN THE BACKGROUND AND

4903
04:05:40,258 --> 04:05:43,895
LEARN AND FAMILIAL HISTORY AND

4904
04:05:43,962 --> 04:05:45,897
WATCHING STUDENTS MAKE CLINICAL

4905
04:05:45,964 --> 04:05:48,533
CHOICE ARE ADVANCED REALLY IN

4906
04:05:48,600 --> 04:05:50,268
THE SCHEME OF THINGS BECAUSE

4907
04:05:50,335 --> 04:05:51,103
THEY'RE INTUITIVE.

4908
04:05:51,169 --> 04:05:54,272
THEY'RE INNATE AND EMBEDDED

4909
04:05:54,339 --> 04:05:55,440
INSIDE THEM SPIRITUALLY AND

4910
04:05:55,507 --> 04:05:56,775
PHYSICALLY FROM THEIR

4911
04:05:56,842 --> 04:05:57,075
BACKGROUND.

4912
04:05:57,142 --> 04:05:58,343
AS WE CONTINUE TO BUILD AS WE

4913
04:05:58,410 --> 04:05:59,711
CONTINUE TO TALK ABOUT THESE

4914
04:05:59,778 --> 04:06:01,213
NETWORKS WHICH I'M EXCITED ABOUT

4915
04:06:01,279 --> 04:06:05,984
AND WILL BE REACHING OUT TO, TO

4916
04:06:06,051 --> 04:06:08,920
CONNECT HOWARD AS WE CONTINUE TO

4917
04:06:08,987 --> 04:06:10,755
HAVE THESE INITIATIVES I IMPLORE

4918
04:06:10,822 --> 04:06:11,790
YOU ALL THOSE WHO HAVE FUNDING

4919
04:06:11,857 --> 04:06:15,894
TO DO SO AND IDEAS TO ALSO

4920
04:06:15,961 --> 04:06:18,630
IMPLEMENT THESE INTO THESE

4921
04:06:18,697 --> 04:06:19,698
MARGINALIZED AND MINORITY

4922
04:06:19,764 --> 04:06:21,066
SERVING INSTITUTIONS BECAUSE

4923
04:06:21,133 --> 04:06:23,068
THERE'S A POT OF GOLD THERE THAT

4924
04:06:23,135 --> 04:06:23,502
HAS NOT BEEN TAPPED.

4925
04:06:23,568 --> 04:06:33,745
THANK YOU.

4926
04:06:40,218 --> 04:06:43,188
>> FOR MY SELF-DESCRIPTION I AM

4927
04:06:43,255 --> 04:06:44,055
AN AFRICAN AMERICAN WOMAN WITH

4928
04:06:44,122 --> 04:06:47,459
LONG AUBURN LOCKS AND BIG

4929
04:06:47,526 --> 04:06:53,198
OVERSIZED ARTSY GLASS AND A

4930
04:06:53,265 --> 04:06:53,598
SMILE.

4931
04:06:53,665 --> 04:06:57,435
AND SOMEONE FOR WHOM ARTS HAS

4932
04:06:57,502 --> 04:07:02,507
BEEN PART OF MY LIFE WITH BALLET

4933
04:07:02,574 --> 04:07:06,811
AT AGE 4 AND A DANCER AND LAWYER

4934
04:07:06,878 --> 04:07:11,983
AND MOTHER OF A MIDDLE SCHOOL

4935
04:07:12,050 --> 04:07:14,686
AGE DAUGHTER AND PROUD DAUGHTER

4936
04:07:14,753 --> 04:07:16,588
AND MY FATHER WENT TO HOWARD

4937
04:07:16,655 --> 04:07:17,989
UNIVERSITY AND HOWARD DENTAL

4938
04:07:18,056 --> 04:07:18,757
SCHOOL.

4939
04:07:18,823 --> 04:07:20,425
THOUGH I DIDN'T GO THERE I FEEL

4940
04:07:20,492 --> 04:07:22,928
I AM THE PRODUCT OF AN HBCU AND

4941
04:07:22,994 --> 04:07:26,231
ROOTS IN D.C. I HAVE YET TO ZFR.

4942
04:07:26,298 --> 04:07:28,099
-- DISCOVER ALL THAT SAID I'M

4943
04:07:28,166 --> 04:07:29,968
SERVING AND HAVE THE HONOR OF

4944
04:07:30,035 --> 04:07:32,204
SERVING AS THE FOUNDING DIRECT

4945
04:07:32,270 --> 04:07:34,606
OF THE L.A. DEPARTMENT OF ARTS

4946
04:07:34,673 --> 04:07:38,076
AND CULTURE ONE OF THE FEW OR

4947
04:07:38,143 --> 04:07:38,944
ONLY MUNICIPAL SIDE FOLKS HERE

4948
04:07:39,010 --> 04:07:40,679
AS SOME SAID TO ME.

4949
04:07:40,745 --> 04:07:43,348
A QUICK MOMENT OF CONTEXT

4950
04:07:43,415 --> 04:07:43,582
SETTING.

4951
04:07:43,648 --> 04:07:47,652
SIMILAR TO -- I CAN'T COMPARE

4952
04:07:47,719 --> 04:07:50,655
MYSELF TO DR. ROSIO JACKSON IN

4953
04:07:50,722 --> 04:07:52,324
L.A. BUT OUR LOCAL ART AGENCY

4954
04:07:52,390 --> 04:07:53,892
AND WE HAVE A STATE ART AGENCIES

4955
04:07:53,959 --> 04:07:57,462
AND THE LOCAL LEVEL AND MINE

4956
04:07:57,529 --> 04:07:58,763
REPRESENTS L.A. COUNTY THE

4957
04:07:58,830 --> 04:07:59,531
LARGEST COUNTY IN THE UNITED

4958
04:07:59,598 --> 04:08:04,469
STATES BY POPULATION.

4959
04:08:04,536 --> 04:08:15,046
TO SET THE STAGE HERE AND WE

4960
04:08:21,086 --> 04:08:24,389
HAVE OVER 4,000 SQUARE MILES AND

4961
04:08:24,456 --> 04:08:25,991
A BELIEVE DEEPLY EVERY PLACE AND

4962
04:08:26,057 --> 04:08:27,959
COMMUNITY HAS ARTS AND CULTURE

4963
04:08:28,026 --> 04:08:29,728
BUT WE DO KNOW THERE IS INEQUITY

4964
04:08:29,794 --> 04:08:32,864
IN ACCESS TO CULTURAL

4965
04:08:32,931 --> 04:08:33,932
RESERVESES, INFRASTRUCTURE AND

4966
04:08:33,999 --> 04:08:34,232
INVESTMENT.

4967
04:08:34,299 --> 04:08:36,001
SO EVERYTHING WE DO WHICH YOU'RE

4968
04:08:36,067 --> 04:08:41,206
SEEING ON THE SLIDE ARE CORE

4969
04:08:41,273 --> 04:08:45,243
PROGRAMS WE DO WITH THE LENS OF

4970
04:08:45,310 --> 04:08:47,112
EQUITY AND ARTS AND CULTURE ARE

4971
04:08:47,178 --> 04:08:49,414
A HUMAN RIGHT AND ALSO WE NEED

4972
04:08:49,481 --> 04:08:54,319
TO ENSURE THE RESOURCES AND

4973
04:08:54,386 --> 04:08:56,821
REFLECTS OUR DIVERSE CULTURES

4974
04:08:56,888 --> 04:08:59,824
AND ART FORMS AS WELL AND WE CAN

4975
04:08:59,891 --> 04:09:05,163
UTILIZE THIS TO ENHANCE QUALITY

4976
04:09:05,230 --> 04:09:11,469
OF LIFE, HEALTHY ECONOMIES AND

4977
04:09:11,536 --> 04:09:17,575
DEI, THE ARTS ARE ONE OF THE

4978
04:09:17,642 --> 04:09:28,153
MOST POWERFUL DISRUPTORS AND

4979
04:09:28,453 --> 04:09:37,696
MOVING TO THE NEXT SLIDE, I WILL

4980
04:09:37,762 --> 04:09:44,035
ACKNOWLEDGE MS. RENEE FLEMING

4981
04:09:44,102 --> 04:09:47,005
AND THE LAST TWO YEARS WE

4982
04:09:47,072 --> 04:09:50,442
INAUGURATED THE L.A. COUNTY ARTS

4983
04:09:50,508 --> 04:09:53,011
AND HEALTH WEEK AND A SUMMIT

4984
04:09:53,078 --> 04:09:54,713
THAT BROUGHT TOGETHER

4985
04:09:54,779 --> 04:10:00,752
PRACTITIONERS IN PHILANTHROPY TO

4986
04:10:00,819 --> 04:10:11,329
THE NETWORKS AROUND THIS WORK.

4987
04:10:30,615 --> 04:10:33,084
AND THINKING ABOUT THAT AND

4988
04:10:33,151 --> 04:10:34,119
SCALE AND ARTS EDUCATION AND

4989
04:10:34,185 --> 04:10:35,754
YOUTH DEVELOPMENT WE'RE

4990
04:10:35,820 --> 04:10:37,155
PRIORITIZING WITH SYSTEMS

4991
04:10:37,222 --> 04:10:39,357
IMPACTED AND EVOLVED.

4992
04:10:39,424 --> 04:10:41,760
THOSE IN THE FOSTER SYSTEM AND

4993
04:10:41,826 --> 04:10:43,728
THOSE WHOSE COMMUNITIES ARE

4994
04:10:43,795 --> 04:10:47,732
IMPACTED AND YOUTH OF COLOR

4995
04:10:47,799 --> 04:10:50,435
THERE'S TRAUMA DIRECT OR

4996
04:10:50,502 --> 04:10:52,670
INDIRECT AND CIVIC ARTS

4997
04:10:52,737 --> 04:10:54,305
ENGAGEMENT THAT'S CULTURALLY

4998
04:10:54,372 --> 04:10:55,440
SUSTAINING HAS A ROLE TO PLAY

4999
04:10:55,507 --> 04:10:59,544
AND WE'RE DOING THIS IN

5000
04:10:59,611 --> 04:11:03,181
PARTNERSHIP ACROSS SECTORS WITH

5001
04:11:03,248 --> 04:11:06,918
PRIVATE PARTNERS AND DEVELOPMENT

5002
04:11:06,985 --> 04:11:08,620
OF MENTAL HEALTH.

5003
04:11:08,686 --> 04:11:10,755
GRANT MAKING, WE'RE FUNDING

5004
04:11:10,822 --> 04:11:13,992
HUNDREDS OF ART ORGANIZATIONS

5005
04:11:14,058 --> 04:11:15,460
AND NON-ART SOCIAL SERVICE TO

5006
04:11:15,527 --> 04:11:18,663
ENSURE ARTS IS IN COMMUNITY AND

5007
04:11:18,730 --> 04:11:20,398
THEY'RE LEADING THEIR OWN

5008
04:11:20,465 --> 04:11:21,399
HEALTH-RELATED INITIATIVES AS

5009
04:11:21,466 --> 04:11:23,468
WELL AS ENSURING ACCESS TO THE

5010
04:11:23,535 --> 04:11:24,002
ARTS.

5011
04:11:24,068 --> 04:11:25,170
A LOT WE CAN TALK ABOUT THERE.

5012
04:11:25,236 --> 04:11:28,440
WE HAVE A CROSS-SECTOR ARTS

5013
04:11:28,506 --> 04:11:31,476
SMALL TEAM AND WE'RE WITH

5014
04:11:31,543 --> 04:11:36,047
PLACING ARTISTS AND RESIDENTS IN

5015
04:11:36,114 --> 04:11:37,682
OTHER DEPARTMENT AND THE NEXT

5016
04:11:37,749 --> 04:11:38,516
WILL BE IN THE HOMELESS

5017
04:11:38,583 --> 04:11:39,451
INITIATIVE IN L.A.

5018
04:11:39,517 --> 04:11:41,519
WITH THAT I'LL END AND BUILDING

5019
04:11:41,586 --> 04:11:42,487
NETWORKS LIKE ARTS AND HEALTH.

5020
04:11:42,554 --> 04:11:48,259
THE LAST THING I WANT TO SAY AT

5021
04:11:48,326 --> 04:11:52,197
THE MOMENT I LOVE CHRISTOPHER'S

5022
04:11:52,263 --> 04:12:00,138
WORD AND THE RESEARCH YOU'RE

5023
04:12:00,205 --> 04:12:00,472
PR

5024
04:12:00,538 --> 04:12:01,105
PRODUCING IS CRITICAL TO HELP US

5025
04:12:01,172 --> 04:12:01,773
KNOW WHAT WE KNOW FOR MILLENNIA

5026
04:12:01,840 --> 04:12:03,208
AND WHAT ARTISTS KNOW, THE MOVIE

5027
04:12:03,274 --> 04:12:05,310
THAT MADE YOU CRY IS BECAUSE THE

5028
04:12:05,376 --> 04:12:07,345
PERSON HAS A TECHNIQUE AND KNOW

5029
04:12:07,412 --> 04:12:09,681
WHAT THEY'RE DOING AND KNOW HOW

5030
04:12:09,747 --> 04:12:13,151
TO UNLOCK YOUR HEART, MIND AND

5031
04:12:13,218 --> 04:12:19,891
AND EMPATHY AND HOW DO WE UNLOCK

5032
04:12:19,958 --> 04:12:20,458
ADDITIONAL RESOURCES AND

5033
04:12:20,525 --> 04:12:23,962
CAPACITY AND RENEE I LOVE YOUR

5034
04:12:24,028 --> 04:12:25,430
TALK ABOUT THE ELEVATOR PITCH

5035
04:12:25,497 --> 04:12:27,465
NOT ONLY ABOUT THE VALUE OF THE

5036
04:12:27,532 --> 04:12:30,101
ARTS BUT ARTISTS BECAUSE

5037
04:12:30,168 --> 04:12:30,969
UNFORTUNATELY DATA SHOWS PEOPLE

5038
04:12:31,035 --> 04:12:33,338
SAY OF COURSE, MY CHILD,

5039
04:12:33,404 --> 04:12:35,240
EVERYBODY SHOULD HAVE ACCESS TO

5040
04:12:35,306 --> 04:12:36,274
THE ARTISTS.

5041
04:12:36,341 --> 04:12:37,575
DO YOU THINK THEY'RE IMPORTANT

5042
04:12:37,642 --> 04:12:39,644
AND SHOULD BE PAID AS MUCH AS AS

5043
04:12:39,711 --> 04:12:40,979
DOCTORS AND LAWYERS?

5044
04:12:41,045 --> 04:12:41,746
NO, THEY DON'T.

5045
04:12:41,813 --> 04:12:42,981
EVERYBODY IN THE ROOM NEEDS TO

5046
04:12:43,047 --> 04:12:46,618
MOVE POLICY IN OUR DAY TO DAY

5047
04:12:46,684 --> 04:12:48,286
INTERACTIONS WAS RIGHT NOW WE

5048
04:12:48,353 --> 04:12:49,721
DON'T HAVE THE CAPACITY OR

5049
04:12:49,787 --> 04:12:50,755
FUNDING OR ACCESS TO THE

5050
04:12:50,822 --> 04:12:51,789
INFRASTRUCTURE TO BOOST THE

5051
04:12:51,856 --> 04:12:53,992
THINGS WE ALREADY KNOW MAKE A

5052
04:12:54,058 --> 04:13:03,801
HUGE DIFFERENCE.

5053
04:13:03,868 --> 04:13:05,103
>> GOOD AFTERNOON, EVERYBODY.

5054
04:13:05,169 --> 04:13:06,671
I'M RUTH KATZ WITH THE ASPEN

5055
04:13:06,738 --> 04:13:07,605
INSTITUTE AND WANT TO SPEAK TO

5056
04:13:07,672 --> 04:13:11,142
THE TOPIC OF NETWORKS AND

5057
04:13:11,209 --> 04:13:12,644
INTEGRATION A BIT MORE BROADLY.

5058
04:13:12,710 --> 04:13:14,112
I'M FOLLOWING UP ON WHAT YOU

5059
04:13:14,178 --> 04:13:17,181
HEARD FROM A NUMBER OF SPEAKERS

5060
04:13:17,248 --> 04:13:18,283
THROUGHOUT THE LAST TWO DAYS

5061
04:13:18,349 --> 04:13:19,717
INCLUDING RENEE FLEMING'S

5062
04:13:19,784 --> 04:13:22,954
REMARKS THIS MORNING.

5063
04:13:23,021 --> 04:13:25,723
I HOPE BUT YOU WOULD AGREE

5064
04:13:25,790 --> 04:13:27,859
ULTIMATELY WE WANT TO SEE WHAT

5065
04:13:27,926 --> 04:13:31,195
IS HAPPENING WITH MUSIC AS

5066
04:13:31,262 --> 04:13:32,297
MEDICINE HAPPENED WITH OTHER ART

5067
04:13:32,363 --> 04:13:32,964
FORM.

5068
04:13:33,031 --> 04:13:35,466
DANCE WE HEARD ABOUT EARLIER AND

5069
04:13:35,533 --> 04:13:39,470
PAINTING AND ARCHITECTURE AND

5070
04:13:39,537 --> 04:13:41,806
ALL THE MANY FORMS OF ART

5071
04:13:41,873 --> 04:13:44,342
BECAUSE WHAT WE KNOW INTUITIVELY

5072
04:13:44,409 --> 04:13:45,877
IS THE ARTS CAN HELP IN

5073
04:13:45,944 --> 04:13:47,111
PREVENTING AND MANAGING AND

5074
04:13:47,178 --> 04:13:48,546
RECOVERING FROM PHYSICAL AND

5075
04:13:48,613 --> 04:13:49,681
MENTAL HEALTH CHALLENGES,

5076
04:13:49,747 --> 04:13:51,449
BUILDING MORE EQUITABLE

5077
04:13:51,516 --> 04:13:52,584
COMMUNITIES AND FOSTERING WELL

5078
04:13:52,650 --> 04:13:53,251
BEING.

5079
04:13:53,318 --> 04:13:55,219
TO DO THAT WE NEED THE

5080
04:13:55,286 --> 04:13:56,087
SCIENTIFIC RESEARCH WE'VE BEEN

5081
04:13:56,154 --> 04:13:57,889
HEARING ABOUT.

5082
04:13:57,956 --> 04:13:59,591
WE ALSO NEED THE EXPERIENCE AND

5083
04:13:59,657 --> 04:14:04,228
KNOWLEDGE OF ON THE GROUND

5084
04:14:04,295 --> 04:14:04,829
PRACTITIONERS.

5085
04:14:04,896 --> 04:14:06,164
WE NEED THE EDUCATIONAL AND

5086
04:14:06,230 --> 04:14:08,032
CAREER PATHWAYS AND NEED REAL

5087
04:14:08,099 --> 04:14:10,168
FUNDING AND STRONG LEADERSHIP.

5088
04:14:10,234 --> 04:14:13,004
IT'S ALL PART OF THE BURGEONING

5089
04:14:13,071 --> 04:14:22,213
FIELD OF NEURO ARTS AND HAVING

5090
04:14:22,280 --> 04:14:26,884
THEM BECOME PART OF A CENTRAL

5091
04:14:26,951 --> 04:14:27,986
HEALTH CARE POLICY CHRIS JUST

5092
04:14:28,052 --> 04:14:29,988
TALKED ABOUT.

5093
04:14:30,054 --> 04:14:32,924
THAT'S OUR ELEVATOR SPEECH.

5094
04:14:32,991 --> 04:14:35,460
RENEE FLEMING IS RIGHT WHEN SHE

5095
04:14:35,526 --> 04:14:37,295
SAID WE HAVE TO GET ME MESSAGE

5096
04:14:37,362 --> 04:14:43,301
DOWN CLEARLY AND SIMPLY SO MORE

5097
04:14:43,368 --> 04:14:44,669
THAN JUST US UNDERSTAND ALL

5098
04:14:44,736 --> 04:14:45,003
THAT.

5099
04:14:45,069 --> 04:14:47,205
THE NORTH STAR IS THE GOAL AND

5100
04:14:47,271 --> 04:14:47,772
PURPOSE OF THE BLUEPRINT

5101
04:14:47,839 --> 04:14:51,376
INITIATIVE THE PARTNERSHIP YOU

5102
04:14:51,442 --> 04:14:52,176
HEARD EARLIER TODAY BETWEEN THE

5103
04:14:52,243 --> 04:14:53,978
INTERNATIONAL ARTS AND MY LAB OF

5104
04:14:54,045 --> 04:14:56,814
THE JOHNS HOPKINS SCHOOL OF

5105
04:14:56,881 --> 04:14:58,016
MEDICINE AND HEALTH MEDICINE

5106
04:14:58,082 --> 04:14:59,550
SOCIETY PROGRAM OF THE ASPEN

5107
04:14:59,617 --> 04:14:59,984
INSTITUTE.

5108
04:15:00,051 --> 04:15:01,819
WE DEFINE NEURO ARTS AS THE

5109
04:15:01,886 --> 04:15:05,523
STUDY OF HOW THE ARTS MEASURABLY

5110
04:15:05,590 --> 04:15:07,125
CHANGE THE MIND, BODY AND

5111
04:15:07,191 --> 04:15:09,027
BEHAVIOR AND HOW IT'S TRANSLATED

5112
04:15:09,093 --> 04:15:11,896
TO SPECIFIC PRACTICES THAT

5113
04:15:11,963 --> 04:15:20,972
ADVANCE HEALTH AND WELL-BEING.

5114
04:15:21,039 --> 04:15:25,043
AND WE LOOK AT TECHNOLOGY AS

5115
04:15:25,109 --> 04:15:26,511
EQUAL PARTNERS TO ADVANCE AND I

5116
04:15:26,577 --> 04:15:28,179
THAT VIEW BEEN CLEARLY

5117
04:15:28,246 --> 04:15:29,447
DEMONSTRATED OVER THE LAST TWO

5118
04:15:29,514 --> 04:15:29,981
DAYS.

5119
04:15:30,048 --> 04:15:32,283
WE WANT EVEN MORE OF THAT WITH

5120
04:15:32,350 --> 04:15:34,085
MUSIC AND WE CERTAINLY WANT TO

5121
04:15:34,152 --> 04:15:35,653
SEE THAT KIND OF WORK EXPANDED

5122
04:15:35,720 --> 04:15:39,257
TO OTHER ART FORM AS WELL.

5123
04:15:39,323 --> 04:15:42,226
THE BLUEPRINT I JUST MENTIONED

5124
04:15:42,293 --> 04:15:44,128
PUT FORWARD FIVE CORE

5125
04:15:44,195 --> 04:15:45,797
RECOMMENDATIONS FOR THE FIELD OF

5126
04:15:45,863 --> 04:15:47,298
NEURO ARTS YOU'LL SEE ON THE

5127
04:15:47,365 --> 04:15:47,498
SLIDE.

5128
04:15:47,565 --> 04:15:48,833
FIRST WE HAVE TO STRENGTHEN THE

5129
04:15:48,900 --> 04:15:49,100
RESEARCH.

5130
04:15:49,167 --> 04:15:51,369
SECOND WE NEED TO HONOR AND

5131
04:15:51,436 --> 04:15:52,770
SUPPORT THE MANY ARTS PRACTICES

5132
04:15:52,837 --> 04:15:53,905
THAT PROMOTE HEALTH AND WELL

5133
04:15:53,971 --> 04:15:56,407
BEING AND THIRD WE NEED TO BUILD

5134
04:15:56,474 --> 04:15:58,042
AND EXPAND EDUCATIONAL AND

5135
04:15:58,109 --> 04:16:01,779
CAREER OPPORTUNITIES.

5136
04:16:01,846 --> 04:16:04,182
FOURTH, WE NEED TO GET

5137
04:16:04,248 --> 04:16:06,517
SUSTAINABLE FUNDING AND PROMOTE

5138
04:16:06,584 --> 04:16:07,485
RELEVANT POLICIES AND BUILD

5139
04:16:07,552 --> 04:16:08,152
CAPACITY AND LEADERSHIP WITH

5140
04:16:08,219 --> 04:16:18,663
COMMUNICATION STRATEGIES.

5141
04:16:26,170 --> 04:16:27,438
WE'RE IN THE PROCESS OF CREATE

5142
04:16:27,505 --> 04:16:32,076
VIRTUAL HUB FOR INFORMATION OF

5143
04:16:32,143 --> 04:16:33,177
ALL THINGS NEUROARTS AND

5144
04:16:33,244 --> 04:16:34,579
CONNECTIONS TO PRACTITIONERS AND

5145
04:16:34,645 --> 04:16:35,947
OTHER EXPERTS IN THE FIELD AND

5146
04:16:36,013 --> 04:16:39,283
CONFERENCES LIKE THIS ONE AND

5147
04:16:39,350 --> 04:16:39,984
OTHER NETWORKING PROGRAMS AND

5148
04:16:40,051 --> 04:16:43,988
FUNDING OPPORTUNITIES GOING

5149
04:16:44,055 --> 04:16:44,222
FORWARD.

5150
04:16:44,288 --> 04:16:45,656
THE TINY PRINT ON THE NEXT SLIDE

5151
04:16:45,723 --> 04:16:48,893
GIVES YOU AN IDEA OF THE DEPTH

5152
04:16:48,960 --> 04:16:50,995
AND BREADTH OF THE CENTER'S

5153
04:16:51,062 --> 04:16:52,196
WORK.

5154
04:16:52,263 --> 04:16:53,798
WE EXPECT TO LAUNCH THE CENTER

5155
04:16:53,865 --> 04:16:56,134
EARLY IN 2024.

5156
04:16:56,200 --> 04:16:57,668
WE EAGERLY AND DESPERATELY WANT

5157
04:16:57,735 --> 04:17:00,004
YOU TO SHARE ALL OF YOUR WORK

5158
04:17:00,071 --> 04:17:00,805
WITH THE CENTER.

5159
04:17:00,872 --> 04:17:02,373
WE VERY MUCH LOOK FORWARD TO

5160
04:17:02,440 --> 04:17:05,910
WORKING WITH YOU NOT ONLY TO

5161
04:17:05,977 --> 04:17:06,511
BUILD ON THE EXTRAORDINARY

5162
04:17:06,577 --> 04:17:08,079
EFFORTS DESCRIBED THROUGHOUT THE

5163
04:17:08,146 --> 04:17:09,814
LAST COUPLE OF DAYS BUT ALSO TO

5164
04:17:09,881 --> 04:17:13,818
BUILD THIS BURGEONING FIELD OF

5165
04:17:13,885 --> 04:17:15,820
NEUROARTS AND HELP ENSURE THE

5166
04:17:15,887 --> 04:17:18,022
ARTS IN ALL ITS MANY FORMS

5167
04:17:18,089 --> 04:17:19,423
BECOME PART OF MAINSTREAM

5168
04:17:19,490 --> 04:17:20,391
MEDICINE AND PUBLIC HEALTH.

5169
04:17:20,458 --> 04:17:30,902
THANKS FOR HAVING US HERE.

5170
04:17:32,503 --> 04:17:39,043
>> THREW TO  -- THANK YOU TO ALL

5171
04:17:39,110 --> 04:17:41,312
OUR PANELISTS AND I'D LIKE TO

5172
04:17:41,379 --> 04:17:44,382
OPEN IT UP TO QUESTIONS.

5173
04:17:44,448 --> 04:17:47,451
>> I APPRECIATED THE

5174
04:17:47,518 --> 04:17:51,556
REPRESENTATION OF COUNTY

5175
04:17:51,622 --> 04:17:57,161
GOVERNMENT HERE AND MY QUESTION

5176
04:17:57,228 --> 04:17:59,230
IS TO THE DIRECTORS OF THE

5177
04:17:59,297 --> 04:18:01,532
NETWORKS AND IT SEEMS NOT AS

5178
04:18:01,599 --> 04:18:03,267
MUCH AS WITH CITY OR COUNTY

5179
04:18:03,334 --> 04:18:07,471
GOVERNMENT AND I'M WONDERING TOE

5180
04:18:07,538 --> 04:18:09,807
WHAT EXTENT THAT WAS THOUGHT

5181
04:18:09,874 --> 04:18:16,848
ABOUT OR ATTEMPTED AND WHAT THE

5182
04:18:16,914 --> 04:18:23,988
OBSTACLES OR PERCEIVED OR REAL

5183
04:18:24,055 --> 04:18:27,692
ARE TO NODES TO THAT ALSO.

5184
04:18:27,758 --> 04:18:29,193
>> I'M GOING TO JUST SAY

5185
04:18:29,260 --> 04:18:32,563
SOMETHING REALLY QUICKLY.

5186
04:18:32,630 --> 04:18:35,433
SO AMAZINGLY ABOUT THE TIME THIS

5187
04:18:35,499 --> 04:18:38,102
WAS COMING THROUGH THE STATE AND

5188
04:18:38,169 --> 04:18:40,571
I'M INDIANA THE STATE OPIOID

5189
04:18:40,638 --> 04:18:43,074
RESPONSE TEAM CAME TO ME AND

5190
04:18:43,140 --> 04:18:45,810
ASKED IF WE WOULD CREATE A MUSIC

5191
04:18:45,877 --> 04:18:47,178
FEASIBILITY STUDY FOR THE OPIOID

5192
04:18:47,245 --> 04:18:48,746
USE DISORDER IN THEIR CLINIC.

5193
04:18:48,813 --> 04:18:50,781
WE HAVE BEEN WORKING WITH THEM

5194
04:18:50,848 --> 04:18:54,285
AS WELL AND SINCE MOST OF THOSE

5195
04:18:54,352 --> 04:18:55,286
PATIENTS ARE CHRONIC PAIN

5196
04:18:55,353 --> 04:18:57,321
PATIENTS, WE HOPE SOME OF THAT

5197
04:18:57,388 --> 04:19:03,127
WILL OVERLAP SO WE'RE ACTUALLY

5198
04:19:03,194 --> 04:19:04,996
STARTING TO WORK WITH THE STATE.

5199
04:19:05,062 --> 04:19:08,065
WE'LL BE BUILDING THOSE

5200
04:19:08,132 --> 04:19:10,701
INTERVENTIONS OUT AND LOOKING

5201
04:19:10,768 --> 04:19:12,603
MECHANISTICALLY AND FOLLOWS A

5202
04:19:12,670 --> 04:19:14,305
SIMILAR FRAME WOULD WORK WE

5203
04:19:14,372 --> 04:19:15,439
PROPOSED IN THE RESEARCH

5204
04:19:15,506 --> 04:19:15,740
NETWORK.

5205
04:19:15,806 --> 04:19:17,975
SO THANK YOU FOR ASKING THAT

5206
04:19:18,042 --> 04:19:18,242
QUESTION.

5207
04:19:18,309 --> 04:19:20,177
IT'S KIND OF BY CHANCE THAT

5208
04:19:20,244 --> 04:19:20,778
HAPPENED BUT IT'S WORKED OUT

5209
04:19:20,845 --> 04:19:26,284
PRETTY WELL.

5210
04:19:26,350 --> 04:19:31,122
>> THANK YOU PHOR  -- FOR THE

5211
04:19:31,188 --> 04:19:32,390
QUESTION, PETER.

5212
04:19:32,456 --> 04:19:34,492
WE ONLY HAVE 10 MINUTES AND WE

5213
04:19:34,558 --> 04:19:36,327
HAVE AN EMERGING COLLABORATION

5214
04:19:36,394 --> 04:19:38,329
WITH AARP I THINK I CAN MENTION

5215
04:19:38,396 --> 04:19:38,930
THAT HERE.

5216
04:19:38,996 --> 04:19:42,433
THAT'S OUR WHOLE IDEA IS TO WORK

5217
04:19:42,500 --> 04:19:43,968
WITH OUR STAKEHOLDER GROUPS AND

5218
04:19:44,035 --> 04:19:45,636
COMMUNITIES AND FAMILIES AND

5219
04:19:45,703 --> 04:19:47,171
THOSE LIVING WITH DEMENTIA AND

5220
04:19:47,238 --> 04:19:49,407
CARING AND BY PROXY THE

5221
04:19:49,473 --> 04:19:50,408
GOVERNMENT SYSTEMS.

5222
04:19:50,474 --> 04:19:52,043
YES, IT IS PART OF THE DESIGN.

5223
04:19:52,109 --> 04:19:54,011
WE HAVE AN EXTERNAL ADVISORY

5224
04:19:54,078 --> 04:19:56,147
BOARD PART OF THAT WILL BE BUT

5225
04:19:56,213 --> 04:19:58,482
IN OUR RETREAT WE'RE GOING TO BE

5226
04:19:58,549 --> 04:19:59,650
INVOLVING OLDER ABUTS LIVING

5227
04:19:59,717 --> 04:20:07,091
WITH DEMENTIA.

5228
04:20:07,158 --> 04:20:09,327
>> OUR EXEMPLAR CONDITION IS

5229
04:20:09,393 --> 04:20:10,628
SICKLE CELL DISEASE IN THE FIRST

5230
04:20:10,695 --> 04:20:13,331
TWO YEARS WE ALL HEARD THE GREAT

5231
04:20:13,397 --> 04:20:16,567
NEWS ABOUT CRISPR BEING

5232
04:20:16,634 --> 04:20:16,834
APPROVED.

5233
04:20:16,901 --> 04:20:19,103
I HEARD $3.2 MILLION TO TREAT

5234
04:20:19,170 --> 04:20:21,205
ONE PERSON SO THE SCALABILITY

5235
04:20:21,272 --> 04:20:21,672
WILL BE CHALLENGING.

5236
04:20:21,739 --> 04:20:24,475
WE HAVE A COMMUNITY-BASED

5237
04:20:24,542 --> 04:20:25,676
RELATIONSHIP IN SICKLE CELL

5238
04:20:25,743 --> 04:20:26,677
DISEASE.

5239
04:20:26,744 --> 04:20:28,179
WE'VE NOT GONE THE COMMUNITY

5240
04:20:28,245 --> 04:20:31,716
BENEFIT ROUTE BUT THE PATIENT

5241
04:20:31,782 --> 04:20:32,883
ROUTE AND CAN'T DO ALL THINGS

5242
04:20:32,950 --> 04:20:34,185
FOR ALL PEOPLE BUT WORKING WITH

5243
04:20:34,251 --> 04:20:37,989
THE PATIENTS IN NEED AND HAVE

5244
04:20:38,055 --> 04:20:41,692
THE DEBILITATING DISEASE AND

5245
04:20:41,759 --> 04:20:43,794
PAIN CONDITIONS ARE UNREMITTING.

5246
04:20:43,861 --> 04:20:45,229
WE WANT TO WORK WITH PATIENTS

5247
04:20:45,296 --> 04:20:47,431
FIRST BUT I THINK IT'S A FINE

5248
04:20:47,498 --> 04:20:47,631
IDEA.

5249
04:20:47,698 --> 04:20:54,005
THANKS.

5250
04:20:54,071 --> 04:21:00,778
>> I WANTED TO ADD IN THINKING

5251
04:21:00,845 --> 04:21:02,880
ABOUT THE WAY ALL THESE

5252
04:21:02,947 --> 04:21:03,748
DIFFERENT OUTREACH AND ACCESS

5253
04:21:03,814 --> 04:21:06,550
POINTS HAPPEN.

5254
04:21:06,617 --> 04:21:10,388
I THINK THERE ARE A MILLION

5255
04:21:10,454 --> 04:21:11,789
FLOWERS BLOOMING ALL OVER THE

5256
04:21:11,856 --> 04:21:15,126
WORLD WITH THE ARTS AND IT'S

5257
04:21:15,192 --> 04:21:18,095
SPECTACULAR AND ONE THING WITH

5258
04:21:18,162 --> 04:21:20,664
THE GROUP AND OTHERS THINK HOW

5259
04:21:20,731 --> 04:21:22,600
DO YOU WE'VE THESE TOGETHER.

5260
04:21:22,666 --> 04:21:25,002
THE POINT OF COMMUNITY IS

5261
04:21:25,069 --> 04:21:25,302
HYPERLOCAL.

5262
04:21:25,369 --> 04:21:30,408
THAT'S WHERE THE ACTION IS AND

5263
04:21:30,474 --> 04:21:31,175
THERE'S THE COMMUNITY NEUROARTS

5264
04:21:31,242 --> 04:21:33,444
COALITION AND BY THE END OF THIS

5265
04:21:33,511 --> 04:21:37,882
COUNT NEXT YEAR IS TO HAVE A

5266
04:21:37,948 --> 04:21:39,450
DYNAMIC TOOL KIT WHERE THERE'S

5267
04:21:39,517 --> 04:21:41,218
STEPS TO BE ABLE TO ACTIVATE

5268
04:21:41,285 --> 04:21:43,454
THEIR GOVERNMENTS, THEIR ARTS

5269
04:21:43,521 --> 04:21:46,123
ORGANIZATIONS AND THEIR SOCIAL

5270
04:21:46,190 --> 04:21:48,592
ORGANIZATIONS AND ARTISTS AND

5271
04:21:48,659 --> 04:21:50,494
RESEARCHERS AND THEY ALSO BECOME

5272
04:21:50,561 --> 04:21:51,462
PART OF A LEARNING COMMUNITY.

5273
04:21:51,529 --> 04:21:53,931
I THINK WHAT I LOVE ABOUT THIS

5274
04:21:53,998 --> 04:21:55,800
COMMUNITY IS THAT WE'RE ALL

5275
04:21:55,866 --> 04:21:56,067
LEARNERS.

5276
04:21:56,133 --> 04:21:57,568
WE WANT TO LEARN FROM EACH OTHER

5277
04:21:57,635 --> 04:22:00,871
BEING ABLE TO FIND WAYS TO COME

5278
04:22:00,938 --> 04:22:01,772
TOGETHER AND CONTINUALLY LEARN

5279
04:22:01,839 --> 04:22:04,408
WHETHER IT'S IN PERSON OR

5280
04:22:04,475 --> 04:22:05,076
DIGITALLY IS VALUABLE.

5281
04:22:05,142 --> 04:22:08,012
SO I THINK YOU'LL START TO SEE

5282
04:22:08,079 --> 04:22:10,815
MORE HYPERLOCAL COMMUNITIES HAVE

5283
04:22:10,881 --> 04:22:13,050
THE STRENGTH OF THOSE LOCAL

5284
04:22:13,117 --> 04:22:15,086
ENTITIES AND WHEN YOU CONNECT

5285
04:22:15,152 --> 04:22:17,054
ALL THOSE DOTS YOU CREATE THIS

5286
04:22:17,121 --> 04:22:19,924
FABRIC THAT STARTS TO COVER THE

5287
04:22:19,990 --> 04:22:22,827
PLANET AND WHERE I THINK WE'RE

5288
04:22:22,893 --> 04:22:23,060
HEADED.

5289
04:22:23,127 --> 04:22:27,298
>> ADD TO ADD TO WHAT SUZANNE

5290
04:22:27,364 --> 04:22:29,800
SAID WE HAVE THE SOCIAL

5291
04:22:29,867 --> 04:22:30,334
PRESCRIBING HANDBOOK

5292
04:22:30,401 --> 04:22:31,435
SPECIFICALLY DESIGN FOR LOCAL

5293
04:22:31,502 --> 04:22:41,712
COMMUNITIES.

5294
04:22:43,047 --> 04:22:44,548
>> WE WANT POLICY TO BENEFIT THE

5295
04:22:44,615 --> 04:22:45,416
WORLD BUT RESOURCES ARE A

5296
04:22:45,483 --> 04:22:54,391
DEFINITE PROBLEM.

5297
04:22:54,458 --> 04:22:54,959
EVERYONE HERE HAS ALREADY

5298
04:22:55,025 --> 04:22:56,193
BROUGHT IN AND WE FEEL GREAT

5299
04:22:56,260 --> 04:22:59,063
WHEN WE LEAVE BUT THERE'S A

5300
04:22:59,130 --> 04:23:01,198
WHOLE WORLD OF PEOPLE THAT DON'T

5301
04:23:01,265 --> 04:23:02,900
NECESSARILY AGREE IT'S A

5302
04:23:02,967 --> 04:23:03,167
PRIORITY.

5303
04:23:03,234 --> 04:23:04,869
YOU HAVE TO ROLL OUT THESE KINDS

5304
04:23:04,935 --> 04:23:05,803
OF OBJECTIVES AND AGENDAS IN A

5305
04:23:05,870 --> 04:23:10,307
STRATEGIC PASSION.

5306
04:23:10,374 --> 04:23:12,343
AS A PLEDGING GROUP OF NETWORKS

5307
04:23:12,409 --> 04:23:13,744
I THINK ALL OF US WITH

5308
04:23:13,811 --> 04:23:16,947
ASPIRATION WOULD LOVE THE IDEA

5309
04:23:17,014 --> 04:23:17,581
GOVERNMENT OFFICIALS ARE WAITING

5310
04:23:17,648 --> 04:23:19,016
TO HEAR WHAT WE HAVE TO TELL

5311
04:23:19,083 --> 04:23:20,818
THEM BUT THE TRUTH IS WE HAVE TO

5312
04:23:20,885 --> 04:23:23,354
ALSO COME UP WITH THE GOODS.

5313
04:23:23,420 --> 04:23:25,956
RIGHT NEW WE'RE ASSEMBLING THE

5314
04:23:26,023 --> 04:23:27,258
GOODS AND HAVE TO ORGANIZE THE

5315
04:23:27,324 --> 04:23:29,126
WAY TO DISSEMINATE THE

5316
04:23:29,193 --> 04:23:31,929
INFORMATION IN A WAY THAT'S

5317
04:23:31,996 --> 04:23:32,229
ACTIONABLE.

5318
04:23:32,296 --> 04:23:34,331
I THINK IT'S QUITE COMPLICATED.

5319
04:23:34,398 --> 04:23:39,236
>> IF I CAN ADD AS A COUNTY

5320
04:23:39,303 --> 04:23:39,904
REPRESENTATIVE TO SAY A COUPLE

5321
04:23:39,970 --> 04:23:40,571
THINGS.

5322
04:23:40,638 --> 04:23:42,006
IN MY OWN DEPARTMENT WE'RE

5323
04:23:42,072 --> 04:23:43,174
PARTNERING AND COLLABORATING

5324
04:23:43,240 --> 04:23:44,575
WITH A NUMBER OF NETWORKS AND

5325
04:23:44,642 --> 04:23:47,278
DIFFERENT FOLKS.

5326
04:23:47,344 --> 04:23:48,712
I MENTIONED SOME OF OUR OWN

5327
04:23:48,779 --> 04:23:51,282
COUNTY DEPARTMENTS AND WHEN HAVE

5328
04:23:51,348 --> 04:23:54,251
YOU THE LARGEST DEPARTMENT OF

5329
04:23:54,318 --> 04:23:55,386
PUBLIC HEALTH IN THE COUNTY WE

5330
04:23:55,452 --> 04:23:58,789
PARTNER WITH THEM AND INHERENT

5331
04:23:58,856 --> 04:24:01,258
IS THE ARTS AND MY WHOLE

5332
04:24:01,325 --> 04:24:03,494
DEPARTMENT IS 50 PEOPLE AND

5333
04:24:03,561 --> 04:24:04,495
PARTNER WITH A BEHEMOTH LIKE

5334
04:24:04,562 --> 04:24:09,633
THAT AND THE CAPACITY IS ALSO

5335
04:24:09,700 --> 04:24:11,468
THE CAPACITY IS THE

5336
04:24:11,535 --> 04:24:12,636
COLLABORATION AND THE MEETINGS

5337
04:24:12,703 --> 04:24:18,008
AND ENSURING THERE IS EQUITABLE

5338
04:24:18,075 --> 04:24:19,443
CAPACITY ON THE ARTS SIDE FOR

5339
04:24:19,510 --> 04:24:20,811
WHAT THAT IS FOR COLLABORATION

5340
04:24:20,878 --> 04:24:24,982
AND WE HAVE COLLABORATIONS WITH

5341
04:24:25,049 --> 04:24:26,750
UCLA ARTS AND HEALING IN OUR

5342
04:24:26,817 --> 04:24:28,886
YOUTH WORK AS WELL AS WE'VE BEEN

5343
04:24:28,953 --> 04:24:29,987
PARTICIPATING IN L.A. COUNTY HAS

5344
04:24:30,054 --> 04:24:31,388
A SUICIDE PREVENTION NETWORK.

5345
04:24:31,455 --> 04:24:34,058
WE'VE BEEN INTEGRATING THE ARTS

5346
04:24:34,124 --> 04:24:36,393
INTO THEIR ANNUAL SUMMIT FOR

5347
04:24:36,460 --> 04:24:38,429
PRACTITIONERS KNOWING THAT IS

5348
04:24:38,495 --> 04:24:39,129
SOMETHING THAT YOUNG FOLKS CAN

5349
04:24:39,196 --> 04:24:42,833
HOLD ON TO.

5350
04:24:42,900 --> 04:24:46,403
WE'RE DOING IT IN INFORMAL WAYS

5351
04:24:46,470 --> 04:24:49,406
AND EXCITED ABOUT CREATING A

5352
04:24:49,473 --> 04:24:50,841
MORE FORMALIZED L.A. HEALTH

5353
04:24:50,908 --> 04:24:52,042
ALLIANCE OR NETWORK AND LOOKING

5354
04:24:52,109 --> 04:24:53,978
TO BUILD MORE ON THAT.

5355
04:24:54,044 --> 04:25:04,188
THANKS.

5356
04:25:08,859 --> 04:25:16,400
>> A LISTENED TO SCIENTISTS AND

5357
04:25:16,467 --> 04:25:17,801
THEY'RE SITTING THERE TALKING

5358
04:25:17,868 --> 04:25:19,737
ABOUT DECADES OF THINGS THEY'VE

5359
04:25:19,803 --> 04:25:21,438
DONE AND THE COMMUNITY DOESN'T

5360
04:25:21,505 --> 04:25:23,240
KNOW ABOUT, DOESN'T CARE ABOUT

5361
04:25:23,307 --> 04:25:24,942
IT OR INVEST IN IT AND THESE ARE

5362
04:25:25,009 --> 04:25:30,047
FEDERAL DOLLARS FROM TAXPAYERS

5363
04:25:30,114 --> 04:25:31,081
FUNDING THEM.

5364
04:25:31,148 --> 04:25:35,619
AND WHAT WE INVESTED AND

5365
04:25:35,686 --> 04:25:36,353
DISCUSSED WAS HAVE THEM HIRE

5366
04:25:36,420 --> 04:25:39,456
COMMUNITY HEALTH WORKERS.

5367
04:25:39,523 --> 04:25:47,498
THE NIEHS SAID USE YOUR CHWs TO

5368
04:25:47,564 --> 04:25:49,633
DISSEMINATE THE WORK BUT GET IT

5369
04:25:49,700 --> 04:25:53,237
OUT IN THE PUBLIC SPHERE AND HOW

5370
04:25:53,304 --> 04:25:55,439
DO YOU GUYS GET YOUR WORK OUT TO

5371
04:25:55,506 --> 04:26:00,411
THE COMMUNITY?

5372
04:26:00,477 --> 04:26:02,313
>> WE HAVE DIRECT COMMUNICATION

5373
04:26:02,379 --> 04:26:04,248
FROM PEOPLE INVOLVED IN OUR

5374
04:26:04,315 --> 04:26:04,648
STUDIES.

5375
04:26:04,715 --> 04:26:06,016
WE DO FOCUS GROUPS AND ASK THEM

5376
04:26:06,083 --> 04:26:07,918
WHAT THEY THINK IS IMPORTANT TO

5377
04:26:07,985 --> 04:26:09,119
STUDY IN THE LOCAL COMMUNITY,

5378
04:26:09,186 --> 04:26:10,754
SHARE WITH THEM WHAT OUR TOOLS

5379
04:26:10,821 --> 04:26:12,222
AND RESOURCES ARE AND GAUGE FROM

5380
04:26:12,289 --> 04:26:13,891
THEM DIRECTLY WHAT'S IMPORTANT

5381
04:26:13,957 --> 04:26:15,559
TO ASK AND THAT I THINK TAKES

5382
04:26:15,626 --> 04:26:17,494
CARE OF A LOT OF THE BACK END

5383
04:26:17,561 --> 04:26:18,662
BECAUSE WE KNOW IT'S SOMETHING

5384
04:26:18,729 --> 04:26:19,363
THEY'RE INTERESTED IN AND WANT

5385
04:26:19,430 --> 04:26:22,566
TO KNOW WHAT THE RESULTS ARE.

5386
04:26:22,633 --> 04:26:26,270
WE MEET WITH THEM AND SHARE THAT

5387
04:26:26,337 --> 04:26:27,037
DIRECTLY WITH THE PEOPLE WHO ARE

5388
04:26:27,104 --> 04:26:35,045
A PART OF WHAT'S GOING ON.

5389
04:26:35,112 --> 04:26:38,482
>> IT'S PUBLICATIONS AND

5390
04:26:38,549 --> 04:26:38,816
PRESENTATIONS.

5391
04:26:38,882 --> 04:26:49,426
SO I THINK MAYBE IT'S ACTUALLY

5392
04:26:57,368 --> 04:26:58,402
REVISING AND THEY'LL HELP

5393
04:26:58,469 --> 04:26:59,503
DISSEMINATE THE RESULT AND MAKE

5394
04:26:59,570 --> 04:27:00,771
THE THING WE'RE FOCUSSING ON

5395
04:27:00,838 --> 04:27:07,177
MAKE SENSE TO PATIENTS.

5396
04:27:07,244 --> 04:27:09,413
BEFORE WE START THE STUDY WE'LL

5397
04:27:09,480 --> 04:27:16,487
TALK TO THEM WHAT IS IMPORTANT.

5398
04:27:16,553 --> 04:27:27,097
>> AND COMMUNITY OF VOICES DRIED

5399
04:27:27,765 --> 04:27:28,265
AND WE FORMED A COLLABORATION

5400
04:27:28,332 --> 04:27:30,834
FROM THE ONSET OF THE STUDY.

5401
04:27:30,901 --> 04:27:35,439
WE DID THE SCIENCE WHICH WAS TO

5402
04:27:35,506 --> 04:27:36,840
LOOK AT THE IMPACT OF SINGING IN

5403
04:27:36,907 --> 04:27:40,210
A CHOIR FOR OLDER ADULTS AND THE

5404
04:27:40,277 --> 04:27:40,744
PARTNERSHIP BETWEEN THE

5405
04:27:40,811 --> 04:27:41,678
DEPARTMENT OF AGING AND

5406
04:27:41,745 --> 04:27:42,679
COMMUNITY CENTER HAS CONTINUED

5407
04:27:42,746 --> 04:27:43,781
TO THIS DAY AFTER I THINK EIGHT

5408
04:27:43,847 --> 04:27:47,951
YEARS.

5409
04:27:48,018 --> 04:27:53,290
THEY'VE EXPANDED THE NUMBER OF

5410
04:27:53,357 --> 04:27:58,796
CHOIRS AND NOW OFFER 15 OR 16 IN

5411
04:27:58,862 --> 04:28:03,133
ADDITION TO PROVIDE IING AND VO

5412
04:28:03,200 --> 04:28:05,903
IN SAN FRANCISCO FOR A DIGNITY

5413
04:28:05,969 --> 04:28:08,472
FUND TO FUND THAT AND THAT MODEL

5414
04:28:08,539 --> 04:28:19,082
CAN BE REPLICATED GO TO COV.UCSF

5415
04:28:20,717 --> 04:28:31,028
AND YOU CAN SEE THAT.

5416
04:28:34,298 --> 04:28:39,436
>> IT'S NOT BY DESIGN BUT THE

5417
04:28:39,503 --> 04:28:40,304
CULTURE IS DIFFERENT AND HOW

5418
04:28:40,370 --> 04:28:42,039
MANY HAVE FAMILY MEMBERS NOT IN

5419
04:28:42,105 --> 04:28:46,109
SCIENCE THAT COULD NAME ONE

5420
04:28:46,176 --> 04:28:47,044
CITATION IN THE PAST 10 YEARS?

5421
04:28:47,110 --> 04:28:48,545
PEOPLE DON'T KNOW WHAT

5422
04:28:48,612 --> 04:28:49,012
SCIENTISTS ARE DOING.

5423
04:28:49,079 --> 04:28:50,981
WE NEED A NEW LANGUAGE AND NEED

5424
04:28:51,048 --> 04:28:54,184
TO TAKE ADVANTAGE OF THE NEW

5425
04:28:54,251 --> 04:28:56,086
TECHNOLOGIES NOW PERVASIVE

5426
04:28:56,153 --> 04:28:56,653
EVERYWHERE.

5427
04:28:56,720 --> 04:28:57,855
THERE'S A BETTER WAY TO

5428
04:28:57,921 --> 04:28:59,223
COMMUNICATE OUR FINDINGS AND THE

5429
04:28:59,289 --> 04:29:00,791
PURPOSE IS TO BE THE TRANSLATING

5430
04:29:00,858 --> 04:29:02,826
MEDIUM TO HELP SCIENTISTS --

5431
04:29:02,893 --> 04:29:03,293
THEY'RE IN THE LAB.

5432
04:29:03,360 --> 04:29:05,362
THEY'RE NOT TRYING TO FIGURE OUT

5433
04:29:05,429 --> 04:29:07,331
AS YOU SAID LEARN HOW TO PUBLIC

5434
04:29:07,397 --> 04:29:09,867
SPEAK AND I THINK THE IDEA WE

5435
04:29:09,933 --> 04:29:12,603
COULD SPOTLIGHT KEY FINDINGS OR

5436
04:29:12,669 --> 04:29:15,572
TRANSLATE THEM SO THEY'RE MORE

5437
04:29:15,639 --> 04:29:17,307
DIGESTIBLE AND FIGURE OUT

5438
04:29:17,374 --> 04:29:18,008
WHETHER ANYBODY KNOWS WHAT IT

5439
04:29:18,075 --> 04:29:22,246
MEANS.

5440
04:29:22,312 --> 04:29:23,881
>> THE ONLY THING I WAS GOING TO

5441
04:29:23,947 --> 04:29:26,683
ADD IS JUST TO SAY FROM A POLICY

5442
04:29:26,750 --> 04:29:28,619
POINT OF VIEW AS A POLICY MAKER

5443
04:29:28,685 --> 04:29:30,020
AND SOMEONE WORKING CLOSELY WITH

5444
04:29:30,087 --> 04:29:31,455
ELECTED OFFICIALS THEY WANT TO

5445
04:29:31,522 --> 04:29:34,691
KNOW YOU KNOW THE RIGOR AND THE

5446
04:29:34,758 --> 04:29:35,092
BACKGROUND.

5447
04:29:35,158 --> 04:29:37,394
THEY DON'T NEED TO KNOW ALL THAT

5448
04:29:37,461 --> 04:29:38,662
AND WILL SOMETIMES SAY STOP.

5449
04:29:38,729 --> 04:29:39,329
WE GET IT.

5450
04:29:39,396 --> 04:29:42,332
NOW LET'S TALK ABOUT HOW.

5451
04:29:42,399 --> 04:29:43,567
HOW CAN WE IMPLEMENT.

5452
04:29:43,634 --> 04:29:47,437
I DO ENCOURAGE THAT FROM THE

5453
04:29:47,504 --> 04:29:47,871
POLICY MAKING SIDE.

5454
04:29:47,938 --> 04:29:53,310
>> I LOVE THIS PANEL.

5455
04:29:53,377 --> 04:29:58,982
>> CHARLES, MY MOTHER CITES DARK

5456
04:29:59,049 --> 04:30:01,618
CHOCOLATE BEING GOOD FOR YOU ALL

5457
04:30:01,685 --> 04:30:01,885
THE TIME.

5458
04:30:01,952 --> 04:30:03,954
IT CAN GET DARK UP HERE.

5459
04:30:04,021 --> 04:30:06,290
I WANT TO SAY AND I KNOW WE GOT

5460
04:30:06,356 --> 04:30:09,760
THIS STREAMING VIDEO HAPPENING I

5461
04:30:09,826 --> 04:30:14,264
HEARD TODAY THAT GWENETH PALTROW

5462
04:30:14,331 --> 04:30:15,198
HAS INSTAGRAMED OUR MEETING.

5463
04:30:15,265 --> 04:30:17,534
SHE MILLIONS AND MILLIONS OF

5464
04:30:17,601 --> 04:30:20,470
PEOPLE THAT ARE IN HER NETWORK

5465
04:30:20,537 --> 04:30:23,240
AND SO THAT'S AMAZING TO ME,

5466
04:30:23,307 --> 04:30:23,607
RIGHT.

5467
04:30:23,674 --> 04:30:26,643
IF GWENETH IS LISTENING, SPREAD

5468
04:30:26,710 --> 04:30:28,679
THE WORD BECAUSE THAT MAKES A

5469
04:30:28,745 --> 04:30:28,979
DIFFERENCE.

5470
04:30:29,046 --> 04:30:31,448
SO WE NEED AWARENESS AND WE NEED

5471
04:30:31,515 --> 04:30:33,884
ACTION BUT WE REALLY NEED THE

5472
04:30:33,951 --> 04:30:36,019
GRASSROOTS GENERAL PUBLIC TO GET

5473
04:30:36,086 --> 04:30:37,454
BEHIND THIS BECAUSE THAT'S ALSO

5474
04:30:37,521 --> 04:30:39,456
HOW POLICY CHANGES HAPPEN.

5475
04:30:39,523 --> 04:30:42,159
I THINK WE'RE ON THE CUSP OF A

5476
04:30:42,225 --> 04:30:43,427
CULTURAL REVOLUTION WHERE IT MAY

5477
04:30:43,493 --> 04:30:44,828
NOT COME FROM THE TOP DOWN BUT

5478
04:30:44,895 --> 04:30:46,163
IT'S COMING FROM ALL OF US AND

5479
04:30:46,229 --> 04:30:48,532
ALL THE PEOPLE WE KNOW AND SO

5480
04:30:48,599 --> 04:30:50,500
I'M THE GLASS HALF FULL PERSON

5481
04:30:50,567 --> 04:30:53,003
IN THE ROOM BUT I THINK IT'S AN

5482
04:30:53,070 --> 04:30:53,670
AMAZING TIME.

5483
04:30:53,737 --> 04:31:03,513
THANK YOU GWENETH.

5484
04:31:05,449 --> 04:31:06,583
>> FAR LEFT AND IN THE INTEREST

5485
04:31:06,650 --> 04:31:09,720
OF GET TO THE QUESTIONS WE'LL

5486
04:31:09,786 --> 04:31:10,687
HAVE TO GO LIGHTNING ROUND

5487
04:31:10,754 --> 04:31:11,154
STYLE.

5488
04:31:11,221 --> 04:31:18,862
>> I WAS WANTING TO INTRODUCE

5489
04:31:18,929 --> 04:31:22,499
YOUNG ADULTS INTO THE

5490
04:31:22,566 --> 04:31:23,133
CONVERSATION.

5491
04:31:23,200 --> 04:31:24,234
I WORK ON PROGRAMS AND DO EIGHT

5492
04:31:24,301 --> 04:31:25,669
OF INTERVIEWS WITH THEM.

5493
04:31:25,736 --> 04:31:27,504
I WOULD SAY WELL OVER HALF OF

5494
04:31:27,571 --> 04:31:32,442
THEM WANT TO WORK AT THIS

5495
04:31:32,509 --> 04:31:33,877
INTERSECTION.

5496
04:31:33,944 --> 04:31:38,482
WELL OVER HALF HAVE

5497
04:31:38,548 --> 04:31:39,449
ENTREPRENEURIAL BUSINESSES BUT

5498
04:31:39,516 --> 04:31:42,686
WORK IN A LANDSCAPE WHERE THE

5499
04:31:42,753 --> 04:31:44,721
ARTS IS NOT OPEN TO THEM BUT WE

5500
04:31:44,788 --> 04:31:47,090
HAVE TO FIGURE OUT WHAT THE

5501
04:31:47,157 --> 04:31:52,529
OPENINGS ARE TO CAPTURE THAT

5502
04:31:52,596 --> 04:31:58,669
ENERGY AND DETERMINATION AND

5503
04:31:58,735 --> 04:32:00,771
HIGH SCHOOLS ARE CHANGING THEIR

5504
04:32:00,837 --> 04:32:03,073
CURRICULA TO HAVE CREDIT

5505
04:32:03,140 --> 04:32:09,913
INTERNSHIPS, PRESSED FOR THAT IN

5506
04:32:09,980 --> 04:32:12,349
YOUR COMMUNITIES.

5507
04:32:12,416 --> 04:32:13,984
HOST THEM AND ASKED THEM TO JOIN

5508
04:32:14,051 --> 04:32:15,452
THE CONVERSATION.

5509
04:32:15,519 --> 04:32:20,657
MAYORS IN CITIES FUND YOUTH

5510
04:32:20,724 --> 04:32:22,392
EMPLOYMENT PROGRAMS TO THE

5511
04:32:22,459 --> 04:32:22,592
GILLS.

5512
04:32:22,659 --> 04:32:26,663
MOST OF THEM ARE PUSHING CARTS

5513
04:32:26,730 --> 04:32:27,130
AND ANSWERING PHONES.

5514
04:32:27,197 --> 04:32:31,401
IT'S UP TO THIS COMMUNITY TO

5515
04:32:31,468 --> 04:32:36,506
OPEN UP LABS, MUSEUMS RESEARCH

5516
04:32:36,573 --> 04:32:38,008
FACILITIES TO THOSE YOUNG PEOPLE

5517
04:32:38,075 --> 04:32:39,609
CONSISTENTLY TO MOVE UP INTO

5518
04:32:39,676 --> 04:32:40,811
THIS WORLD.

5519
04:32:40,877 --> 04:32:43,280
>> I HAVE TWO THINGS I WANT TO

5520
04:32:43,346 --> 04:32:43,947
SAY ABOUT THAT.

5521
04:32:44,014 --> 04:32:46,183
MY GRANT JOB AS A DEPARTMENT

5522
04:32:46,249 --> 04:32:47,451
CHAIR OF MUSIC AND ARTS

5523
04:32:47,517 --> 04:32:51,722
TECHNOLOGY AND SCHOOL OF

5524
04:32:51,788 --> 04:32:52,389
ENGINEERING TECHNOLOGY AND EVERY

5525
04:32:52,456 --> 04:32:57,594
YEAR I HAVE TO GO TO THE

5526
04:32:57,661 --> 04:32:58,228
ACCREDITING BODY MEETING IT'S

5527
04:32:58,295 --> 04:33:05,402
THE NATIONAL ASSOCIATION FOR

5528
04:33:05,469 --> 04:33:07,537
SCHOOLS OF MUSIC AND THE

5529
04:33:07,604 --> 04:33:09,072
CONVERSATION WAS GETTING MORE

5530
04:33:09,139 --> 04:33:13,610
PEOPLE INTO THEE ARTS AND MUSIC

5531
04:33:13,677 --> 04:33:18,415
SPECIFICALLY SO THERE'S THAT AND

5532
04:33:18,482 --> 04:33:20,283
WHAT INDIANA DID THIS YEAR WAS

5533
04:33:20,350 --> 04:33:23,453
CREATED A LOVELY PROGRAM CALLED

5534
04:33:23,520 --> 04:33:27,290
ONE R.I.P. WHICH WAS A LITTLE

5535
04:33:27,357 --> 04:33:28,692
AFRAID UP MEANING RESEARCH

5536
04:33:28,759 --> 04:33:30,761
IMMERSION PROGRAM FOR FIRST-YEAR

5537
04:33:30,827 --> 04:33:31,128
STUDENTS.

5538
04:33:31,194 --> 04:33:35,432
STRAIGHT OUT OF HIGH SCHOOL

5539
04:33:35,499 --> 04:33:36,700
STUDENTS.

5540
04:33:36,767 --> 04:33:41,505
I HAVE FIVE OF THEM AND THEY'VE

5541
04:33:41,571 --> 04:33:45,008
BEEN DOING THE ABSTRACT AND

5542
04:33:45,075 --> 04:33:46,343
TITLE REVIEW AND THEY HAVE BEEN

5543
04:33:46,409 --> 04:33:47,644
GOING THROUGH AND DOING THIS

5544
04:33:47,711 --> 04:33:49,713
WORK AND THEY'RE REALLY SUPER

5545
04:33:49,780 --> 04:33:50,080
EXCITED.

5546
04:33:50,147 --> 04:33:51,982
THEY'RE LIKE CAN WE KEEP DOING

5547
04:33:52,048 --> 04:33:52,282
THIS?

5548
04:33:52,349 --> 04:33:53,650
THEY'RE EXCITED TO GET IN THE

5549
04:33:53,717 --> 04:33:55,452
RESEARCH AND READ IT AND SEE

5550
04:33:55,519 --> 04:34:00,023
WHAT'S POSSIBLE.

5551
04:34:00,090 --> 04:34:01,858
THERE'S WAYS WE CAN -- THERE ARE

5552
04:34:01,925 --> 04:34:03,326
BROADER COMMUNICATIONS IN THE

5553
04:34:03,393 --> 04:34:07,264
ACADEMIC SITUATIONS TRYING TO

5554
04:34:07,330 --> 04:34:10,300
BROADEN THE PLANS AND WILL HELP

5555
04:34:10,367 --> 04:34:11,201
SOLVE SOME OF THAT.

5556
04:34:11,268 --> 04:34:11,701
>> THANK YOU SO MUCH.

5557
04:34:11,768 --> 04:34:13,069
IT'S A GREAT PROBLEM TO HAVE

5558
04:34:13,136 --> 04:34:15,438
WE'RE GOING TO RUN OUT OF TIME.

5559
04:34:15,505 --> 04:34:16,506
BACK TO THE CENTER WE HAVE TIME

5560
04:34:16,573 --> 04:34:18,708
FOR ONE OR TWO MORE QUESTIONS.

5561
04:34:18,775 --> 04:34:19,743
>> THANK YOU, EVERYONE.

5562
04:34:19,810 --> 04:34:21,111
IT'S AN EXCITING PANEL AND ALL

5563
04:34:21,178 --> 04:34:22,846
THE DIFFERENT NETWORKS ARE

5564
04:34:22,913 --> 04:34:23,113
EXCITING.

5565
04:34:23,180 --> 04:34:27,584
WE'VE HEARD A LOT TODAY ON ON

5566
04:34:27,651 --> 04:34:30,020
EVERYTHING FROM PERSONALIZED

5567
04:34:30,086 --> 04:34:31,788
HEALTH TO INDIVIDUAL

5568
04:34:31,855 --> 04:34:33,089
INTERVENTIONS AND LAB-BASED

5569
04:34:33,156 --> 04:34:34,791
EXPERIMENTS FOR OUTCOMES AND

5570
04:34:34,858 --> 04:34:36,626
THEN WE'VE HEARD ABOUT EXPANDING

5571
04:34:36,693 --> 04:34:38,261
OUT INTO OTHER ART FORM.

5572
04:34:38,328 --> 04:34:40,530
THE ARTS ARE NOT A MONOLITH AND

5573
04:34:40,597 --> 04:34:42,699
MUSIC NOT A MONOLITH, INDIVIDUAL

5574
04:34:42,766 --> 04:34:47,437
FORM OF MUSIC LIKELY HAVE

5575
04:34:47,504 --> 04:34:49,372
INDIVIDUAL AFFECTS ON INDIVIDUAL

5576
04:34:49,439 --> 04:34:52,008
HUMANS AND HOW DO WE THINK WHAT

5577
04:34:52,075 --> 04:34:56,213
IS FOUNDATIONAL AND CROSS

5578
04:34:56,279 --> 04:34:59,983
CUTTING AND THINK ABOUT

5579
04:35:00,050 --> 04:35:02,385
MULTI-ARTS NETWORKS AND

5580
04:35:02,452 --> 04:35:02,719
INTERVENTION.

5581
04:35:02,786 --> 04:35:03,987
JUST A SMALL QUESTION.

5582
04:35:04,054 --> 04:35:04,955
>> IT'S A QUESTION THESE

5583
04:35:05,021 --> 04:35:11,328
NETWORKS WILL HELP ANSWER.

5584
04:35:11,394 --> 04:35:13,163
WE'RE TALKING ABOUT THE

5585
04:35:13,230 --> 04:35:15,866
INDIVIDUALIZED TREATMENTS,

5586
04:35:15,932 --> 04:35:20,570
PRECISION MEDICINE AND HOW THAT

5587
04:35:20,637 --> 04:35:21,671
WORKS.

5588
04:35:21,738 --> 04:35:24,040
HOW WHAT WORKS FOR WHOM WHEN IS

5589
04:35:24,107 --> 04:35:28,211
THE QUESTION AND SO I THINK IN

5590
04:35:28,278 --> 04:35:29,913
THE LONG TERM AS WE START LAYING

5591
04:35:29,980 --> 04:35:31,448
OUT THE FOUNDATIONS THAT WE'LL

5592
04:35:31,514 --> 04:35:33,116
BE ABLE TO START ADDRESSING SOME

5593
04:35:33,183 --> 04:35:36,620
OF THOSE ISSUES ACROSS.

5594
04:35:36,686 --> 04:35:38,288
>> FOR THE LAST QUESTION I'M

5595
04:35:38,355 --> 04:35:40,290
SORRY BUT WE'LL GO TO THE RIGHT

5596
04:35:40,357 --> 04:35:42,025
HERE.

5597
04:35:42,092 --> 04:35:49,900
>> MAGGIE MORE IS FROM NIAD.

5598
04:35:49,966 --> 04:35:53,003
GOING BACK TO YOUR QUESTION OR

5599
04:35:53,069 --> 04:35:54,037
POINT YESTERDAY ABOUT

5600
04:35:54,104 --> 04:35:54,905
COMMUNITY-LEVEL ENGAGEMENT AND

5601
04:35:54,971 --> 04:35:56,139
THINKING ABOUT THE CHURCHES BUT

5602
04:35:56,206 --> 04:35:58,842
NOT THE INDIVIDUAL CHURCHES.

5603
04:35:58,909 --> 04:36:03,146
I'M THINKING GOING TO LIKE THE

5604
04:36:03,213 --> 04:36:03,880
PRESBYTERIAN ASSOCIATION OF

5605
04:36:03,947 --> 04:36:06,049
MUSICIANS HAS A WORSHIP AND

5606
04:36:06,116 --> 04:36:07,450
MUSIC CONCERT EVERY SUMMER AND

5607
04:36:07,517 --> 04:36:09,419
OTHER RELIGIONS HAVE THEIR OWN

5608
04:36:09,486 --> 04:36:10,420
MUSIC CONFERENCES WHERE YOU

5609
04:36:10,487 --> 04:36:14,991
WOULD HAVE A CRITICAL MASS OF

5610
04:36:15,058 --> 04:36:16,626
MUSIC DIRECTORS FROM MUSIC

5611
04:36:16,693 --> 04:36:19,062
ACROSS THE COUNTRY YOU CAN SHARE

5612
04:36:19,129 --> 04:36:20,563
THE NETWORKS WITH AND EXPAND

5613
04:36:20,630 --> 04:36:24,334
YOUR REACH BY A TARGETED NOT A

5614
04:36:24,401 --> 04:36:27,237
WHOLE LOT OF TIME OUTPUT MAYBE A

5615
04:36:27,304 --> 04:36:28,939
WEEK BUT SHARE THE INFORMATION

5616
04:36:29,005 --> 04:36:30,340
IN THAT CONTEXT THAT THEY COULD

5617
04:36:30,407 --> 04:36:31,474
THEN TAKE BACK TO THEIR

5618
04:36:31,541 --> 04:36:33,476
COMMUNITIES AND HOPEFULLY WORK

5619
04:36:33,543 --> 04:36:34,110
WITH YOU AND EXPAND THAT REACH

5620
04:36:34,177 --> 04:36:41,985
THAT WAY.

5621
04:36:42,052 --> 04:36:45,922
>> I AM A LITTLE BABY AT HOWARD.

5622
04:36:45,989 --> 04:36:51,127
I'VE ONLY BEEN THERE AT HOWARD'S

5623
04:36:51,194 --> 04:36:53,029
A WHILE WITH AND I'VE BEEN ASKED

5624
04:36:53,096 --> 04:36:55,298
TO SPEAK AT A CONFERENCE IN

5625
04:36:55,365 --> 04:36:57,867
JANUARY AND HAVE SPOKEN THIS

5626
04:36:57,934 --> 04:37:01,905
PAST SUMMER AT A SOCIAL WORK AND

5627
04:37:01,972 --> 04:37:03,239
SERVICES COORDINATOR, NATIONAL

5628
04:37:03,306 --> 04:37:03,940
SERVICES COORDINATOR CONFERENCE

5629
04:37:04,007 --> 04:37:05,342
AND THEY'VE INVITED ME BACK TO

5630
04:37:05,408 --> 04:37:07,877
SPEAK IN THEIR JULY STREAMING

5631
04:37:07,944 --> 04:37:09,012
CONFERENCE AND THERE ARE OPTIONS

5632
04:37:09,079 --> 04:37:09,679
OUT THERE.

5633
04:37:09,746 --> 04:37:16,619
IT'S REALLY BEING CREATIVE AND

5634
04:37:16,686 --> 04:37:19,422
WHO DO WE COLLABORATE WORK AND

5635
04:37:19,489 --> 04:37:21,124
BEING SILOED CREATES BURNOUT AND

5636
04:37:21,191 --> 04:37:22,726
DISDAIN AND WE DON'T WANT THAT.

5637
04:37:22,792 --> 04:37:24,227
WE WANT TO YOU CONTINUE THE WORK

5638
04:37:24,294 --> 04:37:25,729
FOR LONGEVITY.

5639
04:37:25,795 --> 04:37:27,130
AND EVEN MY UNDER GRADS THEIR

5640
04:37:27,197 --> 04:37:30,400
FIRST CLINICAL PLACEMENT IS A

5641
04:37:30,467 --> 04:37:31,434
COLLABORATIVE PLACEMENT WITH OUR

5642
04:37:31,501 --> 04:37:33,136
SPEECH AND LANGUAGE PATHOLOGY

5643
04:37:33,203 --> 04:37:33,803
MASTER STUDENTS.

5644
04:37:33,870 --> 04:37:36,039
THEY DO COLLABORATIVE WORK WITH

5645
04:37:36,106 --> 04:37:37,574
CLIENTS ON CAMPUS.

5646
04:37:37,640 --> 04:37:40,744
THINK OF THE PLACES YOU ARE

5647
04:37:40,810 --> 04:37:43,446
WORKING AS PROFESSIONALS AND

5648
04:37:43,513 --> 04:37:44,647
GIVE THE OPPORTUNITIES AND REACH

5649
04:37:44,714 --> 04:37:46,516
OUT TO THOSE PEOPLE.

5650
04:37:46,583 --> 04:37:47,984
THEY RARELY SAY KNOW WHEN YOU

5651
04:37:48,051 --> 04:37:49,219
SAY I'M GOING TO DO MUSIC WITH

5652
04:37:49,285 --> 04:37:50,387
YOUR MEMBERS.

5653
04:37:50,453 --> 04:37:54,391
WE HAD A BUNCH OF NON-MUSICIANS

5654
04:37:54,457 --> 04:37:56,292
THAT PROVIDE SERVICES FOR OLDER

5655
04:37:56,359 --> 04:37:58,161
ADULTS IN THE COMMUNITY ACROSS

5656
04:37:58,228 --> 04:38:03,566
THE COUNTRY USING BOOM ROCKERS

5657
04:38:03,633 --> 04:38:05,835
AND SHELLS AND EGG SHAKERS AND

5658
04:38:05,902 --> 04:38:07,437
THERE WAS POSITIVITY HOW DO I

5659
04:38:07,504 --> 04:38:08,738
GET THIS IN MY SPACE?

5660
04:38:08,805 --> 04:38:10,673
IT'S A CONSTANT LAYERING.

5661
04:38:10,740 --> 04:38:12,842
IT'S A GREAT IDEA TO SEE WHERE

5662
04:38:12,909 --> 04:38:16,513
IS MUSIC INNATE AND WHERE WE CAN

5663
04:38:16,579 --> 04:38:16,813
INFILTRATE.

5664
04:38:16,880 --> 04:38:18,681
>> I THINK ONE THING THAT WOULD

5665
04:38:18,748 --> 04:38:20,183
BE A USEFUL FRAME IS TO THINK

5666
04:38:20,250 --> 04:38:22,118
ABOUT OUR WORK AS SYSTEMS

5667
04:38:22,185 --> 04:38:23,453
CHANGE.

5668
04:38:23,520 --> 04:38:24,788
ESPECIALLY IN THE WORK WE'RE

5669
04:38:24,854 --> 04:38:27,424
DOING IN ARTS EDUCATION WE'RE

5670
04:38:27,490 --> 04:38:31,428
THINKING ABOUT THE NON-PROFIT

5671
04:38:31,494 --> 04:38:32,929
ART SECTOR AND PHILANTHROPY IS A

5672
04:38:32,996 --> 04:38:33,897
SYSTEM AND IN ARTS EDUCATION

5673
04:38:33,963 --> 04:38:37,467
WE'RE WORKING ON CROSS-LITERALLY

5674
04:38:37,534 --> 04:38:38,935
ALMOST 80 SCHOOL DISTRICTS IN

5675
04:38:39,002 --> 04:38:41,337
L.A. COUNTY TO REACH AND IMPACT

5676
04:38:41,404 --> 04:38:42,472
THE LIVES OF 1.5 MILLION

5677
04:38:42,539 --> 04:38:44,107
STUDENTS BUT DON'T DO THAT BY

5678
04:38:44,174 --> 04:38:44,941
TALKING TO EVERY STUDENT.

5679
04:38:45,008 --> 04:38:48,545
WE DO THAT BY CONVENING THE ARTS

5680
04:38:48,611 --> 04:38:49,879
COORDINATORS ACROSS AND PARTNER

5681
04:38:49,946 --> 04:38:50,914
WITH THE L.A. COUNTY OF

5682
04:38:50,980 --> 04:38:52,115
EDUCATION SO WHEN THEY'RE

5683
04:38:52,182 --> 04:38:52,382
CONVENING.

5684
04:38:52,449 --> 04:38:55,752
THE SAME THINGS COULD APPLY AND

5685
04:38:55,819 --> 04:38:58,588
WHILE I DON'T PARTICULARLY FUND

5686
04:38:58,655 --> 04:39:00,423
CHURCHES, FOR EXAMPLE, BUT I SEE

5687
04:39:00,490 --> 04:39:02,092
THAT IN LINE WITH WHAT COULD BE

5688
04:39:02,158 --> 04:39:04,227
A PUBLIC HEALTH APPROACH TO

5689
04:39:04,294 --> 04:39:04,427
ARTS.

5690
04:39:04,494 --> 04:39:06,463
YOU HAVE TO MEET PEOPLE WHERE

5691
04:39:06,529 --> 04:39:09,365
THEY ARE AND THE ARTS ARE

5692
04:39:09,432 --> 04:39:10,667
HAPPENING IN COMMUNITY AND DAILY

5693
04:39:10,733 --> 04:39:11,101
LIFE.

5694
04:39:11,167 --> 04:39:13,970
>> ONE FINAL COMMENT FROM

5695
04:39:14,037 --> 04:39:14,270
CHRISTOPHER.

5696
04:39:14,337 --> 04:39:16,706
>> A NUMBER OF PEOPLE INCLUDING

5697
04:39:16,773 --> 04:39:20,410
NATE AND EARLIER HAVE MENTIONED

5698
04:39:20,477 --> 04:39:24,981
CALLING FOR ACCESS TO THE ARTS,

5699
04:39:25,048 --> 04:39:27,417
ARTS EDUCATION AND ARTISTIC

5700
04:39:27,484 --> 04:39:31,654
INSTITUTIONS TO CALL FOR IT TO

5701
04:39:31,721 --> 04:39:35,125
BE A RIGHT.

5702
04:39:35,191 --> 04:39:39,362
IT ALREADY IS A RIGHT IN THE

5703
04:39:39,429 --> 04:39:42,432
1949 U.N. CHARTER FOR HUMAN

5704
04:39:42,499 --> 04:39:42,665
RIGHTS.

5705
04:39:42,732 --> 04:39:44,100
LOOK IT UP AND CITE IT BECAUSE

5706
04:39:44,167 --> 04:39:44,801
IT CAN HELP.

5707
04:39:44,868 --> 04:39:47,036
>> THANK YOU FOR THE PANELISTS.

5708
04:39:47,103 --> 04:39:48,304
IT'S A WONDERFUL CONVERSATION.

5709
04:39:48,371 --> 04:39:49,672
HOPEFULLY JUST THE START BECAUSE

5710
04:39:49,739 --> 04:39:51,975
WE CLEARLY HAVE SO MUCH MORE TO

5711
04:39:52,041 --> 04:39:52,509
TALK ABOUT.

5712
04:39:52,575 --> 04:39:55,445
SO NOW I'LL BE TURNING IT OVER

5713
04:39:55,512 --> 04:39:58,014
TO SUSAN TO INTRODUCE OUR

5714
04:39:58,081 --> 04:39:58,281
PERFORMER.

5715
04:39:58,348 --> 04:39:59,282
WE CAN ALL MAKE OUR WAY BACK TO

5716
04:39:59,349 --> 04:40:00,416
THE AUDIENCE.

5717
04:40:00,483 --> 04:40:03,353
>> I WAS GOING TO SAY WE'LL GO

5718
04:40:03,419 --> 04:40:04,854
AHEAD AND MOVE OUT.

5719
04:40:04,921 --> 04:40:08,024
SO WHILE WE'RE WAITING FOR

5720
04:40:08,091 --> 04:40:10,160
PEOPLE TO MOVE OUT, I WAS

5721
04:40:10,226 --> 04:40:11,628
THINKING THIS MORNING HOW

5722
04:40:11,694 --> 04:40:14,564
BEAUTIFUL RENEE'S KEY NOTE WAS.

5723
04:40:14,631 --> 04:40:16,799
ONE THING WE CAN ALL DO TOMORROW

5724
04:40:16,866 --> 04:40:19,435
OR MONDAY OR AS SOON AS WE GET

5725
04:40:19,502 --> 04:40:20,770
THE TAPE THAT RENEE WILL EDIT

5726
04:40:20,837 --> 04:40:23,373
BEFORE IT GOES OUT IS TO SHARE

5727
04:40:23,439 --> 04:40:25,742
THAT KEYNOTE WITH YOUR

5728
04:40:25,808 --> 04:40:26,109
COMMUNITIES.

5729
04:40:26,176 --> 04:40:27,210
COLLECTIVELY WE HAVE THOUSANDS

5730
04:40:27,277 --> 04:40:29,879
AND THOUS ANDS OF PEOPLE WE ALL

5731
04:40:29,946 --> 04:40:33,049
REACH AND I THINK THE KEYNOTE

5732
04:40:33,116 --> 04:40:34,384
BEAUTIFULLY ILLUSTRATED WHAT

5733
04:40:34,450 --> 04:40:37,287
WE'RE ABOUT AND HOPE TO DO.

5734
04:40:37,353 --> 04:40:39,189
I'M HOPING WITH NIH'S PER

5735
04:40:39,255 --> 04:40:41,224
MISSION WE CAN GET THE KEYNOTE

5736
04:40:41,291 --> 04:40:46,496
AND SHARE THAT AND WOULD BE

5737
04:40:46,563 --> 04:40:47,964
GREAT NEXT STEP.

5738
04:40:48,031 --> 04:40:50,500
I AM SUCH A BEHOLDER AND

5739
04:40:50,567 --> 04:40:51,701
GRATEFUL TO BEHOLD THE MEETING

5740
04:40:51,768 --> 04:40:54,037
AND BE PART OF IT AND BEEN

5741
04:40:54,103 --> 04:40:55,171
HONORED TO DO THAT.

5742
04:40:55,238 --> 04:40:57,340
WHEN I WAS ASKED TO INTRODUCE

5743
04:40:57,407 --> 04:40:59,209
FRED JOHNSON I WAS HUMBLED

5744
04:40:59,275 --> 04:41:04,047
BECAUSE FRED IS A WORLD RENOWNED

5745
04:41:04,113 --> 04:41:05,982
JAZZ MUSICIAN AND ALSO SOMEONE

5746
04:41:06,049 --> 04:41:11,020
WHO IS THE HEAD OF ARTS AND

5747
04:41:11,087 --> 04:41:14,791
HEALTH AT THE STRAZ THEATRE IN

5748
04:41:14,857 --> 04:41:19,062
TAMPA, FLORIDA AND AMAZINGLY

5749
04:41:19,128 --> 04:41:20,163
BEAUTIFUL HUMAN BEING.

5750
04:41:20,230 --> 04:41:21,397
YESTERDAY SOMEONE SHARED THIS

5751
04:41:21,464 --> 04:41:25,468
BEAUTIFUL THOUGHT I LOVE SOMEONE

5752
04:41:25,535 --> 04:41:27,003
SAID, IF SOMEONE TELLS WHAT YOU

5753
04:41:27,070 --> 04:41:29,839
IS GOING TO HAPPEN AND THAT'S

5754
04:41:29,906 --> 04:41:33,176
NOT A SURPRISE AND SO I WANT YOU

5755
04:41:33,243 --> 04:41:34,877
TO HAVE A PROFOUND EXPERIENCE.

5756
04:41:34,944 --> 04:41:37,580
I'M NOT GOING SAY MORE ABOUT

5757
04:41:37,647 --> 04:41:37,780
FRED.

5758
04:41:37,847 --> 04:41:40,483
OTHER THAN TO SAY THAT I THINK

5759
04:41:40,550 --> 04:41:43,019
YOU ARE IN FOR SOMETHING VERY

5760
04:41:43,086 --> 04:41:43,253
SPECIAL.

5761
04:41:43,319 --> 04:41:47,223
FRED IS ALSO SOMEONE WHO

5762
04:41:47,290 --> 04:41:51,794
PRACTICES THE AFRICAN JOLE

5763
04:41:51,861 --> 04:41:54,764
TRADITION AND EXCITED TO SAR

5764
04:41:54,831 --> 04:41:55,398
THAT WITH YOU AS REREFLECTED ON

5765
04:41:55,465 --> 04:41:57,367
THE MEETING IN THE LAST TWO

5766
04:41:57,433 --> 04:41:57,800
DAYS.

5767
04:41:57,867 --> 04:42:03,439
WITH THAT PLEASE JOIN ME IN

5768
04:42:03,506 --> 04:42:13,916
WELCOMING FRED JOHNSON.

5769
04:42:44,180 --> 04:42:45,014
BREATHE IN, BREATHE OUT.

5770
04:42:45,081 --> 04:42:55,491
BREATHE IN, BREATHE OUT.

5771
04:42:58,528 --> 04:43:04,967
♪ THEY TELL US IT'S SONG OF THE

5772
04:43:05,034 --> 04:43:05,401
BREATH.

5773
04:43:05,468 --> 04:43:06,869
A MOMENT WE ALL SING TOGETHER

5774
04:43:06,936 --> 04:43:08,671
THE MOMENT WE COME INTO THIS

5775
04:43:08,738 --> 04:43:16,379
LIVING PLACE UNTIL WE TRANSC

5776
04:43:16,446 --> 04:43:17,447
TRANSC

5777
04:43:17,513 --> 04:43:17,747
TRANSCEND ♪

5778
04:43:17,814 --> 04:43:19,449
♪ WHAT WE HAVE IS A GREAT

5779
04:43:19,515 --> 04:43:21,117
OPPORTUNITY AS WE BUILD A BRIDGE

5780
04:43:21,184 --> 04:43:26,689
BETWEEN WHAT YOU KNOW AND WHAT

5781
04:43:26,756 --> 04:43:37,166
WE DO AS ARTISTS AND ♪

5782
04:43:37,934 --> 04:43:48,111
♪ LONG AGO ♪

5783
04:45:06,656 --> 04:45:08,357
♪ I'VE TAKEN NOTES AND NOTES AND

5784
04:45:08,424 --> 04:45:10,560
IT'S ALL AMAZING ♪

5785
04:45:10,626 --> 04:45:15,298
♪ WHAT YOU GIVE US IS AN

5786
04:45:15,364 --> 04:45:15,665
UNDERSTANDING ♪

5787
04:45:15,731 --> 04:45:22,104
♪ WE AS ARTISTS CAN TAKE

5788
04:45:22,171 --> 04:45:23,773
SOMETHING WE'VE KNOWN WAY DEEP

5789
04:45:23,840 --> 04:45:24,640
IN SIDE OF US ♪

5790
04:45:24,707 --> 04:45:30,513
♪ WE CAN NOW TALK ABOUT IN A

5791
04:45:30,580 --> 04:45:32,048
DIFFERENT WAY ♪

5792
04:45:32,114 --> 04:45:35,485
♪ EACH AND EVERY DAY THOUSANDS

5793
04:45:35,551 --> 04:45:39,188
AND THOUSANDS OF PEOPLE GOING

5794
04:45:39,255 --> 04:45:42,558
INTO THE THEATRE AND THEN TO

5795
04:45:42,625 --> 04:45:48,264
CONCERT HALLS TO HEAR AND FEEL

5796
04:45:48,331 --> 04:45:53,402
MUSIC, MUSIC OF THE SYMPHONY ♪

5797
04:45:53,469 --> 04:45:56,939
♪ MUSIC OF THE DRUM, OH ♪

5798
04:45:57,006 --> 04:45:58,908
♪ WHAT WE CAN DO IS HELP THEM

5799
04:45:58,975 --> 04:46:06,516
REALIZE THAT MUSIC IS NOT ONLY

5800
04:46:06,582 --> 04:46:09,318
ENTERTAINMENT BUT IT'S A WAY FOR

5801
04:46:09,385 --> 04:46:12,655
YOU TO AWAKEN THE NATURAL

5802
04:46:12,722 --> 04:46:17,560
MEDICINES DEEP INSIDE THE BODY ♪

5803
04:46:17,627 --> 04:46:21,764
♪ AND I KNOW THAT SEROTONIN AND

5804
04:46:21,831 --> 04:46:26,035
DOPAMINE AND CORTISOL IS THE WAY

5805
04:46:26,102 --> 04:46:26,802
TO GO ♪

5806
04:46:26,869 --> 04:46:30,506
♪ I'M RECOGNIZING THAT THERE'S

5807
04:46:30,573 --> 04:46:35,478
NO MUSIC AREA IN THE BRAIN BUT

5808
04:46:35,545 --> 04:46:40,082
WHEN YOU MERGE MUSIC AND MERGE

5809
04:46:40,149 --> 04:46:40,783
SPEECH ♪

5810
04:46:40,850 --> 04:46:43,185
♪ SPEECH CHANGES AND FEEL IT IN

5811
04:46:43,252 --> 04:46:44,887
A DIFFERENT WAY ♪

5812
04:46:44,954 --> 04:46:50,092
♪ THE PITCH AND WAVE FORMS THAT

5813
04:46:50,159 --> 04:46:51,460
MUSIC CREATES ♪

5814
04:46:51,527 --> 04:46:58,034
♪ HELPS MUSIC TO EVOKE MEMORY ♪

5815
04:46:58,100 --> 04:47:00,169
♪ WHOA, THERE'S ALSO AUTO

5816
04:47:00,236 --> 04:47:05,474
BIOGRAPHICAL TRYIIGGERS THAT

5817
04:47:05,541 --> 04:47:07,076
AFFECT US IN SO MANY WAYS ♪

5818
04:47:07,143 --> 04:47:13,616
♪ THE BRAIN, THE BODY AND MENTAL

5819
04:47:13,683 --> 04:47:17,620
HEALTH ARE ALL A PART OF CYCLE

5820
04:47:17,687 --> 04:47:19,455
OF HEALING ♪

5821
04:47:19,522 --> 04:47:24,226
♪ MUSIC AS MEDICINE, MUSIC AS

5822
04:47:24,293 --> 04:47:26,929
MEDICINE, MUSIC AS MEDICINE ♪

5823
04:47:26,996 --> 04:47:30,600
♪ HELPING US TO HEAL BUT WITHOUT

5824
04:47:30,666 --> 04:47:33,970
THE DATA IT'S HARD TO TELL THE

5825
04:47:34,036 --> 04:47:38,040
STORY CAUSE PEOPLE WILL SAY OH,

5826
04:47:38,107 --> 04:47:38,975
THAT'S JUST WHAT YOUR SAYING

5827
04:47:39,041 --> 04:47:40,676
BECAUSE YOU'RE AN ARTIST ♪

5828
04:47:40,743 --> 04:47:45,147
♪ YOU GET UP ON THE STAGE AND

5829
04:47:45,214 --> 04:47:47,216
MAKE PEOPLE STYLE BUT WE CAN NOW

5830
04:47:47,283 --> 04:47:52,588
TELL THEM THAT IT'S MEDICINE ALL

5831
04:47:52,655 --> 04:47:53,055
THE WHILE ♪

5832
04:47:53,122 --> 04:47:56,959
♪ IT'S HELPING TO HEAL, HELPING

5833
04:47:57,026 --> 04:48:02,632
TO HEAL, HELPING US TO

5834
04:48:02,698 --> 04:48:06,969
UNDERSTAND THAT ALL OF THE

5835
04:48:07,036 --> 04:48:08,204
RESEARCH THAT YOU DO ♪

5836
04:48:08,270 --> 04:48:11,574
♪ ALL THE TRIALS AND

5837
04:48:11,641 --> 04:48:15,478
TRIBULATIONS HELP US TO KNOW

5838
04:48:15,544 --> 04:48:19,281
THAT MUSIC AND ART IN ALL OF ITS

5839
04:48:19,348 --> 04:48:19,515
FORMS ♪

5840
04:48:19,582 --> 04:48:23,519
♪ CAN HELP US TO HEAL AND THE

5841
04:48:23,586 --> 04:48:27,757
WORLD TRANSFORM INTO A MORE

5842
04:48:27,823 --> 04:48:29,425
LOVING PLACE ♪

5843
04:48:29,492 --> 04:48:31,060
♪ A MORE HEALTHY PLACE ♪

5844
04:48:31,127 --> 04:48:35,431
♪ A PLACE WHERE DOCTORS AND

5845
04:48:35,498 --> 04:48:37,933
NURSES AND RESEARCHERS AND

5846
04:48:38,000 --> 04:48:41,070
DRUMMERS LIKE ME ARE SPEAKING

5847
04:48:41,137 --> 04:48:42,738
THE SAME LANGUAGE ♪

5848
04:48:42,805 --> 04:48:46,308
♪ MUSIC AS MEDICINE, THAT'S THE

5849
04:48:46,375 --> 04:48:48,110
WAY WE HEAL ♪

5850
04:48:48,177 --> 04:48:51,013
♪ MUSIC ADDS MEDICINE, THAT'S

5851
04:48:51,080 --> 04:48:51,580
HOW WE HEAL ♪

5852
04:48:51,647 --> 04:48:55,985
♪ TAKING THE BEST OF SCIENCE,

5853
04:48:56,052 --> 04:48:58,888
TAKING THE BEST OF RESEARCH,

5854
04:48:58,954 --> 04:49:00,790
TAKING THE BEST OF CULTURE,

5855
04:49:00,856 --> 04:49:03,926
TAKING THE BEST OF HISTORY ♪

5856
04:49:03,993 --> 04:49:08,330
♪ AND BRINGING IT ALL TOGETHER

5857
04:49:08,397 --> 04:49:13,903
LIKE VICTOR SAID, WHAT IF WE

5858
04:49:13,969 --> 04:49:18,407
ACTUALLY ASKED MUSIC WHAT DO YOU

5859
04:49:18,474 --> 04:49:20,943
THINK SHE'D TELL US US, I

5860
04:49:21,010 --> 04:49:23,312
IMAGINE SHE'S TELL US TO KEEP

5861
04:49:23,379 --> 04:49:25,247
DOING WHAT WE'RE DOING ♪

5862
04:49:25,314 --> 04:49:28,350
♪ I IMAGINE SHE'D TELL US, TO

5863
04:49:28,417 --> 04:49:31,921
KEEP USING YOUR MINDS ♪

5864
04:49:31,987 --> 04:49:39,462
♪ I IMAGINE SHE'D TELL US TO

5865
04:49:39,528 --> 04:49:42,898
OPEN UP OUR HEARTS AND REALIZE

5866
04:49:42,965 --> 04:49:45,634
THAT TOGETHER WE'RE STRONGER ♪

5867
04:49:45,701 --> 04:49:49,338
♪ TOGETHER WE'RE WISE AND THE

5868
04:49:49,405 --> 04:49:52,808
MESSAGE WE'RE SHARING CAN COME

5869
04:49:52,875 --> 04:49:56,045
TO LIFE WHEN SPEAKING AS ONE WE

5870
04:49:56,112 --> 04:49:56,579
TOUCH THE WHOLE WORLD ♪

5871
04:49:56,645 --> 04:50:03,352
♪ HELPING TO ARE REMEMBER THAT

5872
04:50:03,419 --> 04:50:07,523
CREATIVITY IS A HEALING THING ♪

5873
04:50:07,590 --> 04:50:13,028
♪ MUSIC AND ART CAN HELP US TO

5874
04:50:13,095 --> 04:50:16,832
BE FROM THE INSIDE-OUT MORE

5875
04:50:16,899 --> 04:50:17,066
ALIVE ♪

5876
04:50:17,133 --> 04:50:19,201
♪ SO THAT YOU FOR ALL YOU DO MY

5877
04:50:19,268 --> 04:50:23,906
FRIENDS AND I COMMIT MYSELF TO

5878
04:50:23,973 --> 04:50:28,644
SPREADING THE MESSAGE SO SOME

5879
04:50:28,711 --> 04:50:33,149
DAY FOR SURE YOU'LL WALK UP TO

5880
04:50:33,215 --> 04:50:39,288
THE CLINIC AND WALK UP TO THE

5881
04:50:39,355 --> 04:50:42,625
THEATRE AND WALK UP TO YOUR

5882
04:50:42,691 --> 04:50:45,961
FRIENDS IN THE NEIGHBORHOOD ♪

5883
04:50:46,028 --> 04:50:49,999
♪ AND KNOW SOME DAY, SOME DAY,

5884
04:50:50,065 --> 04:50:56,639
SOMEONE WILL SAY, ASK YOUR

5885
04:50:56,705 --> 04:51:02,678
DOCTOR IF MUSIC THERAPY IS RIGHT

5886
04:51:02,745 --> 04:51:02,945
FOR YOU ♪

5887
04:51:03,012 --> 04:51:13,088
♪

5888
04:51:40,149 --> 04:51:43,018
>> WELL, WE'VE HAD SOME TOUGH

5889
04:51:43,085 --> 04:51:44,386
ACTS TO FOLLOW AND THANK YOU,

5890
04:51:44,453 --> 04:51:46,889
DR. JOHNSON.

5891
04:51:46,956 --> 04:51:48,724
BUT, WE HAVE ANOTHER WONDERFUL

5892
04:51:48,791 --> 04:51:52,528
NI HER RIGHT HERE, DR. DEBORAH

5893
04:51:52,595 --> 04:51:54,063
TUCCI THE DIRECTOR OF THE

5894
04:51:54,129 --> 04:51:55,698
NATIONAL INSTITUTE ON DEAFNESS

5895
04:51:55,764 --> 04:51:56,632
AND OTHER COMMUNICATION

5896
04:51:56,699 --> 04:51:58,234
DISORDERS AND SHE'S GOING TO

5897
04:51:58,300 --> 04:51:59,869
SHARE SOME SPECIAL REMARKS AS WE

5898
04:51:59,935 --> 04:52:03,973
KIND OF COME OFF THE HIGH OF

5899
04:52:04,039 --> 04:52:06,075
THAT MOMENT AND I TURN IT OVER

5900
04:52:06,141 --> 04:52:06,542
TO YOU, DR. TUCCI.

5901
04:52:06,609 --> 04:52:11,013
>> THANK YOU.

5902
04:52:11,080 --> 04:52:11,847
>> THANK YOU.

5903
04:52:11,914 --> 04:52:15,150
WHEN I WAS INVITED TO COME HERE

5904
04:52:15,217 --> 04:52:16,518
TODAY AND PRESENT A COUPLE OF

5905
04:52:16,585 --> 04:52:19,455
REMARKS I HAD NO IDEA I WAS IN

5906
04:52:19,521 --> 04:52:23,726
FOR SUCH A TREAT.

5907
04:52:23,792 --> 04:52:25,294
THANK YOU FOR PUTTING ON THE

5908
04:52:25,361 --> 04:52:25,694
WONDERFUL PROGRAM.

5909
04:52:25,761 --> 04:52:27,396
I'VE LOVED IT.

5910
04:52:27,463 --> 04:52:29,598
WE HEARD MUCH TODAY AND

5911
04:52:29,665 --> 04:52:32,534
YESTERDAY ABOUT THE BENEFITS OF

5912
04:52:32,601 --> 04:52:33,669
MUSIC FOR HEALTH.

5913
04:52:33,736 --> 04:52:35,237
IT ADDS COLOR AND RICHNESS TO

5914
04:52:35,304 --> 04:52:37,172
LIFE AND CONNECTS US THROUGH OUR

5915
04:52:37,239 --> 04:52:37,606
SHARED PASSION AND

5916
04:52:37,673 --> 04:52:42,111
APPRECIATIONS.

5917
04:52:42,177 --> 04:52:51,053
NOW I ASK YOU TO IMAGINE TO

5918
04:52:51,120 --> 04:52:55,624
THINK WHAT IT WOULD BE LIKE NOT

5919
04:52:55,691 --> 04:52:58,160
TO HEAR MUSIC EITHER DEAF FROM

5920
04:52:58,227 --> 04:53:00,996
BIRTH OR THE MUSIC YOU ENJOYED

5921
04:53:01,063 --> 04:53:02,231
IS SLOWLY SLIPPING AWAY AND THE

5922
04:53:02,298 --> 04:53:04,133
LITTLE YOU'RE ABLE TO HEAR IS

5923
04:53:04,199 --> 04:53:06,101
DISTORTED BEYOND RECOGNITION.

5924
04:53:06,168 --> 04:53:08,270
FOR THOSE WITH SEVERE HEARING

5925
04:53:08,337 --> 04:53:18,948
LOSS, HEARING AVED -- AIDS AND

5926
04:53:19,014 --> 04:53:21,216
COCHLEAR IMPLANTS CAN HELP BUT

5927
04:53:21,283 --> 04:53:31,460
MUSIC WITHTHE THTHE THTHESE  --

5928
04:53:31,527 --> 04:53:40,970
DEVICES LEAVES THEM LACKING AND

5929
04:53:41,036 --> 04:53:43,138
WITH OTHER MECHANISMS THE

5930
04:53:43,205 --> 04:53:48,177
NATIONAL INSTITUTE ON DEAFNESS

5931
04:53:48,243 --> 04:53:49,578
AND OTHER COMMUNICATION DISORDER

5932
04:53:49,645 --> 04:53:57,486
S FUNDED RESEARCH AND EXAMPLES

5933
04:53:57,553 --> 04:54:03,459
OF RESEARCH SUPPORTED BY NIDCD

5934
04:54:03,525 --> 04:54:09,932
SUCH AS THE STUDY OF

5935
04:54:09,999 --> 04:54:13,268
NEUROSCIENCE AND ANALYZE COMPLEX

5936
04:54:13,335 --> 04:54:14,203
SOUNDS INCLUDING MUSIC.

5937
04:54:14,269 --> 04:54:18,107
WE HEARD ABOUT THE USE OF MUSIC

5938
04:54:18,173 --> 04:54:19,475
AND IMPROVING TREATMENT AND

5939
04:54:19,541 --> 04:54:24,113
MUSIC AND RHYTHM TO TREAT

5940
04:54:24,179 --> 04:54:25,981
ATYPICAL LANGUAGE DEVELOPMENT

5941
04:54:26,048 --> 04:54:30,119
AND IMPROVE HEARING AID AND

5942
04:54:30,185 --> 04:54:31,854
COCHLEAR IMPLANT FOR HEARING

5943
04:54:31,920 --> 04:54:35,391
PERCEPTION AND NIDCD SUPPORTS

5944
04:54:35,457 --> 04:54:40,095
TRAINING IN VARIOUS TYPE OF

5945
04:54:40,162 --> 04:54:41,096
MUSIC RESEARCH.

5946
04:54:41,163 --> 04:54:47,269
ONE EXAMPLE IS FOR A PROJECT

5947
04:54:47,336 --> 04:54:47,936
CALLED MUSICALITY AND HEARING

5948
04:54:48,003 --> 04:54:54,676
AND GENETIC PROJECT.

5949
04:54:54,743 --> 04:54:58,414
IT INVESTIGATES MUSICAL APTITUDE

5950
04:54:58,480 --> 04:55:01,450
AND OLDER ADULTS USING

5951
04:55:01,517 --> 04:55:04,720
COMPUTATIONAL GENOMICS AND

5952
04:55:04,787 --> 04:55:07,022
HEALTH BIO BANKS AND HUMAN

5953
04:55:07,089 --> 04:55:10,459
MUSICALITY TRAITS IN LARGE

5954
04:55:10,526 --> 04:55:13,062
COHORTS OF ADULTS HAVE YOU FOR

5955
04:55:13,128 --> 04:55:14,963
THE OPPORTUNITY TO MAKE A FEW

5956
04:55:15,030 --> 04:55:18,467
COMMENTS AND BE PART OF THIS

5957
04:55:18,534 --> 04:55:19,768
EXCITING INITIATIVE AND I LOOK

5958
04:55:19,835 --> 04:55:23,772
FORWARD TO THE REST OF THE

5959
04:55:23,839 --> 04:55:30,813
PROGRAM.

5960
04:55:30,879 --> 04:55:32,481
>> THE NEXT PERSON WHO IS GOING

5961
04:55:32,548 --> 04:55:35,250
TO OFFER A FEW REMARKS IS

5962
04:55:35,317 --> 04:55:37,319
DR. WOYCHIK THE DIRECTOR OF THE

5963
04:55:37,386 --> 04:55:39,621
NATIONAL INSTITUTE OF

5964
04:55:39,688 --> 04:55:41,957
ENVIRONMENTAL HEALTH SCIENCES SO

5965
04:55:42,024 --> 04:55:48,797
PLEASE WELCOME TO THE STAGE,

5966
04:55:48,864 --> 04:55:50,599
DR. WOYCHIK

5967
04:55:50,666 --> 04:55:52,534
>> IT'S A REAL HONOR AND I'M THE

5968
04:55:52,601 --> 04:55:55,204
DIRECTOR OF THE INSTITUTE YOU

5969
04:55:55,270 --> 04:55:57,406
JUST HEARD ABOUT IN DURHAM.

5970
04:55:57,473 --> 04:56:00,742
I WANT TO MAKE A FEW COMMENTS

5971
04:56:00,809 --> 04:56:01,977
ABOUT COMMUNITY ENGAGEMENT BUT

5972
04:56:02,044 --> 04:56:04,146
LET ME GO WITH HE PREPARED

5973
04:56:04,213 --> 04:56:04,480
REMARKED.

5974
04:56:04,546 --> 04:56:05,414
THE ENVIRONMENT HEALTH SCIENCES

5975
04:56:05,481 --> 04:56:08,383
OUR MISSION IS TO DISCOVER HOW

5976
04:56:08,450 --> 04:56:10,252
THE ENVIRONMENT AFFECTS PEOPLE

5977
04:56:10,319 --> 04:56:12,521
AND PROMOTE HEALTHIER LIVES.

5978
04:56:12,588 --> 04:56:15,724
WE DO STUDY THE SOURCES OF

5979
04:56:15,791 --> 04:56:21,196
POTENTIAL TOXIN IN THE AIR WE

5980
04:56:21,263 --> 04:56:23,732
BREATHE AND WATER WE DRINK AND

5981
04:56:23,799 --> 04:56:34,276
TOXINS WE CONSUME AND THESE ARE

5982
04:56:34,343 --> 04:56:35,444
ALL HAVING VERY IMPORTANT

5983
04:56:35,511 --> 04:56:41,950
IMPACTS OF HEALTH.

5984
04:56:42,017 --> 04:56:44,453
INCREASINGLY WE'RE LOOKING THE

5985
04:56:44,520 --> 04:56:48,056
EXPOSURES AND GENERAL BANNER OF

5986
04:56:48,123 --> 04:56:49,591
SOCIAL DETERMINATES OF HEALTH

5987
04:56:49,658 --> 04:56:51,460
AND FACTORING IN PSYCHOSOCIAL

5988
04:56:51,527 --> 04:56:53,295
STRESS, STRESS, LACK OF SLEEP OR

5989
04:56:53,362 --> 04:56:56,265
POOR DIET.

5990
04:56:56,331 --> 04:57:00,869
HOW THEY IMPACT HUMAN HEALTH AND

5991
04:57:00,936 --> 04:57:01,837
MORE IMPORTANT WE'RE BEGINNING

5992
04:57:01,904 --> 04:57:06,008
TO FOCUS ON THE ENVIRONMENTAL

5993
04:57:06,074 --> 04:57:09,244
EXPOSURES THAT CAN POSITIVELY

5994
04:57:09,311 --> 04:57:15,450
IMPACT HEALTH LIKE GOOD DIET AND

5995
04:57:15,517 --> 04:57:18,120
PLENTY OF EXERCISE AND MUSIC.

5996
04:57:18,187 --> 04:57:21,290
OVER THE PAST COUPLE YEARS NIEHS

5997
04:57:21,356 --> 04:57:30,866
HOST THE MUSIC AND HEALTH AND WE

5998
04:57:30,933 --> 04:57:32,935
BROUGHT IN MUSICIANS TO LOOK AT

5999
04:57:33,001 --> 04:57:38,240
MUSIC AS THERAPY FOR A VARIETY

6000
04:57:38,307 --> 04:57:46,081
OF CONDITIONS.

6001
04:57:46,148 --> 04:57:48,650
WE KNOW WE NEED TO LOOK AT MUSIC

6002
04:57:48,717 --> 04:57:51,720
AS A POSITIVE PLAY IN GOOD

6003
04:57:51,787 --> 04:57:53,689
HEALTH AND MAY MEDIATE EXPOSURES

6004
04:57:53,755 --> 04:57:56,391
THAT COMPROMISE HUMAN HEALTH AND

6005
04:57:56,458 --> 04:57:57,960
CONSIDERING HOW WE MIGHT COMBINE

6006
04:57:58,026 --> 04:58:00,796
MUSIC THERAPY WITH PHARMACOLOGIC

6007
04:58:00,862 --> 04:58:01,697
INTERVENTION AND PARKINSON'S

6008
04:58:01,763 --> 04:58:02,831
DISEASE THAT ARE LINKED TO

6009
04:58:02,898 --> 04:58:13,308
ENVIRONMENTAL EXPOSURES.

6010
04:58:13,642 --> 04:58:18,880
MY WIFE AND I HAVE SUBSCRIPTION

6011
04:58:18,947 --> 04:58:25,654
TO THE SYMPHONY AND MY WIFE WILL

6012
04:58:25,721 --> 04:58:26,788
SAY WHAT DO YOU THINK ABOUT THAT

6013
04:58:26,855 --> 04:58:30,092
DOSE OF MENTAL FLOSS?

6014
04:58:30,158 --> 04:58:33,562
I'VE COME TO SEE THE POWER OF

6015
04:58:33,629 --> 04:58:36,598
MUSIC AND I USE AN APP ON MY

6016
04:58:36,665 --> 04:58:40,302
iPHONE CALLED ROCK YOUR RUN.

6017
04:58:40,369 --> 04:58:43,472
IT PLAYS MUSIC TO THE BEAT

6018
04:58:43,538 --> 04:58:48,877
MATCHES THE PACE AT WHICH I'M

6019
04:58:48,944 --> 04:58:49,144
PEDALLING.

6020
04:58:49,211 --> 04:58:50,846
AS SOON AS IT MATCHING THE MUSIC

6021
04:58:50,912 --> 04:58:52,914
IT'S A THOUSAND TIMES EASE ERTO

6022
04:58:52,981 --> 04:58:54,783
PEDAL THE BICYCLE AND IN THE END

6023
04:58:54,850 --> 04:58:57,386
I GET A BETTER WORKOUT AND AT

6024
04:58:57,452 --> 04:58:58,720
THE END I'M NOT ONLY SWEATY BUT

6025
04:58:58,787 --> 04:59:02,557
HAVE A BIG SMILE ON MY FACE.

6026
04:59:02,624 --> 04:59:03,659
I'M COMING TO UNDERSTAND

6027
04:59:03,725 --> 04:59:10,699
APPARENTLY IT'S BEEN SHOWN THE

6028
04:59:10,766 --> 04:59:13,669
RHYTHMIC STIMULATION CAN REDUCE

6029
04:59:13,735 --> 04:59:15,203
PERCEIVED EXERTION WHICH MAKES

6030
04:59:15,270 --> 04:59:17,139
THE EXERCISE SESSION MORE

6031
04:59:17,205 --> 04:59:21,677
ENJOYABLE AND IMPACTFUL.

6032
04:59:21,743 --> 04:59:23,445
MUSIC CAN GET US MOVING BUT CAN

6033
04:59:23,512 --> 04:59:24,646
IT IMPROVE YOUR HEALTH?

6034
04:59:24,713 --> 04:59:26,315
IF IT CAN'T, HOW DO WE MEASURE

6035
04:59:26,381 --> 04:59:29,017
THIS WITH RIGOR AND REPRODUCE ?

6036
04:59:29,084 --> 04:59:30,319
WHAT THE COMMON DATA ELEMENTS

6037
04:59:30,385 --> 04:59:35,557
AND THE FRAMEWORK FOR LOOKING AT

6038
04:59:35,624 --> 04:59:37,326
MUSIC OVER THE LIFE COURSE AND

6039
04:59:37,392 --> 04:59:41,096
STUDYING THE IMPACT OF MUSIC IN

6040
04:59:41,163 --> 04:59:42,898
HUMAN HEALTH AND WELL BEING.

6041
04:59:42,964 --> 04:59:46,835
I'M INTRIGUED OF THE CONCEPT BY

6042
04:59:46,902 --> 04:59:49,037
THE MUSIC-BASED INVENTION TOOL

6043
04:59:49,104 --> 04:59:50,572
KIT AND YOU'LL HEAR FROM

6044
04:59:50,639 --> 04:59:51,707
DR. EDWARDS DURING THE NEXT

6045
04:59:51,773 --> 04:59:52,941
SESSION AFTER THE BREAK.

6046
04:59:53,008 --> 04:59:55,444
I DON'T WANT TO GO INTO TOO MUCH

6047
04:59:55,510 --> 05:00:01,750
BETRAYAL BUT  -- DETAIL AND

6048
05:00:01,817 --> 05:00:04,319
THEY'RE DOING THE QUESTIONS I

6049
05:00:04,386 --> 05:00:09,191
OPPOSED AND OVER ALL THE BOTTOM

6050
05:00:09,257 --> 05:00:11,993
LINE IT'S TIME TO INTEGRATE THIS

6051
05:00:12,060 --> 05:00:13,595
INTO STUDYING IN THE ONLY THE

6052
05:00:13,662 --> 05:00:15,030
ENVIRONMENTAL HEALTH RESEARCH

6053
05:00:15,097 --> 05:00:15,897
AND INTEGRATE THIS ACROSS INTO

6054
05:00:15,964 --> 05:00:19,134
THE FABRIC OF THE WAY WE DO

6055
05:00:19,201 --> 05:00:19,768
BIOMEDICAL RESEARCH AND THANK

6056
05:00:19,835 --> 05:00:20,402
YOU FOR THE OPPORTUNITY TO BE

6057
05:00:20,469 --> 05:00:22,204
HERE AND I WANT TO COMMENT THAT

6058
05:00:22,270 --> 05:00:24,539
IF YOU REALLY WANT TO GET OUT

6059
05:00:24,606 --> 05:00:27,042
AND DO NEED TO DO COMMUNITY

6060
05:00:27,109 --> 05:00:27,342
ENGAGEMENT.

6061
05:00:27,409 --> 05:00:30,112
DR. COLLINS KNOWS WE'VE LEARNED

6062
05:00:30,178 --> 05:00:32,180
A LOT ABOUT DURING THE RAD X AND

6063
05:00:32,247 --> 05:00:32,447
COVID-19.

6064
05:00:32,514 --> 05:00:33,882
THE KEY THING IS IF YOU'RE GOING

6065
05:00:33,949 --> 05:00:36,017
TO ENGAGE COMMUNITIES AND IF

6066
05:00:36,084 --> 05:00:38,086
YOU'RE AN ACADEMIC YOU DON'T

6067
05:00:38,153 --> 05:00:39,354
LECTURE TO THE COMMUNITIES YOU

6068
05:00:39,421 --> 05:00:40,989
LISTEN TO THE COMMUNITIES AND

6069
05:00:41,056 --> 05:00:47,462
YOU ENGAGE THE COMMUNITIES IN A

6070
05:00:47,529 --> 05:00:49,931
COLLABORATIVE EFFORT THEY FEEL

6071
05:00:49,998 --> 05:00:51,166
THEY'RE PART OF THE RESEARCH

6072
05:00:51,233 --> 05:00:52,467
THAT'S BEING DONE AND THEY CAN

6073
05:00:52,534 --> 05:00:55,804
THEN TAKE THE MESSAGE OUT IN A

6074
05:00:55,871 --> 05:00:58,073
VERY PROFOUND WAY TO THEIR

6075
05:00:58,140 --> 05:01:00,108
COMMUNITY GROUPS.

6076
05:01:00,175 --> 05:01:01,610
SO THERE'S A LOT TO BE LEARNED

6077
05:01:01,676 --> 05:01:03,712
ABOUT COMMUNITY ENGAGEMENT.

6078
05:01:03,779 --> 05:01:06,948
I ENCOURAGE YOU AND EVERY CENTER

6079
05:01:07,015 --> 05:01:12,120
AT THE NIEHS HAS A COMMUNITY

6080
05:01:12,187 --> 05:01:15,457
ENGAGEMENT CORPS AND I'M

6081
05:01:15,524 --> 05:01:16,091
REWARDING COLLABORATIONS WITH

6082
05:01:16,158 --> 05:01:16,525
COMMUNITY PARTNERS.

6083
05:01:16,591 --> 05:01:26,768
THANK YOU.

6084
05:01:34,476 --> 05:01:39,314
>> THANK YOU, NOW COMMENTS FROM

6085
05:01:39,381 --> 05:01:40,882
NORAH VOLKOW TO OFFER REMARKS.

6086
05:01:40,949 --> 05:01:43,018
>> I WANT TO THANK FRANCIS FOR

6087
05:01:43,084 --> 05:01:46,788
INVITING ME TO GIVE THE REMARKS

6088
05:01:46,855 --> 05:01:48,723
AND SORRY I HAVEN'T BEEN ABLE TO

6089
05:01:48,790 --> 05:01:50,592
BE IN THE MEETING I HAVE TWO

6090
05:01:50,659 --> 05:01:53,428
THINGS AT THE SAME TIME BUT

6091
05:01:53,495 --> 05:01:56,097
DELIGHTED IT'S BEING VIDEO

6092
05:01:56,164 --> 05:01:56,531
TAPED.

6093
05:01:56,598 --> 05:01:59,501
I DIRECT THE NATIONAL INSTITUTE

6094
05:01:59,568 --> 05:02:03,905
ON DRUG ABUSE AND WE SEE IN OUR

6095
05:02:03,972 --> 05:02:06,041
NATION AND IT'S EVIDENT FROM

6096
05:02:06,107 --> 05:02:07,375
LOOKING AT THE PROGRAM AND I WAS

6097
05:02:07,442 --> 05:02:08,977
DOING ALL MY HOME WORK OVER THE

6098
05:02:09,044 --> 05:02:11,446
WEEKEND TO TRY TO UNDERSTAND

6099
05:02:11,513 --> 05:02:14,616
WHERE WE ARE WITH THE SCIENCE ON

6100
05:02:14,683 --> 05:02:14,950
NEUROSCIENCE.

6101
05:02:15,016 --> 05:02:16,251
IT'S CLEAR MUSIC IS VERY

6102
05:02:16,318 --> 05:02:18,086
RELEVANT FOR DRUG USE AND IN

6103
05:02:18,153 --> 05:02:19,454
MANY WAYS.

6104
05:02:19,521 --> 05:02:23,625
THE MOST OBVIOUS ONE FROM THE

6105
05:02:23,692 --> 05:02:24,960
NEURAL BIOLOGY PERSPECTIVE IS

6106
05:02:25,026 --> 05:02:27,028
THE SYSTEMS THAT MOTIVATE OUR

6107
05:02:27,095 --> 05:02:27,462
ACTIONS.

6108
05:02:27,529 --> 05:02:29,531
THOSE ARE THE WINDS HIJACKED BY

6109
05:02:29,598 --> 05:02:30,298
DRUG.

6110
05:02:30,365 --> 05:02:32,934
IT'S NOT THAT MUSIC IS TAKING

6111
05:02:33,001 --> 05:02:34,503
OFFER THE CIRCUITRY DRUG

6112
05:02:34,569 --> 05:02:35,871
ACTIVATE BUT THE OTHER WAY

6113
05:02:35,937 --> 05:02:36,104
AROUND.

6114
05:02:36,171 --> 05:02:37,873
WHY IS THAT IMPORTANT?

6115
05:02:37,939 --> 05:02:39,441
IT'S IMPORTANT BECAUSE IT HAS

6116
05:02:39,508 --> 05:02:42,577
DIRECT IMPLICATIONS WITH RESPECT

6117
05:02:42,644 --> 05:02:43,445
TO TREATMENT AND RESPECT TO

6118
05:02:43,512 --> 05:02:45,480
PREVENTION.

6119
05:02:45,547 --> 05:02:47,082
WE THINK ABOUT THE TREATMENT OF

6120
05:02:47,148 --> 05:02:50,085
DRUG ADDICTION WHICH IS ONE OF

6121
05:02:50,151 --> 05:02:59,528
THE MOST DEVASTATING MEDICAL

6122
05:02:59,594 --> 05:03:01,463
CONDITIONS AND CHRONIC DISEASE

6123
05:03:01,530 --> 05:03:03,198
AND IT'S LETHAL THESE DAYS.

6124
05:03:03,265 --> 05:03:04,733
WE HAVE HIGH RATES OF MORTALITY.

6125
05:03:04,799 --> 05:03:07,302
ONE OF THE ASPECTS THAT HAPPENS

6126
05:03:07,369 --> 05:03:10,272
WHEN PEOPLE BECOME ADDICTED IS

6127
05:03:10,338 --> 05:03:11,940
THEY LOSE THE ABILITY TO

6128
05:03:12,007 --> 05:03:15,443
PERCEIVE REWARD AND

6129
05:03:15,510 --> 05:03:16,278
REINFORCEMENT.

6130
05:03:16,344 --> 05:03:18,713
AS A RESULT OF THAT THEY ARE ARE

6131
05:03:18,780 --> 05:03:20,949
CORNERED BECAUSE THEY DON'T HAVE

6132
05:03:21,016 --> 05:03:21,883
ALTERNATIVE AND TO PROVIDE MUSIC

6133
05:03:21,950 --> 05:03:26,354
IS AN INVENTION THAT COULD BE

6134
05:03:26,421 --> 05:03:27,822
AVAILABLE AND SHOULD BE MADE

6135
05:03:27,889 --> 05:03:29,224
AVAILABLE SO FROM THE

6136
05:03:29,291 --> 05:03:39,801
PERSPECTIVE IT'S A NO-BRAINER

6137
05:03:40,869 --> 05:03:42,837
AND WE'RE LEADING THE WORSE

6138
05:03:42,904 --> 05:03:44,706
OVERDOSE CRISIS OUR COUNTRY AS

6139
05:03:44,773 --> 05:03:45,307
SEEN.

6140
05:03:45,373 --> 05:03:49,611
LAST YEAR THERE WERE MORE THAN

6141
05:03:49,678 --> 05:03:51,379
110,000 PEOPLE DIED FROM

6142
05:03:51,446 --> 05:03:51,646
OVERDOSES.

6143
05:03:51,713 --> 05:03:52,714
NONE SHOULD HAVE HAPPENED

6144
05:03:52,781 --> 05:03:54,149
BECAUSE THEY'RE PREVENTIBLE.

6145
05:03:54,215 --> 05:03:57,519
MY QUESTION IS WE NEED TO

6146
05:03:57,586 --> 05:03:58,653
PROVIDE TREATMENT AND NEED TO

6147
05:03:58,720 --> 05:04:01,423
ADDRESS WHAT IS MAKING OUR

6148
05:04:01,489 --> 05:04:04,059
COUNTRY VULNERABLE TO DRUGS AND

6149
05:04:04,125 --> 05:04:07,062
ADDICTION AND OVERDOSE DEATHS.

6150
05:04:07,128 --> 05:04:09,230
I THINK MANY ASPECTS PLAY INTO

6151
05:04:09,297 --> 05:04:11,466
THAT AND A CRUCIAL IS THE SENSE

6152
05:04:11,533 --> 05:04:14,302
OF ISOLATION, LONELINESS AND TO

6153
05:04:14,369 --> 05:04:16,504
ME THIS IS WHERE MUSIC CAN HAVE

6154
05:04:16,571 --> 05:04:18,607
THE MOST IMPACTFUL EFFECT.

6155
05:04:18,673 --> 05:04:20,675
WE SPEAK ABOUT THE POWER OF

6156
05:04:20,742 --> 05:04:22,911
MUSIC AS A MEDICAL INTERVENTION,

6157
05:04:22,978 --> 05:04:23,445
A HEALING.

6158
05:04:23,511 --> 05:04:26,481
I ALSO SEE IT AS A HEALING FOR

6159
05:04:26,548 --> 05:04:27,449
THE COMMUNITY.

6160
05:04:27,515 --> 05:04:29,084
WE ARE SPEAKING ABOUT THE

6161
05:04:29,150 --> 05:04:31,186
DISEASES OF DISTRESS IN OUR

6162
05:04:31,252 --> 05:04:33,588
COUNTRY COSTING AN INCREASE IN

6163
05:04:33,655 --> 05:04:36,124
MORTALITY FROM OVERDOSES, FROM

6164
05:04:36,191 --> 05:04:39,494
SUICIDES FROM CIRRHOSIS AND

6165
05:04:39,561 --> 05:04:43,832
METABOLIC DISEASES ASSOCIATED

6166
05:04:43,898 --> 05:04:46,668
WITH OBESITY AND THEY'RE NOT

6167
05:04:46,735 --> 05:04:48,036
DRIVEN NOT BY SOCIAL

6168
05:04:48,103 --> 05:04:49,304
DETERMINATES OF HEALTH THAT

6169
05:04:49,371 --> 05:04:51,406
MAXIMIZE THE SENSE OF ISOLATION.

6170
05:04:51,473 --> 05:04:53,642
AND ALL THE ARGUMENTS MADE IN

6171
05:04:53,708 --> 05:04:56,745
THE PRIOR PANEL SORT OF SUGGEST

6172
05:04:56,811 --> 05:04:58,113
IT'S ABOUT HUMAN EXPERIENCE BUT

6173
05:04:58,179 --> 05:04:59,614
WHAT'S UNIQUE ABOUT MUSIC AND I

6174
05:04:59,681 --> 05:05:01,683
THINK WHAT IS AND I LOVE ALL THE

6175
05:05:01,750 --> 05:05:03,151
ARTS BUT WHAT I THINK THAT IS

6176
05:05:03,218 --> 05:05:04,519
UNIQUE ABOUT MUSIC AT LEAST IN

6177
05:05:04,586 --> 05:05:07,455
MY BRAIN IS THAT IT CAN MAKE US

6178
05:05:07,522 --> 05:05:10,592
ALL AT THE SAME TIME HAVE THE

6179
05:05:10,659 --> 05:05:11,893
SAME MENTAL STATE AND THAT

6180
05:05:11,960 --> 05:05:13,662
UNIFIES US.

6181
05:05:13,728 --> 05:05:15,497
AND WHAT MORE POWERFUL WAY OF

6182
05:05:15,563 --> 05:05:17,666
BRINGING US ALL TOGETHER THAN

6183
05:05:17,732 --> 05:05:21,503
THROUGH A MUSIC INTERVENTION.

6184
05:05:21,569 --> 05:05:24,139
I THINK IT WAS A POINT ONE OF

6185
05:05:24,205 --> 05:05:25,907
OUR BIGGEST CHALLENGES WE HAVE

6186
05:05:25,974 --> 05:05:31,379
ON BRINGING TREATMENT TO PEOPLE

6187
05:05:31,446 --> 05:05:34,416
IS THEY DO NOT FEEL EMPATHY FOR

6188
05:05:34,482 --> 05:05:38,653
PEOPLE ADDICTED.

6189
05:05:38,720 --> 05:05:39,454
THEY'RE STIGMATIZED AND MUSIC

6190
05:05:39,521 --> 05:05:41,322
CAN MAKE US UNDERSTAND.

6191
05:05:41,389 --> 05:05:45,560
AS I WAS LISTENING I WOULD SAY

6192
05:05:45,627 --> 05:05:48,797
FRED SAID WHAT A WANTED TO SAY

6193
05:05:48,863 --> 05:05:50,865
IN WORDS BUT IN A MORE POWERFUL

6194
05:05:50,932 --> 05:05:51,966
WAY BECAUSE HE MADE US

6195
05:05:52,033 --> 05:05:52,701
EXPERIENCE IT.

6196
05:05:52,767 --> 05:05:55,470
TO THE EXTENT WE CAN BRING

6197
05:05:55,537 --> 05:05:57,572
TOGETHER THE ARTS INCLUDING

6198
05:05:57,639 --> 05:05:59,374
MUSIC AND SCIENCE, FIRST OF ALL

6199
05:05:59,441 --> 05:06:02,110
WE WOULD BE BETTER ABLE TO

6200
05:06:02,177 --> 05:06:03,378
COMMUNICATE IT AND WOULD BE MORE

6201
05:06:03,445 --> 05:06:07,449
LIKELY TO CHANGE CULTURE AND

6202
05:06:07,515 --> 05:06:12,620
INCLUDE AND ADDRESS THE NEEDS

6203
05:06:12,687 --> 05:06:14,289
INDIVIDUALS NEED.

6204
05:06:14,355 --> 05:06:15,457
AND I THINK IT'S SOMETHING WE

6205
05:06:15,523 --> 05:06:17,158
NEED TO WORK TOGETHER.

6206
05:06:17,225 --> 05:06:22,030
WE ALL ARE CONVINCED HOW DO WE

6207
05:06:22,097 --> 05:06:24,299
MAKE THAT INTO A PLATFORM

6208
05:06:24,365 --> 05:06:24,933
SUSTAINABLE AND HAVE THE

6209
05:06:24,999 --> 05:06:26,568
RESOURCE TO MAKE THAT HAPPEN?

6210
05:06:26,634 --> 05:06:29,437
AND I THINK THAT'S WHERE THE

6211
05:06:29,504 --> 05:06:34,375
COLLABORATIONS BECOME IMPORTANT.

6212
05:06:34,442 --> 05:06:36,578
WHAT WE CAN DO TO DOCUMENT IN

6213
05:06:36,644 --> 05:06:42,117
ECONOMIC TERMS THE VALUE OF

6214
05:06:42,183 --> 05:06:42,317
MUSIC.

6215
05:06:42,383 --> 05:06:51,426
THAT INSEWER -- INSURERS WILL

6216
05:06:51,493 --> 05:06:52,527
CREATE SUSTAINABILITY TREATMENT

6217
05:06:52,594 --> 05:06:55,497
AND PREVENTION OF DISEASES AND

6218
05:06:55,563 --> 05:06:57,232
EXTRAORDINARY GIVEN FOR

6219
05:06:57,298 --> 05:06:59,267
IMPROVING THE WELL BEING OF

6220
05:06:59,334 --> 05:06:59,768
EVERY SINGLE INDIVIDUAL.

6221
05:06:59,834 --> 05:07:10,178
THANK YOU VERY MUCH.

6222
05:07:10,411 --> 05:07:13,815
>> THANK YOU, DR. VOLKOW AND TO

6223
05:07:13,882 --> 05:07:15,216
DR. TUCCI AND DR. WOYCHIK AS

6224
05:07:15,283 --> 05:07:15,483
WELL.

6225
05:07:15,550 --> 05:07:18,853
I'M GOING TO GIVE A HUGE THANKS

6226
05:07:18,920 --> 05:07:22,056
TO OUR SESSION 5 CO-CHAIRS,

6227
05:07:22,123 --> 05:07:23,458
PANELISTS, WONDERFUL.

6228
05:07:23,525 --> 05:07:28,329
NOW WE'LL MOVE TO -- WE'RE

6229
05:07:28,396 --> 05:07:42,310
COMING BACK AT 3:00 P.M. SHARP.

6230
05:07:42,377 --> 05:07:42,877
WE WILL BE IN SESSION 6 THE

6231
05:07:42,944 --> 05:07:43,878
INTEGRATION OF MUSIC -BASED

6232
05:07:43,945 --> 05:07:45,780
INTERVENTIONS INTO HEALTHCARE

6233
05:07:45,847 --> 05:07:50,251
SYSTEMS.

6234
05:07:50,318 --> 05:07:50,852
THIS SESSION IS BEING LED BY 3

6235
05:07:50,919 --> 05:07:56,124
WONDERFUL COCHAIRS.

6236
05:07:56,191 --> 05:07:56,758
DR. EDWARDS FROM NATIONAL CENTER

6237
05:07:56,825 --> 05:07:57,358
FOR COMPLEMENTARY INTEGRATIVE

6238
05:07:57,425 --> 05:08:00,595
HEALTH.

6239
05:08:00,662 --> 05:08:01,196
DR. CLARK FROM NATIONAL

6240
05:08:01,262 --> 05:08:05,200
INSTITUTE OF AGING.

6241
05:08:05,266 --> 05:08:15,810
AND THEY HAVE WORKED A LONG TIME

6242
05:08:16,044 --> 05:08:16,411
ON THE MUSIC AND HEALTH

6243
05:08:16,477 --> 05:08:17,045
INITIATIVE AND WE ARE SO PLEASED

6244
05:08:17,111 --> 05:08:23,852
TO BE A PART OF THIS WHOLE EVENT

6245
05:08:23,918 --> 05:08:24,385
SO WE WILL TURN IT OVER TO

6246
05:08:24,452 --> 05:08:25,019
INTRODUCE OUR PERFORMER AND TAKE

6247
05:08:25,086 --> 05:08:35,330
IT FROM HERE.

6248
05:08:39,500 --> 05:08:39,767
>> GOOD AFTERNOON.

6249
05:08:39,834 --> 05:08:40,335
WE ARE IN THE HOME STRETCH.

6250
05:08:40,401 --> 05:08:40,969
THERE IS A PART OF ME THAT DOES

6251
05:08:41,035 --> 05:08:46,341
NOT WANT TO -- -- IS NOT WANT

6252
05:08:46,407 --> 05:08:46,641
THIS TO END.

6253
05:08:46,708 --> 05:08:50,478
MAYBE WE NEED HER OWN MEDICINE

6254
05:08:50,545 --> 05:08:50,912
IS MUSIC SOUNDTRACK.

6255
05:08:50,979 --> 05:08:58,319
JUST MY THINKING.

6256
05:08:58,386 --> 05:08:58,887
IN THE FINAL SESSION WE WILL

6257
05:08:58,953 --> 05:08:59,954
DISCUSS POTENTIAL STRATEGIES AND

6258
05:09:00,021 --> 05:09:03,658
CONSIDERATIONS WITH THE

6259
05:09:03,725 --> 05:09:04,259
IMPLEMENTATION OF MUSIC -BASED

6260
05:09:04,325 --> 05:09:04,859
INTERVENTIONS INTO HEALTHCARE

6261
05:09:04,926 --> 05:09:11,099
SETTINGS.

6262
05:09:11,165 --> 05:09:11,733
TO HAVE A VERY SPECIAL GUEST TO

6263
05:09:11,799 --> 05:09:22,076
KICK THINGS OFF.

6264
05:09:25,079 --> 05:09:25,513
A SINGER AND SONGWRITER AND

6265
05:09:25,580 --> 05:09:26,114
GUITARIST REFERRED TO BY "THE

6266
05:09:26,180 --> 05:09:26,681
NEW YORK TIMES" AS A ONE-MAN

6267
05:09:26,748 --> 05:09:27,649
BAND WHO TURNS A GUITAR INTO AN

6268
05:09:27,715 --> 05:09:32,787
ORCHESTRA AND HIS VOICE INTO A

6269
05:09:32,854 --> 05:09:33,021
CHORUS.

6270
05:09:33,087 --> 05:09:33,621
SINCE HIS DEBUT ALBUM STATE OF

6271
05:09:33,688 --> 05:09:43,031
MIND IN 2006 WITH 11 SOLO ALBUMS

6272
05:09:43,097 --> 05:09:43,665
AND NUMEROUS COLLABORATIONS WITH

6273
05:09:43,731 --> 05:09:44,132
MUSICIANS SUCH AS BILL

6274
05:09:44,198 --> 05:09:44,933
WITHERS, STEVIE WONDER AND SNOOP

6275
05:09:44,999 --> 05:09:54,642
DOGG.

6276
05:09:54,709 --> 05:09:55,243
ALSO A TWO-TIME GRAMMY NOMINEE

6277
05:09:55,310 --> 05:09:56,044
AND A DISABILITY RIGHTS

6278
05:09:56,110 --> 05:10:01,049
AMBASSADOR.

6279
05:10:01,115 --> 05:10:11,292
[APPLAUSE]

6280
05:10:12,226 --> 05:10:13,628
♪

6281
05:10:13,695 --> 05:10:23,738
♪

6282
05:10:56,104 --> 05:10:57,505
♪

6283
05:10:57,572 --> 05:11:07,615
♪

6284
05:11:25,767 --> 05:11:35,743
♪

6285
05:13:18,546 --> 05:13:28,523
♪

6286
05:13:43,204 --> 05:13:49,110
[APPLAUSE]

6287
05:13:49,177 --> 05:13:54,382
THANK YOU SO MUCH.

6288
05:13:54,448 --> 05:13:55,449
IT IS REALLY QUITE AN HONOR TO

6289
05:13:55,516 --> 05:14:02,290
BE HERE.

6290
05:14:02,356 --> 05:14:02,823
I HAVE SOME MORE ANECDOTAL

6291
05:14:02,890 --> 05:14:10,131
THINGS TO SAY WE HAVE A BUNCH OF

6292
05:14:10,198 --> 05:14:10,731
RESEARCHERS AND SCIENTIST HERE

6293
05:14:10,798 --> 05:14:17,772
AND AS A CREATOR OF MUSIC, I

6294
05:14:17,838 --> 05:14:18,339
HAVE FOUND ALL KINDS OF WAYS

6295
05:14:18,406 --> 05:14:21,509
THAT MUSIC IS PROFOUNDLY

6296
05:14:21,576 --> 05:14:31,886
APPEALING FOR ME.

6297
05:14:34,422 --> 05:14:34,822
AND JUST TO GIVE A LITTLE

6298
05:14:34,889 --> 05:14:35,423
PERSPECTIVE I TRAVEL THE WORLD

6299
05:14:35,489 --> 05:14:36,057
AND AS A BLIND PERSON WHEN I GET

6300
05:14:36,123 --> 05:14:36,958
TO THE HOTEL COURSE OF NEVER

6301
05:14:37,024 --> 05:14:38,859
BEEN THERE BEFORE AND I LEAVE

6302
05:14:38,926 --> 05:14:44,932
THE NEXT DAY SO IT TAKES ME SOME

6303
05:14:44,999 --> 05:14:45,833
TIME TO FIGURE OUT WHERE THINGS

6304
05:14:45,900 --> 05:14:52,940
ARE.

6305
05:14:53,007 --> 05:14:56,244
IT CAN BE SOMETHING TOO BUSY AND

6306
05:14:56,310 --> 05:14:57,912
THAT I JUST WALKED AROUND THE

6307
05:14:57,979 --> 05:15:03,251
ROOM AND I A M BASED ON THE

6308
05:15:03,317 --> 05:15:07,755
DRONE THAT'S 1 OF THE THINGS

6309
05:15:07,822 --> 05:15:11,325
THAT I DO.

6310
05:15:11,392 --> 05:15:19,166
SOME OTHER THINGS, MUSIC CREATES

6311
05:15:19,233 --> 05:15:23,571
FEELINGS IN THE BODY.

6312
05:15:23,638 --> 05:15:24,639
AND ALSO VERY MUCH IS INTERESTED

6313
05:15:24,705 --> 05:15:31,579
ME BECAUSE I CAN GO TO THE

6314
05:15:31,646 --> 05:15:32,179
COUNTRY WERE ALMOST NO ENGLISH

6315
05:15:32,246 --> 05:15:36,717
IS SPOKEN AT ALL AND GET UP ON

6316
05:15:36,784 --> 05:15:39,086
STAGE AND PLAY AND PEOPLE STILL

6317
05:15:39,153 --> 05:15:39,920
REACT.

6318
05:15:39,987 --> 05:15:40,554
WHAT THEY ARE REACTING TO IS THE

6319
05:15:40,621 --> 05:15:43,691
FEELING OF MUSIC.

6320
05:15:43,758 --> 05:15:44,325
THEY DON'T UNDERSTAND WORDS BUT

6321
05:15:44,392 --> 05:15:52,733
THEY REACT TO THE FEELING.

6322
05:15:52,800 --> 05:15:53,234
IT IS FASCINATING TO ME.

6323
05:15:53,301 --> 05:15:57,538
EVEN IN THIS SONG IF I WOULD DO

6324
05:15:57,605 --> 05:15:58,506
THIS.

6325
05:15:58,572 --> 05:16:00,007
♪

6326
05:16:00,074 --> 05:16:07,982
♪

6327
05:16:08,049 --> 05:16:16,257
THAT FEELS REALLY DIFFERENT IT'S

6328
05:16:16,324 --> 05:16:16,624
SO MUCH SADDER.

6329
05:16:16,691 --> 05:16:17,224
THOSE ARE BASIC THINGS BUT IT

6330
05:16:17,291 --> 05:16:22,630
DOES CREATE A DIFFERENT FEEL I

6331
05:16:22,697 --> 05:16:25,166
HAVE ANOTHER LITTLE STORY TO

6332
05:16:25,232 --> 05:16:29,270
SHARE.

6333
05:16:29,337 --> 05:16:38,346
BEFORE HE PLAYED MY LAST SON

6334
05:16:38,412 --> 05:16:38,913
SONG, BEFORE I WAS MARRIED I

6335
05:16:38,979 --> 05:16:39,547
WENT TO MY GIRLFRIENDS HOUSE AND

6336
05:16:39,613 --> 05:16:40,715
STAYED OVERNIGHT AND SHE LEFT

6337
05:16:40,781 --> 05:16:45,086
THE NEXT DAY FOR WORK.

6338
05:16:45,152 --> 05:16:45,686
I WALKED OUT TO THE PATIO AND

6339
05:16:45,753 --> 05:16:48,589
CLOSE THE DOOR AND FOUND I WAS

6340
05:16:48,656 --> 05:16:52,126
LOCKED OUT.

6341
05:16:52,193 --> 05:16:53,160
I COULD NOT GET BACK INTO THE

6342
05:16:53,227 --> 05:16:54,428
HOUSE.

6343
05:16:54,495 --> 05:17:02,970
I DID NOT HAVE A CELL PHONE.

6344
05:17:03,037 --> 05:17:03,571
I WAS IN A NEIGHBORHOOD I DID

6345
05:17:03,637 --> 05:17:04,205
NOT KNOW AND I DIDN'T EVEN HAVE

6346
05:17:04,271 --> 05:17:07,375
MY KEY PROGRAM LOCKED OUT OF THE

6347
05:17:07,441 --> 05:17:12,713
HOUSE THE ONLY RECOURSE I HAD

6348
05:17:12,780 --> 05:17:13,347
WAS JUST TO LISTEN FOR SOMEBODY

6349
05:17:13,414 --> 05:17:15,883
TO COME OUT OF THEIR HOUSE AND

6350
05:17:15,950 --> 05:17:16,917
SAY I'M SORRY BUT I NEED TO USE

6351
05:17:16,984 --> 05:17:21,689
YOUR PHONE.

6352
05:17:21,756 --> 05:17:24,225
I WOULD SAY 3 PEOPLE THAT I

6353
05:17:24,291 --> 05:17:27,661
ASKED ALL OF THEM TURNED ME DOWN

6354
05:17:27,728 --> 05:17:28,062
WHICH IS AMAZING.

6355
05:17:28,129 --> 05:17:28,529
I HAVE TO GO TO WORK.

6356
05:17:28,596 --> 05:17:32,433
I'M LATE FOR WORK.

6357
05:17:32,500 --> 05:17:33,000
WHAT AM I GONNA DO SHE'S NOT

6358
05:17:33,067 --> 05:17:34,969
COMING BACK UNTIL 5 OR

6359
05:17:35,035 --> 05:17:35,569
6:00 O'CLOCK AND I'M STANDING

6360
05:17:35,636 --> 05:17:40,007
OUT HERE BY MYSELF.

6361
05:17:40,074 --> 05:17:46,313
FINALLY SOMEBODY COMES OUT AND

6362
05:17:46,380 --> 05:17:46,914
THEY SAY I KNOW THIS IS WEIRD

6363
05:17:46,981 --> 05:17:47,548
BUT I NEED TO USE YOUR PHONE TO

6364
05:17:47,615 --> 05:17:49,049
CALL A CAB.

6365
05:17:49,116 --> 05:17:53,020
SHE IS VERY RELUCTANT BUT SHE

6366
05:17:53,087 --> 05:17:53,988
LETS ME IN BUT YOU CAN JUST FEEL

6367
05:17:54,054 --> 05:17:57,391
THE TENSION TO LET THIS STRANGER

6368
05:17:57,458 --> 05:17:59,193
INTO THE HOUSE.

6369
05:17:59,260 --> 05:18:04,165
HER SON IS THERE.

6370
05:18:04,231 --> 05:18:06,300
I HEAR A LITTLE RESIDENCE IN THE

6371
05:18:06,367 --> 05:18:09,236
CORNER AND I HEAR A GUITAR.

6372
05:18:09,303 --> 05:18:12,840
YOU HAVE A GUITAR QUIRKS YES.

6373
05:18:12,907 --> 05:18:16,477
MY SON PLAYS.

6374
05:18:16,544 --> 05:18:18,479
CAN I CHECK IT OUT?

6375
05:18:18,546 --> 05:18:21,182
AND A STAR TO PLAY THE GUITAR

6376
05:18:21,248 --> 05:18:28,422
AND THE TENSION MELTS AWAY.

6377
05:18:28,489 --> 05:18:29,056
THEN I CALL A CAB AND I GET BACK

6378
05:18:29,123 --> 05:18:34,995
TO MY HOUSE.

6379
05:18:35,062 --> 05:18:35,496
BUT THAT IS A CRAZY AND

6380
05:18:35,563 --> 05:18:36,130
SERENDIPITOUS THING THAT HAPPENS

6381
05:18:36,197 --> 05:18:46,707
WITH MUSIC IT CAN RELIEVE AND

6382
05:18:48,509 --> 05:18:48,976
HEAL AND RELIEVE ALL KINDS OF

6383
05:18:49,043 --> 05:18:50,744
TENSION TO CROSS ALL

6384
05:18:50,811 --> 05:18:51,612
BOUNDARIES, LANGUAGE, BORDERS.

6385
05:18:51,679 --> 05:18:53,948
THERE YOU GO.

6386
05:18:54,014 --> 05:19:03,724
THIS IS A SONG COMING OUT ON MY

6387
05:19:03,791 --> 05:19:04,325
RECORD COMING OUT IN MARCH AND

6388
05:19:04,391 --> 05:19:06,126
MY SINGLE IS COMING OUT I DID IT

6389
05:19:06,193 --> 05:19:07,595
YESTERDAY ON THE JENNIFER HUDSON

6390
05:19:07,661 --> 05:19:11,532
SHOW.

6391
05:19:11,599 --> 05:19:17,505
SO I AM STILL JETLAGGED.

6392
05:19:17,571 --> 05:19:18,105
THIS IS A SONG CALLED KEEP ON

6393
05:19:18,172 --> 05:19:25,412
KEEPING ON.

6394
05:19:25,479 --> 05:19:28,782
♪

6395
05:19:28,849 --> 05:19:38,893
♪

6396
05:20:18,566 --> 05:20:22,603
♪

6397
05:20:22,670 --> 05:20:32,713
♪

6398
05:21:35,976 --> 05:21:39,346
[APPLAUSE]

6399
05:21:39,413 --> 05:21:49,723
THANK YOU SO MUCH.

6400
05:21:53,861 --> 05:21:56,096
THANK YOU THIS WAS AMAZING ME

6401
05:21:56,163 --> 05:22:04,972
WILL KEEP ON STAYING ON TRACK

6402
05:22:05,039 --> 05:22:12,212
NEXT I WILL INVITE OUR SPEAKERS

6403
05:22:12,279 --> 05:22:19,353
FROM NCCI EACH AND

6404
05:22:43,177 --> 05:22:44,745
>> GOOD AFTERNOON I'M

6405
05:22:44,812 --> 05:22:47,014
OVERWHELMED BY THE ENERGY IN THE

6406
05:22:47,081 --> 05:22:50,951
ROOM WITH THAT ARE PARTICIPATING

6407
05:22:51,018 --> 05:22:58,525
AND ENJOYING THE MEETING SO IT

6408
05:22:58,592 --> 05:23:01,028
IS ABOUT INTEGRATION MUSIC

6409
05:23:01,095 --> 05:23:04,665
-BASED INTERVENTION AND TO

6410
05:23:04,732 --> 05:23:05,999
CHOOSE THOSE 2 THAT ARE QUITE

6411
05:23:06,066 --> 05:23:09,570
APPROPRIATE SUDDENLY WE ARE

6412
05:23:09,636 --> 05:23:13,073
TALKING TOGETHER AND WE WILL

6413
05:23:13,140 --> 05:23:21,014
KEEP ON KEEPING ON I DON'T NEED

6414
05:23:21,081 --> 05:23:29,790
TO INTRODUCE MYSELF REALLY WE

6415
05:23:29,857 --> 05:23:33,694
HAVE SUCH A BROAD MISSION AND WE

6416
05:23:33,761 --> 05:23:34,294
ARE DOING SOME COOL STUFF AND

6417
05:23:34,361 --> 05:23:37,231
I'M HAPPY TO BE THERE.

6418
05:23:37,297 --> 05:23:41,435
I HAVE NOTHING TO DISCLOSE AND

6419
05:23:41,502 --> 05:23:48,475
HOW WE WANT TO ENCOURAGE THAT

6420
05:23:48,542 --> 05:23:49,109
HEALING STRATEGY AND HOW WE ARE

6421
05:23:49,176 --> 05:23:54,748
TRYING TO GET THERE.

6422
05:23:54,815 --> 05:23:55,349
ACTUALLY THIS WAS SET UP VERY

6423
05:23:55,415 --> 05:23:57,351
NICELY BECAUSE FOR THE PAST 3

6424
05:23:57,417 --> 05:24:07,928
YEARS IT HAS ENGAGED AND AS A

6425
05:24:11,598 --> 05:24:12,065
CONTINUUM NOT ONLY LOOKING AT

6426
05:24:12,132 --> 05:24:15,669
THE INDIVIDUAL BUT FAMILY AND

6427
05:24:15,736 --> 05:24:16,503
COMMUNITY AND THE POPULATION AS

6428
05:24:16,570 --> 05:24:23,911
A WHOLE AND DOING THAT AND

6429
05:24:23,977 --> 05:24:24,511
VARIOUS INTERCONNECTED DOMAINS

6430
05:24:24,578 --> 05:24:25,112
SUCH AS BIOLOGICAL SOCIAL AND

6431
05:24:25,179 --> 05:24:28,782
ENVIRONMENTAL.

6432
05:24:28,849 --> 05:24:38,592
AND FOR INTEGRATED HEALTH TO

6433
05:24:38,659 --> 05:24:39,226
BRING THOSE APPROACHES TOGETHER

6434
05:24:39,293 --> 05:24:39,860
IN A COORDINATED WAY FOCUSING ON

6435
05:24:39,927 --> 05:24:46,133
THE WHOLE PERSON WITH A

6436
05:24:46,200 --> 05:24:51,805
COMBINATION OF NUTRITIONAL AND

6437
05:24:51,872 --> 05:24:54,341
PSYCHOLOGICAL AND INPUT THAT

6438
05:24:54,408 --> 05:25:01,081
INCLUDES MUSIC SO WHAT WE DO FOR

6439
05:25:01,148 --> 05:25:06,486
WHAT WE ARE TALKING ABOUT.

6440
05:25:06,553 --> 05:25:07,521
SO IT IS A PLEASURE TO SEE OVER

6441
05:25:07,588 --> 05:25:10,324
THE YEARS THERE IS AN

6442
05:25:10,390 --> 05:25:12,693
INTEGRATION OF ARTS AND HEALTH

6443
05:25:12,759 --> 05:25:15,562
AT NIH AND IT IS PERMEATING THE

6444
05:25:15,629 --> 05:25:22,836
CURRENT STRATEGIC PRIORITIES FOR

6445
05:25:22,903 --> 05:25:23,437
NIH AS A WHOLE IT IS THE WHOLE

6446
05:25:23,503 --> 05:25:25,672
PERSON AND INTEGRATED HEALTH AND

6447
05:25:25,739 --> 05:25:26,640
CONNECTEDNESS OF BRAIN AND

6448
05:25:26,707 --> 05:25:33,380
BODY.

6449
05:25:33,447 --> 05:25:34,915
TO EXTEND PUBLIC-PRIVATE

6450
05:25:34,982 --> 05:25:38,852
PARTNERSHIP TO IMPACT ARTS AND

6451
05:25:38,919 --> 05:25:46,026
HEALTH.

6452
05:25:46,093 --> 05:25:53,066
WITH THE TYPES OF MODALITIES TO

6453
05:25:53,133 --> 05:25:57,304
EMPHASIZE THOSE PSYCHOLOGICAL

6454
05:25:57,371 --> 05:26:02,576
AND PHYSICAL SO ART AND MUSIC

6455
05:26:02,643 --> 05:26:03,176
AND DANCE REALLY STRADDLE THE

6456
05:26:03,243 --> 05:26:12,519
PSYCHOLOGICAL AND THE PHYSICAL.

6457
05:26:12,586 --> 05:26:13,053
I KNOW YOU HAVE SEEN THIS

6458
05:26:13,120 --> 05:26:13,687
PICTURE SO MANY TIMES TODAY BUT

6459
05:26:13,754 --> 05:26:14,288
THIS IS MY OPPORTUNITY TO SAY

6460
05:26:14,354 --> 05:26:17,624
THANK YOU FOR BEING OUR

6461
05:26:17,691 --> 05:26:18,258
CHAMPIONS I DON'T THINK WE COULD

6462
05:26:18,325 --> 05:26:21,428
DO THIS WITHOUT YOU WE

6463
05:26:21,495 --> 05:26:31,772
APPRECIATE YOU.

6464
05:26:32,572 --> 05:26:35,275
AND YOUR VISION HAS BEEN FUNDED

6465
05:26:35,342 --> 05:26:38,011
REALLY WOULD NOT HAVE HAPPENED

6466
05:26:38,078 --> 05:26:39,980
AND STARTING TO PAY DIVIDENDS TO

6467
05:26:40,047 --> 05:26:49,189
HAVE A BETTER UNDERSTANDING BUT

6468
05:26:49,256 --> 05:26:49,823
STARTING TO GET A GLIMPSE OF HOW

6469
05:26:49,890 --> 05:26:52,059
WE COULD POTENTIALLY USE MUSIC

6470
05:26:52,125 --> 05:26:54,628
AS A HEALING STRATEGY TO

6471
05:26:54,695 --> 05:26:58,899
AMELIORATE VARIOUS DISORDERS

6472
05:26:58,966 --> 05:26:59,499
ESPECIALLY BRAIN DISORDERS OF

6473
05:26:59,566 --> 05:27:00,567
AGING THAT WE TALKED ABOUT IN

6474
05:27:00,634 --> 05:27:01,601
VARIOUS TALKS THE PAST FEW

6475
05:27:01,668 --> 05:27:09,209
DAYS.

6476
05:27:09,276 --> 05:27:09,843
'S WE HAVE KNOWN FOR A LONG TIME

6477
05:27:09,910 --> 05:27:15,849
THIS IS A FAMOUS PAINTINGS AND

6478
05:27:15,916 --> 05:27:18,652
HE HAD MENTAL ISSUES AND IS 1 OF

6479
05:27:18,719 --> 05:27:22,222
THE STRATEGIES THAT WAS BEING

6480
05:27:22,289 --> 05:27:23,023
USED TO AMELIORATE HIS

6481
05:27:23,090 --> 05:27:26,660
SYMPTOMS.

6482
05:27:26,727 --> 05:27:29,229
WE HAVE KNOWN THIS FOR MANY

6483
05:27:29,296 --> 05:27:30,897
YEARS AS A VIEW FROM THE PAST

6484
05:27:30,964 --> 05:27:32,966
AND THAT'S WHAT WE ARE STRIVING

6485
05:27:33,033 --> 05:27:38,939
FOR WE WANT TO INTEGRATE MUSIC

6486
05:27:39,006 --> 05:27:44,011
THERAPY INTO THE WHOLE TOOLKIT

6487
05:27:44,077 --> 05:27:46,546
OF THE CONVENTIONAL MEDICAL

6488
05:27:46,613 --> 05:27:51,218
SYSTEM.

6489
05:27:51,284 --> 05:27:51,885
SO WE HEARD YESTERDAY AND TODAY

6490
05:27:51,952 --> 05:27:56,056
MANY CHALLENGES REMAIN.

6491
05:27:56,123 --> 05:28:00,527
BUT I WILL FOCUS MY REMARK ON

6492
05:28:00,594 --> 05:28:01,161
MUSIC INTERVENTION BECAUSE EVEN

6493
05:28:01,228 --> 05:28:06,400
THOUGH WE HEARD RESEARCH

6494
05:28:06,466 --> 05:28:15,042
PROJECTS ONGOING WE WERE WORRIED

6495
05:28:15,108 --> 05:28:15,642
A LOT OF THE PROJECT THAT CAME

6496
05:28:15,709 --> 05:28:17,444
TO NIH WERE NOT DOING WELL AND

6497
05:28:17,511 --> 05:28:18,545
REVIEW.

6498
05:28:18,612 --> 05:28:20,313
WHEN WE DIG DEEPER WE REALIZE

6499
05:28:20,380 --> 05:28:25,018
SOME OF THE REASON THE STUDIES

6500
05:28:25,085 --> 05:28:28,388
WERE NOT DESIGNED IN A WAY TO BE

6501
05:28:28,455 --> 05:28:30,857
VERY RIGOROUS SO WE WANT TO MAKE

6502
05:28:30,924 --> 05:28:35,529
SURE WE DON'T WANT TO BE TOO

6503
05:28:35,595 --> 05:28:37,731
PRESCRIPTIVE THAT ALIGN THE

6504
05:28:37,798 --> 05:28:40,467
RESEARCH TO THE NIH POLICY FOR

6505
05:28:40,534 --> 05:28:46,540
RIGOR AND REPRODUCIBILITY.

6506
05:28:46,606 --> 05:28:47,040
YOU HAVE SEEN THE SLIDE

6507
05:28:47,107 --> 05:28:47,607
DR. COLLINS TALKS ABOUT THE

6508
05:28:47,674 --> 05:28:51,144
WORKSHOPS WE ORGANIZE IN 2021.

6509
05:28:51,211 --> 05:28:53,680
WHAT I WANT TO STRESS IS THOSE

6510
05:28:53,747 --> 05:28:56,116
WORKSHOPS WE PLAY -- -- PAY

6511
05:28:56,183 --> 05:28:58,118
CLOSE ATTENTION ALL THE

6512
05:28:58,185 --> 05:29:02,722
COMMUNITIES THAT ARE HERE TODAY

6513
05:29:02,789 --> 05:29:06,927
NEUROSCIENTIST, RESEARCHERS

6514
05:29:06,993 --> 05:29:08,261
FOCUSED ON DEVELOPING BEHAVIORAL

6515
05:29:08,328 --> 05:29:11,698
INTERVENTION, CLINICAL

6516
05:29:11,765 --> 05:29:13,900
TRIALS, MUSIC THERAPIES PATIENT

6517
05:29:13,967 --> 05:29:19,439
ADVOCATES AND PATIENT GROUPS IT

6518
05:29:19,506 --> 05:29:20,040
WAS A COMING TOGETHER WORKING

6519
05:29:20,107 --> 05:29:21,975
FOR A WHOLE YEAR ON THOSE 3

6520
05:29:22,042 --> 05:29:25,178
WORKSHOPS ALONG WITH NIH WORKING

6521
05:29:25,245 --> 05:29:29,616
FOR MUSIC AND HEALTH SO WITH A

6522
05:29:29,683 --> 05:29:32,486
SERIES OF WORKSHOPS FUNDED BY

6523
05:29:32,552 --> 05:29:33,553
THE FLEMING FOUNDATION THANK

6524
05:29:33,620 --> 05:29:39,226
YOU.

6525
05:29:39,292 --> 05:29:40,794
WE ACTUALLY DEVELOPED A SET OF

6526
05:29:40,861 --> 05:29:43,296
GUIDELINES.

6527
05:29:43,363 --> 05:29:44,798
I WANT TO MAKE SURE IT IS

6528
05:29:44,865 --> 05:29:48,135
UNDERSTOOD WE ARE NOT TRYING TO

6529
05:29:48,201 --> 05:29:48,702
TELL THE COMMUNITY HOW TO DO

6530
05:29:48,768 --> 05:29:50,137
THEIR WORK OR WHAT TO DO BUT TO

6531
05:29:50,203 --> 05:29:53,673
GIVE THEM SOME GUIDANCE TO

6532
05:29:53,740 --> 05:29:54,674
IMPROVE THE QUALITY OF THE

6533
05:29:54,741 --> 05:30:00,514
RESEARCH.

6534
05:30:00,580 --> 05:30:06,553
AND 2023, EARLY THIS YEAR NIH

6535
05:30:06,620 --> 05:30:07,587
TOOLKIT WAS PUBLISHED IN JOURNAL

6536
05:30:07,654 --> 05:30:13,093
OF NEUROLOGY ESSENTIALLY A

6537
05:30:13,160 --> 05:30:18,431
TOOLKIT A WEB RESOURCE THAT WE

6538
05:30:18,498 --> 05:30:24,337
FELT BY EMBEDDING THE TOOLKIT

6539
05:30:24,404 --> 05:30:24,838
THAT THIS WOULD ACTUALLY

6540
05:30:24,905 --> 05:30:25,972
INCREASE THE POTENTIAL OF

6541
05:30:26,039 --> 05:30:29,142
INVESTIGATORS TO GIVE FUNDING AT

6542
05:30:29,209 --> 05:30:30,210
NIH.

6543
05:30:30,277 --> 05:30:36,816
WE WERE WORRIED LOOKING AT THE

6544
05:30:36,883 --> 05:30:37,417
COMMENTS MADE BY THE REVIEWERS

6545
05:30:37,484 --> 05:30:39,920
THE STUDIES WERE TOO SMALL THERE

6546
05:30:39,986 --> 05:30:45,759
WAS VERY LITTLE ATTENTION PAID

6547
05:30:45,825 --> 05:30:46,259
TO THE WHOLE MECHANISTIC

6548
05:30:46,326 --> 05:30:46,860
GROUNDING AND THINGS WERE NOT

6549
05:30:46,927 --> 05:30:51,064
EXPLAINED WELL AND NOT DEVELOPED

6550
05:30:51,131 --> 05:30:52,365
IN A WAY THAT WOULD ALLOW FOR

6551
05:30:52,432 --> 05:30:54,301
REPRODUCIBILITY.

6552
05:30:54,367 --> 05:30:57,204
THAT WAS THE PURPOSE OF THE TALK

6553
05:30:57,270 --> 05:31:01,374
AND IT IS THE WEB RESOURCE YOU

6554
05:31:01,441 --> 05:31:04,744
CAN ACCESS FREELY AVAILABLE

6555
05:31:04,811 --> 05:31:08,315
ESSENTIALLY IT IS A PRIMER OF

6556
05:31:08,381 --> 05:31:12,252
HOW TO DO THIS.

6557
05:31:12,319 --> 05:31:12,886
I WILL TELL YOU A LITTLE BIT OF

6558
05:31:12,953 --> 05:31:18,158
WHAT IS INCLUDED.

6559
05:31:18,225 --> 05:31:20,694
THE FIRST THING WE WANT TO

6560
05:31:20,760 --> 05:31:23,096
ENCOURAGE IS TO GROUND RESEARCH

6561
05:31:23,163 --> 05:31:25,298
INTO A CONCEPTUAL MODEL OR

6562
05:31:25,365 --> 05:31:28,535
FRAMEWORK TO GUIDE THE DESIGN OF

6563
05:31:28,602 --> 05:31:29,536
THE INTERVENTION.

6564
05:31:29,603 --> 05:31:31,638
THE SECOND THING IS TO HAVE A

6565
05:31:31,705 --> 05:31:37,410
CLEAR RESEARCH QUESTION AND HAVE

6566
05:31:37,477 --> 05:31:43,216
SUPPORTING EVIDENCE TO SUPPORT

6567
05:31:43,283 --> 05:31:45,585
THE HYPOTHESIS AND ALSO BE

6568
05:31:45,652 --> 05:31:49,322
MINDFUL TO HAVE COMMON DATA

6569
05:31:49,389 --> 05:31:51,491
ELEMENTS EVEN WITH SMALL STUDIES

6570
05:31:51,558 --> 05:31:54,561
THEY CAN BE AGGREGATED AS YOU

6571
05:31:54,628 --> 05:31:56,796
CAN GET SOME SOLID EVIDENCE

6572
05:31:56,863 --> 05:31:58,999
NEEDED IF WE WENT TO EVENTUALLY

6573
05:31:59,065 --> 05:32:08,008
MOVE INTO HEALTHCARE.

6574
05:32:08,074 --> 05:32:08,642
SOMETIMES WE DON'T PAY ATTENTION

6575
05:32:08,708 --> 05:32:09,609
CLOSELY TO HOW WE DESCRIBE THE

6576
05:32:09,676 --> 05:32:13,079
INTERVENTION IT IS CRITICAL TO

6577
05:32:13,146 --> 05:32:14,381
GIVE THE DETAILS OF THE

6578
05:32:14,447 --> 05:32:18,118
INTERVENTION AND OF THE PROTOCOL

6579
05:32:18,184 --> 05:32:23,556
USED WHEN YOU DELIVER THE

6580
05:32:23,623 --> 05:32:23,890
INTERVENTION.

6581
05:32:23,957 --> 05:32:24,457
VERY IMPORTANT TO CHOOSE THE

6582
05:32:24,524 --> 05:32:27,594
APPROPRIATE CONTROL I THINK YOU

6583
05:32:27,661 --> 05:32:31,865
HEARD YESTERDAY A LOT OF THE

6584
05:32:31,931 --> 05:32:32,732
POINTS WERE MADE ALONG THE WAY

6585
05:32:32,799 --> 05:32:35,769
WHERE PEOPLE TALKED ABOUT RIGOR

6586
05:32:35,835 --> 05:32:38,371
AND REPRODUCIBILITY WITH THE

6587
05:32:38,438 --> 05:32:42,575
RIGHT CONTROL AND THOSE ARE A

6588
05:32:42,642 --> 05:32:44,678
GUIDING PRINCIPLE FOR ANYONE

6589
05:32:44,744 --> 05:32:47,213
WITH THE INTERVENTION TO

6590
05:32:47,280 --> 05:32:52,085
ACTUALLY PAY ATTENTION.

6591
05:32:52,152 --> 05:32:56,856
SO TO DRILL DOWN A LITTLE BI

6592
05:32:56,923 --> 05:32:57,457
BIT, TALK ABOUT THE CONCEPTUAL

6593
05:32:57,524 --> 05:32:58,058
MODEL, WE WANT TO MAKE SURE WE

6594
05:32:58,124 --> 05:33:00,293
ARE NOT VERY PRESCRIPTIVE WITH

6595
05:33:00,360 --> 05:33:03,396
MULTIPLE EXAMPLES THIS COULD BE

6596
05:33:03,463 --> 05:33:08,601
A MECHANISTIC FRAMEWORK TO

6597
05:33:08,668 --> 05:33:14,941
ADDRESS THE TARGET.

6598
05:33:15,008 --> 05:33:15,508
YOU COULD ALSO HAVE A MUSIC

6599
05:33:15,575 --> 05:33:16,142
THERAPY FRAMEWORK WHERE WE HEARD

6600
05:33:16,209 --> 05:33:21,147
THE IMPORTANCE OF THE

6601
05:33:21,214 --> 05:33:21,748
THERAPIES, THE SUBJECT IN THE

6602
05:33:21,815 --> 05:33:22,382
THERAPEUTIC ALLIANCE THAT IS SO

6603
05:33:22,449 --> 05:33:26,553
IMPORTANT IN THAT CONTEXT SO

6604
05:33:26,619 --> 05:33:27,153
WHATEVER YOUR CONCEPTUAL MODEL

6605
05:33:27,220 --> 05:33:30,890
OF FRAMEWORK IS YOU NEED TO BE

6606
05:33:30,957 --> 05:33:34,160
CLEAR AND HOW THAT HELPS YOU

6607
05:33:34,227 --> 05:33:41,801
DESIGN.

6608
05:33:41,868 --> 05:33:42,302
SECOND WAS HAVING A GOOD

6609
05:33:42,369 --> 05:33:42,836
RESEARCH QUESTION AND THE

6610
05:33:42,902 --> 05:33:45,672
SUPPORTING DATA.

6611
05:33:45,739 --> 05:33:50,944
YOU NEED TO PAY ATTENTION TO THE

6612
05:33:51,010 --> 05:33:55,982
PRIOR STUDIES AND TO MAKE USEFUL

6613
05:33:56,049 --> 05:33:56,483
THE LITERATURE THE BASIC

6614
05:33:56,549 --> 05:33:58,618
RESEARCH TO INFORM YOUR MODEL.

6615
05:33:58,685 --> 05:34:02,021
DO THE RESEARCH ON CLINICAL

6616
05:34:02,088 --> 05:34:06,760
RESEARCH IN THE AREA AND PAY

6617
05:34:06,826 --> 05:34:07,260
ATTENTION OF THE MUSICAL

6618
05:34:07,327 --> 05:34:07,861
ELEMENTS OF THE INTERVENTION.

6619
05:34:07,927 --> 05:34:11,765
WE HEARD ABOUT THAT WE STILL

6620
05:34:11,831 --> 05:34:12,332
DON'T KNOW A WHOLE LOT ABOUT

6621
05:34:12,399 --> 05:34:12,966
POTENTIALLY THE DIFFERENCES THAT

6622
05:34:13,032 --> 05:34:20,073
COULD OCCUR.

6623
05:34:20,140 --> 05:34:21,141
IT IS VERY IMPORTANT AND WE

6624
05:34:21,207 --> 05:34:24,244
HEARD THAT THE RESEARCH

6625
05:34:24,310 --> 05:34:26,579
PRACTICES NEED TO TALK TO EACH

6626
05:34:26,646 --> 05:34:31,451
OTHER SO PRACTICE CAN INFORM THE

6627
05:34:31,518 --> 05:34:32,452
RESEARCH AND HOW IT'S BEING

6628
05:34:32,519 --> 05:34:39,526
DONE.

6629
05:34:39,592 --> 05:34:40,126
SO WE HAVE THIS LITTLE DIAGRAM

6630
05:34:40,193 --> 05:34:40,693
THAT WE USE WHEN WE ACTUALLY

6631
05:34:40,760 --> 05:34:46,266
HAVE OR FRAMEWORK AND

6632
05:34:46,332 --> 05:34:49,736
ESSENTIALLY CALLING THOSE THE

6633
05:34:49,803 --> 05:34:51,004
BUILDING BLOCK ALL THE

6634
05:34:51,070 --> 05:34:53,840
INGREDIENTS THAT IS ESSENTIAL TO

6635
05:34:53,907 --> 05:34:57,744
INCLUDE.

6636
05:34:57,811 --> 05:35:05,952
TALK ABOUT INTERVENTION.

6637
05:35:06,019 --> 05:35:06,953
AND TO TALK ABOUT THE

6638
05:35:07,020 --> 05:35:09,756
INTERVENTION STRATEGY

6639
05:35:09,823 --> 05:35:13,893
MULTIDISCIPLINARY RESEARCH AND

6640
05:35:13,960 --> 05:35:17,864
THE TYPE OF PARTICIPANTS

6641
05:35:17,931 --> 05:35:20,967
INVOLVED, INCLUDING PATIENT AND

6642
05:35:21,034 --> 05:35:21,568
CAREGIVER WITH THAT COMMUNITY

6643
05:35:21,634 --> 05:35:22,202
ENGAGEMENT PIECE WE JUST TALKED

6644
05:35:22,268 --> 05:35:23,903
ABOUT.

6645
05:35:23,970 --> 05:35:30,643
STUDY DESIGN RECRUITMENT AND HOW

6646
05:35:30,710 --> 05:35:31,244
YOU DO ABOUT THE TOOLKIT GIVE

6647
05:35:31,311 --> 05:35:34,347
SPECIFIC DETAILS HOW TO DO THIS.

6648
05:35:34,414 --> 05:35:39,385
FINALLY DR. COLLINS MENTIONED

6649
05:35:39,452 --> 05:35:39,986
THAT AT SOME POINT WE HAVE TO

6650
05:35:40,053 --> 05:35:40,620
ACTUALLY THINK IN THE FUTURE OF

6651
05:35:40,687 --> 05:35:42,989
IMPLEMENTATION SCIENCE AND 1 OF

6652
05:35:43,056 --> 05:35:53,066
OUR SPEAKERS IT WILL BE VERY

6653
05:35:53,132 --> 05:35:53,566
IMPORTANT TO DESIGN THE

6654
05:35:53,633 --> 05:35:57,604
INTERVENTION TO START THINKING

6655
05:35:57,670 --> 05:35:58,171
HOW YOU CAN SCALE THEM UP AT

6656
05:35:58,238 --> 05:35:58,771
SOME POINT AND NOT WAIT UNTIL

6657
05:35:58,838 --> 05:36:08,915
THE END TO DO THIS.

6658
05:36:08,982 --> 05:36:09,482
IN ADDITION TO THE BUILDING

6659
05:36:09,549 --> 05:36:10,016
BLOCK WE HAVE A SERIES OF

6660
05:36:10,083 --> 05:36:10,517
GUIDING PRINCIPLES FOR

6661
05:36:10,583 --> 05:36:16,523
INVESTIGATORS.

6662
05:36:16,589 --> 05:36:17,123
NOT BEING TOO PRESCRIPTIVE BUT

6663
05:36:17,190 --> 05:36:17,757
TO GIVE THEM A LIST OF POTENTIAL

6664
05:36:17,824 --> 05:36:19,726
OUTCOME MEASURES THEY COULD LOOK

6665
05:36:19,792 --> 05:36:24,531
AT AND BIOMARKERS WE FOCUSED OUR

6666
05:36:24,597 --> 05:36:27,233
INTEREST ON THE BRAIN DISORDERS

6667
05:36:27,300 --> 05:36:28,334
OF AGING BECAUSE AT THE TIME WE

6668
05:36:28,401 --> 05:36:32,272
FELLED -- -- WE FELT THIS IS THE

6669
05:36:32,338 --> 05:36:34,474
AREA WE HAD THE MOST INFORMATION

6670
05:36:34,541 --> 05:36:37,410
AND I THINK THIS IS NOT TO SAY

6671
05:36:37,477 --> 05:36:40,346
THE TOOLKIT IS ONLY BASED ON

6672
05:36:40,413 --> 05:36:43,516
BRAIN DISORDERS OF AGING BUT WE

6673
05:36:43,583 --> 05:36:46,719
DO HOPE THIS WOULD BE EXTENDED.

6674
05:36:46,786 --> 05:36:53,593
WITH THAT WAS OUR START.

6675
05:36:53,660 --> 05:36:56,095
WHAT ARE WE DOING?

6676
05:36:56,162 --> 05:37:01,401
WE ARE ENCOURAGING THE CROSS

6677
05:37:01,467 --> 05:37:01,901
BETWEEN MUSIC THERAPY IN

6678
05:37:01,968 --> 05:37:08,374
MEDICINE AND NEUROSCIENCE.

6679
05:37:08,441 --> 05:37:09,008
AND PROVIDE INVESTIGATORS WITH A

6680
05:37:09,075 --> 05:37:09,642
GUIDELINE RECOMMENDATION THAT I

6681
05:37:09,709 --> 05:37:15,548
THINK WOULD BE VERY HELPFUL AND

6682
05:37:15,615 --> 05:37:16,583
THEN TO SUBMIT APPLICATION TO

6683
05:37:16,649 --> 05:37:19,619
THE NIH TO BE IN LINE WITH THE

6684
05:37:19,686 --> 05:37:27,694
POLICY.

6685
05:37:27,760 --> 05:37:28,761
CURRENTLY WE DO HAVE A FUNDING

6686
05:37:28,828 --> 05:37:31,331
OPPORTUNITY ONGOING WE JUST

6687
05:37:31,397 --> 05:37:37,236
DECIDED TO HAVE VISIBILITY

6688
05:37:37,303 --> 05:37:41,975
TRIALS BUT TESTING THE VALIDITY

6689
05:37:42,041 --> 05:37:42,475
OF THE GUIDELINES IN THE

6690
05:37:42,542 --> 05:37:42,709
TOOLKIT.

6691
05:37:42,775 --> 05:37:50,850
THIS IS CURRENTLY ONGOING WE SEE

6692
05:37:50,917 --> 05:37:51,351
THAT IS IN FEBRUARY AND

6693
05:37:51,417 --> 05:37:53,353
CURRENTLY GETTING A LOT OF

6694
05:37:53,419 --> 05:37:55,254
INTEREST SO IF YOU DID NOT KNOW

6695
05:37:55,321 --> 05:37:58,958
ABOUT THAT THE NEXT LIGHT IS

6696
05:37:59,025 --> 05:38:02,328
DETAILED.

6697
05:38:02,395 --> 05:38:02,895
WHAT ARE WE LOOKING FOR ONCE

6698
05:38:02,962 --> 05:38:03,229
THIS IS OVER?

6699
05:38:03,296 --> 05:38:05,465
WE WANT ENOUGH INFORMATION TO

6700
05:38:05,531 --> 05:38:09,502
REFINE THE TOOLKIT AND PLAYING

6701
05:38:09,569 --> 05:38:11,871
FOR -- -- PLAN FOR LARGE-SCALE

6702
05:38:11,938 --> 05:38:13,473
EFFICACY AND LOOKING AT THE

6703
05:38:13,539 --> 05:38:16,209
PALLET DATA TO GENERATE

6704
05:38:16,275 --> 05:38:19,746
LARGE-SCALE STUDIES.

6705
05:38:19,812 --> 05:38:22,949
PERK GO -- .

6706
05:38:23,016 --> 05:38:28,688
>> SO YOU HAVE TIME THIS COMING

6707
05:38:28,755 --> 05:38:31,858
MONDAY THERE IS A TECHNICAL

6708
05:38:31,924 --> 05:38:37,196
ASSISTANCE WEBINAR ON THIS

6709
05:38:37,263 --> 05:38:37,797
FUNDING OPPORTUNITY SO JOIN US

6710
05:38:37,864 --> 05:38:44,537
TO HEAR MORE DETAILS AND HOW WE

6711
05:38:44,604 --> 05:38:45,171
WOULD LIKE TO SEE AN APPLICATION

6712
05:38:45,238 --> 05:38:51,344
COME IN TO TEST THE VALIDITY.

6713
05:38:51,411 --> 05:38:54,480
THIS IS FOR MY BLUE SKY IDEA WE

6714
05:38:54,547 --> 05:38:55,882
NEED SOME PRESCRIPTION OF THE

6715
05:38:55,948 --> 05:39:00,887
FUTURE BUT THINKING THAT WE HAVE

6716
05:39:00,953 --> 05:39:01,487
TO REMEMBER AND STAY CLOSE TO

6717
05:39:01,554 --> 05:39:04,857
THE SCIENTIFIC METHOD.

6718
05:39:04,924 --> 05:39:11,798
DYNAMIC RELATIONSHIP BETWEEN

6719
05:39:11,864 --> 05:39:12,432
PRACTICE AND RESEARCH AND STUDY

6720
05:39:12,498 --> 05:39:12,932
THE RELATIONSHIP BETWEEN

6721
05:39:12,999 --> 05:39:16,202
PSYCHOPATHOLOGY AND TREATMENT

6722
05:39:16,269 --> 05:39:16,836
AND SOMETHING RESEARCHERS DON'T

6723
05:39:16,903 --> 05:39:17,470
PAY ATTENTION TO IS WHO WILL PAY

6724
05:39:17,537 --> 05:39:22,608
FOR THIS?

6725
05:39:22,675 --> 05:39:23,242
WE HAVE TO THINK ABOUT WHAT THE

6726
05:39:23,309 --> 05:39:23,810
INSURANCE COMPANIES WOULD BE

6727
05:39:23,876 --> 05:39:31,451
INTERESTED IN.

6728
05:39:31,517 --> 05:39:37,757
[APPLAUSE]

6729
05:39:37,824 --> 05:39:38,758
JUST TO SAY I TALK ABOUT HOW TO

6730
05:39:38,825 --> 05:39:45,565
DO IT AND NOW WE WILL TALK ABOUT

6731
05:39:45,631 --> 05:39:56,042
HOW TO REPORT THE DATA.

6732
05:40:14,861 --> 05:40:25,238
>> THIS AFTERNOON WITH THE

6733
05:40:28,808 --> 05:40:29,275
DEVELOPMENT AND VALIDATION OF

6734
05:40:29,342 --> 05:40:29,876
REPORTING GUIDELINES FOR MUSIC

6735
05:40:29,942 --> 05:40:37,817
-BASED INTERVENTIONS.

6736
05:40:37,884 --> 05:40:38,317
ABOUT 15 YEARS AGO I GOT

6737
05:40:38,384 --> 05:40:38,851
INTERESTED IN THE TOPIC OF

6738
05:40:38,918 --> 05:40:40,486
REPORTING QUALITY AND PUBLISHED

6739
05:40:40,553 --> 05:40:44,023
RESEARCH AND WHY THAT'S

6740
05:40:44,090 --> 05:40:44,557
IMPORTANT AND THIS LED TO

6741
05:40:44,624 --> 05:40:45,191
PUBLICATION OF THE FIRST SET OF

6742
05:40:45,258 --> 05:40:46,959
REPORTING GUIDELINES FOR MUSIC

6743
05:40:47,026 --> 05:40:54,233
-BASED INTERVENTIONS 2011 AND

6744
05:40:54,300 --> 05:40:54,801
WHAT I WILL TALK ABOUT IS A

6745
05:40:54,867 --> 05:40:55,434
JOURNEY THROUGH THE PUBLICATION

6746
05:40:55,501 --> 05:40:58,671
AND THE WORK WE JUST FINISHED UP

6747
05:40:58,738 --> 05:40:59,205
TO LOOK AT THE GUIDELINES

6748
05:40:59,272 --> 05:41:04,811
PUBLISHED IN 2011 THE VALIDATION

6749
05:41:04,877 --> 05:41:05,411
THROUGH THE INTERDISCIPLINARY

6750
05:41:05,478 --> 05:41:10,583
GROUP OF RESEARCHERS.

6751
05:41:10,650 --> 05:41:11,117
DR. ALTMAN WAS AN ENGLISH

6752
05:41:11,184 --> 05:41:13,219
STATISTICIAN BEST KNOWN FOR HIS

6753
05:41:13,286 --> 05:41:19,292
WORK WITH THE RELIABILITY AND

6754
05:41:19,358 --> 05:41:19,892
REPORTING OF MEDICAL RESEARCH

6755
05:41:19,959 --> 05:41:20,459
AND PLAYED A CENTRAL ROLE IN

6756
05:41:20,526 --> 05:41:23,062
ESTABLISHING BETTER STANDARDS OF

6757
05:41:23,129 --> 05:41:25,898
GUIDANCE FOR WHAT INVESTIGATORS

6758
05:41:25,965 --> 05:41:27,133
SHOULD INCLUDE IN THE PUBLISHED

6759
05:41:27,200 --> 05:41:27,366
REPORTS.

6760
05:41:27,433 --> 05:41:31,337
IN THE EIGHTIES DR. ALTMAN

6761
05:41:31,404 --> 05:41:32,672
IDENTIFIED PROBLEMS AND

6762
05:41:32,738 --> 05:41:34,607
INCONSISTENCIES OF HOW RESEARCH

6763
05:41:34,674 --> 05:41:42,481
WAS REPORTED.

6764
05:41:42,548 --> 05:41:42,982
SO WE KNOW WELL-DESIGNED

6765
05:41:43,049 --> 05:41:43,516
PROPERLY EXECUTED STUDIES

6766
05:41:43,583 --> 05:41:45,117
PROVIDE EVIDENCE WE NEED TO

6767
05:41:45,184 --> 05:41:46,285
SUPPORT DEVELOPMENT AND USE OF

6768
05:41:46,352 --> 05:41:53,025
HEALTHCARE INTERVENTIONS.

6769
05:41:53,092 --> 05:41:53,593
AND PUBLISHED STUDIES DON'T

6770
05:41:53,659 --> 05:41:54,126
REPORT INFORMATION OF THE

6771
05:41:54,193 --> 05:41:54,760
CONDUCT OF THE TRIAL, THE RESULT

6772
05:41:54,827 --> 05:41:56,662
CAN BE BIASED FINDINGS OR

6773
05:41:56,729 --> 05:42:02,101
EXAGGERATED TREATMENT EFFECTS SO

6774
05:42:02,168 --> 05:42:02,735
REPORT STARTED TO EMERGE IN THE

6775
05:42:02,802 --> 05:42:06,072
EIGHTIES WITH GROWING AWARENESS

6776
05:42:06,138 --> 05:42:07,106
OF DEFICIENCIES AND REPORTS OF

6777
05:42:07,173 --> 05:42:12,078
CLINICAL TRIALS IN PARTICULAR

6778
05:42:12,144 --> 05:42:12,712
FOR RANDOMIZED CONTROLLED TRIALS

6779
05:42:12,778 --> 05:42:13,412
A GROWING NUMBER OF PUBLICATIONS

6780
05:42:13,479 --> 05:42:18,918
DOCUMENTING IN ACCURATE

6781
05:42:18,985 --> 05:42:19,552
INFORMATION IN THOSE REPORTS SO

6782
05:42:19,619 --> 05:42:21,320
IN 1982 A GROUP OF SCHOLARS

6783
05:42:21,387 --> 05:42:24,023
SUGGESTED EDITORS OF JOURNALS

6784
05:42:24,090 --> 05:42:24,657
COULD GREATLY IMPROVE REPORTING

6785
05:42:24,724 --> 05:42:29,061
OF CLINICAL TRIALS BY HAVING A

6786
05:42:29,128 --> 05:42:29,662
CHECKLIST OF ITEMS EXPECTED TO

6787
05:42:29,729 --> 05:42:30,763
STRICTLY ADHERE TO.

6788
05:42:30,830 --> 05:42:39,805
IN THE 1990S 2 DIFFERENT GROUPS

6789
05:42:39,872 --> 05:42:40,373
OF EDITORS GOT TOGETHER AND

6790
05:42:40,439 --> 05:42:40,973
BEGAN TO ESTABLISH GUIDELINES

6791
05:42:41,040 --> 05:42:51,550
FOR WHAT SHOULD BE INCLUDED IN

6792
05:42:54,720 --> 05:42:55,087
THE PUBLICATION AND CAME

6793
05:42:55,154 --> 05:42:55,688
TOGETHER AND WHAT RESULTED WAS

6794
05:42:55,755 --> 05:42:56,155
THE CONSORT STATEMENT.

6795
05:42:56,222 --> 05:42:56,756
IN 2000 FOR THE TRAN STATEMENT

6796
05:42:56,822 --> 05:42:57,290
FOR NONRANDOMIZED CONTROL

6797
05:42:57,356 --> 05:42:57,857
DESIGNS WAS PUBLISHED AND WE

6798
05:42:57,924 --> 05:42:58,958
HAVE STARTED TO SEE PUBLICATIONS

6799
05:42:59,025 --> 05:42:59,458
TALKING ABOUT HOW THESE

6800
05:42:59,525 --> 05:42:59,992
GUIDELINES WERE GREAT FOR

6801
05:43:00,059 --> 05:43:00,826
METHODOLOGY BUT NOT PROVIDING A

6802
05:43:00,893 --> 05:43:05,064
LOT OF GUIDANCE ON ACTUAL

6803
05:43:05,131 --> 05:43:08,634
INTERVENTION SO THERE IS A

6804
05:43:08,701 --> 05:43:12,038
SINGLE LINE ITEM THAT TALKS

6805
05:43:12,104 --> 05:43:13,406
ABOUT DESCRIBING THE

6806
05:43:13,472 --> 05:43:20,379
INTERVENTION TO BE REPLICATED

6807
05:43:20,446 --> 05:43:21,013
SOUL FOR BEHAVIOR INTERVENTIONS

6808
05:43:21,080 --> 05:43:21,647
WE START TO SEE THE EMERGENCE OF

6809
05:43:21,714 --> 05:43:23,349
MANY DIFFERENT REPORTS

6810
05:43:23,416 --> 05:43:29,655
DISCUSSING A GREATER GUIDANCE.

6811
05:43:29,722 --> 05:43:30,256
WE JUST WANT TO DRILL DOWN ON

6812
05:43:30,323 --> 05:43:34,727
WHY THIS MATTERS AND BECAUSE

6813
05:43:34,794 --> 05:43:35,328
WITHOUT CLEAR DESCRIPTIONS OF

6814
05:43:35,394 --> 05:43:39,665
THE ACTUAL INTERVENTION IT MAKES

6815
05:43:39,732 --> 05:43:40,266
IT VERY DIFFICULT TO DO CROSS

6816
05:43:40,333 --> 05:43:45,705
STUDY COMPARISONS AND HINDERS

6817
05:43:45,771 --> 05:43:46,339
INTERDISCIPLINARY COMMUNICATION

6818
05:43:46,405 --> 05:43:48,607
AND HARD TO IDENTIFY THE

6819
05:43:48,674 --> 05:43:59,218
MECHANISMS OF ACTION AND HOW IN

6820
05:43:59,919 --> 05:44:00,286
THE WORLD DO CLINICIANS

6821
05:44:00,353 --> 05:44:00,886
INTEGRATE WHAT IS PUBLISHED IN

6822
05:44:00,953 --> 05:44:01,454
THOSE REPORTS INTO CLINICAL

6823
05:44:01,520 --> 05:44:01,721
PRACTICE?

6824
05:44:01,787 --> 05:44:04,390
WE STARTED TO SEE REVIEWS FROM

6825
05:44:04,457 --> 05:44:04,991
MUSIC -BASED INTERVENTIONS AND

6826
05:44:05,057 --> 05:44:06,892
WHAT WAS REPORTED IN THOSE

6827
05:44:06,959 --> 05:44:10,763
FINDINGS WERE PROBLEMS REPORTING

6828
05:44:10,830 --> 05:44:13,165
MUSIC -BASED INTERVENTION.

6829
05:44:13,232 --> 05:44:16,802
GIVEN THE GROWTH OF INTEREST AND

6830
05:44:16,869 --> 05:44:21,040
THE LACK OF SPECIFICITY HOW THEY

6831
05:44:21,107 --> 05:44:23,442
WERE REPORTED WE DECIDED TO

6832
05:44:23,509 --> 05:44:24,377
CONDUCT A LARGE SYSTEMATIC

6833
05:44:24,443 --> 05:44:31,183
REVIEW WHAT ARE THE GAPS FOR

6834
05:44:31,250 --> 05:44:31,784
MUSIC -BASED INTERVENTIONS AND

6835
05:44:31,851 --> 05:44:32,752
WHAT ARE THE PROBLEMS WE SEE AND

6836
05:44:32,818 --> 05:44:35,521
TERMINOLOGY?

6837
05:44:35,588 --> 05:44:36,155
AS YOU KNOW MUSIC INTERVENTIONS

6838
05:44:36,222 --> 05:44:42,128
ARE ESPECIALLY COMPLEX AND

6839
05:44:42,194 --> 05:44:42,728
DIFFICULT TO DESCRIBE WITH THE

6840
05:44:42,795 --> 05:44:43,362
INHERENT COMPLEXITY OF THE MUSIC

6841
05:44:43,429 --> 05:44:44,697
ITSELF AND THE MANY WAYS IN

6842
05:44:44,764 --> 05:44:46,399
WHICH MUSIC EXPERIENCES ARE USED

6843
05:44:46,465 --> 05:44:53,506
FOR THERAPEUTIC BENEFIT.

6844
05:44:53,572 --> 05:44:54,140
SO CONSISTENT WITH THOSE REVIEWS

6845
05:44:54,206 --> 05:44:54,640
WE FOUND A HIGH LEVEL OF

6846
05:44:54,707 --> 05:44:56,108
VARIATION IN MUSIC INTERVENTION

6847
05:44:56,175 --> 05:44:59,211
REPORTING SUPPORTING THE NEED

6848
05:44:59,278 --> 05:44:59,812
FOR MUSIC -BASED INTERVENTION

6849
05:44:59,879 --> 05:45:04,283
AND REPORTING GUIDELINES.

6850
05:45:04,350 --> 05:45:14,894
IN 2011 WE PUBLISHED GUIDELINES

6851
05:45:15,094 --> 05:45:15,594
FOR MUSIC -BASED INTERVENTIONS.

6852
05:45:15,661 --> 05:45:16,195
OPEN ACCESS PUBLISHED ACROSS 2

6853
05:45:16,262 --> 05:45:23,369
DIFFERENT JOURNALS.

6854
05:45:23,436 --> 05:45:23,769
AND ARE AVAILABLE.

6855
05:45:23,836 --> 05:45:24,270
BEFORE MOVING FORWARD IS

6856
05:45:24,336 --> 05:45:26,705
IMPORTANT TO UNDERSTAND WHAT

6857
05:45:26,772 --> 05:45:30,676
THEY INTENDED TO DO A REPORTING

6858
05:45:30,743 --> 05:45:32,078
GUIDELINE IS A MINIMUM LIST OF

6859
05:45:32,144 --> 05:45:34,613
INFORMATION WITH THE EMPHASIS ON

6860
05:45:34,680 --> 05:45:40,453
MINIMUM TO ENSURE A PUBLISHED

6861
05:45:40,519 --> 05:45:40,886
MANUSCRIPT COULD BE

6862
05:45:40,953 --> 05:45:41,487
UNDERSTOOD, REPLICATED USED TO

6863
05:45:41,554 --> 05:45:44,590
INFORM CLINICAL DECISIONS WITH

6864
05:45:44,657 --> 05:45:45,024
SYSTEMATIC REVIEWS.

6865
05:45:45,091 --> 05:45:47,993
THE 2011 GUIDELINES SPECIFIED 7

6866
05:45:48,060 --> 05:45:52,231
AREAS OF REPORTING.

6867
05:45:52,298 --> 05:45:54,600
THE SCIENTIFIC RATIONALE THAT

6868
05:45:54,667 --> 05:45:56,102
SUPPORTS THE INTERVENTION UNDER

6869
05:45:56,168 --> 05:45:57,870
INVESTIGATION.

6870
05:45:57,937 --> 05:46:01,841
ACTUALLY 5 ITEMS RELATED TO

6871
05:46:01,907 --> 05:46:05,578
CONTENT WHAT ABOUT THE MUSIC

6872
05:46:05,644 --> 05:46:06,212
INTERVENTION TO BE DESCRIBED AND

6873
05:46:06,278 --> 05:46:09,982
INCLUDED THE DELIVERY SCHEDULE

6874
05:46:10,049 --> 05:46:10,549
THE BACKGROUND, TRAINING AND

6875
05:46:10,616 --> 05:46:11,083
CREDENTIALS OF THE PERSON

6876
05:46:11,150 --> 05:46:12,618
DELIVERING THE INTERVENTION

6877
05:46:12,685 --> 05:46:16,622
FACTORS FOR TREATMENT FIDELITY

6878
05:46:16,689 --> 05:46:22,628
THE SETTING AND UNIT DELIVERY.

6879
05:46:22,695 --> 05:46:23,262
THE FOCUS OF THE DESCRIPTION OF

6880
05:46:23,329 --> 05:46:25,231
THE MUSIC INTERVENTION IS A

6881
05:46:25,297 --> 05:46:27,032
FOCUS OF THESE REPORTING

6882
05:46:27,099 --> 05:46:28,968
GUIDELINES ARE NOT METHODOLOGY

6883
05:46:29,034 --> 05:46:31,237
THE INTENT IS THEY ARE USED IN

6884
05:46:31,303 --> 05:46:35,074
CONJUNCTION WITH METHODS

6885
05:46:35,141 --> 05:46:39,445
SPECIFIC.

6886
05:46:39,512 --> 05:46:43,649
THOSE WERE PUBLISHED 2011 SO AND

6887
05:46:43,716 --> 05:46:47,253
2018 WE WANT TO TAKE A LOOK HAS

6888
05:46:47,319 --> 05:46:49,755
INTERVENTION QUALITY GOTTEN

6889
05:46:49,822 --> 05:46:53,526
BETTER CRACKS IN 2018 THE TEAM

6890
05:46:53,592 --> 05:46:56,195
PUBLISHED A REVIEW OF RESEARCH

6891
05:46:56,262 --> 05:46:59,231
PUBLISHED IN HEALTHCARE.

6892
05:46:59,298 --> 05:47:05,604
WE FOUND OVERALL REPORTING

6893
05:47:05,671 --> 05:47:06,238
CONTINUED TO BE POOR AND WE DID

6894
05:47:06,305 --> 05:47:11,410
A MUCH DEEPER DIVE INTO PROBLEMS

6895
05:47:11,477 --> 05:47:11,977
WITH CONSISTENT LANGUAGE AND

6896
05:47:12,044 --> 05:47:12,278
TERMINOLOGY.

6897
05:47:12,344 --> 05:47:12,912
WITH A WIDE RANGE OF PUBLISH --

6898
05:47:12,978 --> 05:47:15,181
-- PROFESSIONALS SO WAS EASY TO

6899
05:47:15,247 --> 05:47:16,749
UNDERSTAND HOW THINGS ARE TALK

6900
05:47:16,815 --> 05:47:22,421
ABOUT AND DESCRIBED IN 2021

6901
05:47:22,488 --> 05:47:26,025
PUBLISHING A REVIEW AND

6902
05:47:26,091 --> 05:47:32,031
REPORTING SIMILAR PROBLEMS AFTER

6903
05:47:32,097 --> 05:47:32,598
READING THE 2021 REVIEW AND

6904
05:47:32,665 --> 05:47:34,934
TALKING ABOUT PROBLEMS WITH

6905
05:47:35,000 --> 05:47:36,969
REPORTING QUALITY, THE

6906
05:47:37,036 --> 05:47:47,046
AUTHORSHIP TEAM FROM THE REVI

6907
05:47:47,112 --> 05:47:47,646
REVIEW, WE SAID CAN WE HAVE AN

6908
05:47:47,713 --> 05:47:48,214
INTERDISCIPLINARY GROUP COME

6909
05:47:48,280 --> 05:47:48,747
TOGETHER LOOK AT THE 2011

6910
05:47:48,814 --> 05:47:51,450
GUIDELINES CRACKS WE NEED TO

6911
05:47:51,517 --> 05:47:52,017
VALIDATE AND LOOK AT A MORE

6912
05:47:52,084 --> 05:47:59,525
VIGOROUS WAY.

6913
05:47:59,592 --> 05:48:00,159
WE BEGAN INITIATION TO VALIDATE

6914
05:48:00,226 --> 05:48:00,693
THE REPORTING GUIDELINES.

6915
05:48:00,759 --> 05:48:01,327
OUR GOAL IS TO ENSURE VALIDITY

6916
05:48:01,393 --> 05:48:09,401
OF THE CURRENT CHECKLIST AND

6917
05:48:09,468 --> 05:48:10,002
ALSO WITH AN EYE TO IMPROVING

6918
05:48:10,069 --> 05:48:10,569
UPTAKE WE NEED TO INCLUDE A

6919
05:48:10,636 --> 05:48:11,203
BROAD RANGE OF PEOPLE INTO THAT

6920
05:48:11,270 --> 05:48:20,346
SPACE TO VALIDATE SO THEY ARE

6921
05:48:20,412 --> 05:48:20,846
USEFUL TO BROAD RANGE OF

6922
05:48:20,913 --> 05:48:21,480
INVESTIGATORS SO WITH A 3 STAGE

6923
05:48:21,547 --> 05:48:27,286
PROCESS TO DO THE WORK SO

6924
05:48:27,353 --> 05:48:27,920
BRIEFLY THE FIRST STAGE OF THE 3

6925
05:48:27,987 --> 05:48:30,222
STAGE PROCESSES THE APPEAL SCAN

6926
05:48:30,289 --> 05:48:32,157
SO JESSICA MCLEAN A DOCTORAL

6927
05:48:32,224 --> 05:48:34,793
STUDENT CONDUCT OF THE SCAN

6928
05:48:34,860 --> 05:48:40,633
LOOKING AT SYSTEMATIC REVIEWS

6929
05:48:40,699 --> 05:48:42,301
AND THEN TO GATHER RECENT

6930
05:48:42,368 --> 05:48:44,236
INFORMATION OF QUALITY TO

6931
05:48:44,303 --> 05:48:48,674
ACTUALLY INFORM THE DELPHI

6932
05:48:48,741 --> 05:48:49,041
SURVEY PROCESS.

6933
05:48:49,108 --> 05:48:53,545
PHASE 2 A 2 ROUND SURVEY PROCESS

6934
05:48:53,612 --> 05:49:00,686
WHEN WE GOT THE SURVEY DATA BACK

6935
05:49:00,753 --> 05:49:01,287
ABOUT WHAT WAS MISSING WE TAKE

6936
05:49:01,353 --> 05:49:01,887
IT TO AN EXPERT PANEL AND MOVE

6937
05:49:01,954 --> 05:49:07,293
THROUGH A PROCESS OF UPDATING

6938
05:49:07,359 --> 05:49:07,926
AND VALIDATING AND CURRENTLY IN

6939
05:49:07,993 --> 05:49:08,527
THE DISSEMINATION PHASE WHERE

6940
05:49:08,594 --> 05:49:09,795
THE EXPERT PANEL IS IN THE

6941
05:49:09,862 --> 05:49:11,864
PROCESS OF WRITING AND

6942
05:49:11,930 --> 05:49:16,001
ELABORATION DOCUMENT SO I JUST

6943
05:49:16,068 --> 05:49:16,635
WANT TO ACKNOWLEDGE THE MEMBERS

6944
05:49:16,702 --> 05:49:22,875
OF THE EXPERT PANEL IN THE ROOM

6945
05:49:22,941 --> 05:49:23,442
TODAY THEY GOT TOGETHER OVER

6946
05:49:23,509 --> 05:49:24,076
MULTIPLE MEETINGS TO REVIEW THE

6947
05:49:24,143 --> 05:49:29,515
DATA AND COME TO CONSENSUS WITH

6948
05:49:29,581 --> 05:49:30,115
A BRAND-NEW SET OF GUIDELINES.

6949
05:49:30,182 --> 05:49:30,683
WE ARE SET TO PUBLISH THOSE

6950
05:49:30,749 --> 05:49:34,853
GUIDELINES IN THE NEW YEAR ALONG

6951
05:49:34,920 --> 05:49:35,354
WITH THE ELABORATION AND

6952
05:49:35,421 --> 05:49:35,988
DOCUMENTS AND WE LOOK FORWARD TO

6953
05:49:36,055 --> 05:49:37,489
SHARING.

6954
05:49:37,556 --> 05:49:47,733
[APPLAUSE]

6955
05:50:01,046 --> 05:50:01,513
>> I WOULD ALSO LIKE TO REVISE

6956
05:50:01,580 --> 05:50:02,147
MY SLIDES AFTER WHAT WE LEARNED

6957
05:50:02,214 --> 05:50:04,116
THE LAST COUPLE OF DAYS.

6958
05:50:04,183 --> 05:50:06,652
I WILL TALK ABOUT LESSONS

6959
05:50:06,719 --> 05:50:12,791
LEARNED.

6960
05:50:12,858 --> 05:50:17,196
THESE ARE PROBABLY NOT READABLE

6961
05:50:17,262 --> 05:50:17,796
FROM WHERE YOU'RE SITTING OUR

6962
05:50:17,863 --> 05:50:20,399
WORK FROM WHERE I AM STANDING

6963
05:50:20,466 --> 05:50:25,571
EITHER.

6964
05:50:25,637 --> 05:50:26,105
SPONSORING A LOT OF CROSS

6965
05:50:26,171 --> 05:50:30,142
DIVISIONAL PROJECTS IN THE GOAL

6966
05:50:30,209 --> 05:50:30,776
HAS BEEN TO AID RESEARCH ACROSS

6967
05:50:30,843 --> 05:50:35,848
VARIOUS INSTITUTES TO EXEMPLARS

6968
05:50:35,914 --> 05:50:38,650
WHAT IS INFORMATION SYSTEM AND

6969
05:50:38,717 --> 05:50:41,653
THESE ARE BOTH DESIGNED WITH

6970
05:50:41,720 --> 05:50:45,357
CROSS DIVISIONAL FUNDING THAT

6971
05:50:45,424 --> 05:50:49,395
WOULD ENABLE PEOPLE TO USE

6972
05:50:49,461 --> 05:50:52,364
STUDIES AND THEN CLINICAL USE.

6973
05:50:52,431 --> 05:50:58,537
THE TOOLKIT SPONSORS YOU HEARD A

6974
05:50:58,604 --> 05:50:59,071
COUPLE USES OF THAT AND TO

6975
05:50:59,138 --> 05:51:00,739
LEVERAGE THE LESSONS WE HAVE

6976
05:51:00,806 --> 05:51:03,242
LEARNED BOTH TO HELP WITH

6977
05:51:03,308 --> 05:51:06,178
DISSEMINATION AND SPREAD

6978
05:51:06,245 --> 05:51:09,982
WIDESPREAD ADOPTION SO MANY OF

6979
05:51:10,048 --> 05:51:12,451
THE TOOLS ARE THE SAME BUT

6980
05:51:12,518 --> 05:51:17,122
DIFFERENT AND NETWORK IT WAS PUT

6981
05:51:17,189 --> 05:51:17,723
TOGETHER UNDER NIH FUNDING TO

6982
05:51:17,790 --> 05:51:18,991
DISTRIBUTE THE 4 MEASUREMENT

6983
05:51:19,057 --> 05:51:20,492
SYSTEMS WHICH WERE ALL

6984
05:51:20,559 --> 05:51:26,298
INITIATIVES ALL OWNED BY THE US

6985
05:51:26,365 --> 05:51:26,899
DEPARTMENT OF HEALTH AND HUMAN

6986
05:51:26,965 --> 05:51:29,268
SERVICES SO WHAT IS COMMON TO

6987
05:51:29,334 --> 05:51:31,904
ALL OF THESE APPLICABLE THE

6988
05:51:31,970 --> 05:51:35,974
TOOLKIT WAS DESIGNED FOR USE IN

6989
05:51:36,041 --> 05:51:36,575
AGING ALL THAT I AM PRESENTING

6990
05:51:36,642 --> 05:51:44,483
TODAY ARE CURRENTLY AVAILABLE

6991
05:51:44,550 --> 05:51:45,117
AND ACTUALLY THE EFFORTS ARE NOW

6992
05:51:45,184 --> 05:51:45,684
UNDERWAY TO BRING THEM DOWN

6993
05:51:45,751 --> 05:51:48,921
WITHIN 1 MONTH OF AGE.

6994
05:51:48,987 --> 05:51:49,888
CREATED WITHOUT INTELLECTUAL

6995
05:51:49,955 --> 05:51:56,462
PROPERTY CONCERNS INEXPENSIVE TO

6996
05:51:56,528 --> 05:51:57,029
ADMINISTER PSYCHOMETRICALLY

6997
05:51:57,095 --> 05:51:58,797
SOUND AND MANY TOOLS PEOPLE

6998
05:51:58,864 --> 05:51:59,364
CITED WERE DEVELOPED FOR A

6999
05:51:59,431 --> 05:52:02,234
PERSON COMPLETELY UNRELATED TO

7000
05:52:02,301 --> 05:52:04,770
WHAT YOU ARE STUDYING AND

7001
05:52:04,837 --> 05:52:05,671
THEREFORE PROBABLY NOT VALID

7002
05:52:05,737 --> 05:52:12,911
WITH HIDDEN REVIEW.

7003
05:52:12,978 --> 05:52:13,479
AND WITH THAT CLINICAL LEVEL

7004
05:52:13,545 --> 05:52:17,749
RELIABLE DEPRESSION IN 40

7005
05:52:17,816 --> 05:52:27,626
SECONDS.

7006
05:52:27,693 --> 05:52:28,260
AND THEN IN 2 THROUGH 5 MINUTES

7007
05:52:28,327 --> 05:52:28,861
WE CUT DOWN ON THE BURDEN FOR

7008
05:52:28,927 --> 05:52:31,630
THE SUBJECT AND ALSO COVER THE

7009
05:52:31,697 --> 05:52:33,932
FULL RANGE OF A TRAIT AND THAT'S

7010
05:52:33,999 --> 05:52:40,172
RARE THAT MEANS WE GO REALLY LOW

7011
05:52:40,239 --> 05:52:48,046
AND THEN ALSO GO REALLY HIGH.

7012
05:52:48,113 --> 05:52:49,081
AND WITH THE MEASUREMENT

7013
05:52:49,147 --> 05:52:52,651
INFORMATION SYSTEM ON THOSE

7014
05:52:52,718 --> 05:52:53,552
PROPOSALS FOR INNOVATIVE

7015
05:52:53,619 --> 05:52:57,089
APPROACHES WITHOUT PUT MEASURES

7016
05:52:57,155 --> 05:52:58,457
TO MEET THE NEEDS OF CLINICAL

7017
05:52:58,524 --> 05:53:02,995
RESEARCHERS PROMISES 1 OF THE

7018
05:53:03,061 --> 05:53:03,795
MEASUREMENT SYSTEMS MENTIONED IN

7019
05:53:03,862 --> 05:53:08,233
THE TOOLKIT.

7020
05:53:08,300 --> 05:53:08,834
YOU SHOULD BE INTERESTED FOR 2

7021
05:53:08,901 --> 05:53:09,468
REASONS TO HELP TO DIFFERENTIATE

7022
05:53:09,535 --> 05:53:12,137
YOUR SAMPLE.

7023
05:53:12,204 --> 05:53:15,440
NO LONGER ASSESS FUNCTIONING

7024
05:53:15,507 --> 05:53:17,209
WITHOUT ASSESSING DEPRESSION.

7025
05:53:17,276 --> 05:53:27,219
IF YOU HAVE A DEPRESSED PATIENT

7026
05:53:27,286 --> 05:53:27,853
THEY WILL BE DEPRESSED AS WELL.

7027
05:53:27,920 --> 05:53:28,487
NOTHING TO DO WITH INTERVENTION

7028
05:53:28,554 --> 05:53:29,087
AND YOU COULD BE IN TROUBLE IF

7029
05:53:29,154 --> 05:53:29,521
YOU DON'T TAKE INTO

7030
05:53:29,588 --> 05:53:32,291
CONSIDERATION.

7031
05:53:32,357 --> 05:53:37,229
CREATE DATABANKS THIS IS A TEST

7032
05:53:37,296 --> 05:53:37,829
THAT ALLOWS US TO GET RAPIDLY

7033
05:53:37,896 --> 05:53:44,736
INTO A PERSON'S LEVEL.

7034
05:53:44,803 --> 05:53:45,270
AND ALSO CREATE A PUBLICLY

7035
05:53:45,337 --> 05:53:48,307
AVAILABLE SYSTEM TO ADMINISTER.

7036
05:53:48,373 --> 05:53:50,876
THAT WAS THE GOAL FROM 20 YEARS

7037
05:53:50,943 --> 05:53:57,649
AGO IT'S BEEN A LONG TIME.

7038
05:53:57,716 --> 05:53:58,250
SO AT THIS POINT THE MEASURES

7039
05:53:58,317 --> 05:53:58,750
CAN USE BOTH IN GENERAL

7040
05:53:58,817 --> 05:54:03,555
POPULATION WITH NUMEROUS -- --

7041
05:54:03,622 --> 05:54:04,122
NUMEROUS DISEASE BASE GROUPS

7042
05:54:04,189 --> 05:54:14,700
TRANSLATED INTO 93 LANGUAGES.

7043
05:54:15,000 --> 05:54:15,500
ENGLISH IS NO LONGER THE NATIVE

7044
05:54:15,567 --> 05:54:16,101
LANGUAGE IF YOU DON'T INCLUDE

7045
05:54:16,168 --> 05:54:16,702
PEOPLE WHO DON'T SPEAK ENGLISH

7046
05:54:16,768 --> 05:54:17,336
THEY ARE MISSING DATA AND A LOT

7047
05:54:17,402 --> 05:54:20,238
OF THINGS.

7048
05:54:20,305 --> 05:54:30,749
THEY ARE AVAILABLE AND 65.

7049
05:54:35,387 --> 05:54:35,787
AND THEN SO FAR DOWNLOADED

7050
05:54:35,854 --> 05:54:36,421
700,000 TIMES JUST TO GET PAPER

7051
05:54:36,488 --> 05:54:41,259
COPIES OF THESE MEASURES UNDER

7052
05:54:41,326 --> 05:54:43,929
CONTRACT IN 2006 TO DEVELOP A

7053
05:54:43,996 --> 05:54:50,869
COMMON SET OF MEASURES TO SERVE

7054
05:54:50,936 --> 05:54:51,503
AS A COMMON CURRENCY'S EVERYBODY

7055
05:54:51,570 --> 05:54:52,137
IS NOT USING A DIFFERENT OUTCOME

7056
05:54:52,204 --> 05:54:55,440
MEASURE FOR EVERY STUDY.

7057
05:54:55,507 --> 05:55:03,849
TODAY THE ASSESSMENTS IT HAS

7058
05:55:03,915 --> 05:55:04,449
BEEN USED IN PUBLISHED STUDIES

7059
05:55:04,516 --> 05:55:05,017
300 TIMES CURRENTLY AND OVER

7060
05:55:05,083 --> 05:55:08,120
1000 RESEARCH STUDIES, 12 YEARS

7061
05:55:08,186 --> 05:55:09,054
OF RESEARCH ADMINISTERED

7062
05:55:09,121 --> 05:55:13,792
1.5 MILLION TEST IS ACTUALLY A

7063
05:55:13,859 --> 05:55:14,426
SMALL NUMBER IS IN THE RESEARCH

7064
05:55:14,493 --> 05:55:17,596
WE ARE DOING TODAY SO THE

7065
05:55:17,663 --> 05:55:21,299
TOOLKIT ITSELF LOOKING AT FROM 2

7066
05:55:21,366 --> 05:55:24,102
PERSPECTIVES 1 IS YOU COULD USE

7067
05:55:24,169 --> 05:55:27,539
IT TO CHARACTERIZE SAMPLES BUT

7068
05:55:27,606 --> 05:55:30,042
ALSO TALK ABOUT THE LESSONS

7069
05:55:30,108 --> 05:55:33,211
LEARNED WHAT WE LEARN FROM

7070
05:55:33,278 --> 05:55:33,812
DISSEMINATION AND HOW TO THOSE

7071
05:55:33,879 --> 05:55:35,047
SYSTEMS GET TO BE USED?

7072
05:55:35,113 --> 05:55:39,084
I STARTED MY CAREER AS THE

7073
05:55:39,151 --> 05:55:40,886
OPPOSITE IN THE FOR-PROFIT WORLD

7074
05:55:40,952 --> 05:55:42,387
AND WENT TO NONPROFIT AND

7075
05:55:42,454 --> 05:55:44,956
DECIDED I WON'T DEVELOP

7076
05:55:45,023 --> 05:55:46,391
SOMETHING THAT WILL NOT BE

7077
05:55:46,458 --> 05:55:49,995
DISSEMINATED SO AS ACADEMICS

7078
05:55:50,062 --> 05:55:53,031
WERE NOT INCENTIVIZED.

7079
05:55:53,098 --> 05:55:58,136
PART OF IT IS NO 1 KNOWS ABOUT

7080
05:55:58,203 --> 05:56:00,939
IT WHO GOT FUNDING BUT NOBODY

7081
05:56:01,006 --> 05:56:03,175
KNOWS AND THE NEXT PART IN ALL

7082
05:56:03,241 --> 05:56:07,946
MY GRANTS, WHAT IS THE NEXT STEP

7083
05:56:08,013 --> 05:56:08,480
CRACKS FOR MOST PEOPLE TO

7084
05:56:08,547 --> 05:56:11,650
PARTNER WITH SOMEBODY ELSE FOR

7085
05:56:11,717 --> 05:56:15,320
PROFIT OR NONPROFIT IF I GOT THE

7086
05:56:15,387 --> 05:56:16,221
RESULTS I WANTED SOMEONE HAS TO

7087
05:56:16,288 --> 05:56:20,425
USE IT.

7088
05:56:20,492 --> 05:56:20,959
PROBABLY NOT MY EXPERTISE.

7089
05:56:21,026 --> 05:56:28,500
FIND SOMEBODY WHO CAN.

7090
05:56:28,567 --> 05:56:31,103
WHY DID THEY PROMISE EVERY

7091
05:56:31,169 --> 05:56:37,109
OUTCOME SPECIFIED ALMOST ANY

7092
05:56:37,175 --> 05:56:38,643
PART EXCEPT BIOMARKERS IS NOT A

7093
05:56:38,710 --> 05:56:43,381
COINCIDENCE NIH SAW THE NEED FOR

7094
05:56:43,448 --> 05:56:44,015
A COMMON MEASUREMENT SYSTEM THEY

7095
05:56:44,082 --> 05:56:51,890
SURVEYED HUNDREDS OF RESEARCHERS

7096
05:56:51,957 --> 05:56:52,491
WHAT DO YOU NEED, WHAT DO YOU

7097
05:56:52,557 --> 05:56:53,024
WANT CRACKS LO AND BEHOLD

7098
05:56:53,091 --> 05:56:53,625
PROBABLY COVERS 90 PERCENT OF

7099
05:56:53,692 --> 05:56:54,626
THE OUTCOMES THAT YOU NEED OR

7100
05:56:54,693 --> 05:56:57,329
WANT.

7101
05:56:57,395 --> 05:56:57,829
THE DIFFERENCES THEY ARE

7102
05:56:57,896 --> 05:56:58,430
VALIDATED AND RELIABLE TO FIND

7103
05:56:58,497 --> 05:57:01,933
REFERENCES FOR THEM AND EASY TO

7104
05:57:02,000 --> 05:57:11,843
USE ALL OF THESE MEASURES ARE

7105
05:57:11,910 --> 05:57:12,410
VALIDATED PARKINSON'S STROKE

7106
05:57:12,477 --> 05:57:13,011
PLUS A FEW HUNDRED OTHERS AND

7107
05:57:13,078 --> 05:57:14,479
REVIEWERS TYPICALLY REVIEW BY

7108
05:57:14,546 --> 05:57:19,217
DISEASE AND I SHOULD POINT OUT I

7109
05:57:19,284 --> 05:57:19,751
SUPPORT OTHER MEASUREMENT

7110
05:57:19,818 --> 05:57:20,318
SYSTEMS I'VE BEEN HONORED TO

7111
05:57:20,385 --> 05:57:30,328
LEAD THE EFFORTS THE NIH TOOL

7112
05:57:30,395 --> 05:57:30,896
BOX IS BY 250 SCIENTIST PER

7113
05:57:30,962 --> 05:57:31,496
QUITE A KNOW HOW TO COUNT THAT

7114
05:57:31,563 --> 05:57:32,998
NUMBER OF PEOPLE.

7115
05:57:33,064 --> 05:57:37,903
WHAT MAKES A SUCCESSFUL?

7116
05:57:37,969 --> 05:57:38,537
PLUS THEY WORK THE TOOLKIT WILL

7117
05:57:38,603 --> 05:57:39,371
WORK AND REDUCE SUBJECT BURDEN

7118
05:57:39,437 --> 05:57:41,406
AND RESEARCHER BURDEN THAT'S A

7119
05:57:41,473 --> 05:57:46,611
REALLY BIG POINT IF YOU COST

7120
05:57:46,678 --> 05:57:47,245
MORE TIME AND ENERGY THEY WON'T

7121
05:57:47,312 --> 05:57:50,348
USE IT.

7122
05:57:50,415 --> 05:57:50,916
FOR INSURANCE COMPANIES THEY

7123
05:57:50,982 --> 05:57:52,951
WILL USE IT IF YOU SAVE THE

7124
05:57:53,018 --> 05:57:55,620
MONEY.

7125
05:57:55,687 --> 05:57:56,221
SOME OF THE THINGS WE SAW WILL

7126
05:57:56,288 --> 05:57:58,256
SAVE THEM MONEY BECAUSE

7127
05:57:58,323 --> 05:58:00,158
SOMETHING CAN BE CURED WITHOUT

7128
05:58:00,225 --> 05:58:00,792
SOMETHING THAT COST MORE MONEY.

7129
05:58:00,859 --> 05:58:02,494
THEY BECAME WELL-KNOWN WE

7130
05:58:02,561 --> 05:58:03,995
PUBLISH ARTICLES ABOUT THEIR

7131
05:58:04,062 --> 05:58:07,432
DEVELOPMENT ALSO ARTICLES OF

7132
05:58:07,499 --> 05:58:09,868
THEIR USE THAT HAVE BEEN

7133
05:58:09,935 --> 05:58:12,103
PUBLISHED OVER 4000 TIMES.

7134
05:58:12,170 --> 05:58:15,740
1 MORE THING THE NIH ACTIVELY

7135
05:58:15,807 --> 05:58:22,180
PROMOTED THEIR USE WITH THE NIH

7136
05:58:22,247 --> 05:58:26,618
TOOLBOX REQUIRED THE USE OR TO

7137
05:58:26,685 --> 05:58:27,185
SAY WHY YOU DID NOT USE IT.

7138
05:58:27,252 --> 05:58:30,288
THEY WERE NOT DICTATING THE

7139
05:58:30,355 --> 05:58:32,691
MEASURE BUT YOU HAD TO LOOK AT

7140
05:58:32,757 --> 05:58:33,558
IT.

7141
05:58:33,625 --> 05:58:40,332
NOT THAT I COULD DICTATE TO NIH

7142
05:58:40,398 --> 05:58:40,899
BUT I WOULD SUGGEST THE SAME

7143
05:58:40,966 --> 05:58:41,533
THING WITH THE TOOLKIT OTHERWISE

7144
05:58:41,600 --> 05:58:42,901
PEOPLE DON'T LOOK IN YOU SEE THE

7145
05:58:42,968 --> 05:58:44,970
RESULTS THEY COME UP WITH THINGS

7146
05:58:45,036 --> 05:58:45,604
THAT WILL NOT PASS REVIEW WHICH

7147
05:58:45,670 --> 05:58:48,440
IS UNFORTUNATE PEOPLE SPEND TIME

7148
05:58:48,506 --> 05:58:48,740
DOING THAT.

7149
05:58:48,807 --> 05:58:53,845
IT CAN BE WELL KNOWN IT'S VERY

7150
05:58:53,912 --> 05:58:57,382
HARD TO FIND RESEARCHERS PUT IT

7151
05:58:57,449 --> 05:59:01,519
IN THE BACK OF JOURNALS DO

7152
05:59:01,586 --> 05:59:06,791
ROADSHOWS THANK YOU VERY MUCH.

7153
05:59:06,858 --> 05:59:17,035
[APPLAUSE]

7154
05:59:30,148 --> 05:59:30,548
>> GOOD AFTERNOON IT IS MY

7155
05:59:30,615 --> 05:59:31,082
PLEASURE TO TALK ABOUT AND

7156
05:59:31,149 --> 05:59:31,650
INTERVENTION OF AN EXERCISE

7157
05:59:31,716 --> 05:59:34,653
PROGRAM DEVELOPED INITIALLY AND

7158
05:59:34,719 --> 05:59:39,624
SUBSEQUENTLY HAS NOW BEEN

7159
05:59:39,691 --> 05:59:40,225
IMPLEMENTED UP 30 SITES WITHIN

7160
05:59:40,292 --> 05:59:40,458
THE V.A.

7161
05:59:40,525 --> 05:59:41,059
I'M TALKING ABOUT THIS BECAUSE

7162
05:59:41,126 --> 05:59:43,328
THE MODEL WHOLE HEALTH CAN

7163
05:59:43,395 --> 05:59:47,599
INFORM THE IMPLEMENTATION OF

7164
05:59:47,666 --> 05:59:48,199
MUSIC -BASED INTERVENTIONS AND

7165
05:59:48,266 --> 05:59:50,869
HEALTHCARE SYSTEMS.

7166
05:59:50,936 --> 05:59:53,038
I HAVE NO DISCLOSURES TO MAKE

7167
05:59:53,104 --> 05:59:55,607
OTHER THAN THE FACT THEY PLAY

7168
05:59:55,674 --> 05:59:58,910
SEVERAL MUSICAL INSTRUMENT OF BE

7169
05:59:58,977 --> 05:59:59,511
BETTER AT THE PIANO THAN OVER

7170
05:59:59,577 --> 06:00:01,112
HERE.

7171
06:00:01,179 --> 06:00:02,347
BRIEFLY TALKING ABOUT THE V.A.

7172
06:00:02,414 --> 06:00:06,017
AND WHOLE HEALTH AND FOCUS MORE

7173
06:00:06,084 --> 06:00:10,355
ON THE IMPLEMENTATION.

7174
06:00:10,422 --> 06:00:10,956
THE SPEAKER AFTER ME WILL TALK

7175
06:00:11,022 --> 06:00:17,062
IN GREATER DETAIL ABOUT

7176
06:00:17,128 --> 06:00:17,662
IMPLEMENTATION AND SCIENCE AND

7177
06:00:17,729 --> 06:00:18,263
TALK ABOUT LESSONS LEARNED AND

7178
06:00:18,330 --> 06:00:19,698
HOW THIS CAN INFORM THE MUSIC

7179
06:00:19,764 --> 06:00:25,136
-BASED INTERVENTIONS AS YOU ARE

7180
06:00:25,203 --> 06:00:25,770
ALL AWARE THE LARGEST HEALTHCARE

7181
06:00:25,837 --> 06:00:28,239
SYSTEM IN THE UNITED STATES OVER

7182
06:00:28,306 --> 06:00:29,374
170 MEDICAL CENTERS AND

7183
06:00:29,441 --> 06:00:33,511
OUTPATIENT CLINICS AND AGAIN THE

7184
06:00:33,578 --> 06:00:36,548
VALUE IS THE NETWORK EFFECTS TO

7185
06:00:36,614 --> 06:00:37,716
PROMOTE COLLABORATION AND

7186
06:00:37,782 --> 06:00:39,818
COORDINATION IN ADDITION THE

7187
06:00:39,884 --> 06:00:40,852
V.A. HAS A NUMBER OF CENTERS OF

7188
06:00:40,919 --> 06:00:51,463
EXCELLENCE THERE ARE CENTERS OF

7189
06:00:52,163 --> 06:00:52,564
MENTAL HEALTH PARKINSON'S

7190
06:00:52,630 --> 06:00:53,164
DISEASE AND MSN ELSEWHERE AND

7191
06:00:53,231 --> 06:00:53,698
AGAIN THE CENTERS SERVE AS

7192
06:00:53,765 --> 06:00:56,101
INCUBATORS FOR INNOVATION.

7193
06:00:56,167 --> 06:00:59,604
AGAIN PUSHING STROKE THE NETW

7194
06:00:59,671 --> 06:00:59,838
NETWORK.

7195
06:00:59,904 --> 06:01:04,109
IT ALSO HAS A STUDIES PROGRAM TO

7196
06:01:04,175 --> 06:01:10,081
FUND MULTICENTER TRIALS.

7197
06:01:10,148 --> 06:01:10,682
THE CIRCLE OF WHOLE HEALTH IS

7198
06:01:10,749 --> 06:01:11,249
SHOWN UP HERE AS OTHERS HAVE

7199
06:01:11,316 --> 06:01:17,155
COMMENTED.

7200
06:01:17,222 --> 06:01:17,789
I WISH I COULD READ IT FROM OVER

7201
06:01:17,856 --> 06:01:18,390
HERE BUT WHEN THEY PUSHED OUT

7202
06:01:18,456 --> 06:01:20,425
WHOLE HEALTH WITH THE

7203
06:01:20,492 --> 06:01:22,527
MINDFULNESS AND MANY SERVICES

7204
06:01:22,594 --> 06:01:26,731
GIVEN TO THE PATIENTS THOSE WHO

7205
06:01:26,798 --> 06:01:27,365
PARTICIPATED IN WHOLE HEALTH AND

7206
06:01:27,432 --> 06:01:32,504
GREATER IMPROVEMENTS THE PATIENT

7207
06:01:32,570 --> 06:01:33,104
CENTERED CARE AND IMPROVEMENTS

7208
06:01:33,171 --> 06:01:34,906
OF ENGAGEMENT AND QUALITY OF

7209
06:01:34,973 --> 06:01:37,776
LIFE SHOW THERE ARE BENEFITS

7210
06:01:37,842 --> 06:01:38,977
FROM THESE TYPES OF

7211
06:01:39,044 --> 06:01:40,979
INTERVENTIONS OFFERED THROUGHOUT

7212
06:01:41,046 --> 06:01:43,348
THE V.A. CURRENTLY.

7213
06:01:43,415 --> 06:01:53,758
NOW I WILL HAVE IT.

7214
06:01:59,864 --> 06:02:00,365
STARTING BACK IN 1986 IS CENTER

7215
06:02:00,432 --> 06:02:00,932
-BASED EXERCISE PROGRAM FOR

7216
06:02:00,999 --> 06:02:01,533
OLDER PEOPLE THAN IN 2014 THE

7217
06:02:01,599 --> 06:02:02,067
V.A. PUT OUT A PROPOSAL TO

7218
06:02:02,133 --> 06:02:02,734
PROMOTE PATIENT CENTERED HEALTH

7219
06:02:02,801 --> 06:02:05,804
TO KEEP PEOPLE FROM GOING INTO

7220
06:02:05,870 --> 06:02:11,042
NURSING HOMES GEROFIT IS BEING

7221
06:02:11,109 --> 06:02:11,676
RAN AT THE TIME AND SAID LET ME

7222
06:02:11,743 --> 06:02:14,012
DO A MULTICENTER IMPLEMENTATION

7223
06:02:14,079 --> 06:02:19,918
STUDY OF GEROFIT SOLICITED 4 OF

7224
06:02:19,984 --> 06:02:20,552
THE SITES WITH BALTIMORE BEING 1

7225
06:02:20,618 --> 06:02:23,688
OF THEM AND FOLLOWING

7226
06:02:23,755 --> 06:02:26,858
REPRODUCIBILITY, PROTOCOL

7227
06:02:26,925 --> 06:02:28,993
MANUALS DEVELOP, TRAINING, AND

7228
06:02:29,060 --> 06:02:34,499
COMMON DATA ELEMENTS OBTAIN

7229
06:02:34,566 --> 06:02:35,100
OBTAINED, AND AGAIN A TOOLKIT

7230
06:02:35,166 --> 06:02:42,240
FOR SOME OF THE MEASURES.

7231
06:02:42,307 --> 06:02:42,774
SO THIS SLIDE SHOWS HOW TO

7232
06:02:42,841 --> 06:02:43,041
IMPLEMENT.

7233
06:02:43,108 --> 06:02:46,344
FIRST WITH EXTENSIVE TRAINING

7234
06:02:46,411 --> 06:02:46,945
AND PLANNING TO DEVELOP TOOLS

7235
06:02:47,011 --> 06:02:47,879
AND INSTRUMENTS AND

7236
06:02:47,946 --> 06:02:49,247
DOCUMENTATION.

7237
06:02:49,314 --> 06:02:51,616
TRAINING OF THE STAFF.

7238
06:02:51,683 --> 06:02:56,154
DEVELOPMENT OF A DATABASE.

7239
06:02:56,221 --> 06:02:59,524
AND EACH OF THE SITES, PHONE

7240
06:02:59,591 --> 06:03:01,559
CALLS AND COMMUNICATIONS THEN WE

7241
06:03:01,626 --> 06:03:07,732
START ENROLLMENT TRAINING AND

7242
06:03:07,799 --> 06:03:08,366
CALLS AND THEN A DATABASE TO PUT

7243
06:03:08,433 --> 06:03:11,236
COMMON DATA ELEMENTS SO LOOK AT

7244
06:03:11,302 --> 06:03:12,804
THE RESULTS ACROSS DIFFERENT

7245
06:03:12,871 --> 06:03:17,275
SITES THE GOAL WAS TO MAKE

7246
06:03:17,342 --> 06:03:18,443
EXERCISE A PART OF USUAL CARE IN

7247
06:03:18,510 --> 06:03:27,886
THE V.A.

7248
06:03:27,952 --> 06:03:28,486
THIS IS AN EXAMPLE SOME OF THE

7249
06:03:28,553 --> 06:03:29,087
STUFF DONE IN BALTIMORE WE HAD

7250
06:03:29,154 --> 06:03:31,990
GROUP EXERCISE SESSIONS SHOWN

7251
06:03:32,056 --> 06:03:32,991
HERE AND WHAT TYPE OF MUSIC WAS

7252
06:03:33,057 --> 06:03:40,298
BEING PLAYED BUT AGAIN YOU CAN

7253
06:03:40,365 --> 06:03:40,899
SEE IT WAS GROUP DYNAMICS AND

7254
06:03:40,965 --> 06:03:43,902
SOCIAL ENGAGEMENT PREVENTING

7255
06:03:43,968 --> 06:03:47,939
LONELINESS CAUSING A BIGGER PUSH

7256
06:03:48,006 --> 06:03:56,714
OUT I KNOW YOU CANNOT READ THE

7257
06:03:56,781 --> 06:04:03,021
SMALL PRINT 6 MINUTE WALK

7258
06:04:03,087 --> 06:04:09,260
DISTANCE.

7259
06:04:09,327 --> 06:04:10,295
AND THEN TO CLICK SIMILAR DATA

7260
06:04:10,361 --> 06:04:20,905
AND RESULTS ACROSS THE CENTERS.

7261
06:04:21,439 --> 06:04:21,873
THEN TO PUSH THIS OUT TO THE

7262
06:04:21,940 --> 06:04:22,440
LARGER GROUP AT THE LESSONS

7263
06:04:22,507 --> 06:04:23,041
LEARNED AND WE PUBLISH THIS IT

7264
06:04:23,107 --> 06:04:25,210
IS CLEAR WE NEED TO LEVERAGE

7265
06:04:25,276 --> 06:04:28,413
BECAUSE THIS WAS EXPENSIVE WITH

7266
06:04:28,479 --> 06:04:30,882
$300,000 WORTH OF EQUIPMENT IN

7267
06:04:30,949 --> 06:04:33,585
PLACE FOR RESEARCH GEMS WE

7268
06:04:33,651 --> 06:04:34,285
BENEFITED FROM THIS EQUIPMENT.

7269
06:04:34,352 --> 06:04:39,224
LEADERSHIP LOCALLY AND BUY-IN

7270
06:04:39,290 --> 06:04:39,857
FROM YOUR DIRECTORS BECAUSE THIS

7271
06:04:39,924 --> 06:04:41,993
COST TIME AND EFFORT.

7272
06:04:42,060 --> 06:04:48,666
WE WERE FORTUNATE THEY ALREADY

7273
06:04:48,733 --> 06:04:49,267
HAD THE PROGRAM AND WE USE THE

7274
06:04:49,334 --> 06:04:50,301
MODEL OF GOOD COMMUNICATION.

7275
06:04:50,368 --> 06:05:00,545
A NUMBER OF BARRIERS HIRING IS

7276
06:05:00,612 --> 06:05:01,145
HORRIBLE AND TAKES A LONG TIME

7277
06:05:01,212 --> 06:05:01,746
TO GET PEOPLE ON BOARD SO YOU

7278
06:05:01,813 --> 06:05:03,881
MUST HAVE STAFF AND THEN HAVE

7279
06:05:03,948 --> 06:05:04,616
EQUIPMENT AND ALL THE OTHER

7280
06:05:04,682 --> 06:05:11,089
THINGS TO BE SUCCESSFUL.

7281
06:05:11,155 --> 06:05:11,723
SO NOW WE SHOWED WE CAN DO THIS

7282
06:05:11,789 --> 06:05:12,323
AT 5 SITES WE WANT TO IMPROVE

7283
06:05:12,390 --> 06:05:20,031
ACCESS OF CARE.

7284
06:05:20,098 --> 06:05:24,335
AND NOW OPERATING AT 31 SITES

7285
06:05:24,402 --> 06:05:26,904
WITH DUKE AND DURHAM BEING THE

7286
06:05:26,971 --> 06:05:30,208
LEAD OF GEROFIT SITES ACROSS THE

7287
06:05:30,275 --> 06:05:32,277
COUNTRY AND MANY OTHER PROGRAMS

7288
06:05:32,343 --> 06:05:32,944
OF RECREATIONAL THERAPY AND

7289
06:05:33,011 --> 06:05:37,081
CREATIVE ARTS THE PATIENT IS IN

7290
06:05:37,148 --> 06:05:37,849
THE MIDDLE AND YOU CAN SEE THE

7291
06:05:37,915 --> 06:05:43,087
VARIOUS SERVICES USE IT THERAPY

7292
06:05:43,154 --> 06:05:43,721
IS OFFERED AT NUMEROUS SITES AND

7293
06:05:43,788 --> 06:05:44,322
PARTNERSHIP WITH THE AMERICAN

7294
06:05:44,389 --> 06:05:50,194
THERAPY ASSOCIATION AND THESE

7295
06:05:50,261 --> 06:05:50,795
INTERVENTIONS ARE BOTH ACTIVE

7296
06:05:50,862 --> 06:06:01,306
AND RECEPTIVE APPROACHES.

7297
06:06:02,907 --> 06:06:03,374
THESE ARE SOME OF THE PROGRAMS

7298
06:06:03,441 --> 06:06:03,975
OFFERED LOCALLY AT MY V.A. DUE

7299
06:06:04,042 --> 06:06:08,112
TO THE RECOVERY CENTER IT IS

7300
06:06:08,179 --> 06:06:11,749
VIRTUAL SHOWN ON THE RIGHT IT

7301
06:06:11,816 --> 06:06:15,420
WAS A PATIENT LED PROGRAM BUT

7302
06:06:15,486 --> 06:06:20,191
WAS REALLY POPULAR REGARDING

7303
06:06:20,258 --> 06:06:23,761
WHOLE HEALTH.

7304
06:06:23,828 --> 06:06:24,162
INCLUDING GUITAR.

7305
06:06:24,228 --> 06:06:25,563
SOME THE OTHER PROGRAMS

7306
06:06:25,630 --> 06:06:29,133
CONDUCTED NOT ALL INCLUSIVE.

7307
06:06:29,200 --> 06:06:29,734
SURE MANY PEOPLE WERE INVOLVED

7308
06:06:29,801 --> 06:06:33,137
WITH SOME OF THESE PROGRAMS.

7309
06:06:33,204 --> 06:06:38,076
YOU CAN SEE THEY ARE RECEPTIVE

7310
06:06:38,142 --> 06:06:38,509
AND ACTIVE TYPES OF

7311
06:06:38,576 --> 06:06:38,843
INTERVENTION.

7312
06:06:38,910 --> 06:06:39,844
GUITARS SEEM TO BE PARTICULARLY

7313
06:06:39,911 --> 06:06:45,850
POPULAR AS AN INTERVENTION.

7314
06:06:45,917 --> 06:06:46,417
WHAT ARE SOME OF THE LESSONS

7315
06:06:46,484 --> 06:06:50,288
LEARNED FROM GEROFIT AND OTHER

7316
06:06:50,355 --> 06:06:50,755
INTERVENTIONS TO HAVE

7317
06:06:50,822 --> 06:06:51,389
IMPLICATIONS FOR IMPLEMENTATION

7318
06:06:51,456 --> 06:06:56,861
OF INTERVENTIONS WITH MUSIC?

7319
06:06:56,928 --> 06:06:57,495
FIRST THE SYSTEM AS A WHOLE MUST

7320
06:06:57,562 --> 06:06:58,262
ENCOURAGE, COLLABORATION AND

7321
06:06:58,329 --> 06:07:03,668
INTERVENTION.

7322
06:07:03,735 --> 06:07:04,268
I HAVE BEEN FORTUNATE THE V.A.

7323
06:07:04,335 --> 06:07:04,836
ENCOURAGES COLLABORATION AND

7324
06:07:04,902 --> 06:07:05,169
COORDINATION.

7325
06:07:05,236 --> 06:07:07,038
AS MENTIONED YOU MUST HAVE A

7326
06:07:07,105 --> 06:07:08,339
STANDARDIZED WELL DESCRIBED

7327
06:07:08,406 --> 06:07:12,777
INTERVENTION, A PLUG FOR THE

7328
06:07:12,844 --> 06:07:16,280
TOOLKIT EACH OF THESE MUST BE

7329
06:07:16,347 --> 06:07:18,750
TAILORED TO LOCAL NEEDS AND MUST

7330
06:07:18,816 --> 06:07:20,818
IDENTIFY LOCAL CHAMPIONS WHO ARE

7331
06:07:20,885 --> 06:07:26,424
ENGAGED AND WANT TO DO THIS.

7332
06:07:26,491 --> 06:07:26,991
SEED MONEY IS CRUCIAL TO GET

7333
06:07:27,058 --> 06:07:27,325
ANYTHING DONE.

7334
06:07:27,392 --> 06:07:30,762
AS A POSITION ANY TIME TO DO MY

7335
06:07:30,828 --> 06:07:35,666
WORK AND TO SEE PATIENTS TO DO

7336
06:07:35,733 --> 06:07:36,100
THINGS LIKE GEROFIT.

7337
06:07:36,167 --> 06:07:37,835
SUSTAINABILITY ALWAYS A

7338
06:07:37,902 --> 06:07:39,337
CHALLENGE.

7339
06:07:39,404 --> 06:07:39,871
EVERYBODY ALWAYS LOOKS TO

7340
06:07:39,937 --> 06:07:41,806
COMPETE FOR RESOURCES YOU MUST

7341
06:07:41,873 --> 06:07:46,644
SHOW THIS HAS VALUES.

7342
06:07:46,711 --> 06:07:49,180
SO TO DEMONSTRATE THIS IS

7343
06:07:49,247 --> 06:07:55,753
IMPORTANT YOU MUST COLLECT GOOD

7344
06:07:55,820 --> 06:07:56,287
DATA DEMONSTRATING THIS IS

7345
06:07:56,354 --> 06:07:59,724
VALUABLE TO INFORM THE DECISION

7346
06:07:59,791 --> 06:08:03,194
TO CONTINUE THESE INTERVENTIONS.

7347
06:08:03,261 --> 06:08:05,630
AGAIN THE NEXT SPEAKER AFTER ME

7348
06:08:05,696 --> 06:08:16,107
GOES INTO GREATER DEPTH.

7349
06:08:17,975 --> 06:08:18,276
I PLAYED EUPHONIUM.

7350
06:08:18,342 --> 06:08:18,910
I PICKED THAT MORE THAN 50 YEARS

7351
06:08:18,976 --> 06:08:19,410
AGO MY ONLY REGRET IS I

7352
06:08:19,477 --> 06:08:20,011
SHOULD'VE PICKED UP A LIGHTER

7353
06:08:20,077 --> 06:08:20,311
INSTRUMENT.

7354
06:08:20,378 --> 06:08:20,578
[LAUGHTER]

7355
06:08:20,645 --> 06:08:20,878
THANK YOU.

7356
06:08:20,945 --> 06:08:26,384
[APPLAUSE]

7357
06:08:26,451 --> 06:08:36,794
>> GOOD TO BE HERE.

7358
06:08:43,100 --> 06:08:43,601
THANK YOU FOR ALL THE INCREDIBLE

7359
06:08:43,668 --> 06:08:43,901
WORK YOU DO.

7360
06:08:43,968 --> 06:08:44,535
DISSEMINATION OF IMPLEMENTATION

7361
06:08:44,602 --> 06:08:45,102
RESEARCH IS TO MAKE SURE THE

7362
06:08:45,169 --> 06:08:49,841
INCREDIBLE DISCOVERIES MADE

7363
06:08:49,907 --> 06:08:50,441
ACTUALLY MAKE THEIR WAY TO THE

7364
06:08:50,508 --> 06:08:51,042
PEOPLE WHO CAN BENEFIT AS MUCH

7365
06:08:51,108 --> 06:08:51,676
AS POSSIBLE AND AT THE SAME TIME

7366
06:08:51,742 --> 06:08:57,482
IT'S REALLY ABOUT TRYING TO TEST

7367
06:08:57,548 --> 06:08:58,115
THE ASSUMPTIONS THAT AT TIMES WE

7368
06:08:58,182 --> 06:08:58,749
IN THE SCIENTIFIC COMMUNITY HOLD

7369
06:08:58,816 --> 06:08:59,817
DEAR BUT DO NOT ALWAYS HOLD THE

7370
06:08:59,884 --> 06:09:05,523
FIRST BEING WE PUBLISH THE WORLD

7371
06:09:05,590 --> 06:09:06,123
CHANGES FOR THE BETTER AND WE

7372
06:09:06,190 --> 06:09:10,061
KNOW THAT WE LOSE SO MUCH VALUE

7373
06:09:10,127 --> 06:09:10,695
IN THE OUTCOMES OF RESEARCH AND

7374
06:09:10,761 --> 06:09:11,162
NEVER MAKE IT TO

7375
06:09:11,229 --> 06:09:14,298
IMPLEMENTATION.

7376
06:09:14,365 --> 06:09:14,932
IT ALSO TAKES AN AWFUL LONG TIME

7377
06:09:14,999 --> 06:09:16,801
TO GET THERE.

7378
06:09:16,868 --> 06:09:19,003
JUST BY SHOW OF HANDS HAS ANYONE

7379
06:09:19,070 --> 06:09:29,614
SEEN IT TAKES THIS CHART CRACKS

7380
06:09:31,182 --> 06:09:31,582
THE SHOULD NOT BE OKAY SO

7381
06:09:31,649 --> 06:09:32,149
DISSEMINATION IMPLEMENTATION

7382
06:09:32,216 --> 06:09:32,717
RESEARCH IS ABOUT BUILDING A

7383
06:09:32,783 --> 06:09:36,087
KNOWLEDGE BASE TO CHANGE THAT

7384
06:09:36,153 --> 06:09:36,687
FACTOID THAT SAYS WE DO BETTER

7385
06:09:36,754 --> 06:09:37,321
AND MORE EFFICIENTLY GETTING THE

7386
06:09:37,388 --> 06:09:40,057
WONDERFUL DISCOVERIES WHEREVER

7387
06:09:40,124 --> 06:09:45,129
WE ARE IN WHENEVER WE NEED.

7388
06:09:45,196 --> 06:09:45,763
WHATEVER ASSUMPTION WE MAKE THE

7389
06:09:45,830 --> 06:09:47,665
INNOVATIONS AND INTERVENTIONS

7390
06:09:47,732 --> 06:09:50,768
ARE THAT EVERYBODY IS CLAMORING

7391
06:09:50,835 --> 06:09:56,307
IF YOU SAW FIELD OF DREAMS YOU

7392
06:09:56,374 --> 06:09:56,908
KNOW THAT A VOICE CAN COME AND

7393
06:09:56,974 --> 06:09:58,876
SAY IF THEY BUILD IT THEY WILL

7394
06:09:58,943 --> 06:10:01,979
COME TOO OFTEN THEY DO NOT THERE

7395
06:10:02,046 --> 06:10:02,580
ARE A LOT OF WAYS INNOVATIONS

7396
06:10:02,647 --> 06:10:06,751
ARE NOT NECESSARILY PUT INTO THE

7397
06:10:06,817 --> 06:10:07,351
BEST POSSIBLE SHAPE SO PEOPLE

7398
06:10:07,418 --> 06:10:07,685
CAN BENEFIT.

7399
06:10:07,752 --> 06:10:10,288
LET'S SAY YOU ARE A MUSICIAN WHO

7400
06:10:10,354 --> 06:10:18,462
IS CREATING TO GET YOUR MUSIC

7401
06:10:18,529 --> 06:10:18,696
ACROSS.

7402
06:10:18,763 --> 06:10:19,330
TOO MANY PEOPLE SAY I DON'T EVEN

7403
06:10:19,397 --> 06:10:23,100
HAVE A CD PLAYER ANYMORE.

7404
06:10:23,167 --> 06:10:23,701
THE WORLD CHANGES IN TOO OFTEN

7405
06:10:23,768 --> 06:10:25,436
WE ON THE SCIENTIFIC AND DON'T

7406
06:10:25,503 --> 06:10:31,909
KEEP UP OR THINK AHEAD HOW

7407
06:10:31,976 --> 06:10:32,476
MESSAGES AND EVIDENCE-BASED

7408
06:10:32,543 --> 06:10:33,077
INTERVENTIONS GET TO WHERE WE

7409
06:10:33,144 --> 06:10:36,681
WANT THEM TO GO.

7410
06:10:36,747 --> 06:10:37,248
IF WE HAVE THAT INTERVENTION

7411
06:10:37,315 --> 06:10:42,720
IT'S ONLY SO GOOD NOT JUST THAT

7412
06:10:42,787 --> 06:10:43,354
IT HAS THE EVIDENCE BASE BUT IF

7413
06:10:43,421 --> 06:10:45,256
IT'S ADOPTED WITHIN DIFFERENT

7414
06:10:45,323 --> 06:10:45,489
SYSTEMS.

7415
06:10:45,556 --> 06:10:48,492
NOT JUST THAT, PROVIDERS IN A

7416
06:10:48,559 --> 06:10:53,664
POSITION TO BE TRAINED.

7417
06:10:53,731 --> 06:10:54,231
NOT JUST THAT BUT CONTINUING

7418
06:10:54,298 --> 06:10:59,604
EDUCATION DOESN'T YIELD PRACTICE

7419
06:10:59,670 --> 06:10:59,837
CHANGES.

7420
06:10:59,904 --> 06:11:00,471
THERE ARE THEY IN A POSITION OR

7421
06:11:00,538 --> 06:11:01,238
ABLE TO INCORPORATE THOSE

7422
06:11:01,305 --> 06:11:05,910
INTERVENTIONS CRACKS NOT JUST

7423
06:11:05,977 --> 06:11:06,444
THAT WE CAN HAVE A TRAINED

7424
06:11:06,510 --> 06:11:07,044
WORKFORCE IF WE DON'T IDENTIFY

7425
06:11:07,111 --> 06:11:10,681
WHO CAN BENEFIT THEN WE WILL NOT

7426
06:11:10,748 --> 06:11:11,015
DO VERY WELL.

7427
06:11:11,082 --> 06:11:14,185
THAT 17 YOUR 14 PERCENT HAS A

7428
06:11:14,251 --> 06:11:15,186
THIRD NUMBER OF THE THRESHOLD

7429
06:11:15,252 --> 06:11:17,588
FOR SUCCESS.

7430
06:11:17,655 --> 06:11:21,158
50 PERCENT WE WERE JUST AS

7431
06:11:21,225 --> 06:11:22,693
LIKELY AND THAT IS NOT

7432
06:11:22,760 --> 06:11:26,897
SUFFICIENT.

7433
06:11:26,964 --> 06:11:27,498
IF WE ASSUME 50 PERCENT AT ANY

7434
06:11:27,565 --> 06:11:32,336
STEP AROUND ADOPTION, TRAINING

7435
06:11:32,403 --> 06:11:32,870
OR INCORPORATING TO GET A

7436
06:11:32,937 --> 06:11:33,504
50 PERCENT OF PEOPLE TO BENEFIT

7437
06:11:33,571 --> 06:11:37,375
IS BETTER THAN NOTHING.

7438
06:11:37,441 --> 06:11:38,909
IF WE DISCOUNT AROUND ACCESS AND

7439
06:11:38,976 --> 06:11:46,283
ENGAGEMENT WITH THE DOSAGE

7440
06:11:46,350 --> 06:11:46,884
STAYING OVER TIME WERE DOWN AT

7441
06:11:46,951 --> 06:11:47,485
THE FRACTION OF THE BENEFIT WE

7442
06:11:47,551 --> 06:11:50,988
THOUGHT WE HAD WHEN WE COMPLETED

7443
06:11:51,055 --> 06:11:51,589
THE TRIAL WITH EVIDENCE-BASED

7444
06:11:51,656 --> 06:11:51,922
INTERVENTION.

7445
06:11:51,989 --> 06:11:52,990
WE NEED TO DO BETTER.

7446
06:11:53,057 --> 06:12:00,698
WE MADE A LOT OF PROGRESS.

7447
06:12:00,765 --> 06:12:01,298
IS NOT THE ENDPOINT REALIZING

7448
06:12:01,365 --> 06:12:11,676
REAL-WORLD EFFECTIVENESS BUT WE

7449
06:12:11,742 --> 06:12:12,276
ALSO KNOW OTHER THINGS THAT WE

7450
06:12:12,343 --> 06:12:12,877
NEED TO FIGURE OUT HOW BEST TO

7451
06:12:12,943 --> 06:12:13,377
SUPPORT THE ADOPTION OF

7452
06:12:13,444 --> 06:12:14,011
INTERVENTIONS, IMPLEMENTATION TO

7453
06:12:14,078 --> 06:12:17,181
PRACTICE SETTINGS AND NOT THAT

7454
06:12:17,248 --> 06:12:17,782
THIS IS THE DAY 1 SOLUTION AND

7455
06:12:17,848 --> 06:12:19,650
NEVER AGAIN BUT MAINTAIN THOSE

7456
06:12:19,717 --> 06:12:22,319
RESULTS AND SUSTAIN THEM AS

7457
06:12:22,386 --> 06:12:30,928
PREVIOUS SPEAKER SPOKE ABOUT.

7458
06:12:30,995 --> 06:12:31,562
RE- AIM IS A WAY TO THINK ABOUT

7459
06:12:31,629 --> 06:12:32,863
THE BROAD OPTIMAL IMPACT OF

7460
06:12:32,930 --> 06:12:33,464
INTERPRET -- -- INTERVENTIONS

7461
06:12:33,531 --> 06:12:39,003
FOR PUBLIC HEALTH.

7462
06:12:39,070 --> 06:12:39,437
NOT JUST EFFICACY OR

7463
06:12:39,503 --> 06:12:39,970
EFFECTIVENESS BUT ALL THE

7464
06:12:40,037 --> 06:12:43,374
DIMENSIONS THAT WE CARE ABOUT

7465
06:12:43,441 --> 06:12:50,715
THOSE THAT WANT TO OPTIMIZE.

7466
06:12:50,781 --> 06:12:51,282
HARD TO SEE I RECOGNIZE NOT

7467
06:12:51,348 --> 06:12:52,983
KNOWING WHAT THIS WOULD LOOK

7468
06:12:53,050 --> 06:12:57,221
LIKE COMING FROM THE NATIONAL

7469
06:12:57,288 --> 06:12:59,857
INSTITUTE FROM A FEW YEARS AGO

7470
06:12:59,924 --> 06:13:03,894
THAT SAYS THE STARTING POINT IS

7471
06:13:03,961 --> 06:13:05,563
WE HAVE THESE INNOVATIONS WITH

7472
06:13:05,629 --> 06:13:09,133
TOOLS AND DEVICES WE OFTEN HAVE

7473
06:13:09,200 --> 06:13:13,537
A PROBLEM IF THEY ARE UNDERUSED

7474
06:13:13,604 --> 06:13:16,107
OR NOT IS HOPEFUL THAT ARE

7475
06:13:16,173 --> 06:13:18,542
OVERUSED.

7476
06:13:18,609 --> 06:13:19,143
WE TRY TO RECOGNIZE THIS IS A

7477
06:13:19,210 --> 06:13:21,011
CHALLENGE AT EVERY LEVEL OF THE

7478
06:13:21,078 --> 06:13:22,046
SYSTEM.

7479
06:13:22,113 --> 06:13:23,481
WHAT HELPS FAMILIES AND SUPPORTS

7480
06:13:23,547 --> 06:13:27,818
CLINICIANS, HELPING HOSPITALS

7481
06:13:27,885 --> 06:13:28,552
AND COMMUNITIES AND THE BROADER

7482
06:13:28,619 --> 06:13:33,390
ECOLOGICAL SYSTEMS.

7483
06:13:33,457 --> 06:13:33,791
AND TO IMPROVE THE

7484
06:13:33,858 --> 06:13:34,925
IMPLEMENTATION AND SOLVE THOSE

7485
06:13:34,992 --> 06:13:45,136
CHALLENGES.

7486
06:13:45,202 --> 06:13:45,703
THE WAY WE TRY A TO DO IT IS

7487
06:13:45,770 --> 06:13:46,303
THINK OF STRATEGIES TO EASE IN

7488
06:13:46,370 --> 06:13:46,771
THE UPTAKE AND SUPPORT

7489
06:13:46,837 --> 06:13:47,404
SUSTAINABILITY HOW WE CUSTOMIZE

7490
06:13:47,471 --> 06:13:52,510
INTERVENTIONS OVER TIME.

7491
06:13:52,576 --> 06:13:53,110
WE DON'T JUST HAVE THE HEALTH

7492
06:13:53,177 --> 06:13:53,744
OUTCOMES AT THE END THE SPECIFIC

7493
06:13:53,811 --> 06:13:54,378
IMPLEMENTATION OUTCOMES WE CARE

7494
06:13:54,445 --> 06:13:54,578
ABOUT.

7495
06:13:54,645 --> 06:13:58,783
THE LEVEL OF UPTAKE.

7496
06:13:58,849 --> 06:13:59,383
CAN WE SUSTAIN THESE OVERTIME

7497
06:13:59,450 --> 06:14:05,256
CRACKS WHAT DOES IT COST AND CAN

7498
06:14:05,322 --> 06:14:05,790
WE AFFORD TO DELIVER THESE

7499
06:14:05,856 --> 06:14:06,390
INTERVENTIONS QUIRKS IF WE GET

7500
06:14:06,457 --> 06:14:09,026
BEYOND THE WHAT WE THINK MUCH

7501
06:14:09,093 --> 06:14:11,395
MORE OF THE KNOWLEDGE BASE OF

7502
06:14:11,462 --> 06:14:14,431
HOW WE GET THEM TO BE OPTIMALLY

7503
06:14:14,498 --> 06:14:20,037
USED WITH MUCH GREATER BENEFIT

7504
06:14:20,104 --> 06:14:20,638
TO THE POPULATION PUBLIC ALSO

7505
06:14:20,704 --> 06:14:21,272
THOSE IMPLEMENTATION STRATEGIES

7506
06:14:21,338 --> 06:14:27,211
OVER THE DECADE HOW DO WE ENGAGE

7507
06:14:27,278 --> 06:14:28,779
CONSUMERS OR PROVIDE TECHNICAL

7508
06:14:28,846 --> 06:14:34,185
ASSISTANCE OR THINK ABOUT

7509
06:14:34,251 --> 06:14:34,785
FINANCIAL STRATEGIES OVER THE

7510
06:14:34,852 --> 06:14:35,553
WAYS WE NEED TO TAILOR OUR

7511
06:14:35,619 --> 06:14:41,625
INTERVENTIONS THESE ARE THE CORE

7512
06:14:41,692 --> 06:14:42,159
OF THE STUDIES THAT WE ARE

7513
06:14:42,226 --> 06:14:42,726
SUPPORTING TO MAKE SURE THAT

7514
06:14:42,793 --> 06:14:45,262
QUESTION GETS THE SAME IMPACT

7515
06:14:45,329 --> 06:14:45,863
WHAT IS THE INTERVENTION THAT

7516
06:14:45,930 --> 06:14:51,836
MIGHT BE HELPFUL CRACKS A LOT OF

7517
06:14:51,902 --> 06:14:52,369
THIS IS ABOUT CHALLENGING

7518
06:14:52,436 --> 06:14:57,508
TRADITIONAL ASSUMPTIONS.

7519
06:14:57,575 --> 06:14:58,008
HOW MANY AGREE WITH THE

7520
06:14:58,075 --> 06:14:58,475
FOLLOWING STATEMENTS?

7521
06:14:58,542 --> 06:15:00,110
EVIDENCE-BASED PRACTICES ARE

7522
06:15:00,177 --> 06:15:00,711
STATIC CRACKS ONCE FORMED THEY

7523
06:15:00,778 --> 06:15:06,517
SHOULD NEVER CHANGE?

7524
06:15:06,584 --> 06:15:07,117
WHAT ABOUT SYSTEMS ARE STATIC

7525
06:15:07,184 --> 06:15:07,618
THEY WILL NEVER CHANGE?

7526
06:15:07,685 --> 06:15:08,152
THE IMPLEMENTATION OF THE

7527
06:15:08,219 --> 06:15:10,788
REAL-WORLD SETTINGS 1 PRACTICED

7528
06:15:10,855 --> 06:15:12,923
1 TEST INTERVENTION AT A TIME?

7529
06:15:12,990 --> 06:15:18,062
HEALTH IF YOU THINK PATIENCE AND

7530
06:15:18,128 --> 06:15:18,529
EVERYBODY IS THE SAME?

7531
06:15:18,596 --> 06:15:19,196
SOME OF YOU BELIEVE THE ONLY

7532
06:15:19,263 --> 06:15:23,434
REASON WHY SOMEBODY DOESN'T USE

7533
06:15:23,500 --> 06:15:24,001
AN INTERVENTION AS THEY ARE

7534
06:15:24,068 --> 06:15:29,807
HOPELESSLY IRRATIONAL?

7535
06:15:29,874 --> 06:15:30,441
ASKING THESE BECAUSE MOST OF OUR

7536
06:15:30,507 --> 06:15:31,408
STUDIES STILL HOLD TO THESE

7537
06:15:31,475 --> 06:15:34,345
ASSUMPTIONS WE TAKE

7538
06:15:34,411 --> 06:15:34,979
INTERVENTIONS AND SAY DON'T MESS

7539
06:15:35,045 --> 06:15:36,881
WITH THEM AND WE KNOW THEM

7540
06:15:36,947 --> 06:15:41,151
ENOUGH AND WE PRAYED NOTHING

7541
06:15:41,218 --> 06:15:41,652
HAPPENS TO CHANGE THAT.

7542
06:15:41,719 --> 06:15:42,253
100 PERCENT UPTAKE EVEN WHILE

7543
06:15:42,319 --> 06:15:45,356
NOT THINKING OF THE FIT.

7544
06:15:45,422 --> 06:15:46,323
WE CAN DO BETTER AND THESE ARE

7545
06:15:46,390 --> 06:15:50,027
THE THINGS WE NEED TO CONTINUE.

7546
06:15:50,094 --> 06:15:53,631
SO FIDELITY THE QUALITY OF

7547
06:15:53,697 --> 06:15:54,431
INTERVENTION IS IMPORTANT AT THE

7548
06:15:54,498 --> 06:15:57,034
SAME TIME ADAPTATION WILL HAPPEN

7549
06:15:57,101 --> 06:16:07,478
IF WE LIKE IT OR NOT.

7550
06:16:08,245 --> 06:16:08,712
ALL IT'S GREAT TO THINK OF THE

7551
06:16:08,779 --> 06:16:09,346
ORIGINAL VERSION OF KNOCKING ON

7552
06:16:09,413 --> 06:16:09,947
HEAVENS DOOR I WOULD ARGUE THE

7553
06:16:10,014 --> 06:16:10,514
BENEFIT OF ALL THE DIFFERENT

7554
06:16:10,581 --> 06:16:11,849
ADAPTATIONS HAS GROWN TO USE TO

7555
06:16:11,916 --> 06:16:16,053
BENEFIT IS NOT CONTINGENT IF YOU

7556
06:16:16,120 --> 06:16:16,553
LIKE A CERTAIN VOICE OR

7557
06:16:16,620 --> 06:16:18,555
INSTRUMENTATION BUT WHETHER YOU

7558
06:16:18,622 --> 06:16:22,526
LIKE THE BENEFIT FROM THE

7559
06:16:22,593 --> 06:16:23,027
UNDERLYING INTERVENTION.

7560
06:16:23,093 --> 06:16:25,696
WE KNOW THERE ARE VARIABLE USES

7561
06:16:25,763 --> 06:16:26,330
OF INTERVENTIONS AND THINK ABOUT

7562
06:16:26,397 --> 06:16:31,602
THEM VARIABLY AS TO JUST HOLDING

7563
06:16:31,669 --> 06:16:32,202
TRUE TO THE ONE-SIZE-FITS-ALL.

7564
06:16:32,269 --> 06:16:32,836
A LOT OF DIFFERENT WAYS WE KNOW

7565
06:16:32,903 --> 06:16:37,074
WE NEED TO ADAPT FOR DIFFERENT

7566
06:16:37,141 --> 06:16:37,641
INTERVENTIONS TO EVOLVE OVER

7567
06:16:37,708 --> 06:16:38,442
TIME AND THIS IS A DIFFERENT

7568
06:16:38,509 --> 06:16:40,844
OPPORTUNITY TO LEARN FROM THE

7569
06:16:40,911 --> 06:16:42,146
WORK YOU ARE DOING TO MAKE THOSE

7570
06:16:42,212 --> 06:16:46,450
ADAPTATIONS.

7571
06:16:46,517 --> 06:16:47,017
THE ENCOURAGEMENT AS TO SAY

7572
06:16:47,084 --> 06:16:47,618
LET'S TAKE THE KNOWLEDGE BASE

7573
06:16:47,685 --> 06:16:57,027
AND TURN IT SO IT IS ACCESSIBLE

7574
06:16:57,094 --> 06:16:57,661
SEE DON'T HAVE TO MAKE IT UP AS

7575
06:16:57,728 --> 06:16:57,995
YOU GO ALONG.

7576
06:16:58,062 --> 06:16:58,529
WE RECOGNIZE OVER TIME THE

7577
06:16:58,595 --> 06:17:02,166
FORMAT THAT WE SCALE UP CHANGES.

7578
06:17:02,232 --> 06:17:02,766
WE HAVE SEEN AN EVOLUTION THE

7579
06:17:02,833 --> 06:17:04,268
WAY PEOPLE LISTEN TO MUSIC OVER

7580
06:17:04,335 --> 06:17:11,041
TIME AND THE SAME 8 TRACK TAPE

7581
06:17:11,108 --> 06:17:11,642
IS NOT AS USEFUL AS IT WAS IN

7582
06:17:11,709 --> 06:17:11,875
ITS DAY.

7583
06:17:11,942 --> 06:17:17,314
THE SAME TIME IT'S NOT ALWAYS A

7584
06:17:17,381 --> 06:17:17,681
LINEAR PATHWAY.

7585
06:17:17,748 --> 06:17:18,282
VINYL HAS COME BACK AS A MUCH

7586
06:17:18,349 --> 06:17:21,685
MORE CELEBRATED WAY TO LISTEN TO

7587
06:17:21,752 --> 06:17:21,885
MUSIC.

7588
06:17:21,952 --> 06:17:22,486
WE NEED TO THINK ABOUT WHAT IT

7589
06:17:22,553 --> 06:17:26,156
IS WE ARE SCALING UP, HOW WE'RE

7590
06:17:26,223 --> 06:17:28,826
TRYING IS IT ASKED FOR OR

7591
06:17:28,892 --> 06:17:31,228
DEMANDED CRACKS NOT JUST

7592
06:17:31,295 --> 06:17:31,862
SUPPLYING BUT WHAT WE UNDERSTAND

7593
06:17:31,929 --> 06:17:35,199
ABOUT THE DEMAND.

7594
06:17:35,265 --> 06:17:37,701
WHAT IS CURRENTLY USED AND IS IT

7595
06:17:37,768 --> 06:17:39,103
PREFERRED TO WHAT WE THINK IT

7596
06:17:39,169 --> 06:17:41,205
SHOULD BE CRACKS AT THE SAME

7597
06:17:41,271 --> 06:17:45,509
TIME IT IS NOT A DAY NUMBER 1

7598
06:17:45,576 --> 06:17:46,110
ISSUE BUT OVER TIME HOW CAN WE

7599
06:17:46,176 --> 06:17:50,614
MAKE THE BENEFIT CRACKS WHO

7600
06:17:50,681 --> 06:17:51,248
KNOWS WHAT THIS IS A PICTURE ON

7601
06:17:51,315 --> 06:17:54,718
THE LEFT?

7602
06:17:54,785 --> 06:17:58,055
THANK YOU THE BEATLES HAIRCUT

7603
06:17:58,122 --> 06:18:02,459
THE FACIAL HAIR AND EYEWEAR IT

7604
06:18:02,526 --> 06:18:03,660
SAYS TO ME THEY CHANGED AND

7605
06:18:03,727 --> 06:18:05,696
EVOLVED OVER TIME IF ANYBODY

7606
06:18:05,763 --> 06:18:06,597
KNOWS THE FIRST RECORD THEY WERE

7607
06:18:06,663 --> 06:18:11,335
FEATURED ON I BELIEVE IT WAS MY

7608
06:18:11,402 --> 06:18:12,636
BONNIE LIES OVER THE OCEAN AS A

7609
06:18:12,703 --> 06:18:15,406
BACKUP PLAN FOR SHERIDAN THEY

7610
06:18:15,472 --> 06:18:16,407
WOULD SAY IS IS NOT AS GOOD AS

7611
06:18:16,473 --> 06:18:20,844
IT GOT SOME OF THE BEATLES CAN

7612
06:18:20,911 --> 06:18:29,053
EVOLVE OVER TIME SHOULD IN OUR

7613
06:18:29,119 --> 06:18:29,686
INTERVENTIONS CRACKS AND HOW DO

7614
06:18:29,753 --> 06:18:30,320
WE PLAN FOR THE INTERVENTION AND

7615
06:18:30,387 --> 06:18:30,954
INCORPORATE THAT INTO THE DESIGN

7616
06:18:31,021 --> 06:18:31,922
AND DEAL WITH THAT INEVITABILITY

7617
06:18:31,989 --> 06:18:32,489
OF EVOLUTION CRACKS I WOULD

7618
06:18:32,556 --> 06:18:36,093
GUESS MOST ARE PART OF THE

7619
06:18:36,160 --> 06:18:38,162
INHERENT PROPERTY.

7620
06:18:38,228 --> 06:18:39,663
WHEN WE THINK ABOUT

7621
06:18:39,730 --> 06:18:42,966
SUSTAINABILITY COMING FROM THE

7622
06:18:43,033 --> 06:18:44,001
FRAMEWORK OF 10 YEARS AGO THINK

7623
06:18:44,068 --> 06:18:48,405
OF INTERVENTIONS AS A PUZZLE

7624
06:18:48,472 --> 06:18:48,939
PIECE CHANGING OVER TIME.

7625
06:18:49,006 --> 06:18:50,841
THE CONTEXT IS LIKE THE RECEPTOR

7626
06:18:50,908 --> 06:18:51,708
SITE.

7627
06:18:51,775 --> 06:18:55,879
IF WE OPTIMIZE FIT THEN MIGHT WE

7628
06:18:55,946 --> 06:18:58,982
BE BETTER OFF CRACKS HOW DO WE

7629
06:18:59,049 --> 06:19:01,718
MAKE SURE CHANGES FROM WHAT WE

7630
06:19:01,785 --> 06:19:05,122
DO CRACKS IF YOU ARE NOT IN THAT

7631
06:19:05,189 --> 06:19:11,095
PURPLE CIRCLE AND DEVELOPING

7632
06:19:11,161 --> 06:19:11,728
DIFFERENT INTERVENTIONS, PLEASE

7633
06:19:11,795 --> 06:19:12,329
LOOK AT EARLIER STAGES OF WORK

7634
06:19:12,396 --> 06:19:13,897
AND WE CAN FOCUS ON WHO WILL

7635
06:19:13,964 --> 06:19:19,236
DELIVER MY INTERVENTION CRACKS

7636
06:19:19,303 --> 06:19:19,770
WITH THE ULTIMATE PATIENT

7637
06:19:19,837 --> 06:19:20,370
POPULATION AND HOW DO WE LEARN

7638
06:19:20,437 --> 06:19:23,607
ABOUT SUPPORTING OUR CLINICIANS

7639
06:19:23,674 --> 06:19:28,312
AND PATIENTS AND ENGAGE CRACKS

7640
06:19:28,378 --> 06:19:29,079
HOW DO WE THINK BOTH ABOUT

7641
06:19:29,146 --> 06:19:34,852
ASKING QUESTIONS ABOUT WHAT WITH

7642
06:19:34,918 --> 06:19:38,122
THE HOW DO WE GET THESE TO USE

7643
06:19:38,188 --> 06:19:38,755
IN THE CONTEXT OF A TRIAL SO IT

7644
06:19:38,822 --> 06:19:41,024
IS HELPFUL TO DO IT IN THE

7645
06:19:41,091 --> 06:19:48,599
CONTEXT OF REAL-LIFE.

7646
06:19:48,665 --> 06:19:49,233
JUST SO YOU KNOW IT IS AN ACTIVE

7647
06:19:49,299 --> 06:19:50,467
AREA OF NIH WE ARE PASSIONATE

7648
06:19:50,534 --> 06:19:52,769
ABOUT ADVANCING.

7649
06:19:52,836 --> 06:19:55,706
RESEARCH QUESTIONS WE WANT TO

7650
06:19:55,772 --> 06:19:55,939
ANSWER.

7651
06:19:56,006 --> 06:20:00,277
YOU CAN SEE FROM THIS VANTAGE

7652
06:20:00,344 --> 06:20:02,880
POINT ALL OF THE INSTITUTES AND

7653
06:20:02,946 --> 06:20:07,284
CENTERS TO ASK THE QUESTION FROM

7654
06:20:07,351 --> 06:20:08,252
THE SETTINGS IN INTERVENTION TO

7655
06:20:08,318 --> 06:20:11,421
IMPROVE HEALTH.

7656
06:20:11,488 --> 06:20:12,489
SO EVERY FEW YEARS WE COME OUT

7657
06:20:12,556 --> 06:20:16,460
WITH UPDATES THIS IS WHY WE

7658
06:20:16,527 --> 06:20:17,060
THINK ABOUT SUSTAINABILITY AND

7659
06:20:17,127 --> 06:20:18,962
THE IMPLEMENTATION.

7660
06:20:19,029 --> 06:20:20,697
WE KNOW WHAT HAPPENS ON DAY 1 IS

7661
06:20:20,764 --> 06:20:26,970
NOT THE BEST.

7662
06:20:27,037 --> 06:20:27,204
WE HAVE

7663
06:20:27,271 --> 06:20:27,771
RESOURCES, CONFERENCES, 1500

7664
06:20:27,838 --> 06:20:32,342
PEOPLE EARLIER THIS WEEK TO

7665
06:20:32,409 --> 06:20:32,910
THINK THROUGH HOW WE CAN DO

7666
06:20:32,976 --> 06:20:33,410
BETTER BUT WHAT ARE THE

7667
06:20:33,477 --> 06:20:35,279
CHALLENGES AND THE ASSUMPTIONS

7668
06:20:35,345 --> 06:20:37,447
CRACKS IF ANYONE IS INTERESTED

7669
06:20:37,514 --> 06:20:40,918
PLEASE JOIN THE CAT WITH GUITAR

7670
06:20:40,984 --> 06:20:46,023
FOLLOW UP WITH ME.

7671
06:20:46,089 --> 06:20:46,657
IT HAS BEEN A PLEASURE AND THANK

7672
06:20:46,723 --> 06:20:47,724
YOU FOR THE OPPORTUNITY TO CHAT

7673
06:20:47,791 --> 06:20:49,159
WITH YOU.

7674
06:20:49,226 --> 06:20:59,403
[APPLAUSE]

7675
06:21:06,577 --> 06:21:16,954
>> SO TO OFFER A DIFFERENT

7676
06:21:18,021 --> 06:21:24,061
PERSPECTIVE THE WHOLE CONCEPT

7677
06:21:24,127 --> 06:21:24,695
AND TO INTEGRATE INTO HEALTHCARE

7678
06:21:24,761 --> 06:21:24,928
SYSTEM.

7679
06:21:24,995 --> 06:21:28,932
WE WILL HEAR PERSPECTIVE FROM

7680
06:21:28,999 --> 06:21:33,403
POLICYMAKERS MUSIC THERAPY

7681
06:21:33,470 --> 06:21:36,006
ASSOCIATION, THE PUBLIC.

7682
06:21:36,073 --> 06:21:41,245
AND ALSO ORGANIZATION.

7683
06:21:41,311 --> 06:21:46,917
HERE WE HAVE MEDSTAR HEALTH

7684
06:21:46,984 --> 06:21:48,185
HEALTH, FLORIDA GULF COAST

7685
06:21:48,252 --> 06:21:57,961
UNIVERSITY, A MTA, AARP, NCCI

7686
06:21:58,028 --> 06:22:01,031
AGE TO FOCUS ON HER INTERACTION

7687
06:22:01,098 --> 06:22:04,001
WITH CMS AND UNIVERSITY OF

7688
06:22:04,067 --> 06:22:14,211
FLORIDA.

7689
06:22:15,279 --> 06:22:15,512
>> I WILL START.

7690
06:22:15,579 --> 06:22:15,879
GOOD AFTERNOON.

7691
06:22:15,946 --> 06:22:16,513
I AM AND ALL OF THE WORK THAT IS

7692
06:22:16,580 --> 06:22:20,417
BEING DONE IN THIS DISCIPLINE.

7693
06:22:20,484 --> 06:22:21,051
I NEED TO SHARE WITH UI AM ALSO

7694
06:22:21,118 --> 06:22:23,754
VERY EMBARRASSED.

7695
06:22:23,820 --> 06:22:28,258
I WAS UNAWARE.

7696
06:22:28,325 --> 06:22:29,293
I AM THE EXECUTIVE AT MEDSTAR

7697
06:22:29,359 --> 06:22:33,163
DEALING WITH THE PAIRS AND ALSO

7698
06:22:33,230 --> 06:22:34,431
A LOT OF POPULATION HEALTH

7699
06:22:34,498 --> 06:22:38,635
RESPONSIBILITIES.

7700
06:22:38,702 --> 06:22:39,269
SO WHEN I GOT THE INVITATION TO

7701
06:22:39,336 --> 06:22:39,903
THIS I LEARNED A LOT ABOUT WHAT

7702
06:22:39,970 --> 06:22:46,643
OUR OWN SYSTEM IS OFFERING.

7703
06:22:46,710 --> 06:22:47,210
I'M STILL TRYING TO PROCESS

7704
06:22:47,277 --> 06:22:47,411
THAT.

7705
06:22:47,477 --> 06:22:47,844
BECAUSE A LOT OF THE

7706
06:22:47,911 --> 06:22:48,445
SERVICES, THE GREAT WORK BEING

7707
06:22:48,512 --> 06:22:49,913
DONE WITH STROKE PATIENTS AT

7708
06:22:49,980 --> 06:22:53,750
MEDSTAR REHAB HOSPITAL OR THE

7709
06:22:53,817 --> 06:22:57,020
THERAPIES DONE AT THE CANCER

7710
06:22:57,087 --> 06:22:57,621
CENTER IN GEORGETOWN A LOT OF

7711
06:22:57,688 --> 06:23:01,692
THAT IS THROUGH GRANTS.

7712
06:23:01,758 --> 06:23:02,259
SO MY TEAM IS NOT INVOLVED.

7713
06:23:02,326 --> 06:23:06,129
WE HAVE A LOT OF WORK TO DO.

7714
06:23:06,196 --> 06:23:06,697
WE ALL KNOW WHEN IT WAS SAID

7715
06:23:06,763 --> 06:23:10,467
EARLIER THAT PROVIDERS CANNOT BE

7716
06:23:10,534 --> 06:23:12,903
ALL THINGS TO ALL PATIENTS AND

7717
06:23:12,969 --> 06:23:14,504
CLEARLY PAYERS CANNOT PAY FOR

7718
06:23:14,571 --> 06:23:18,241
EVERYTHING THAT MIGHT BENEFIT

7719
06:23:18,308 --> 06:23:25,115
THEIR MEMBERS BUT AGAIN THE

7720
06:23:25,182 --> 06:23:25,716
REIMBURSEMENT IS SO SPARSE ON

7721
06:23:25,782 --> 06:23:28,752
THE COMMERCIAL SIDE ESPECIALLY.

7722
06:23:28,819 --> 06:23:35,125
IT APPEARS ONLY A STATE MANDATE

7723
06:23:35,192 --> 06:23:36,693
FOR COVERAGE SO WHY AM I

7724
06:23:36,760 --> 06:23:42,632
OPTIMISTIC CRACKS BECAUSE OF ALL

7725
06:23:42,699 --> 06:23:43,266
THE WORK THAT IS DONE HERE WITH

7726
06:23:43,333 --> 06:23:46,903
THE TOOLKIT AND REPORTING WITH

7727
06:23:46,970 --> 06:23:47,871
OUTCOMES AND QUALITY THOSE ARE

7728
06:23:47,938 --> 06:23:49,940
ESSENTIAL ELEMENTS TO GET THOSE

7729
06:23:50,006 --> 06:23:53,210
MOVED FROM THE EXPERIMENTAL

7730
06:23:53,276 --> 06:23:55,612
INVESTIGATIVE CATEGORY IN TERMS

7731
06:23:55,679 --> 06:24:05,922
OF THE PAYERS.

7732
06:24:10,894 --> 06:24:11,361
I AM OPTIMISTIC BECAUSE AS YOU

7733
06:24:11,428 --> 06:24:11,995
KNOW THERE'S A BIG COMMITMENT ON

7734
06:24:12,062 --> 06:24:12,629
THE PART OF THE GOVERNMENTAL AND

7735
06:24:12,696 --> 06:24:16,800
COMMERCIAL PAYERS FOR MORE

7736
06:24:16,867 --> 06:24:26,676
POPULATION -BASED PAYMENTS THAT

7737
06:24:26,743 --> 06:24:27,310
IS MY RESPONSIBILITY AT MEDSTAR

7738
06:24:27,377 --> 06:24:27,944
WITH A PLAN TO WORK CLOSELY WITH

7739
06:24:28,011 --> 06:24:29,546
THE STATE OF MARYLAND WITH THE

7740
06:24:29,613 --> 06:24:39,990
PRIMARY CARE PROGRAM.

7741
06:24:40,757 --> 06:24:41,658
WE'VE HAD A LOT OF SUCCESS WITH

7742
06:24:41,725 --> 06:24:47,397
COMMERCIAL PAYERS AND WE AGREE

7743
06:24:47,464 --> 06:24:50,834
WE WILL NOT LET BENEFIT DESIGN

7744
06:24:50,901 --> 06:24:53,403
GET WHAT IS RIGHT FOR THE

7745
06:24:53,470 --> 06:24:55,172
PATIENT SO I WOULD URGE YOU YES

7746
06:24:55,238 --> 06:24:57,374
WE HAVE TO GO THROUGH THE

7747
06:24:57,441 --> 06:25:01,912
PROCESS AND TALK ABOUT THE

7748
06:25:01,978 --> 06:25:02,512
TRADITIONAL SYSTEM APPROACH I

7749
06:25:02,579 --> 06:25:05,148
THINK NOW IS THE TIME FOR THIS

7750
06:25:05,215 --> 06:25:09,686
WORK TO BE ACCELERATED ANY

7751
06:25:09,753 --> 06:25:10,253
ADVOCACY TO BE ACCELERATED.

7752
06:25:10,320 --> 06:25:12,189
PROVIDER SYSTEMS AND PAYERS LOOK

7753
06:25:12,255 --> 06:25:13,857
FOR SOLUTIONS.

7754
06:25:13,924 --> 06:25:17,060
THE THINGS I HAVE LEARNED THE

7755
06:25:17,127 --> 06:25:22,599
LAST 2 DAYS, MAKE IT NOT ONLY

7756
06:25:22,666 --> 06:25:23,200
GOOD FOR THE PATIENT AND CARE

7757
06:25:23,266 --> 06:25:23,934
AND QUALITY OF LIFE BUT

7758
06:25:24,000 --> 06:25:26,970
ABSOLUTELY MAKES GOOD FINANCIAL

7759
06:25:27,037 --> 06:25:29,072
SENSE.

7760
06:25:29,139 --> 06:25:29,706
THANK YOU FOR THE INVITATION TO

7761
06:25:29,773 --> 06:25:35,245
BE HERE.

7762
06:25:35,312 --> 06:25:35,846
I HAVE NEVER BEEN ALMOST OF MY

7763
06:25:35,912 --> 06:25:39,182
FOR DECADES ATTENDED A MEETING

7764
06:25:39,249 --> 06:25:39,816
SO HEAVY ON MY HEAD AND HEART AT

7765
06:25:39,883 --> 06:25:42,118
THE SAME TIME.

7766
06:25:42,185 --> 06:25:44,588
IT HAS BEEN AN ABSOLUTE PLEASURE

7767
06:25:44,654 --> 06:25:49,559
I LEAVE INSPIRED TO BE 1 OF THE

7768
06:25:49,626 --> 06:25:50,160
ADVOCATES FOR THIS SERVICE FOR

7769
06:25:50,227 --> 06:25:50,961
SURE.

7770
06:25:51,027 --> 06:25:55,832
[APPLAUSE]

7771
06:25:55,899 --> 06:26:02,372
>> THANK YOU IT IS A PRIVILEGE

7772
06:26:02,439 --> 06:26:10,347
TO BRING THIS PERSPECTIVE OF THE

7773
06:26:10,413 --> 06:26:10,914
PUBLIC TO THE CONVERSATION.

7774
06:26:10,981 --> 06:26:11,414
I COME TO THE SPACE IS A

7775
06:26:11,481 --> 06:26:12,048
BOARD-CERTIFIED MUSIC THERAPIST

7776
06:26:12,115 --> 06:26:12,616
AND I REFERENCE MUSIC IN THE

7777
06:26:12,682 --> 06:26:13,316
COMMENTS BUT AS MENTIONED BY

7778
06:26:13,383 --> 06:26:22,792
SEVERAL OTHERS TODAY MY COMMENTS

7779
06:26:22,859 --> 06:26:23,393
EXTEND TO THE ARTS IN GENERAL.

7780
06:26:23,460 --> 06:26:23,894
I INVITE YOU TO USE YOUR

7781
06:26:23,960 --> 06:26:24,528
CREATIVE IMAGINATION TO THINK OF

7782
06:26:24,594 --> 06:26:32,669
THE ARTS WHEN I SAY MUSIC.

7783
06:26:32,736 --> 06:26:33,303
WHERE DOES THE PUBLIC COME INTO

7784
06:26:33,370 --> 06:26:33,870
PLAY IN THESE CONVERSATIONS?

7785
06:26:33,937 --> 06:26:34,404
THERE ARE SEVERAL POSSIBLE

7786
06:26:34,471 --> 06:26:35,038
AVENUES TO EXPLORE BUT I WANT TO

7787
06:26:35,105 --> 06:26:36,039
FOCUS ON ACCESS.

7788
06:26:36,106 --> 06:26:36,606
MORE SPECIFICALLY INCREASED

7789
06:26:36,673 --> 06:26:42,812
ACCESS TO SAFE EVIDENCE

7790
06:26:42,879 --> 06:26:43,380
SUPPORTED AND COST-EFFECTIVE

7791
06:26:43,446 --> 06:26:44,281
WAYS OF EXPERIENCING MUSIC AS AN

7792
06:26:44,347 --> 06:26:47,217
INTERVENTION AND AS A RESOURCE

7793
06:26:47,284 --> 06:26:51,254
TO SUPPORT HEALTH AND WELLNESS

7794
06:26:51,321 --> 06:26:51,721
AND SOCIAL CONNECTION.

7795
06:26:51,788 --> 06:26:53,189
THE IDEA OF ACCESS CAN PRESENT

7796
06:26:53,256 --> 06:26:59,629
IN MANY WAYS ACCESS TO QUALIFIED

7797
06:26:59,696 --> 06:27:00,196
PROVIDERS EQUIPPED WITH THE

7798
06:27:00,263 --> 06:27:00,931
SKILLS AND KNOWLEDGE AND

7799
06:27:00,997 --> 06:27:11,541
EXPERIENCE TO PROVIDE SAFE MUSIC

7800
06:27:14,678 --> 06:27:15,178
AND MUSIC EXPERIENCES TO SUPPORT

7801
06:27:15,245 --> 06:27:15,779
A PARTICULAR PUBLIC GROUP WITH

7802
06:27:15,845 --> 06:27:16,313
WHOM THEY ARE WORKING THE

7803
06:27:16,379 --> 06:27:16,947
PRACTITIONER CAN INCLUDE BUT NOT

7804
06:27:17,013 --> 06:27:17,581
LIMITED TO BOARD CERTIFIED MUSIC

7805
06:27:17,647 --> 06:27:19,783
THERAPIST, TEACHERS EDUCATOR

7806
06:27:19,849 --> 06:27:20,350
EDUCATORS, BEHAVIORAL HEALTH

7807
06:27:20,417 --> 06:27:20,984
PROVIDERS AND CARE PARTNERS AND

7808
06:27:21,051 --> 06:27:23,186
LOVED ONES.

7809
06:27:23,253 --> 06:27:23,787
AS MENTIONED YESTERDAY ACCESS

7810
06:27:23,853 --> 06:27:25,722
CAN ALSO MEAN ACCESSIBILITY.

7811
06:27:25,789 --> 06:27:35,231
REDUCING BARRIERS TO INCLUSION.

7812
06:27:35,298 --> 06:27:35,765
ACCESS CAN ALSO PRESENT TO

7813
06:27:35,832 --> 06:27:36,333
INCREASE FUNDING SOURCES FOR

7814
06:27:36,399 --> 06:27:36,933
MUSIC THERAPY AND INTERVENTION

7815
06:27:37,000 --> 06:27:40,503
AND RESOURCE OPTIONS.

7816
06:27:40,570 --> 06:27:41,037
SHARED YESTERDAY INCREASED

7817
06:27:41,104 --> 06:27:41,605
FUNDING TO SUPPORT MUSIC AND

7818
06:27:41,671 --> 06:27:46,042
HEALTH RESEARCH 35 MILLION I

7819
06:27:46,109 --> 06:27:48,411
BELIEVE WHICH IS INCREDIBLE AND

7820
06:27:48,478 --> 06:27:52,048
IMPORTANT AS IS TO SUPPORT THE

7821
06:27:52,115 --> 06:27:59,522
ACCESS TO OTHER INTERVENTIONS AS

7822
06:27:59,589 --> 06:28:00,156
A THERAPEUTIC OPTION NOT TO SAY

7823
06:28:00,223 --> 06:28:00,790
MUSIC IS THE BEST OPTION OR THE

7824
06:28:00,857 --> 06:28:01,458
RIGHT CHOICE IN ALL SITUATIONS

7825
06:28:01,524 --> 06:28:07,564
WE JUST WANT TO MAKE IT A CHOICE

7826
06:28:07,631 --> 06:28:08,098
WITH OTHER FUNDING BODIES

7827
06:28:08,164 --> 06:28:13,203
BECAUSE IT IS A SOUND INVEST

7828
06:28:13,269 --> 06:28:13,503
INVESTMENT.

7829
06:28:13,570 --> 06:28:14,137
ACCESS CAN BE THOUGHT OF HOW WE

7830
06:28:14,204 --> 06:28:14,604
CAN MAKE PROCESS MORE

7831
06:28:14,671 --> 06:28:16,506
STREAMLINED IT EASIER FOR THE

7832
06:28:16,573 --> 06:28:17,807
PUBLIC TO NAVIGATE HEALTHCARE

7833
06:28:17,874 --> 06:28:22,178
AND SYSTEMS CAN BE DIFFICULT AND

7834
06:28:22,245 --> 06:28:24,948
CONFUSING AND COMPLEX AND

7835
06:28:25,015 --> 06:28:31,254
ADDITIONALLY AS A MUSIC

7836
06:28:31,321 --> 06:28:31,855
THERAPIST THE INDIVIDUALS AND

7837
06:28:31,921 --> 06:28:32,455
THERAPIES ARE IN A CHALLENGING

7838
06:28:32,522 --> 06:28:33,723
VULNERABLE AND STRESSFUL

7839
06:28:33,790 --> 06:28:36,292
SITUATION.

7840
06:28:36,359 --> 06:28:36,893
FROM THE ACCESS PERSPECTIVE IS

7841
06:28:36,960 --> 06:28:38,895
THERE ANYTHING WE CAN DO TO HELP

7842
06:28:38,962 --> 06:28:40,997
SHAPE SYSTEMS TO MAKE THIS MORE

7843
06:28:41,064 --> 06:28:47,103
EQUITABLE AND LESS DIFFICULT?

7844
06:28:47,170 --> 06:28:47,671
AND FINALLY ACCESS REQUIRES

7845
06:28:47,737 --> 06:28:48,238
ENHANCED AWARENESS OF MUSIC

7846
06:28:48,304 --> 06:28:49,873
BASED OPTIONS THIS INCLUDES

7847
06:28:49,939 --> 06:28:53,009
AWARENESS OF EFFICACY OF

7848
06:28:53,076 --> 06:28:54,010
RESEARCH AND FEWER THAN 17 YEARS

7849
06:28:54,077 --> 06:28:58,415
I HOPE SO ADMINISTERS AGENCY

7850
06:28:58,481 --> 06:29:00,283
OFFICIALS AND PAYERS CAN MAKE

7851
06:29:00,350 --> 06:29:01,284
INFORMED POLICY AND FUNDING

7852
06:29:01,351 --> 06:29:07,557
DECISIONS AWARENESS THE MUSIC

7853
06:29:07,624 --> 06:29:08,158
BASE SUPPORT SO COLLEAGUES CAN

7854
06:29:08,224 --> 06:29:08,725
MAKE INFORMED REFERRALS AND

7855
06:29:08,792 --> 06:29:11,761
AWARENESS MUSIC THERAPY AND

7856
06:29:11,828 --> 06:29:12,295
INTERVENTION AND EDUCATION

7857
06:29:12,362 --> 06:29:17,467
OPTIONS EVEN EXIST SO THE PUBLIC

7858
06:29:17,534 --> 06:29:18,034
FEELS MORE EMPOWERED TO MAKE

7859
06:29:18,101 --> 06:29:18,635
INFORMED DECISIONS ABOUT THEIR

7860
06:29:18,702 --> 06:29:21,371
OWN HEALTH AND EDUCATION.

7861
06:29:21,438 --> 06:29:22,939
THANK YOU.

7862
06:29:23,006 --> 06:29:29,045
[APPLAUSE]

7863
06:29:29,112 --> 06:29:34,284
>> THANK YOU FOR THIS

7864
06:29:34,350 --> 06:29:37,754
OPPORTUNITY.

7865
06:29:37,821 --> 06:29:38,354
MY ROLE AT A MTA AS A DIRECTOR

7866
06:29:38,421 --> 06:29:40,890
OF GOVERNMENT RELATIONS I

7867
06:29:40,957 --> 06:29:45,795
FREQUENTLY RESPOND TO SERVICE

7868
06:29:45,862 --> 06:29:46,429
ACCESS CHALLENGES ENCOUNTERED BY

7869
06:29:46,496 --> 06:29:48,965
CONSUMERS AND PROFESSIONALS

7870
06:29:49,032 --> 06:29:49,966
DESPITE MORE THAN 70 YEARS OF

7871
06:29:50,033 --> 06:29:52,469
CLINICAL HISTORY ADVOCACY FOR

7872
06:29:52,535 --> 06:29:55,004
INCREASED ACCESS IS A CONTINUOUS

7873
06:29:55,071 --> 06:29:57,307
PROCESS JUST BECAUSE FEDERAL AND

7874
06:29:57,373 --> 06:30:00,310
STATE GOVERNMENT AGENCIES MIGHT

7875
06:30:00,376 --> 06:30:02,779
CLARIFY MUSIC THERAPY IS AN

7876
06:30:02,846 --> 06:30:05,849
ALLOWABLE SERVICE EVEN INCLUDED

7877
06:30:05,915 --> 06:30:12,088
IN SOME REIMBURSEMENT SYSTEMS

7878
06:30:12,155 --> 06:30:12,689
, IT DOES NOT ALWAYS TRANSLATE

7879
06:30:12,756 --> 06:30:13,123
INTO THE SUCCESSFUL

7880
06:30:13,189 --> 06:30:13,623
IMPLEMENTATION WITH AN

7881
06:30:13,690 --> 06:30:22,031
INDIVIDUAL PROGRAM'S ABILITIES.

7882
06:30:22,098 --> 06:30:22,665
ASSOCIATION AND INITIATIVES OVER

7883
06:30:22,732 --> 06:30:23,266
THE PAST 20 YEARS HAVE RAISED

7884
06:30:23,333 --> 06:30:23,733
AWARENESS OF A STRONG

7885
06:30:23,800 --> 06:30:27,637
RELATIONSHIPS BETWEEN RESEARCH

7886
06:30:27,704 --> 06:30:28,171
AND STATE RECOGNITION AND

7887
06:30:28,238 --> 06:30:35,845
REIMBURSEMENT THEY IMPACT IN

7888
06:30:35,912 --> 06:30:36,246
SIGNIFICANT WAYS.

7889
06:30:36,312 --> 06:30:36,813
POLICY STAKEHOLDERS REQUEST

7890
06:30:36,880 --> 06:30:38,148
SUPPORTING EVIDENCE OF TREATMENT

7891
06:30:38,214 --> 06:30:42,252
BENEFITS AND COST EFFECTIVENESS

7892
06:30:42,318 --> 06:30:42,886
OF MUSIC THERAPY FOR A DIAGNOSIS

7893
06:30:42,952 --> 06:30:53,429
OR HEALTHCARE FACILITIES AND

7894
06:30:57,600 --> 06:30:58,101
FUNCTIONAL OUTCOMES ARE CLEARLY

7895
06:30:58,168 --> 06:30:58,601
DEFINED AND COST SAVINGS

7896
06:30:58,668 --> 06:30:59,169
REALIZED BY A CONSTITUENT OR

7897
06:30:59,235 --> 06:30:59,803
FACILITY IS EXPLAINED IN DOLLARS

7898
06:30:59,869 --> 06:31:00,069
AND CENTS.

7899
06:31:00,136 --> 06:31:00,703
1 MIGHT ASSUME THE NEED FOR THIS

7900
06:31:00,770 --> 06:31:01,371
LEVEL OF EVIDENCE IS LIMITED TO

7901
06:31:01,437 --> 06:31:07,377
JUSTIFYING REIMBURSEMENT FROM

7902
06:31:07,443 --> 06:31:07,844
PUBLIC/PRIVATE PAYERS.

7903
06:31:07,911 --> 06:31:08,444
BUT THESE ISSUES ARE PERVASIVE

7904
06:31:08,511 --> 06:31:09,078
IN ALL DISCUSSIONS INCLUDING THE

7905
06:31:09,145 --> 06:31:12,448
ONES THAT SEEK REGULATORY

7906
06:31:12,515 --> 06:31:13,783
RECOGNITION AND NATIONAL BOARD

7907
06:31:13,850 --> 06:31:15,084
CERTIFICATION TO GIVE AN EXAMPLE

7908
06:31:15,151 --> 06:31:19,255
OF WHERE WE ARE, THE DARK GREEN

7909
06:31:19,322 --> 06:31:21,958
STATES ON THE MAP SHOW WHERE THE

7910
06:31:22,025 --> 06:31:26,729
CREDENTIAL IS REQUIRED BY LAW

7911
06:31:26,796 --> 06:31:30,366
THE LIGHT GREEN STATE SHOWS

7912
06:31:30,433 --> 06:31:34,070
EDUCATION ADVOCACY LIKE BLUE

7913
06:31:34,137 --> 06:31:36,606
SHOWS ADDITIONAL RECOGNITION

7914
06:31:36,673 --> 06:31:40,276
EFFORTS THE ONLY 2 STATES ARE

7915
06:31:40,343 --> 06:31:40,910
ALASKA AND MONTANA WE DON'T HAVE

7916
06:31:40,977 --> 06:31:45,882
A TASK FORCE.

7917
06:31:45,949 --> 06:31:46,482
IT HAS BEEN AN ACTIVE PROCESS

7918
06:31:46,549 --> 06:31:47,083
OVER THE LAST 18 YEARS AND WE

7919
06:31:47,150 --> 06:31:50,687
ARE EXCITED EVEN THIS YEAR THE

7920
06:31:50,753 --> 06:31:51,955
STATE OF WASHINGTON, OHIO AND

7921
06:31:52,021 --> 06:32:02,465
CONNECTICUT PAST THERAPY.

7922
06:32:03,700 --> 06:32:04,167
SEEKING CONCLUSION IS A VALID

7923
06:32:04,234 --> 06:32:04,767
AND ACCEPTED TREATMENT OPTIONS

7924
06:32:04,834 --> 06:32:05,268
REQUIRING ATTENTION FOR

7925
06:32:05,335 --> 06:32:05,902
POLICYMAKERS AND CAN HELP FOCUS

7926
06:32:05,969 --> 06:32:08,938
THE NEEDS FOR FUTURE STUDIES.

7927
06:32:09,005 --> 06:32:09,539
IS IMPORTANT TO UNDERSTAND THE

7928
06:32:09,606 --> 06:32:10,506
RESEARCH AND RECOGNITION AND

7929
06:32:10,573 --> 06:32:14,744
REIMBURSEMENT AND THE IMPACT ON

7930
06:32:14,811 --> 06:32:15,178
POLICY AND PRACTICE.

7931
06:32:15,245 --> 06:32:17,447
RESEARCH LEADS TO IMPROVED

7932
06:32:17,513 --> 06:32:21,317
PRACTICE AND CAN INFLUENCE

7933
06:32:21,384 --> 06:32:23,152
POLICY, RECOGNITION ACCESS AND

7934
06:32:23,219 --> 06:32:29,092
REIMBURSEMENT WE MUST SEE POLICY

7935
06:32:29,158 --> 06:32:29,692
IMPACTS SUSTAINABLE PRACTICE.

7936
06:32:29,759 --> 06:32:30,693
THANK YOU.

7937
06:32:30,760 --> 06:32:40,937
[APPLAUSE]

7938
06:32:51,180 --> 06:33:01,257
>> HIGH.

7939
06:33:06,963 --> 06:33:07,463
I AM FROM THE COUNTRY'S LARGEST

7940
06:33:07,530 --> 06:33:08,097
NONPROFIT NONPARTISAN MEMBERSHIP

7941
06:33:08,164 --> 06:33:08,731
ORGANIZATION WHOSE MISSION IS TO

7942
06:33:08,798 --> 06:33:09,299
EMPOWER PEOPLE TO CHOOSE HOW

7943
06:33:09,365 --> 06:33:09,899
THEY WILL LIVE AS THEY AGE.

7944
06:33:09,966 --> 06:33:13,569
WHY AM I HERE?

7945
06:33:13,636 --> 06:33:15,672
BECAUSE PEOPLE CANNOT CHOOSE HOW

7946
06:33:15,738 --> 06:33:18,341
THEY WILL LIVE IF THEIR BRAINS

7947
06:33:18,408 --> 06:33:21,544
ARE NOT HEALTHY.

7948
06:33:21,611 --> 06:33:24,847
I RUN A SMALL DEPARTMENT THAT

7949
06:33:24,914 --> 06:33:28,785
AARP CALLED POLICY AND BRAIN

7950
06:33:28,851 --> 06:33:29,852
HEALTH.

7951
06:33:29,919 --> 06:33:35,191
AND I THINK THAT MUSIC IS THE

7952
06:33:35,258 --> 06:33:41,698
SPARK FROM MY LITTLE DEPARTMENT.

7953
06:33:41,764 --> 06:33:42,332
I WILL TELL YOU MY MISSION IS TO

7954
06:33:42,398 --> 06:33:44,133
SPARK A LIFETIME OF HEALTHIER

7955
06:33:44,200 --> 06:33:50,006
BRAINS AND TO DISRUPT DEMENTIA

7956
06:33:50,073 --> 06:33:50,640
AND I THINK MUSIC IS THE KEY TO

7957
06:33:50,707 --> 06:33:58,314
DOING BOTH OF THOSE.

7958
06:33:58,381 --> 06:33:58,915
SO WE ARE ALL DRINKING FROM A

7959
06:33:58,982 --> 06:34:00,950
FIREHOSE TODAY AND IT HAS BEEN

7960
06:34:01,017 --> 06:34:05,355
AMAZING I HAVE AN ASK OF THE

7961
06:34:05,421 --> 06:34:07,623
ORGANIZERS WHICH IS IS THERE A

7962
06:34:07,690 --> 06:34:16,065
WAY WE CAN ALL SHARE OUR CONTACT

7963
06:34:16,132 --> 06:34:16,632
WITH INFORMATION TO STAY IN

7964
06:34:16,699 --> 06:34:17,266
CONTACT WITH EACH OTHER TO KEEP

7965
06:34:17,333 --> 06:34:18,301
THIS COMMUNITY GOING AND GET THE

7966
06:34:18,368 --> 06:34:19,135
SLIDES?

7967
06:34:19,202 --> 06:34:19,736
SOME OF THOSE WE COULD NOT SEE

7968
06:34:19,802 --> 06:34:26,175
NO MATTER WHAT AGE WE ARE.

7969
06:34:26,242 --> 06:34:27,543
MUSIC WE HAVE HEARD TODAY HAS

7970
06:34:27,610 --> 06:34:36,486
POWER YOU CANNOT IMAGINE CAN AND

7971
06:34:36,552 --> 06:34:39,722
CONQUER AGEISM THAT IS THE ONLY

7972
06:34:39,789 --> 06:34:48,031
ACCEPTABLE -ISM AROUND THAT

7973
06:34:48,097 --> 06:34:48,598
DOESN'T GET PUSHBACK BUT IT

7974
06:34:48,664 --> 06:34:52,335
CROSSES ALL BARRIERS AND IT

7975
06:34:52,402 --> 06:34:58,975
KNOWS NO LANGUAGE DISTINCTION.

7976
06:34:59,042 --> 06:34:59,609
SO IF I ASK MUSIC ABOUT THAT HAS

7977
06:34:59,675 --> 06:35:01,044
VICTOR CHALLENGED US TO DO I BUT

7978
06:35:01,110 --> 06:35:03,179
SHE WAS A PIECE OF CAKE.

7979
06:35:03,246 --> 06:35:06,916
I HAVE DONE IT ALREADY YOU HAVE

7980
06:35:06,983 --> 06:35:10,053
HEARD OVER AND OVER AGAIN THAT

7981
06:35:10,119 --> 06:35:15,191
FROM THE FETUS THROUGH THE YEAR

7982
06:35:15,258 --> 06:35:22,632
OF HER STUDIES AT 85 THAT MUSIC

7983
06:35:22,698 --> 06:35:23,199
HELPS PEOPLE OF ALL AGES NO

7984
06:35:23,266 --> 06:35:27,570
MATTER WHERE THEY ARE.

7985
06:35:27,637 --> 06:35:31,808
NOW I HAVE HEARD A REFRAIN THAT

7986
06:35:31,874 --> 06:35:34,277
WE ALL NEED AND WANT MORE

7987
06:35:34,343 --> 06:35:36,045
RESOURCES.

7988
06:35:36,112 --> 06:35:36,679
NOW I AM A TRAINED LAWYER ACTING

7989
06:35:36,746 --> 06:35:40,917
AS YOUR COUNSELOR FOR A MOMENT

7990
06:35:40,983 --> 06:35:41,384
TO ADVISE YOU ON THAT.

7991
06:35:41,451 --> 06:35:44,187
THE AMOUNT OF RESOURCES IN THIS

7992
06:35:44,253 --> 06:35:51,661
ROOM IS STUNNING NIH HAS SENT

7993
06:35:51,727 --> 06:35:52,261
THEIR FINEST MINDS AND DEVOTED

7994
06:35:52,328 --> 06:36:00,403
RESOURCES AND TIME AND ATTENTION

7995
06:36:00,470 --> 06:36:01,037
NATIONAL ENDOWMENT FOR THE ARTS

7996
06:36:01,104 --> 06:36:01,571
TO PUT THEIR RESOURCES AND

7997
06:36:01,637 --> 06:36:02,205
BODIES AND BRAINS ON THE LINE TO

7998
06:36:02,271 --> 06:36:04,373
MAKE THIS HAPPEN.

7999
06:36:04,440 --> 06:36:05,374
WE HAVE A LOT OF RESOURCES

8000
06:36:05,441 --> 06:36:10,113
ALREADY.

8001
06:36:10,179 --> 06:36:13,216
BUT AS A LAWYER WHAT IS THE KEY

8002
06:36:13,282 --> 06:36:17,920
FOR ME CRACKS I WOULD SAY WHAT

8003
06:36:17,987 --> 06:36:19,088
IS THE STANDARD TO UNLOCK THOSE

8004
06:36:19,155 --> 06:36:22,291
RESOURCES?

8005
06:36:22,358 --> 06:36:22,859
MEDICARE IS A LARGEST SINGLE

8006
06:36:22,925 --> 06:36:31,467
HEALTHCARE PAYER IN THIS COUN

8007
06:36:31,534 --> 06:36:31,701
COUNTRY.

8008
06:36:31,767 --> 06:36:32,235
MEDICARE STANDARDS IS THE

8009
06:36:32,301 --> 06:36:32,835
COVERAGE LIMITED TO ITEMS THAT

8010
06:36:32,902 --> 06:36:35,071
ARE MEDICALLY NECESSARY DEFINED

8011
06:36:35,138 --> 06:36:37,507
AS WHAT IS REASONABLE AND

8012
06:36:37,573 --> 06:36:42,478
NECESSARY FOR THE DIAGNOSIS OR

8013
06:36:42,545 --> 06:36:45,047
TREATMENT OF AN ILLNESS OR

8014
06:36:45,114 --> 06:36:46,149
INJURY.

8015
06:36:46,215 --> 06:36:50,953
YOU ARE DEVELOPING THAT EVIDENCE

8016
06:36:51,020 --> 06:36:51,821
CREATING THE STANDARD OF WHAT IS

8017
06:36:51,888 --> 06:36:54,223
REASONABLE AND NECESSARY WE JUST

8018
06:36:54,290 --> 06:36:55,625
NEED TO INTEGRATE SO PEOPLE

8019
06:36:55,691 --> 06:36:57,493
UNDERSTAND IT IS REASONABLE AND

8020
06:36:57,560 --> 06:37:06,269
NECESSARY.

8021
06:37:06,335 --> 06:37:06,836
SO YOUR EVIDENCE THE HEALTH

8022
06:37:06,903 --> 06:37:07,436
INTERVENTION IS BETTER THAN A

8023
06:37:07,503 --> 06:37:10,206
PLACEBO AND IS SAFE IS

8024
06:37:10,273 --> 06:37:12,308
CRITICALLY IMPORTANT TO

8025
06:37:12,375 --> 06:37:15,278
UNLOCKING THE STANDARD.

8026
06:37:15,344 --> 06:37:21,083
AS HARD AS AARP HAS PUSHED IS A

8027
06:37:21,150 --> 06:37:24,587
PREVENTION PAYER AND WE MADE

8028
06:37:24,654 --> 06:37:25,154
PROGRESS WITH THE AFFORDABLE

8029
06:37:25,221 --> 06:37:27,990
CARE ACT OVER TIME TO HAVE THAT

8030
06:37:28,057 --> 06:37:34,864
BE TRUE THE REAL LOVERS THAT WE

8031
06:37:34,931 --> 06:37:35,498
NEED FOR RISK REDUCTION NOT JUST

8032
06:37:35,565 --> 06:37:36,065
TREATMENT OF DISEASE BUT TO

8033
06:37:36,132 --> 06:37:43,639
PREVENT THIS IS WE NEED THE CDC

8034
06:37:43,706 --> 06:37:44,240
AND ALL STATE AND LOCAL PUBLIC

8035
06:37:44,307 --> 06:37:45,208
HEALTH OFFICIALS AS PART OF THIS

8036
06:37:45,274 --> 06:37:51,180
CONVERSATION.

8037
06:37:51,247 --> 06:37:51,714
THEY ARE THE INSTITUTIONAL

8038
06:37:51,781 --> 06:37:52,281
SYSTEMIC WAYS TO DRIVE THESE

8039
06:37:52,348 --> 06:37:53,583
CHANGES OF EVERY COMMUNITY

8040
06:37:53,649 --> 06:38:00,556
WHETHER RURAL OR URBAN.

8041
06:38:00,623 --> 06:38:01,190
THEY ARE THE PEOPLE TO TRANSLATE

8042
06:38:01,257 --> 06:38:01,991
SOLUTIONS INTO SYSTEMIC WAYS TO

8043
06:38:02,058 --> 06:38:12,368
RAISE OUR HEALTH.

8044
06:38:12,868 --> 06:38:13,269
IT'S NOT JUST THEM BUT THE

8045
06:38:13,336 --> 06:38:13,736
INSURANCE COMPANIES OR

8046
06:38:13,803 --> 06:38:14,337
INTEGRATED HEALTH SYSTEMS LIKE

8047
06:38:14,403 --> 06:38:14,937
THE V.A. OR MANAGED-CARE LIKE

8048
06:38:15,004 --> 06:38:19,809
KAISER.

8049
06:38:19,875 --> 06:38:20,409
THESE ARE THE PEOPLE THAT WILL

8050
06:38:20,476 --> 06:38:21,010
ECONOMICALLY STAND TO BENEFIT

8051
06:38:21,077 --> 06:38:23,813
FROM THE VALUE YOU ARE OFFERING.

8052
06:38:23,879 --> 06:38:24,814
AS LESLIE SAYS WHAT IS THE VALUE

8053
06:38:24,880 --> 06:38:28,451
TO THEM?

8054
06:38:28,517 --> 06:38:29,452
AND THEN WE CAN IMPLEMENT THIS

8055
06:38:29,518 --> 06:38:33,155
EVERYWHERE.

8056
06:38:33,222 --> 06:38:33,789
I AM RUNNING OUT OF TIME BUT IF

8057
06:38:33,856 --> 06:38:42,398
3 QUICK ASKS.

8058
06:38:42,465 --> 06:38:42,965
FIRST, IF YOU HAVE RESEARCH

8059
06:38:43,032 --> 06:38:43,532
SUPPORTED BY THE NIH YOU ARE

8060
06:38:43,599 --> 06:38:45,001
REQUIRED BY LAW TO SHARE THE

8061
06:38:45,067 --> 06:38:51,641
DATA.

8062
06:38:51,707 --> 06:38:52,241
IF YOU ARE INTERESTED IN THAT

8063
06:38:52,308 --> 06:38:52,642
PLEASE CONTACT ME.

8064
06:38:52,708 --> 06:39:03,185
I HAVE BEEN WORKING WITH THE

8065
06:39:04,387 --> 06:39:04,887
GATES FOUNDATION AND MANY OTHERS

8066
06:39:04,954 --> 06:39:05,388
TO MAKE A DATA PLATFORM

8067
06:39:05,454 --> 06:39:06,022
AVAILABLE TO MAKE IT EASIER FOR

8068
06:39:06,088 --> 06:39:06,656
ALL OF YOU TO SHARE THE DATA YOU

8069
06:39:06,722 --> 06:39:07,223
ARE COLLECTING AND THEN USE

8070
06:39:07,290 --> 06:39:07,823
OTHER DATA OTHER PEOPLE HAVE

8071
06:39:07,890 --> 06:39:09,392
COLLECTED SO WE CAN SPEED

8072
06:39:09,458 --> 06:39:15,564
DISCOVERY.

8073
06:39:15,631 --> 06:39:15,898
ASK NUMBER 1.

8074
06:39:15,965 --> 06:39:16,532
NUMBER TO JOIN US IN THE EFFORTS

8075
06:39:16,599 --> 06:39:17,099
TO BUILD BETTER BRAIN HEALTH

8076
06:39:17,166 --> 06:39:17,700
CRACKS I WANT TO DO WHATEVER I

8077
06:39:17,767 --> 06:39:19,068
CAN TO HELP ALL OF YOU AS WE

8078
06:39:19,135 --> 06:39:23,673
COLLABORATE.

8079
06:39:23,739 --> 06:39:24,674
BUT I BELIEVE MUSIC IS THE TOOL

8080
06:39:24,740 --> 06:39:29,245
TO SPARK BRAIN HEALTH ACTION AND

8081
06:39:29,312 --> 06:39:30,046
ACTIVITY NOT JUST WORDS BUT

8082
06:39:30,112 --> 06:39:34,617
ACTION AND THIRD LET'S NOT BE

8083
06:39:34,684 --> 06:39:45,161
TOO PRECIOUS IN HER EFFORTS.

8084
06:39:46,062 --> 06:39:46,462
THERE ARE NOT ENOUGH MUSIC

8085
06:39:46,529 --> 06:39:47,029
THERAPIST IN THIS COUNTRY OR

8086
06:39:47,096 --> 06:39:47,596
GERIATRICIAN OR PRIMARY CARE

8087
06:39:47,663 --> 06:39:48,097
PROVIDERS TO BRING THESE

8088
06:39:48,164 --> 06:39:48,731
RESOURCES TO EVERYBODY WHO NEEDS

8089
06:39:48,798 --> 06:39:50,232
THEM SO IN YOUR SOLUTIONS YES

8090
06:39:50,299 --> 06:39:55,071
THERE ARE PLACES FOR ALL OF THE

8091
06:39:55,137 --> 06:39:55,671
THERAPISTS AND PEOPLE TO DEAL

8092
06:39:55,738 --> 06:39:56,272
BUT THINK OF SOLUTIONS GETTING

8093
06:39:56,339 --> 06:39:58,407
TO EVERYBODY NO MATTER IF YOU

8094
06:39:58,474 --> 06:39:59,175
HAVE HEALTHCARE DOLLARS TO PAY

8095
06:39:59,241 --> 06:40:04,313
FOR IT HOW DO YOU LET EVERYBODY

8096
06:40:04,380 --> 06:40:06,882
BE A COMPOSER?

8097
06:40:06,949 --> 06:40:10,319
YOU HAVE TO BE RENÉE FLEMING TO

8098
06:40:10,386 --> 06:40:10,886
GET THE BENEFITS BUT SOMEHOW

8099
06:40:10,953 --> 06:40:11,821
PEOPLE ARE AFRAID IF YOU CANNOT

8100
06:40:11,887 --> 06:40:14,690
SING THEN YOU DON'T HAVE A

8101
06:40:14,757 --> 06:40:15,624
VOICE?

8102
06:40:15,691 --> 06:40:21,330
THAT IS WHAT WE HAVE TO DO LET'S

8103
06:40:21,397 --> 06:40:21,864
NOT BE TOO PRECIOUS TO GET

8104
06:40:21,931 --> 06:40:24,500
PEOPLE TO SEEING OUT LOUD.

8105
06:40:24,567 --> 06:40:29,472
SOMEBODY SAID WHAT DOES HEALTH

8106
06:40:29,538 --> 06:40:33,242
SOUND LIKE?

8107
06:40:33,309 --> 06:40:33,843
I THINK IT SOUNDS LIKE DANCING

8108
06:40:33,909 --> 06:40:37,880
IN THE STREETS.

8109
06:40:37,947 --> 06:40:40,416
THINK ABOUT MARTHA AND THE VAN

8110
06:40:40,483 --> 06:40:41,851
DOLLARS.

8111
06:40:41,917 --> 06:40:42,852
MAY BE THIS IS A COPYRIGHT

8112
06:40:42,918 --> 06:40:45,254
VIOLATION SOMEWHERE.

8113
06:40:45,321 --> 06:40:50,126
BUT MAYBE IT'S NOT.

8114
06:40:50,192 --> 06:40:50,659
SOMEBODY SAID IF YOU GO TO

8115
06:40:50,726 --> 06:40:54,463
CHURCHES AND UNIONS THERE IS A

8116
06:40:54,530 --> 06:40:54,997
SONG PEOPLE JOIN TOGETHER.

8117
06:40:55,064 --> 06:40:58,834
WHAT WILL BE OUR ANTHEM?

8118
06:40:58,901 --> 06:40:59,468
I DON'T KNOW BUT YOUTUBE SOUNDS

8119
06:40:59,535 --> 06:41:08,611
PRETTY GOOD TO ME.

8120
06:41:08,677 --> 06:41:11,414
THOSE ADVERTISEMENTS.

8121
06:41:11,480 --> 06:41:16,919
DANCING IN THE STREETS.

8122
06:41:16,986 --> 06:41:19,355
♪

8123
06:41:19,422 --> 06:41:21,490
♪

8124
06:41:21,557 --> 06:41:21,757
STAND UP.

8125
06:41:21,824 --> 06:41:29,098
COME ON.

8126
06:41:29,165 --> 06:41:30,533
♪

8127
06:41:30,599 --> 06:41:34,603
YOU GET THE IDEA.

8128
06:41:34,670 --> 06:41:36,138
THANK YOU.

8129
06:41:36,205 --> 06:41:46,248
[APPLAUSE]

8130
06:41:46,315 --> 06:41:56,392
>> .

8131
06:41:57,126 --> 06:42:00,629
>> THANK YOU FOR THAT.

8132
06:42:00,696 --> 06:42:01,230
I GET TO WORK WITH MANY OF THE

8133
06:42:01,297 --> 06:42:03,098
PEOPLE YOU HAVE MET OVER THE

8134
06:42:03,165 --> 06:42:11,173
LAST COUPLE OF DAYS I WAS ASKED

8135
06:42:11,240 --> 06:42:11,774
TO TALK A LITTLE BIT ABOUT MY

8136
06:42:11,841 --> 06:42:12,274
EXPERIENCE WORKING WITH

8137
06:42:12,341 --> 06:42:14,210
DIFFERENT PAYERS AND INSURERS TO

8138
06:42:14,276 --> 06:42:17,012
INCLUDE COLLABORATIVE EFFORTS AT

8139
06:42:17,079 --> 06:42:20,449
CMS.

8140
06:42:20,516 --> 06:42:27,857
THE WAY I GOT INVOLVED TO

8141
06:42:27,923 --> 06:42:28,357
COLLABORATE WITH CMS IN

8142
06:42:28,424 --> 06:42:28,924
PARTICULAR IS OUR ACTIVITIES

8143
06:42:28,991 --> 06:42:29,425
WITH PRAGMATIC TRIALS IN

8144
06:42:29,492 --> 06:42:33,162
HEALTHCARE SETTINGS WHERE THE

8145
06:42:33,229 --> 06:42:43,772
PATIENTS ARE SEEN WITH REAL LIFE

8146
06:42:44,006 --> 06:42:44,340
CONDITIONS AND LOTS OF

8147
06:42:44,406 --> 06:42:44,907
MEDICATIONS THEY ARE ON AND

8148
06:42:44,974 --> 06:42:46,108
TYPICALLY NOT INVOLVED IN

8149
06:42:46,175 --> 06:42:50,112
RESEARCH STUDIES PERK WE TOOK ON

8150
06:42:50,179 --> 06:42:50,679
A CHALLENGE OF HOW DO WE DO

8151
06:42:50,746 --> 06:42:51,313
RESEARCH WITH THE ACTUAL HEALTH

8152
06:42:51,380 --> 06:42:55,117
CARE SETTINGS WITH THOSE WHO

8153
06:42:55,184 --> 06:42:55,618
RECEIVED CARE AND DO THE

8154
06:42:55,684 --> 06:43:00,990
IMPLEMENTATION AND CHALLENGE TO

8155
06:43:01,056 --> 06:43:01,991
PUT THOSE INTERVENTIONS INTO

8156
06:43:02,057 --> 06:43:05,060
THOSE SETTINGS AND HAVE THE

8157
06:43:05,127 --> 06:43:06,362
PROVIDERS THEY ARE DELIVER THOSE

8158
06:43:06,428 --> 06:43:08,130
INTERVENTIONS CRACKS WE HAVE

8159
06:43:08,197 --> 06:43:11,000
LEARNED A LOT AND LEARNING WITH

8160
06:43:11,066 --> 06:43:18,407
OUR COLLEAGUES THE LEGISLATION

8161
06:43:18,474 --> 06:43:20,175
THAT DRIVES FOR MEDICARE CAN

8162
06:43:20,242 --> 06:43:24,380
COVER BY LAW.

8163
06:43:24,446 --> 06:43:25,381
IT IS DIFFERENT THAN OTHER

8164
06:43:25,447 --> 06:43:28,284
INSURANCE COMPANIES WHAT THEY

8165
06:43:28,350 --> 06:43:32,321
CAN COVER IS LITERALLY LAW.

8166
06:43:32,388 --> 06:43:32,922
NOW THERE IS INTERPRETATION OF

8167
06:43:32,988 --> 06:43:35,991
THE LAW BUT THEY DO HAVE A

8168
06:43:36,058 --> 06:43:39,028
CHARACTERISTIC WE TALKED ABOUT

8169
06:43:39,094 --> 06:43:43,666
REASONABLE AND NECESSARY AND

8170
06:43:43,732 --> 06:43:45,134
SOMETIMES WHAT YOU WILL SEE AND

8171
06:43:45,200 --> 06:43:50,339
PARENTHESES IS ALSO WITH IN A

8172
06:43:50,406 --> 06:43:53,609
SCOPE OF THE MEDICARE BENEFIT

8173
06:43:53,676 --> 06:44:01,216
CATEGORY FOR MUSIC AND MUSIC

8174
06:44:01,283 --> 06:44:01,717
THERAPY THAT IS 1 OF THE

8175
06:44:01,784 --> 06:44:02,284
CHALLENGES THERE IS A LOT OF

8176
06:44:02,351 --> 06:44:04,386
DIFFERENT THERAPEUTIC SERVICES

8177
06:44:04,453 --> 06:44:09,792
AND OTHER FORMS LOSE ARE ALL

8178
06:44:09,858 --> 06:44:12,127
RECOGNIZED INDIVIDUAL SERVICE

8179
06:44:12,194 --> 06:44:13,429
PROVIDERS RECOGNIZED BY MEDICARE

8180
06:44:13,495 --> 06:44:16,865
THAT'S A CHALLENGE.

8181
06:44:16,932 --> 06:44:22,037
I CANNOT SOLVE THAT IT IS UP TO

8182
06:44:22,104 --> 06:44:22,638
CONGRESS SO YOUR LOBBY EFFORTS

8183
06:44:22,705 --> 06:44:27,076
AND YOUR ACTIVITY WITH EVERYONE

8184
06:44:27,142 --> 06:44:27,710
ON THE HELL IS IMPORTANT TO MAKE

8185
06:44:27,776 --> 06:44:28,611
THAT TYPE OF CHANGE.

8186
06:44:28,677 --> 06:44:34,116
BUT THERE ARE OTHER WAYS

8187
06:44:34,183 --> 06:44:34,583
MEDICARE HAS A PLACE.

8188
06:44:34,650 --> 06:44:36,752
THEY LOOK AT THE EVIDENCE IN THE

8189
06:44:36,819 --> 06:44:37,853
RESEARCH AND IN OUR

8190
06:44:37,920 --> 06:44:40,089
CONVERSATIONS WITH THEM LOOKING

8191
06:44:40,155 --> 06:44:44,660
AT STUDIES WE ARE FUNDING

8192
06:44:44,727 --> 06:44:45,260
THROUGH THE HEAL INITIATIVE TO

8193
06:44:45,327 --> 06:44:49,531
END ADDICTION AND LONG-T

8194
06:44:49,598 --> 06:44:50,165
LONG-TERM, MOSTLY IN THE AREA OF

8195
06:44:50,232 --> 06:44:55,170
PAIN RESEARCH STUDIES, THEY HAVE

8196
06:44:55,237 --> 06:44:55,804
COME TO TELL US THERE ARE 3 KEY

8197
06:44:55,871 --> 06:44:56,305
THINGS THEY LOOK FOR IN

8198
06:44:56,372 --> 06:44:58,707
EVIDENCE.

8199
06:44:58,774 --> 06:45:01,043
AND THIS GENERALIZES TO ALL

8200
06:45:01,110 --> 06:45:03,445
INSURERS WHAT TO RECOVER AND NOT

8201
06:45:03,512 --> 06:45:06,015
COVER CRACKS WE HEARD A LOT

8202
06:45:06,081 --> 06:45:07,182
ABOUT THE QUALITY OF THE

8203
06:45:07,249 --> 06:45:11,086
EVIDENCE AND THE EFFICACY SHOW

8204
06:45:11,153 --> 06:45:12,054
ME THAT IT WORKS BETTER THAN A

8205
06:45:12,121 --> 06:45:14,757
PLACEBO CONTROL.

8206
06:45:14,823 --> 06:45:17,860
IDEALLY WOULD EVEN SHOW ME WITH

8207
06:45:17,926 --> 06:45:20,462
REAL-WORLD PATIENTS IT WORKS

8208
06:45:20,529 --> 06:45:23,532
BETTER AND IMPROVES OUTCOMES IN

8209
06:45:23,599 --> 06:45:26,602
THOSE COMPLEX PATIENTS.

8210
06:45:26,669 --> 06:45:28,637
SO THE EFFECTIVENESS PIECE IS

8211
06:45:28,704 --> 06:45:31,140
IMPORTANT.

8212
06:45:31,206 --> 06:45:31,874
ALSO LOOK AT OUTCOMES THAT

8213
06:45:31,940 --> 06:45:38,147
MATTER TO PATIENTS WE WOULD HEAR

8214
06:45:38,213 --> 06:45:38,681
THAT CONSISTENTLY FROM OUR

8215
06:45:38,747 --> 06:45:39,248
COLLEAGUES AT CMS THEY DON'T

8216
06:45:39,314 --> 06:45:40,482
JUST WANT TO KNOW CHANGES OF

8217
06:45:40,549 --> 06:45:43,886
BIOMARKER THAT IS IMPORTANT FOR

8218
06:45:43,952 --> 06:45:45,754
ESTABLISHING ACTIVE -- --

8219
06:45:45,821 --> 06:45:48,691
EFFICACY FOR DRUGS AND DEVICES

8220
06:45:48,757 --> 06:45:49,291
WITH FDA BUT ALSO IT MAKES THE

8221
06:45:49,358 --> 06:45:51,160
DIFFERENCE TO PATIENTS.

8222
06:45:51,226 --> 06:45:56,265
THE OTHER THING THEY TELL US IS

8223
06:45:56,331 --> 06:45:56,899
THEY WANT TO SEE THE RESULTS IN

8224
06:45:56,965 --> 06:45:58,767
THE STUDIES HAVE BEEN DONE IN

8225
06:45:58,834 --> 06:46:01,403
PATIENTS SIMILAR TO THE

8226
06:46:01,470 --> 06:46:03,672
BENEFICIARIES OF THE SERVICES

8227
06:46:03,739 --> 06:46:06,709
PROVIDING.

8228
06:46:06,775 --> 06:46:07,142
MEANING WHO ARE YOUR

8229
06:46:07,209 --> 06:46:12,147
PARTICIPANTS IN YOUR STUDIES TO

8230
06:46:12,214 --> 06:46:12,715
THE REFLECT THE DIVERSITY OF

8231
06:46:12,781 --> 06:46:13,982
INDIVIDUALS WHO ARE THE MEDICARE

8232
06:46:14,049 --> 06:46:19,722
AND MEDICAID BENEFICIARIES?

8233
06:46:19,788 --> 06:46:27,730
RACE, ETHNICITY

8234
06:46:27,796 --> 06:46:28,564
RACE, ETHNICITY, SEX, AGE, LIFEG

8235
06:46:28,630 --> 06:46:28,831
ABOUT 85.

8236
06:46:28,897 --> 06:46:29,398
THEY WANT TO KNOW ABOUT THE

8237
06:46:29,465 --> 06:46:30,032
OLDEST OLD AND WILL IT WORK FOR

8238
06:46:30,099 --> 06:46:31,300
THOSE INDIVIDUALS.

8239
06:46:31,366 --> 06:46:32,301
BUT CMS IS NOT ONLY MEDICARE BUT

8240
06:46:32,367 --> 06:46:35,938
ALSO MEDICAID TALKING ABOUT

8241
06:46:36,004 --> 06:46:36,739
INFANTS AND CHILDREN AND

8242
06:46:36,805 --> 06:46:39,675
PREGNANT WOMEN HAVING CHILDREN

8243
06:46:39,742 --> 06:46:42,444
AND SERVICES TO THOSE

8244
06:46:42,511 --> 06:46:45,147
INDIVIDUALS.

8245
06:46:45,214 --> 06:46:46,682
YOU MENTIONED THE COMPLEXITY OF

8246
06:46:46,749 --> 06:46:49,084
CONDITIONS SO OFTEN THEY ARE

8247
06:46:49,151 --> 06:46:53,088
DOING IN NARROW POPULATIONS THAT

8248
06:46:53,155 --> 06:46:57,226
EXCLUDE PEOPLE DOING A STUDY ON

8249
06:46:57,292 --> 06:46:59,495
INDIVIDUALS WITH HIGH BLOOD

8250
06:46:59,561 --> 06:47:01,764
PRESSURE BUT WHAT ABOUT THOSE

8251
06:47:01,830 --> 06:47:03,966
WITH DIABETES THERE IS SO MUCH

8252
06:47:04,032 --> 06:47:05,367
OVERLAP WITH THOSE CONDITIONS IT

8253
06:47:05,434 --> 06:47:10,205
MAKES IT HARD FOR THOSE

8254
06:47:10,272 --> 06:47:10,839
INDIVIDUALS IN THE ORGANIZATIONS

8255
06:47:10,906 --> 06:47:13,408
TO DECIDE ABOUT COVERAGE WHEN

8256
06:47:13,475 --> 06:47:15,844
YOU EXCLUDED A LARGE NUMBER OF

8257
06:47:15,911 --> 06:47:16,311
THE PEOPLE THAT COULD

8258
06:47:16,378 --> 06:47:26,889
POTENTIALLY HAVE THE TREATMENT

8259
06:47:27,956 --> 06:47:28,457
AND THE OTHER THING IS THAT ARE

8260
06:47:28,524 --> 06:47:29,057
YOU DELIVERING INTERVENTION A

8261
06:47:29,124 --> 06:47:30,459
VARIETY OF DIFFERENT SETTINGS?

8262
06:47:30,526 --> 06:47:33,095
RURAL, URBAN, TO MAKE SURE THESE

8263
06:47:33,162 --> 06:47:33,729
INTERVENTIONS WILL WORK AND ALL

8264
06:47:33,796 --> 06:47:35,564
THOSE DIFFERENT PLACES BECAUSE

8265
06:47:35,631 --> 06:47:39,134
THEY DO COVER SO MANY PEOPLE IT

8266
06:47:39,201 --> 06:47:40,536
CAN'T ONLY BE DELIVERED IN AN

8267
06:47:40,602 --> 06:47:42,671
ACADEMIC SETTING THAT'S FOR THE

8268
06:47:42,738 --> 06:47:44,973
IMPLEMENTATION AND RESEARCH

8269
06:47:45,040 --> 06:47:48,777
TALKED ABOUT BY DAVID CHAMBERS

8270
06:47:48,844 --> 06:47:49,411
AND IN THE PRAGMATIC TRIALS THAT

8271
06:47:49,478 --> 06:47:53,615
CAN BE EFFECTIVE TO ADD TO THE

8272
06:47:53,682 --> 06:47:54,449
EVIDENCE TO DEMONSTRATE THE

8273
06:47:54,516 --> 06:47:57,252
INTERVENTIONS WORK WITH REAL

8274
06:47:57,319 --> 06:47:59,655
PEOPLE IN A VARIETY OF DIFFERENT

8275
06:47:59,721 --> 06:48:02,191
SETTINGS AND THAT CAN BE

8276
06:48:02,257 --> 06:48:02,958
COMPELLING WHEN THEY MAKE

8277
06:48:03,025 --> 06:48:06,862
COVERAGE DECISIONS.

8278
06:48:06,929 --> 06:48:07,496
I WILL STOP THERE AND I'M HAPPY

8279
06:48:07,563 --> 06:48:08,430
TO ANSWER QUESTIONS.

8280
06:48:08,497 --> 06:48:11,433
[APPLAUSE]

8281
06:48:11,500 --> 06:48:15,103
>> GOOD AFTERNOON.

8282
06:48:15,170 --> 06:48:18,173
I AM DELIGHTED TO PROVIDE THE

8283
06:48:18,240 --> 06:48:23,579
LAST 2 MINUTE PRESENTATION TODAY

8284
06:48:23,645 --> 06:48:24,179
TALK ABOUT SOCIAL PRESCRIBING

8285
06:48:24,246 --> 06:48:26,148
WHICH WE HEARD A LITTLE BIT

8286
06:48:26,215 --> 06:48:30,385
ABOUT IT IS A MEANS FOR

8287
06:48:30,452 --> 06:48:31,019
CONNECTING PEOPLE TO NONCLINICAL

8288
06:48:31,086 --> 06:48:41,597
AND COMMUNITY-BASED RESOURCES

8289
06:48:42,865 --> 06:48:43,365
AND ARTS, CULTURE, SOCIAL OR --

8290
06:48:43,432 --> 06:48:43,966
-- SOCIAL IN NATURE ACTIVITIES

8291
06:48:44,032 --> 06:48:44,600
AND IMPORTANTLY A CO- PRODUCTION

8292
06:48:44,666 --> 06:48:45,200
OF A PATHWAY TOWARD HEALTH AND

8293
06:48:45,267 --> 06:48:52,241
WELLNESS BASED ON WHAT MATTERS

8294
06:48:52,307 --> 06:48:52,608
MOST TO PEOPLE.

8295
06:48:52,674 --> 06:48:53,208
IT'S MEANT TO FILL A GAP OF

8296
06:48:53,275 --> 06:48:58,280
WELLNESS AND PREVENTION AS WELL

8297
06:48:58,347 --> 06:49:00,716
TO HELP AVOID UNNECESSARY HIGH

8298
06:49:00,782 --> 06:49:03,752
RISK AND HIGH COST MEDICAL

8299
06:49:03,819 --> 06:49:08,056
INTERVENTIONS NOT NECESSARY YET

8300
06:49:08,123 --> 06:49:08,523
ALSO TO ADDRESS SOCIAL

8301
06:49:08,590 --> 06:49:09,091
DETERMINANTS AND DRIVERS OF

8302
06:49:09,157 --> 06:49:13,629
HEALTH AND TO EXPAND THE TOOLKIT

8303
06:49:13,695 --> 06:49:15,864
OF WHAT CARE PROVIDERS CAN OFFER

8304
06:49:15,931 --> 06:49:16,531
PATIENTS TO ADDRESS NEEDS TO

8305
06:49:16,598 --> 06:49:25,007
WHAT MATTER MOST TO THEM.

8306
06:49:25,073 --> 06:49:25,574
IT EXPLICITLY RECOGNIZES THE

8307
06:49:25,641 --> 06:49:26,208
IMPORTANCE OF SOCIAL CONNECTION

8308
06:49:26,275 --> 06:49:26,808
AND THE RISK OF LONELINESS AND

8309
06:49:26,875 --> 06:49:28,810
SOCIAL ISOLATION WE HAVE BEEN

8310
06:49:28,877 --> 06:49:29,611
THINKING A LOT ABOUT THE LAST 2

8311
06:49:29,678 --> 06:49:37,352
DAYS.

8312
06:49:37,419 --> 06:49:38,887
INCLUDING IN THE US THERE ARE AT

8313
06:49:38,954 --> 06:49:44,026
LEAST 28 PILOT PROGRAMS SOME

8314
06:49:44,092 --> 06:49:46,461
TALK ABOUT LINKING SPECIFICALLY

8315
06:49:46,528 --> 06:49:50,532
TO ARTS AND CULTURE OR ARTS ON

8316
06:49:50,599 --> 06:49:56,171
PRESCRIPTION PROGRAMS.

8317
06:49:56,238 --> 06:49:56,772
SOCIAL PRESCRIBING HAS BEEN IN

8318
06:49:56,838 --> 06:49:58,840
PLACE FOR MORE THAN A DECADE

8319
06:49:58,907 --> 06:50:03,679
WITH SIGNIFICANT INVESTMENTS AND

8320
06:50:03,745 --> 06:50:09,418
WITH NHS THE DOCUMENTED IMPACT

8321
06:50:09,484 --> 06:50:09,952
OF HEALTHCARE COST WE SEE

8322
06:50:10,018 --> 06:50:10,485
INCREASING INTEREST IN THE

8323
06:50:10,552 --> 06:50:13,855
UNITED STATES NOT ONLY IN

8324
06:50:13,922 --> 06:50:14,489
DEVELOPMENT OF PROGRAMMING BEEN

8325
06:50:14,556 --> 06:50:23,665
AROUND THE POTENTIAL FOR POLICY.

8326
06:50:23,732 --> 06:50:24,700
SO IN THE RESEARCH LAB I HAD THE

8327
06:50:24,766 --> 06:50:28,937
PLEASURE OF DIRECTING ME STUDIES

8328
06:50:29,004 --> 06:50:31,139
SOCIAL PRESCRIBING THROUGH

8329
06:50:31,206 --> 06:50:33,208
MULTI- FACETED AGENDA YOU CAN

8330
06:50:33,275 --> 06:50:38,246
SEE OUTLINED ON THE SCREENS WE

8331
06:50:38,313 --> 06:50:38,780
CONDUCTED 17 LARGE COHORT

8332
06:50:38,847 --> 06:50:45,220
STUDIES SO FAR ASSOCIATED

8333
06:50:45,287 --> 06:50:45,854
PARTICIPATION WITH A WIDE ARRAY

8334
06:50:45,921 --> 06:50:47,789
OF MENTAL HEALTH OUTCOMES AND

8335
06:50:47,856 --> 06:50:53,895
FOUND IN THE US OLDER ADULTS

8336
06:50:53,962 --> 06:50:54,463
THAT PARTICIPATE IN THE ARTS

8337
06:50:54,529 --> 06:50:54,997
JUST ONCE A MONTH OR MORE

8338
06:50:55,063 --> 06:50:56,098
20 PERCENT LESS LIKELY TO BE

8339
06:50:56,164 --> 06:50:57,766
DEPRESSED.

8340
06:50:57,833 --> 06:50:59,001
WE ALSO FOUND A RANGE OF

8341
06:50:59,067 --> 06:51:02,738
DOSE-RESPONSE RELATIONSHIPS AND

8342
06:51:02,804 --> 06:51:03,205
MULTIPLE DIMENSIONS OF

8343
06:51:03,271 --> 06:51:07,209
WELL-BEING AND HEALTH BEHAVIORS

8344
06:51:07,275 --> 06:51:08,076
FOR YOUNG PEOPLE AND BASED ON

8345
06:51:08,143 --> 06:51:10,879
THE STUDIES MANY OF WHICH WE

8346
06:51:10,946 --> 06:51:14,116
HAVE HEARD OF FROM YOU, WE

8347
06:51:14,182 --> 06:51:16,952
ASSERT ARTS PARTICIPATION AS A

8348
06:51:17,019 --> 06:51:19,654
HEALTH BEHAVIOR AND ESPECIALLY

8349
06:51:19,721 --> 06:51:24,459
AS STUDIES OF FIRM THE

8350
06:51:24,526 --> 06:51:25,961
PERSISTENT SOCIAL GRADIENT AND

8351
06:51:26,028 --> 06:51:28,597
DISPARITIES OF ARTS

8352
06:51:28,663 --> 06:51:31,700
PARTICIPATION THAT ACCESS TO THE

8353
06:51:31,767 --> 06:51:33,935
ARTS IS A SOCIAL DETERMINANTS OF

8354
06:51:34,002 --> 06:51:36,738
HEALTH WE KNOW THE PEOPLE WHO

8355
06:51:36,805 --> 06:51:37,906
HAVE ACCESS TO THE ARTS OF

8356
06:51:37,973 --> 06:51:38,974
OPPORTUNITIES FOR BETTER HEALTH

8357
06:51:39,041 --> 06:51:43,078
AND WELL-BEING CONDUCTING

8358
06:51:43,145 --> 06:51:45,480
IMPLEMENTATION SCIENCE STUDIES

8359
06:51:45,547 --> 06:51:47,916
IN CASE STUDIES OF MORE THAN US

8360
06:51:47,983 --> 06:51:49,751
PILOTS AND DEVELOPING RESOURCES

8361
06:51:49,818 --> 06:51:52,854
INCLUDING CORE OUTCOME SETS AND

8362
06:51:52,921 --> 06:51:53,488
REPORTING GUIDELINES TO ADVANCE

8363
06:51:53,555 --> 06:51:57,225
THE QUALITY OF RESEARCH AS WELL

8364
06:51:57,292 --> 06:52:07,769
AS ENABLE EVIDENCE SYNTHESIS

8365
06:52:11,773 --> 06:52:12,207
FROM EVIDENCE-BASED PRACTICE

8366
06:52:12,274 --> 06:52:12,841
POLICY AND INVESTMENTS MAY FEEL

8367
06:52:12,908 --> 06:52:13,408
IT'S CRITICALLY IMPORTANT TO

8368
06:52:13,475 --> 06:52:14,042
GROUND THE CURRENT EVIDENCE AND

8369
06:52:14,109 --> 06:52:14,676
SOCIAL PRESCRIBING HIGH-QUALITY

8370
06:52:14,743 --> 06:52:15,310
RESEARCH TO GUIDE EVIDENCE-BASED

8371
06:52:15,377 --> 06:52:16,445
AFTER SOME POLICY AND ENABLE

8372
06:52:16,511 --> 06:52:17,279
SOCIAL PRESCRIBING TO HELP MOVE

8373
06:52:17,345 --> 06:52:24,419
THE NEEDLE ON HEALTH AND HEALTH

8374
06:52:24,486 --> 06:52:27,022
EQUITY.

8375
06:52:27,089 --> 06:52:27,656
WE KNOW THAT SOCIAL PRESCRIBING

8376
06:52:27,722 --> 06:52:29,558
IS A COMPONENT BUT NOT THE ONLY

8377
06:52:29,624 --> 06:52:31,259
ONES.

8378
06:52:31,326 --> 06:52:32,227
TO BUILD UNDERSTANDING WITH THE

8379
06:52:32,294 --> 06:52:38,100
GENERAL PUBLIC JUST LIKE

8380
06:52:38,166 --> 06:52:38,500
EXERCISE AND GOOD

8381
06:52:38,567 --> 06:52:39,000
NUTRITION, REGULAR ARTS

8382
06:52:39,067 --> 06:52:39,568
PARTICIPATION CAN CONTRIBUTE

8383
06:52:39,634 --> 06:52:41,603
SIGNIFICANTLY TO HEALTH AND

8384
06:52:41,670 --> 06:52:47,442
WELL-BEING.

8385
06:52:47,509 --> 06:52:48,043
WANT TO LIFT UP THE IMPORTANCE

8386
06:52:48,110 --> 06:52:48,677
OF TRANSLATING OUR RESEARCH AND

8387
06:52:48,743 --> 06:52:49,144
INSIGHTS TO PEOPLE AND

8388
06:52:49,211 --> 06:52:53,482
POPULATIONS AND THE POPULATIONS

8389
06:52:53,548 --> 06:52:54,082
WE SERVE I'M GLAD THIS IS COME

8390
06:52:54,149 --> 06:52:57,319
UP AS A SIGNIFICANT TOPIC.

8391
06:52:57,385 --> 06:53:05,594
THE POINTS WE ARE ALL AIMING AT

8392
06:53:05,660 --> 06:53:06,228
TO MAKE MUSIC AND THE ARTS MORE

8393
06:53:06,294 --> 06:53:06,828
AVAILABLE AS A HEALTH RESOURCE

8394
06:53:06,895 --> 06:53:07,329
ARE A PART OF THE SOCIAL

8395
06:53:07,395 --> 06:53:13,034
MOVEMENT AND A PARADIGM SHIFT.

8396
06:53:13,101 --> 06:53:13,668
WE NEED GENERAL PUBLIC AWARENESS

8397
06:53:13,735 --> 06:53:14,269
AND PARTICIPATION TO MAKE THAT

8398
06:53:14,336 --> 06:53:14,503
HAPPEN.

8399
06:53:14,569 --> 06:53:14,769
THANK YOU.

8400
06:53:14,836 --> 06:53:23,478
[APPLAUSE]

8401
06:53:23,545 --> 06:53:27,816
>> WE HAVE ABOUT 13 MESSAGE --

8402
06:53:27,883 --> 06:53:38,326
-- MINUTES FOR QUESTIONS.

8403
06:53:38,960 --> 06:53:41,096
>> YOU APPRECIATED YOUR MUSIC

8404
06:53:41,163 --> 06:53:44,499
ORIENTED APPROACH TO PRESENT

8405
06:53:44,566 --> 06:53:50,505
IMPLEMENTATION SCIENCE.

8406
06:53:50,572 --> 06:53:51,039
BUT A QUESTION TAKING THE

8407
06:53:51,106 --> 06:53:52,240
TERMINOLOGY OF QUALITY OF

8408
06:53:52,307 --> 06:53:56,978
EVIDENCE AND MEDICARE, IS THERE

8409
06:53:57,045 --> 06:53:59,414
A THRESHOLD OR QUALITY OF

8410
06:53:59,481 --> 06:54:01,750
EVIDENCE OR A GENERAL RULE OF

8411
06:54:01,816 --> 06:54:06,588
THUMB TO GET COMPETITIVE

8412
06:54:06,655 --> 06:54:07,189
APPLICATIONS FOR SCIENCE THAT

8413
06:54:07,255 --> 06:54:08,690
CALLS FOR FUNDING?

8414
06:54:08,757 --> 06:54:13,461
FOR CLINICAL TRIALS DOES THAT

8415
06:54:13,528 --> 06:54:14,062
ASSUME THEY WOULD HAVE ALREADY

8416
06:54:14,129 --> 06:54:17,532
DONE PROSPECTIVE STUDIES?

8417
06:54:17,599 --> 06:54:20,869
I AM ASKING ON BEHALF OF THOSE

8418
06:54:20,936 --> 06:54:22,070
RESEARCHERS THAT ARE ASKING.

8419
06:54:22,137 --> 06:54:30,078
>> .

8420
06:54:30,145 --> 06:54:30,612
>> THE SIMPLE ANSWER IS OF

8421
06:54:30,679 --> 06:54:31,146
COURSE IT DEPENDS -- -- IT

8422
06:54:31,213 --> 06:54:31,379
DEPENDS.

8423
06:54:31,446 --> 06:54:34,382
NOT SATISFYING THAT IT DEPENDS

8424
06:54:34,449 --> 06:54:36,718
ON PART OF THE DECISION-MAKING

8425
06:54:36,785 --> 06:54:38,920
AROUND ENABLING MANY PEOPLE TO

8426
06:54:38,987 --> 06:54:44,426
GET A PARTICULAR IF THE RESEARCH

8427
06:54:44,492 --> 06:54:49,798
TEAM IS IN THE POSITION TO SAY

8428
06:54:49,864 --> 06:54:50,232
THIS IS READY TO BE

8429
06:54:50,298 --> 06:54:50,765
IMPLEMENTED, THEN THEY ARE

8430
06:54:50,832 --> 06:54:55,470
JUSTIFYING THE PRIOR EVIDENCE.

8431
06:54:55,537 --> 06:54:56,104
THERE ARE TIMES WE CAN LEARN SO

8432
06:54:56,171 --> 06:54:57,305
MUCH FROM EXISTING PRACTICE AND

8433
06:54:57,372 --> 06:55:01,343
IN THAT CASE WE ARE NOT MAKING

8434
06:55:01,409 --> 06:55:02,143
THE DECISION THAT INTERVENTION

8435
06:55:02,210 --> 06:55:04,613
IS DELIVERED.

8436
06:55:04,679 --> 06:55:06,681
IN SOME CASES WE WANT TO LEARN

8437
06:55:06,748 --> 06:55:08,583
ABOUT THE INTERVENTION WHILE

8438
06:55:08,650 --> 06:55:10,352
MAKING ITS WAY.

8439
06:55:10,418 --> 06:55:13,655
THAT'S WHY IT DEPENDS SO IF WE

8440
06:55:13,722 --> 06:55:18,026
SAY IT IS BENEFICIAL HOW DO WE

8441
06:55:18,093 --> 06:55:27,402
KNOW?

8442
06:55:27,469 --> 06:55:28,036
THE RISE OF SUPPLEMENTATION AND

8443
06:55:28,103 --> 06:55:28,670
STUDIES SHARES THE OPPORTUNITY

8444
06:55:28,737 --> 06:55:33,408
TO THINK ABOUT THE WHAT AND HOW

8445
06:55:33,475 --> 06:55:33,875
WITHIN THE SAME STUDY.

8446
06:55:33,942 --> 06:55:39,848
A GREAT QUESTION.

8447
06:55:39,914 --> 06:55:50,458
>> WHAT POLICIES SHOULD THERE BE

8448
06:55:52,027 --> 06:55:57,932
OR WHAT STRATEGIES SHOULD WE

8449
06:55:57,999 --> 06:56:01,169
TAKE FOR MUSIC AS PREVENTION TO

8450
06:56:01,236 --> 06:56:10,145
BECOME MORE MAINSTREAM?

8451
06:56:10,211 --> 06:56:10,779
>> WHAT POLICIES SHOULD WE KEEP

8452
06:56:10,845 --> 06:56:20,588
IN MIND?

8453
06:56:20,655 --> 06:56:21,222
I DON'T KNOW THE ANSWER TO THAT

8454
06:56:21,289 --> 06:56:24,125
IMMEDIATELY BUT WHAT I WOULD

8455
06:56:24,192 --> 06:56:25,694
THINK THROUGH IS WHAT CAN WE

8456
06:56:25,760 --> 06:56:28,363
SHOW ABOUT THE SAVINGS TO THE

8457
06:56:28,430 --> 06:56:33,935
COST OF SYSTEMS THAT WHATEVER

8458
06:56:34,002 --> 06:56:34,836
YOUR INTERVENTIONS WORD SHOW AND

8459
06:56:34,903 --> 06:56:38,306
FIGURE OUT WHO WOULD BENEFIT

8460
06:56:38,373 --> 06:56:41,042
FROM THOSE SAVINGS AND WORK WITH

8461
06:56:41,109 --> 06:56:42,510
THOSE ORGANIZATIONS OR

8462
06:56:42,577 --> 06:56:48,817
INSTITUTIONS TO MOVE IN THE

8463
06:56:48,883 --> 06:56:50,852
DIRECTION TO HELP IMPLEMENT

8464
06:56:50,919 --> 06:56:54,422
THEM.

8465
06:56:54,489 --> 06:57:02,831
PUBLIC HEALTH SYSTEMS WILL LATCH

8466
06:57:02,897 --> 06:57:03,698
ON IMMEDIATELY AND THEIR SOMEONE

8467
06:57:03,765 --> 06:57:07,502
FROM L.A. WHO CAN PROBABLY

8468
06:57:07,569 --> 06:57:17,479
ADDRESS THIS WORKING FOR THE

8469
06:57:17,545 --> 06:57:18,046
COUNTY BUT LATCH ON TO THIS

8470
06:57:18,113 --> 06:57:18,646
BECAUSE IT WILL EVOLVE PEOPLE

8471
06:57:18,713 --> 06:57:19,214
AND BRING THEM TO THE TABLE

8472
06:57:19,280 --> 06:57:23,451
IMMEDIATELY BECAUSE IT IS

8473
06:57:23,518 --> 06:57:24,052
COMPELLING AND INTERESTING AND

8474
06:57:24,119 --> 06:57:27,322
BRINGING PEOPLE TO YOU.

8475
06:57:27,389 --> 06:57:29,891
SO I WANT TO THINK THROUGH THAT

8476
06:57:29,958 --> 06:57:34,262
MORE.

8477
06:57:34,329 --> 06:57:34,863
>> IT IS A COMPLEX QUESTION I

8478
06:57:34,929 --> 06:57:37,065
WOULD ADD A COUPLE THINGS.

8479
06:57:37,132 --> 06:57:41,136
POLICY MEANS A RANGE OF THINGS.

8480
06:57:41,202 --> 06:57:46,808
LAWS AND FUNDING STRATEGIES.

8481
06:57:46,875 --> 06:57:48,176
SORRY REDUNDANT AND GOVERNMENTAL

8482
06:57:48,243 --> 06:57:52,781
GUIDELINES TO A SMALL P POLICY

8483
06:57:52,847 --> 06:57:53,348
LIKE THE NORMS AND CULTURAL

8484
06:57:53,415 --> 06:57:58,019
NORMS AND PRACTICES.

8485
06:57:58,086 --> 06:57:59,020
I SAID SOCIAL PRESCRIBING

8486
06:57:59,087 --> 06:58:03,324
BECAUSE 1 COMPONENT IS SOCIAL

8487
06:58:03,391 --> 06:58:04,759
PRESCRIBING WITH POLICY

8488
06:58:04,826 --> 06:58:08,163
IMPLEMENTATION ENABLE FUNDING

8489
06:58:08,229 --> 06:58:14,035
AND THE PRESCRIBING LIKE CARE

8490
06:58:14,102 --> 06:58:16,504
PROVIDERS TO REFER PEOPLE TO

8491
06:58:16,571 --> 06:58:19,274
SERVICES AND TO BE

8492
06:58:19,340 --> 06:58:20,542
INFRASTRUCTURES TO MAKE THOSE

8493
06:58:20,608 --> 06:58:24,012
CONNECTIONS OR PAYMENT

8494
06:58:24,078 --> 06:58:26,181
STRUCTURES TO SUPPORT THOSE

8495
06:58:26,247 --> 06:58:33,054
ACTIVITIES.

8496
06:58:33,121 --> 06:58:33,655
THAT IS 1 SORT OF ARENA OF THE

8497
06:58:33,721 --> 06:58:35,690
POLICY AREA AND NEEDS TO WORK IN

8498
06:58:35,757 --> 06:58:40,762
TANDEM WITH THE NORMS THAT WE

8499
06:58:40,829 --> 06:58:43,465
RECOGNIZE THAT IF WE KNOW

8500
06:58:43,531 --> 06:58:44,299
ENGAGING IN THE ARTS IS GOOD FOR

8501
06:58:44,365 --> 06:58:49,437
MY HEALTH, I CAN MAKE AN EFFORT

8502
06:58:49,504 --> 06:58:51,673
TO GO TO CHURCH AND ENJOY MY

8503
06:58:51,739 --> 06:58:52,707
CHOIR.

8504
06:58:52,774 --> 06:58:53,741
TAKE PART OF THE FESTIVALS IN MY

8505
06:58:53,808 --> 06:58:59,981
COMMUNITY AND RECOGNIZE IN THE

8506
06:59:00,048 --> 06:59:00,615
MORNING BEAUTY AND CREATIVITY IS

8507
06:59:00,682 --> 06:59:04,018
A HEALTH RESOURCE THAT WE CAN

8508
06:59:04,085 --> 06:59:07,555
UTILIZE ALL OF THOSE AVENUES.

8509
06:59:07,622 --> 06:59:08,556
I HAVE SOME CONCERN IN THE

8510
06:59:08,623 --> 06:59:11,426
UNITED STATES SOCIAL PRESCRIBING

8511
06:59:11,493 --> 06:59:14,796
POLICY TO MOVE TOO QUICKLY AND

8512
06:59:14,863 --> 06:59:17,332
THEN TO ENABLE ACCESS TO THE

8513
06:59:17,398 --> 06:59:22,937
ARTS COULD MOVE TOO QUICKLY TO

8514
06:59:23,004 --> 06:59:23,505
CREATE A SYSTEM THAT ALLOWS

8515
06:59:23,571 --> 06:59:24,105
ACCESS FOR CERTAIN PEOPLE AND

8516
06:59:24,172 --> 06:59:28,276
NOT ALL PEOPLE.

8517
06:59:28,343 --> 06:59:28,910
WE HAVE TO TAKE REALLY GOOD CARE

8518
06:59:28,977 --> 06:59:29,844
WITH POLICY AROUND SOCIAL

8519
06:59:29,911 --> 06:59:33,982
PRESCRIBING NOT TO CREATE MORE

8520
06:59:34,048 --> 06:59:36,251
RACIST AND EXCLUSIVE SYSTEMS AND

8521
06:59:36,317 --> 06:59:39,354
BARRIERS BUT CREATE VERY

8522
06:59:39,420 --> 06:59:45,193
DIFFERENT SYSTEMS TO SERVE IN

8523
06:59:45,260 --> 06:59:48,463
THE WAYS THAT WE SEEK TO SERVE.

8524
06:59:48,530 --> 06:59:57,572
>> A VERY INTERESTING PANEL.

8525
06:59:57,639 --> 06:59:59,807
THE TOOLKIT IS EXCITING.

8526
06:59:59,874 --> 07:00:05,113
I WANTED TO SAY THAT QUICKLY.

8527
07:00:05,179 --> 07:00:05,647
HOPEFULLY PEOPLE WILL TAKE

8528
07:00:05,713 --> 07:00:06,281
ADVANTAGE OF THAT AND THAT WOULD

8529
07:00:06,347 --> 07:00:08,816
MAKE MY JOB EASIER.

8530
07:00:08,883 --> 07:00:10,351
HAVE A QUESTION FOR DAVID ABOUT

8531
07:00:10,418 --> 07:00:17,559
IMPLEMENTATION OF SCIENCE.

8532
07:00:17,625 --> 07:00:18,192
WE HAVE NOTICED AT THE LANCET WE

8533
07:00:18,259 --> 07:00:18,793
HARDLY EVER GET IMPLEMENTATION

8534
07:00:18,860 --> 07:00:29,337
SCIENCE PAPERS AND CLINICAL

8535
07:00:29,837 --> 07:00:35,310
TRIALS RESEARCH I DON'T KNOW IF

8536
07:00:35,376 --> 07:00:35,944
THAT IS SET -- -- SELF-SELECTING

8537
07:00:36,010 --> 07:00:36,678
EVEN THEY THINK WE ARE NOT

8538
07:00:36,744 --> 07:00:38,546
INTERESTED.

8539
07:00:38,613 --> 07:00:39,113
BUT IT'S SO IMPORTANT DO YOU

8540
07:00:39,180 --> 07:00:42,817
HAVE ANY INSIGHT AROUND THAT AND

8541
07:00:42,884 --> 07:00:46,154
HOW THE MEDICAL JOURNALS COULD

8542
07:00:46,220 --> 07:00:48,189
HELP WITH IMPROVING ACCESS?

8543
07:00:48,256 --> 07:00:58,700
>> THANK YOU FOR OFFERING.

8544
07:00:59,200 --> 07:00:59,634
HISTORICALLY, THERE HAS BEEN

8545
07:00:59,701 --> 07:01:00,268
LESS FAMILIARITY THAT THESE ARE

8546
07:01:00,335 --> 07:01:02,403
RESEARCH QUESTIONS.

8547
07:01:02,470 --> 07:01:08,409
AND INSTEAD THINGS THAT WE DO.

8548
07:01:08,476 --> 07:01:09,043
BUT IN AND INCREASING NUMBER OF

8549
07:01:09,110 --> 07:01:09,644
JOURNALS WHETHER VIEWPOINTS OR

8550
07:01:09,711 --> 07:01:12,780
EMPIRICAL WORK, HAVE EMBRACED

8551
07:01:12,847 --> 07:01:16,017
THESE ARE QUESTIONS WE ARE

8552
07:01:16,084 --> 07:01:23,758
EMPIRICALLY ASKING AND

8553
07:01:23,825 --> 07:01:24,025
ANSWERING.

8554
07:01:24,092 --> 07:01:24,626
OVER THE LAST FEW YEARS THERE

8555
07:01:24,692 --> 07:01:25,193
HAS BEEN A RISE OF JOURNALS

8556
07:01:25,259 --> 07:01:25,793
SPECIFICALLY CONCENTRATING ON

8557
07:01:25,860 --> 07:01:33,167
IMPLEMENTATION SCIENCE.

8558
07:01:33,234 --> 07:01:33,768
COMMUNICATION AND RESEARCH AND

8559
07:01:33,835 --> 07:01:34,335
PRACTICE BUT THE OPPORTUNITY

8560
07:01:34,402 --> 07:01:38,373
STILL TO TRY TO COEXIST WITHIN

8561
07:01:38,439 --> 07:01:38,940
THE HIGH IMPACT JOURNALS IS

8562
07:01:39,007 --> 07:01:48,383
STILL SOMETHING WE CAN PURSUE.

8563
07:01:48,449 --> 07:01:48,883
WE HAVE MEET THE EDITORS

8564
07:01:48,950 --> 07:01:49,350
SESSIONS AT DIFFERENT

8565
07:01:49,417 --> 07:01:49,984
CONFERENCES AND OPPORTUNITIES TO

8566
07:01:50,051 --> 07:01:50,585
COME AND SPEAK EXACTLY TO WHAT

8567
07:01:50,652 --> 07:01:54,155
THEY ARE LOOKING FOR.

8568
07:01:54,222 --> 07:01:54,789
1500 PEOPLE WHO WOULD'VE LOVE TO

8569
07:01:54,856 --> 07:01:55,456
HEAR THE MESSAGE THAT THE LANCET

8570
07:01:55,523 --> 07:02:01,996
IS EXCITED.

8571
07:02:02,063 --> 07:02:02,563
OR THAT THE COMMISSIONS ARE

8572
07:02:02,630 --> 07:02:03,097
CLEARLY INTERESTED IN THIS

8573
07:02:03,164 --> 07:02:03,297
AREA.

8574
07:02:03,364 --> 07:02:07,068
HAPPY TO TALK FURTHER.

8575
07:02:07,135 --> 07:02:09,604
>> AND IF I CAN ADD ON THE OTHER

8576
07:02:09,671 --> 07:02:14,042
END OF THE INTERVENTION

8577
07:02:14,108 --> 07:02:14,509
DEVELOPMENT SPECTRUM.

8578
07:02:14,575 --> 07:02:15,109
SOMETIMES IT'S DIFFICULT AS A

8579
07:02:15,176 --> 07:02:17,979
RESEARCHER AND PUBLISHER AND

8580
07:02:18,046 --> 07:02:19,681
EDITOR TO HAVE JOURNALS

8581
07:02:19,747 --> 07:02:24,886
INTERESTED THAT EVEN UNDERSTAND

8582
07:02:24,952 --> 07:02:25,486
THE DIFFERENT PHASES OF USING

8583
07:02:25,553 --> 07:02:27,588
THE RESEARCH AND WHAT NIH

8584
07:02:27,655 --> 07:02:32,160
PROPOSES AS GUIDELINES AND THE

8585
07:02:32,226 --> 07:02:32,760
PILOT STUDY WE SEE THAT ON THE

8586
07:02:32,827 --> 07:02:37,398
OTHER END AS WELL WITH

8587
07:02:37,465 --> 07:02:37,732
DISSEMINATION.

8588
07:02:37,799 --> 07:02:38,166
JUST IN ANOTHER WAY.

8589
07:02:38,232 --> 07:02:40,368
>> THE LAST QUESTION.

8590
07:02:40,435 --> 07:02:43,638
PLEASE MAKE IT QUICK BECAUSE WE

8591
07:02:43,705 --> 07:02:44,605
HAVE TO HEAR FROM DR. COLLINS AT

8592
07:02:44,672 --> 07:02:54,816
THE END.

8593
07:02:58,252 --> 07:02:58,653
>> I WILL MAKE THIS QUICK.

8594
07:02:58,720 --> 07:02:59,187
AND LOOKING FOR ANSWERS TO

8595
07:02:59,253 --> 07:02:59,821
STUDIES, IT SEEMS LIKE IT MIGHT

8596
07:02:59,887 --> 07:03:04,792
BE POSSIBLE TO FIND ANSWERS.

8597
07:03:04,859 --> 07:03:10,431
AS SOON AS WE HEARD RAUL PLA

8598
07:03:10,498 --> 07:03:11,065
PLAY, THE FLUTE AND THE BULL AS

8599
07:03:11,132 --> 07:03:14,435
SOON AS WE HEAR IT, THAT IS IT.

8600
07:03:14,502 --> 07:03:15,470
IS IT POSSIBLE TO TAKE A

8601
07:03:15,536 --> 07:03:19,540
POSSIBLE STUDIES AND LIST A

8602
07:03:19,607 --> 07:03:22,243
TOURING MUSICIAN THAT HAS BEEN

8603
07:03:22,310 --> 07:03:27,281
STUDYING ON PEOPLE.

8604
07:03:27,348 --> 07:03:27,915
RAUL TOLD ME DOESN'T MATTER THE

8605
07:03:27,982 --> 07:03:30,585
LANGUAGE AND HAS THE SAME EFF

8606
07:03:30,651 --> 07:03:30,818
EFFECT.

8607
07:03:30,885 --> 07:03:31,519
I BET IF WE SAY WHAT LOWERS OUR

8608
07:03:31,586 --> 07:03:34,088
HEART RATE?

8609
07:03:34,155 --> 07:03:34,622
SO I WILL COULD TELL YOU.

8610
07:03:34,689 --> 07:03:36,090
THAT WOULD BE MY GUESS.

8611
07:03:36,157 --> 07:03:40,661
BUT WHAT WOULD HAPPEN IF AN

8612
07:03:40,728 --> 07:03:43,164
ORGANIZATION WHO WANTS TO DO A

8613
07:03:43,231 --> 07:03:47,135
STUDY IS IT POSSIBLE SOMEBODY

8614
07:03:47,201 --> 07:03:47,769
LIKE THAT COULD PARTNER WITH THE

8615
07:03:47,835 --> 07:03:48,369
MUSICIAN IN FRONT OF SUBJECTS

8616
07:03:48,436 --> 07:03:51,973
EVERY NIGHT AND FIND A STUDY

8617
07:03:52,039 --> 07:03:54,275
THAT COULD HAPPEN ALMOST EVERY

8618
07:03:54,342 --> 07:03:55,143
NIGHT?

8619
07:03:55,209 --> 07:03:55,710
SOME OF ITS POSSIBLE OR EVEN

8620
07:03:55,777 --> 07:03:56,677
LEGAL.

8621
07:03:56,744 --> 07:04:00,815
[LAUGHTER]

8622
07:04:00,882 --> 07:04:01,315
BUT WE ARE DOING STUDIES

8623
07:04:01,382 --> 07:04:03,551
LITERALLY EVERY NIGHT HE

8624
07:04:03,618 --> 07:04:12,193
REARRANGES THE SET LIST.

8625
07:04:12,260 --> 07:04:12,827
HE KNOWS WHAT HE WILL DO ACTORS

8626
07:04:12,894 --> 07:04:13,461
DO THE SAME THING IF YOU SCORE A

8627
07:04:13,528 --> 07:04:14,061
MOVIE YOU KNOW WHAT THE SOUND

8628
07:04:14,128 --> 07:04:15,863
WILL DO TO THEM LISTENING.

8629
07:04:15,930 --> 07:04:17,365
DANCER KNOWS.

8630
07:04:17,431 --> 07:04:21,702
WHAT IF THERE WAS A PARTNERSHIP?

8631
07:04:21,769 --> 07:04:22,837
IT SEEMS LIKE IT COULD BE A LESS

8632
07:04:22,904 --> 07:04:25,773
EXPENSIVE WAY FOR SOMEONE TO DO

8633
07:04:25,840 --> 07:04:27,475
A STUDY AND A WAY FOR AN ARTIST

8634
07:04:27,542 --> 07:04:30,444
TO GET FUNDED.

8635
07:04:30,511 --> 07:04:32,013
IS THAT POSSIBLE?

8636
07:04:32,079 --> 07:04:36,150
[APPLAUSE]

8637
07:04:36,217 --> 07:04:46,494
>> THIS IS RAUL.

8638
07:04:49,831 --> 07:04:53,100
SOMETHING OCCURRED TO ME AS A

8639
07:04:53,167 --> 07:05:03,511
PERFORMING MUSICIAN.

8640
07:05:05,213 --> 07:05:05,546
WE HEAR AND MOST OF US

8641
07:05:05,613 --> 07:05:06,180
EXPERIENCE MUSIC THERAPY IN SOME

8642
07:05:06,247 --> 07:05:06,781
WAY OR OTHER WITH OURSELVES OR

8643
07:05:06,848 --> 07:05:08,249
WITH EACH OTHER.

8644
07:05:08,316 --> 07:05:13,621
AND MOST OF US HAVE PLAYED TO

8645
07:05:13,688 --> 07:05:20,962
AUDIENCES AND OLDER AUDIENCES.

8646
07:05:21,028 --> 07:05:22,096
IT'S AMAZING WHAT MUSIC DOES TO

8647
07:05:22,163 --> 07:05:27,201
PEOPLE WHO DEAL WITH SOMETHING.

8648
07:05:27,268 --> 07:05:32,640
SO IT OCCURRED TO ME THERE IS A

8649
07:05:32,707 --> 07:05:35,009
LIE THE STUDIES AND MEDICAL

8650
07:05:35,076 --> 07:05:36,744
JOURNALS PEOPLE DON'T HEAR THEM

8651
07:05:36,811 --> 07:05:43,417
OR READ THEM.

8652
07:05:43,484 --> 07:05:48,556
WEST IF THERE WAS A WAY MONTH

8653
07:05:48,623 --> 07:05:50,858
MONTHLY, A SYNDICATED RADIO

8654
07:05:50,925 --> 07:05:58,199
PROGRAM THAT COMBINES MUSIC WITH

8655
07:05:58,266 --> 07:05:58,833
PEOPLE THAT ARE DOING THIS KIND

8656
07:05:58,900 --> 07:06:00,768
OF RESEARCH TELLING STORIES HOW

8657
07:06:00,835 --> 07:06:01,502
MUSIC THERAPY AND MUSIC HAS

8658
07:06:01,569 --> 07:06:06,641
HELPED THEM?

8659
07:06:06,707 --> 07:06:07,241
BECAUSE THIS MEANS THE ACCESS

8660
07:06:07,308 --> 07:06:11,012
PROBLEM IS NOT THERE.

8661
07:06:11,078 --> 07:06:18,352
WHAT ABOUT SOMETHING LIKE THAT?

8662
07:06:18,419 --> 07:06:23,057
[APPLAUSE]

8663
07:06:23,124 --> 07:06:25,726
>> I LOVE THAT IDEA WITH 2 QUICK

8664
07:06:25,793 --> 07:06:28,462
COMMENTS AND I LOVE THE QUESTION

8665
07:06:28,529 --> 07:06:29,063
IT IS ANOTHER WAY TO SHARE THE

8666
07:06:29,130 --> 07:06:30,631
STORY OF RESEARCH TO MAKE IT

8667
07:06:30,698 --> 07:06:34,368
STICKY AND THEN THE OTHER

8668
07:06:34,435 --> 07:06:39,206
THOUGHT IT'S NOT MY EXPERTISE

8669
07:06:39,273 --> 07:06:39,974
BUT THERE IS METHODOLOGY OF ARTS

8670
07:06:40,041 --> 07:06:46,013
-BASED RESEARCH AND PART OF THAT

8671
07:06:46,080 --> 07:06:46,614
INCLUDES DISSEMINATING THROUGH

8672
07:06:46,681 --> 07:06:47,248
THE ARTS PLATFORM AND USING THE

8673
07:06:47,315 --> 07:06:49,150
INFORMATION GENERATED

8674
07:06:49,216 --> 07:06:50,184
INTERACTION TO HELP AS PART OF

8675
07:06:50,251 --> 07:06:55,723
THE DATA COLLECTION AND ANALYSIS

8676
07:06:55,790 --> 07:06:57,191
PROCESS THAT METHODOLOGY HAVE

8677
07:06:57,258 --> 07:06:57,692
NEVER DONE BEFORE BUT IT

8678
07:06:57,758 --> 07:07:02,363
REMINDED ME OF THAT.

8679
07:07:02,430 --> 07:07:02,997
>> IT IS AN IMPORTANT MOMENT TO

8680
07:07:03,064 --> 07:07:06,100
VALUE THE WISDOM AND THE

8681
07:07:06,167 --> 07:07:11,405
KNOWLEDGE OF ARTIST WHAT THEY

8682
07:07:11,472 --> 07:07:11,872
SEE AND UNDERSTAND AND

8683
07:07:11,939 --> 07:07:13,574
EXPERIENCE IS VALID AND

8684
07:07:13,641 --> 07:07:16,143
IMPORTANT AND HAS A PLACE IN THE

8685
07:07:16,210 --> 07:07:19,580
CANONS SO THAT BROADENING WAYS

8686
07:07:19,647 --> 07:07:21,449
OF KNOWING IS CRITICALLY

8687
07:07:21,515 --> 07:07:21,716
IMPORTANT.

8688
07:07:21,782 --> 07:07:25,686
>> THIS WILL BE A COMPLETELY

8689
07:07:25,753 --> 07:07:30,524
BUREAUCRATIC COMMENT BUT BACK TO

8690
07:07:30,591 --> 07:07:32,927
THE ISSUE OF HOW YOU CAN BEST

8691
07:07:32,994 --> 07:07:35,162
CONVINCE CMS SOMETHING IS WORTH

8692
07:07:35,229 --> 07:07:37,365
REIMBURSING THERE IS ANOTHER

8693
07:07:37,431 --> 07:07:40,034
PIECE WHICH IS THE UNITED STATES

8694
07:07:40,101 --> 07:07:47,775
PREVENTIVE SERVICES TASK FORCE

8695
07:07:47,842 --> 07:07:48,309
BUT BASICALLY THIS IS THE

8696
07:07:48,376 --> 07:07:50,344
ORGANIZATION THAT LOOKS AT

8697
07:07:50,411 --> 07:07:53,614
SOMETHING THAT MIGHT BE USEFUL

8698
07:07:53,681 --> 07:07:54,248
FOR PREVENTION AND EVALUATE THE

8699
07:07:54,315 --> 07:07:58,586
LITERATURE OUT THERE.

8700
07:07:58,652 --> 07:07:59,186
DOES IT WORK OR NOT CRACKS AND

8701
07:07:59,253 --> 07:08:01,355
THEN THEY GIVE A SCORE IF IT

8702
07:08:01,422 --> 07:08:09,030
WORKS FOR EVERYBODY.

8703
07:08:09,096 --> 07:08:11,432
IF RIGHT NOW WERE TO LOOK AT THE

8704
07:08:11,499 --> 07:08:12,967
EVIDENCE FOR MUSICAL

8705
07:08:13,034 --> 07:08:15,903
INTERVENTIONS SOMETHING CMS

8706
07:08:15,970 --> 07:08:21,075
WOULD CARE ABOUT LIKE TO MENT

8707
07:08:21,142 --> 07:08:21,709
MENTION, I AM AFRAID THEY WOULD

8708
07:08:21,776 --> 07:08:22,343
GIVE IT THE LETTER I CANNOT SEE

8709
07:08:22,410 --> 07:08:23,711
YOU THERE IS NOT ENOUGH RIGOROUS

8710
07:08:23,778 --> 07:08:24,345
WELL-CONTROLLED STUDIES TO SHOW

8711
07:08:24,412 --> 07:08:29,550
IT AND IMPROVES OUTCOMES

8712
07:08:29,617 --> 07:08:32,853
ALTHOUGH IT WILL NOT CONVINCE

8713
07:08:32,920 --> 07:08:41,629
THEM SO THEY ARE GOLDEN IF IT

8714
07:08:41,695 --> 07:08:42,263
GETS THE A CMS ALMOST HAS TO SAY

8715
07:08:42,329 --> 07:08:42,863
WE WILL NOW GIVE THIS NATIONAL

8716
07:08:42,930 --> 07:08:48,302
COVERAGE DETERMINATION.

8717
07:08:48,369 --> 07:08:51,305
TO SEE WHAT THE STANDARDS ARE

8718
07:08:51,372 --> 07:08:52,807
THAT IS A GOOD THING TO

8719
07:08:52,873 --> 07:08:56,977
INCORPORATE IN WHATEVER WE TRIED

8720
07:08:57,044 --> 07:08:58,345
TO DO TO GET THIS TYPE OF

8721
07:08:58,412 --> 07:09:00,848
WONDERFUL THERAPEUTIC EFFORTS IN

8722
07:09:00,915 --> 07:09:03,517
PLACE WHERE IT ISN'T JUST

8723
07:09:03,584 --> 07:09:10,491
LOWBALLED AND UNDERAPPRECIATED.

8724
07:09:10,558 --> 07:09:15,029
>> COMING OUT WITH A GUIDE MODEL

8725
07:09:15,096 --> 07:09:18,065
ON DEMENTIA COULD THAT BE AN

8726
07:09:18,132 --> 07:09:24,972
OPPORTUNITY CRACKS AS A PART OF

8727
07:09:25,039 --> 07:09:25,806
CMS THAT LOOKS AT POSSIBLE AREAS

8728
07:09:25,873 --> 07:09:30,177
THAT MAY BE WORTH INVESTING IN

8729
07:09:30,244 --> 07:09:30,711
ITS PILOTS BUT NOT QUICK.

8730
07:09:30,778 --> 07:09:32,746
TAKES A COUPLE OF YEARS ALTHOUGH

8731
07:09:32,813 --> 07:09:37,718
THE EYE IS INNOVATION.

8732
07:09:37,785 --> 07:09:37,985
[LAUGHTER]

8733
07:09:38,052 --> 07:09:38,452
THE BEST THEY CAN DO.

8734
07:09:38,519 --> 07:09:42,456
IS NOT A BAD IDEA TO MAKE A

8735
07:09:42,523 --> 07:09:42,723
PROPOSAL.

8736
07:09:42,790 --> 07:09:43,324
BECAUSE THEN THAT MAY GENERATE

8737
07:09:43,390 --> 07:09:52,433
MORE DATA.

8738
07:09:52,500 --> 07:09:53,033
>> I WOULD LIKE TO COMMENT ON

8739
07:09:53,100 --> 07:09:58,205
THE POINTS VERY QUICKLY.

8740
07:09:58,272 --> 07:09:58,806
THE GESTALT PSYCHOLOGIST EVERY

8741
07:09:58,873 --> 07:09:59,874
INTRODUCTORY PSYCHOLOGY BOOK AS

8742
07:09:59,940 --> 07:10:02,610
EXAMPLES OF THE SOLUTION OR THE

8743
07:10:02,676 --> 07:10:07,781
DARK THAT IS A RABBIT THEY WENT

8744
07:10:07,848 --> 07:10:10,184
LIKE THIS AND DEMONSTRATIONS AND

8745
07:10:10,251 --> 07:10:14,121
WE CONSIDER THAT SCIENCE.

8746
07:10:14,188 --> 07:10:14,722
THINK VICTOR IS ONTO SOMETHING

8747
07:10:14,788 --> 07:10:18,325
AND WITH RESPECT TO REMOVAL AND

8748
07:10:18,392 --> 07:10:19,126
THE RADIO SHOW THAT'S A

8749
07:10:19,193 --> 07:10:22,930
FANTASTIC IDEA AND IN CANADA A

8750
07:10:22,997 --> 07:10:24,465
GRANT PROGRAM WAS KNOWLEDGE

8751
07:10:24,532 --> 07:10:29,203
DISSEMINATION.

8752
07:10:29,270 --> 07:10:30,271
KNOW IF NIH OR NSF AS SUCH A

8753
07:10:30,337 --> 07:10:31,705
THING.

8754
07:10:31,772 --> 07:10:39,847
[LAUGHTER]

8755
07:10:39,914 --> 07:10:40,381
BUT IF NIH HAD PROGRAM FOR

8756
07:10:40,447 --> 07:10:40,981
KNOWLEDGE DISSEMINATION WITH A

8757
07:10:41,048 --> 07:10:46,921
GREAT COMMUNICATOR ON THE RADIO

8758
07:10:46,987 --> 07:10:47,454
THAT IS A WIN ALL THE WAY

8759
07:10:47,521 --> 07:10:47,688
AROUND.

8760
07:10:47,755 --> 07:10:48,622
THAT'S ALL I HAVE TO SAY.

8761
07:10:48,689 --> 07:10:55,796
[APPLAUSE]

8762
07:10:55,863 --> 07:10:56,830
>> THANK YOU FOR YOUR

8763
07:10:56,897 --> 07:11:04,705
PARTICIPATION.

8764
07:11:04,772 --> 07:11:05,306
>> WE WILL HEAD INTO OUR FINAL

8765
07:11:05,372 --> 07:11:11,345
CLOSE SESSION.

8766
07:11:11,412 --> 07:11:12,913
THANK YOU TO EVERYBODY AND

8767
07:11:12,980 --> 07:11:14,448
SESSION 6.

8768
07:11:14,515 --> 07:11:16,016
A WONDERFUL JOB.

8769
07:11:16,083 --> 07:11:19,386
[APPLAUSE]

8770
07:11:19,453 --> 07:11:23,924
MOVING INTO THIS CLOSING SESSION

8771
07:11:23,991 --> 07:11:29,063
THEN YOU WILL SEE SOME FOLKS

8772
07:11:29,129 --> 07:11:29,697
MOVING BEHIND THEM WAS STAGE SET

8773
07:11:29,763 --> 07:11:32,399
UP AND SOUND EQUIPMENT TO

8774
07:11:32,466 --> 07:11:34,902
INDICATE THERE COULD BE SOME

8775
07:11:34,969 --> 07:11:37,871
MUSIC THAT WILL HAVE BEEN

8776
07:11:37,938 --> 07:11:40,641
QUIETLY WILL THEY SHARE SOME

8777
07:11:40,708 --> 07:11:42,843
REFLECTIONS AND THOUGHTS AND OF

8778
07:11:42,910 --> 07:11:47,781
COURSE WE ARE SO PLEASED TO HAVE

8779
07:11:47,848 --> 07:11:48,449
FRANCIS AND RENÉ ESTEEM COCHAIRS

8780
07:11:48,515 --> 07:11:52,219
TO GUIDE US IN THE GENERAL

8781
07:11:52,286 --> 07:11:53,053
DISCUSSION OF

8782
07:11:53,120 --> 07:11:54,488
QUESTION-AND-ANSWER SESSION AND

8783
07:11:54,555 --> 07:12:04,965
THEN MUSIC WILL HAPPEN.

8784
07:12:27,187 --> 07:12:27,688
SO IT DID SEEM IT WOULD BE GOOD

8785
07:12:27,755 --> 07:12:28,255
AFTER AMAZING COUPLE OF DAYS

8786
07:12:28,322 --> 07:12:28,789
INCREDIBLY AN INTERESTING

8787
07:12:28,856 --> 07:12:29,423
DIVERSE PRESENTATIONS TO TRY TO

8788
07:12:29,490 --> 07:12:32,459
TAKE A MOMENT TO SAY WHERE ARE

8789
07:12:32,526 --> 07:12:33,027
WE AND WHAT SHOULD WE THINK

8790
07:12:33,093 --> 07:12:36,063
ABOUT WE HAVE LEARNED FROM THIS

8791
07:12:36,130 --> 07:12:36,697
AND WHAT KINDS OF THINGS WE WANT

8792
07:12:36,764 --> 07:12:40,267
TO THINK ABOUT GOING FORWARD?

8793
07:12:40,334 --> 07:12:45,139
I HAVE TO SAY TODAY BEGAN WITH A

8794
07:12:45,205 --> 07:12:45,773
TOUR DE FORCE PRESENTATION ABOUT

8795
07:12:45,839 --> 07:12:52,346
THAT VERY TOPIC AND STILL

8796
07:12:52,413 --> 07:12:53,247
REFLECTING ON THE THINGS THAT

8797
07:12:53,314 --> 07:13:03,457
YOU SAID AND TO HAVE A ROSTER

8798
07:13:03,524 --> 07:13:06,560
HERE OF IDEAS BUT THIS IS

8799
07:13:06,627 --> 07:13:12,433
SUPPOSED TO BE INTERACTIVE.

8800
07:13:12,499 --> 07:13:13,067
>> I WANT YOUR IDEAS AND TO TAKE

8801
07:13:13,133 --> 07:13:16,136
DOWN SOME OF YOUR THOUGHTS.

8802
07:13:16,203 --> 07:13:16,770
MANY OF YOU HAVE BEEN LISTENING

8803
07:13:16,837 --> 07:13:17,071
OVER 2 DAYS.

8804
07:13:17,137 --> 07:13:20,407
I WANT TO START BY SAYING THANK

8805
07:13:20,474 --> 07:13:21,709
YOU.

8806
07:13:21,775 --> 07:13:31,952
[APPLAUSE]

8807
07:13:34,421 --> 07:13:39,693
AND ALSO KATHERINE.

8808
07:13:39,760 --> 07:13:44,131
[APPLAUSE]

8809
07:13:44,198 --> 07:13:45,165
SESSION COCHAIR AND THE WORKSHOP

8810
07:13:45,232 --> 07:13:47,868
PLANNING COMMITTEE I KNOW BEING

8811
07:13:47,935 --> 07:13:54,842
IN THE MEETING SINCE FEBRUARY IT

8812
07:13:54,908 --> 07:13:55,476
WAS A HEAVY LIFT TO GET YOU ALL

8813
07:13:55,542 --> 07:13:56,110
HERE AND HAVE SUCH AN EXPANSIVE

8814
07:13:56,176 --> 07:13:57,244
ORGANIZATION OF GREAT MINDS FOR

8815
07:13:57,311 --> 07:14:00,614
EVERY SINGLE TOPIC.

8816
07:14:00,681 --> 07:14:04,952
BEAUTIFULLY PLANNED WANT TO

8817
07:14:05,018 --> 07:14:10,624
THINK THE ARTIST.

8818
07:14:10,691 --> 07:14:20,868
[APPLAUSE]

8819
07:14:26,407 --> 07:14:29,376
EVERYONE CAN YOU TO TOUR WITH ME

8820
07:14:29,443 --> 07:14:30,644
JUST LIKE THE JONI MITCHELL

8821
07:14:30,711 --> 07:14:33,881
PROGRAM.

8822
07:14:33,947 --> 07:14:37,084
PHENOMENAL.

8823
07:14:37,151 --> 07:14:42,256
>> I THINK MOST HAVE NOW

8824
07:14:42,322 --> 07:14:42,790
DEPARTED TO THE INSTITUTE

8825
07:14:42,856 --> 07:14:45,392
DIRECTORS TO THE NIH TO CAME AND

8826
07:14:45,459 --> 07:14:46,794
SPOKE THAT WAS THE TOP

8827
07:14:46,860 --> 07:14:50,030
LEADERSHIP OF THE

8828
07:14:50,097 --> 07:14:50,564
46 BILLION-DOLLAR PER YEAR

8829
07:14:50,631 --> 07:14:53,434
ORGANIZATION WHO FOUND TIME TO

8830
07:14:53,500 --> 07:14:56,904
THE ADVISORY COMMITTEE TO SNEAK

8831
07:14:56,970 --> 07:15:00,641
OVER HERE AND TO LISTEN TO THE

8832
07:15:00,707 --> 07:15:04,044
PRESENTATIONS THAT MAKES ME FEEL

8833
07:15:04,111 --> 07:15:04,645
LIKE THERE IS A REAL MOMENTUM

8834
07:15:04,711 --> 07:15:11,752
WITH NIH INTEREST TO SEE WHAT IS

8835
07:15:11,819 --> 07:15:12,352
HAPPENED OVER THE LAST 7 YEARS

8836
07:15:12,419 --> 07:15:12,986
GO FORWARD AND WE HOPE THAT WILL

8837
07:15:13,053 --> 07:15:17,458
TRANSLATE INTO ADDITIONAL IDEAS

8838
07:15:17,524 --> 07:15:17,991
WHICH I'M NOT THE DIRECTOR

8839
07:15:18,058 --> 07:15:20,093
ANYMORE SO I JUST HAVE TO

8840
07:15:20,160 --> 07:15:21,862
ENCOURAGE BUT THEY DO STILL

8841
07:15:21,929 --> 07:15:23,163
ANSWER MY E-MAIL SO FAR.

8842
07:15:23,230 --> 07:15:27,801
[LAUGHTER]

8843
07:15:27,868 --> 07:15:28,402
BUT IN THAT REGARD BE AWARE IT

8844
07:15:28,469 --> 07:15:29,970
IS NOT CLEAR THE BUDGET FOR NIH

8845
07:15:30,037 --> 07:15:32,473
WILL BE IN A VERY GOOD PLACE WE

8846
07:15:32,539 --> 07:15:37,678
ARE WAITING TO SEE IF THERE WILL

8847
07:15:37,744 --> 07:15:38,445
BE A CUT OR JUST CR FOR THE

8848
07:15:38,512 --> 07:15:41,448
WHOLE YEAR.

8849
07:15:41,515 --> 07:15:44,017
EVERYBODY WILL FEEL IN A TOUGH

8850
07:15:44,084 --> 07:15:46,653
SPOT FOR THINGS THAT ARE

8851
07:15:46,720 --> 07:15:49,756
BRAND-NEW AND EXPENSIVE.

8852
07:15:49,823 --> 07:15:52,960
IT'S NOT A BAD IDEA TO DIVERS

8853
07:15:53,026 --> 07:15:59,967
DIVERSIFY.

8854
07:16:00,033 --> 07:16:00,601
ALSO THE NATIONAL ENDOWMENT FOR

8855
07:16:00,667 --> 07:16:01,134
THE ARTS HAS BEEN SUCH AN

8856
07:16:01,201 --> 07:16:01,602
INCREDIBLE PARTNER.

8857
07:16:01,668 --> 07:16:09,276
[APPLAUSE]

8858
07:16:09,343 --> 07:16:09,877
AND I HOPE YOU LISTEN TO JULIE

8859
07:16:09,943 --> 07:16:11,879
LAST NIGHT WITH HER 3 INCREDIBLE

8860
07:16:11,945 --> 07:16:21,054
POINTS AT THE END OF THE DAY.

8861
07:16:21,121 --> 07:16:21,688
THE CEO AT THE FOUNDATION OF NIH

8862
07:16:21,755 --> 07:16:22,289
AND REALLY INTERESTED IN THIS.

8863
07:16:22,356 --> 07:16:22,890
MAYBE THERE ARE OPPORTUNITIES

8864
07:16:22,956 --> 07:16:24,191
THERE AS WELL TO FIND OTHER WAYS

8865
07:16:24,258 --> 07:16:24,758
TO TAP INTO THE PHILANTHROPY

8866
07:16:24,825 --> 07:16:26,827
THAT IS OUT THERE BUT NOT FIGURE

8867
07:16:26,894 --> 07:16:29,096
OUT.

8868
07:16:29,162 --> 07:16:29,496
>> SHE NAILED IT.

8869
07:16:29,563 --> 07:16:31,732
ABSOLUTELY AND WE ALL HAVE OUR

8870
07:16:31,798 --> 07:16:32,032
TAKEAWAYS.

8871
07:16:32,099 --> 07:16:35,002
I KNOW I WAS SHOCKED TO HEAR

8872
07:16:35,068 --> 07:16:36,570
ABOUT THE SINGING FOR

8873
07:16:36,637 --> 07:16:40,240
PARKINSON'S THEN SOMEONE SAID

8874
07:16:40,307 --> 07:16:40,841
THAT'S IDEATION WE HAVE KNOWN

8875
07:16:40,908 --> 07:16:41,341
ABOUT THAT FOREVER WHICH

8876
07:16:41,408 --> 07:16:44,311
UNDERLINES THE NEED FOR

8877
07:16:44,378 --> 07:16:44,778
CONNECTION BETWEEN THE

8878
07:16:44,845 --> 07:16:48,448
PRACTITIONERS AND RESEARCHERS

8879
07:16:48,515 --> 07:16:48,949
AND COMMON TERMINOLOGY.

8880
07:16:49,016 --> 07:16:51,919
>> 1 OF THE THINGS I SAW IS THE

8881
07:16:51,985 --> 07:16:57,224
OTHER RESEARCH EFFORTS THAT ARE

8882
07:16:57,291 --> 07:16:57,824
NOT AS WELL-CONNECTED AS THEY

8883
07:16:57,891 --> 07:16:59,660
COULD BE CONSIDERING WHAT IS

8884
07:16:59,726 --> 07:17:01,194
HAPPENING WITH MUSIC AS MEDICINE

8885
07:17:01,261 --> 07:17:03,997
HAS SHOWN US MENTIONING THE

8886
07:17:04,064 --> 07:17:09,903
BRAIN INITIATIVE IT MADE ME EVEN

8887
07:17:09,970 --> 07:17:11,405
MORE ANXIOUS TO SEE THE

8888
07:17:11,471 --> 07:17:14,374
INITIATIVE OF 700 AND

8889
07:17:14,441 --> 07:17:19,513
RESEARCHERS HALF FOR ENGINEERS

8890
07:17:19,580 --> 07:17:20,013
TO FIGURE OUT HOW DO THE

8891
07:17:20,080 --> 07:17:20,614
CIRCUITS IN THE BRAIN DO WHAT

8892
07:17:20,681 --> 07:17:29,389
THEY DO?

8893
07:17:29,456 --> 07:17:30,390
AND THEN TO TRIGGER CERTAIN

8894
07:17:30,457 --> 07:17:39,700
RESPONSES.

8895
07:17:39,766 --> 07:17:40,267
IF YOU HAVEN'T BEEN TRACKING

8896
07:17:40,334 --> 07:17:42,302
WITH THE BRAIN INITIATIVE IS

8897
07:17:42,369 --> 07:17:51,111
DOING AND THAT IS WHAT THE CELLS

8898
07:17:51,178 --> 07:17:59,353
ARE ON THE BRAIN WITH THE 14 OR

8899
07:17:59,419 --> 07:17:59,920
15 TYPES AND THEN DOING ALL

8900
07:17:59,987 --> 07:18:00,554
SORTS OF INTERESTING THINGS AND

8901
07:18:00,621 --> 07:18:03,957
BEGINNING TO MAKE SENSE AND JUST

8902
07:18:04,024 --> 07:18:05,826
TO BE SURE TO BUILD A LINK I

8903
07:18:05,892 --> 07:18:09,663
LOVE THE EXPERIMENTS TO TALK

8904
07:18:09,730 --> 07:18:13,834
ABOUT DOING MEASUREMENTS AND

8905
07:18:13,900 --> 07:18:16,303
REAL-TIME WITH A SURGICAL

8906
07:18:16,370 --> 07:18:19,272
OPERATION AND THOSE KINDS OF

8907
07:18:19,339 --> 07:18:23,410
EXPERIMENTS WE SHOULD MAKE THE

8908
07:18:23,477 --> 07:18:24,044
MOST OF BECAUSE THAT'S PROBABLY

8909
07:18:24,111 --> 07:18:25,612
OUR BEST OPPORTUNITY WITH A

8910
07:18:25,679 --> 07:18:28,782
CHANCE TO SEE WHAT'S HAPPENING

8911
07:18:28,849 --> 07:18:30,484
AS SOMEONE HAS A REAL-TIME

8912
07:18:30,550 --> 07:18:33,387
EXPERIENCE.

8913
07:18:33,453 --> 07:18:38,025
>> I LOVE THE BASIC SCIENCE

8914
07:18:38,091 --> 07:18:39,526
WITHOUT EXTRAORDINARY

8915
07:18:39,593 --> 07:18:42,329
NITTY-GRITTY AND VARIOUS

8916
07:18:42,396 --> 07:18:52,572
RESEARCH.

8917
07:18:53,940 --> 07:18:54,441
WITH THOSE BUILDING BLOCKS -- --

8918
07:18:54,508 --> 07:18:54,875
THE BUILDING BLOCKS.

8919
07:18:54,941 --> 07:18:55,475
>> AND WHAT HAS BEEN FUNDED BY

8920
07:18:55,542 --> 07:18:58,278
THE NIH COMMON FUND THERE'S

8921
07:18:58,345 --> 07:19:04,151
SOMETHING CALLED SPARK TO

8922
07:19:04,217 --> 07:19:04,785
STIMULATE PERIPHERAL ACTIVITY TO

8923
07:19:04,851 --> 07:19:07,154
RELIEVE CONDITIONS.

8924
07:19:07,220 --> 07:19:11,892
THE PERIPHERAL ACTIVITY IS THE

8925
07:19:11,958 --> 07:19:19,266
PERIPHERAL NERVOUS SYSTEM

8926
07:19:19,332 --> 07:19:19,800
INCLUDING PARASYMPATHETIC.

8927
07:19:19,866 --> 07:19:20,333
PHASE I TRY TO MAP OUT THE

8928
07:19:20,400 --> 07:19:20,867
AUTONOMIC NERVOUS SYSTEM.

8929
07:19:20,934 --> 07:19:21,468
GUESS WHAT PHASE 2 WAS ABOUT?

8930
07:19:21,535 --> 07:19:24,137
THE VAGUS NERVE.

8931
07:19:24,204 --> 07:19:24,705
THAT CAME UP SEVERAL TIMES.

8932
07:19:24,771 --> 07:19:25,272
I WAS NOT CLEAR THERE WAS A

8933
07:19:25,338 --> 07:19:32,746
CONNECTION THERE.

8934
07:19:32,813 --> 07:19:42,189
AND PART OF CLINICAL TRIALS.

8935
07:19:42,255 --> 07:19:42,789
AND THEN TO REACH OUT FOR WHAT

8936
07:19:42,856 --> 07:19:53,100
COULD BE DONE.

8937
07:19:57,237 --> 07:20:07,647
>> ALSO TALKED ABOUT HEALING

8938
07:20:07,848 --> 07:20:08,315
ADDICTION LONG-TERM WHICH IS A

8939
07:20:08,381 --> 07:20:08,949
HUGE INVESTMENT OF PAIN RESEARCH

8940
07:20:09,015 --> 07:20:10,050
AND TO COME UP WITH OBJECTIVE

8941
07:20:10,117 --> 07:20:13,487
MEASURES WITH THE 1 THROUGH 10

8942
07:20:13,553 --> 07:20:15,922
SCALE THAT WE ARE USED TO BUT

8943
07:20:15,989 --> 07:20:25,966
WITH LIMITATIONS.

8944
07:20:26,032 --> 07:20:28,168
AND THEN THAT IS ANOTHER GOOD

8945
07:20:28,235 --> 07:20:28,301
1.

8946
07:20:28,368 --> 07:20:32,672
WE SHOULD FIGURE OUT A WAY TO

8947
07:20:32,739 --> 07:20:33,273
HAVE THE LEADERSHIP MORE AWARE

8948
07:20:33,340 --> 07:20:37,978
WHAT'S GOING ON HERE THAT

8949
07:20:38,044 --> 07:20:38,545
ELEGANT WORK WITH MUSIC AS A

8950
07:20:38,612 --> 07:20:49,022
MEANS TO ALLEVIATE PAIN.

8951
07:20:50,157 --> 07:20:51,558
AND THE INTEGRATION OF

8952
07:20:51,625 --> 07:20:54,394
DISCIPLINES BETWEEN THE PROJECTS

8953
07:20:54,461 --> 07:21:05,005
BUT IN TERMS OF DISCIPLINES AND

8954
07:21:05,505 --> 07:21:06,006
IS STILL NOT LINKING UP THE WAY

8955
07:21:06,072 --> 07:21:11,478
YOU MAY HOPE HELP -- -- HOP.

8956
07:21:11,545 --> 07:21:19,186
I HAVE BEEN SCIENTIST TO

8957
07:21:19,252 --> 07:21:19,786
DISCOVER THINGS AND I CAN TELL

8958
07:21:19,853 --> 07:21:20,720
YOU MOST OF THE THINGS THAT WERE

8959
07:21:20,787 --> 07:21:24,124
SPECTACULAR BECAUSE THEY HAPPEN

8960
07:21:24,191 --> 07:21:24,591
QUICKLY WAS BECAUSE 2

8961
07:21:24,658 --> 07:21:27,160
DISCIPLINES GOT TO GATHER AT

8962
07:21:27,227 --> 07:21:27,761
FIRST AS LIKE I CAN UNDERSTAND

8963
07:21:27,828 --> 07:21:35,602
WHAT THEY ARE TALKING ABOUT.

8964
07:21:35,669 --> 07:21:36,236
WHY DO YOU SAY THINGS THAT WAY?

8965
07:21:36,303 --> 07:21:36,837
WHY DO YOU USE THAT TECHNOLOGY

8966
07:21:36,903 --> 07:21:37,437
CRACKS THEN THE LIGHTBULB GOES

8967
07:21:37,504 --> 07:21:38,772
ON AND THE SKILLS OF THE 2

8968
07:21:38,839 --> 07:21:39,339
DIFFERENT DISCIPLINES CREATE

8969
07:21:39,406 --> 07:21:44,377
SOMETHING THAT IS MUCH GREATER

8970
07:21:44,444 --> 07:21:45,011
THAN EITHER THOUGHT WOULD BE THE

8971
07:21:45,078 --> 07:21:45,212
CASE.

8972
07:21:45,278 --> 07:21:49,449
AND THEN THINGS HAPPEN VERY FA

8973
07:21:49,516 --> 07:21:49,649
FAST.

8974
07:21:49,716 --> 07:21:50,217
IT DOESN'T FEEL LIKE WE HAVE

8975
07:21:50,283 --> 07:21:52,886
CATALYZED THAT INTERDISCIPLINARY

8976
07:21:52,953 --> 07:21:56,256
WONDERFUL BREAKING FORWARD WITH

8977
07:21:56,323 --> 07:21:57,724
NEW INSIGHTS.

8978
07:21:57,791 --> 07:21:59,092
PARTICULARLY I WOULD LOVE TO SEE

8979
07:21:59,159 --> 07:22:05,699
SINCE THE VERY BEGINNING OF THIS

8980
07:22:05,765 --> 07:22:06,233
PROJECT TO BRING THE MUSIC

8981
07:22:06,299 --> 07:22:07,467
THERAPIST TO HAVE SO MUCH

8982
07:22:07,534 --> 07:22:10,036
KNOWLEDGE ABOUT WHAT REALLY

8983
07:22:10,103 --> 07:22:14,741
HAPPENS IS MUSIC IS PUT FORWARD

8984
07:22:14,808 --> 07:22:15,375
IN THE PATIENT IS REACTING WITH

8985
07:22:15,442 --> 07:22:15,976
THE NEUROSCIENTIST TO HAVE SO

8986
07:22:16,042 --> 07:22:18,245
MUCH LEARNING HOW THE BRAIN

8987
07:22:18,311 --> 07:22:20,680
WORKS, IT FEELS LIKE THEY ARE A

8988
07:22:20,747 --> 07:22:26,786
LITTLE TENTATIVE WITH EACH OTH

8989
07:22:26,853 --> 07:22:26,987
OTHER.

8990
07:22:27,053 --> 07:22:27,587
LOVE TO SEE THAT WE, MUCH MORE

8991
07:22:27,654 --> 07:22:28,288
VIGOROUS WAY TO UNDERSTAND

8992
07:22:28,355 --> 07:22:32,759
DISCIPLINES AND DO SOMETHING

8993
07:22:32,826 --> 07:22:33,159
EXCITING TOGETHER.

8994
07:22:33,226 --> 07:22:42,369
NIH MAY TRY TO HELP.

8995
07:22:42,435 --> 07:22:42,869
IF YOU REALLY WANT TO BE

8996
07:22:42,936 --> 07:22:43,503
FUNDED, BRING PSALM DISCIPLINES

8997
07:22:43,570 --> 07:22:44,137
TOGETHER WITH WHAT YOUR IDEA IS

8998
07:22:44,204 --> 07:22:54,714
AND WE WILL LOVE IT EVEN MORE.

8999
07:22:55,115 --> 07:22:55,515
>> I THOUGHT THE OUTREACH

9000
07:22:55,582 --> 07:22:56,082
CONVERSATION IS IMPORTANT TO

9001
07:22:56,149 --> 07:22:56,716
THINK ABOUT THE PATIENT AND WHO

9002
07:22:56,783 --> 07:22:57,350
YOU ARE SERVING WHEN YOU PUT THE

9003
07:22:57,417 --> 07:22:59,085
STUDY TOGETHER IS IMPORTANT.

9004
07:22:59,152 --> 07:23:03,723
TALKING ABOUT WHERE TO GO NEXT

9005
07:23:03,790 --> 07:23:04,257
WITH A GATHERING SHOULD BE

9006
07:23:04,324 --> 07:23:12,365
ANNUAL PUBLICATION?

9007
07:23:12,432 --> 07:23:12,966
CONNECT WITH OTHER ESTABLISHED

9008
07:23:13,033 --> 07:23:13,533
PUBLICATIONS QUESTIONS ALSO

9009
07:23:13,600 --> 07:23:14,000
CONNECT WITH ESTABLISH

9010
07:23:14,067 --> 07:23:14,567
CONFERENCES THAT EXIST LIKE

9011
07:23:14,634 --> 07:23:15,902
NARROW SCIENCE?

9012
07:23:15,969 --> 07:23:18,438
WE HAVE TO KEEP THE MOMENTUM

9013
07:23:18,505 --> 07:23:22,909
GOING.

9014
07:23:22,976 --> 07:23:23,543
>> MAYBE WE SHOULD STOP A MINUTE

9015
07:23:23,610 --> 07:23:24,077
AND TALK ABOUT THAT TOPIC.

9016
07:23:24,144 --> 07:23:31,484
WE WOULD LOVE TO GET YOUR INPUT.

9017
07:23:31,551 --> 07:23:32,052
SHOULD WE START A SOCIETY OR

9018
07:23:32,118 --> 07:23:34,621
HAVE A JOURNAL OR AN ANNUAL

9019
07:23:34,688 --> 07:23:36,189
MEETING?

9020
07:23:36,256 --> 07:23:46,299
SHOULD BE GET THE PRIZE?

9021
07:23:46,366 --> 07:23:51,004
AREA THE POINT WHERE THIS

9022
07:23:51,071 --> 07:23:51,538
DEVELOPMENT WOULD PROVIDE

9023
07:23:51,604 --> 07:23:52,072
ADDITIONAL EXCITEMENT AND

9024
07:23:52,138 --> 07:23:54,774
OPPORTUNITY FOR TRAINEES TO SAY

9025
07:23:54,841 --> 07:23:56,242
THAT THE FIELD I WANT TO GET

9026
07:23:56,309 --> 07:23:59,346
INTO?

9027
07:23:59,412 --> 07:23:59,980
NOT HAPPENING EVERY 7 YEARS BUT

9028
07:24:00,046 --> 07:24:10,256
MORE OFTEN.

9029
07:24:13,960 --> 07:24:14,427
>> THE ANSWER IS YES TO ALL OF

9030
07:24:14,494 --> 07:24:17,797
THE ABOVE.

9031
07:24:17,864 --> 07:24:18,431
CERTAIN NEUROSCIENCE IS A GREAT

9032
07:24:18,498 --> 07:24:21,901
FORUM FOR THIS.

9033
07:24:21,968 --> 07:24:24,404
THAT WOULD HAVE A TREMENDOUS

9034
07:24:24,471 --> 07:24:27,574
IMPACT IT HAS BEEN INTERESTING

9035
07:24:27,640 --> 07:24:36,249
THINGS AT THE MEETING TODAY THE

9036
07:24:36,316 --> 07:24:36,850
SINGLE THING THAT MOVED ME THE

9037
07:24:36,916 --> 07:24:37,450
MOST OF THE ENTIRE 2 DAYS WAS

9038
07:24:37,517 --> 07:24:39,252
THE VIDEO THAT RENÉ SHOWED OF

9039
07:24:39,319 --> 07:24:40,220
THE KID OPERATE ON FOR

9040
07:24:40,286 --> 07:24:44,257
EPILEPSY.

9041
07:24:44,324 --> 07:24:44,624
THAT JUST, WOW.

9042
07:24:44,691 --> 07:24:47,293
THERE IS A MESSAGE THERE IT WAS

9043
07:24:47,360 --> 07:24:51,264
INTENSELY MOVING.

9044
07:24:51,331 --> 07:24:54,000
JUST TO SEE WHAT THEIR OWN EYES

9045
07:24:54,067 --> 07:24:55,402
WHO WOULD NOT WANT MORE MUSIC

9046
07:24:55,468 --> 07:25:03,510
THERAPY IF THEY SEE THAT?

9047
07:25:03,576 --> 07:25:04,144
>> EVERYBODY CRIED WHEN WE FIRST

9048
07:25:04,210 --> 07:25:04,377
SOUGHT.

9049
07:25:04,444 --> 07:25:04,744
>> WE CRY TODAY.

9050
07:25:04,811 --> 07:25:08,481
>> IT IS ON THE WEBSITE.

9051
07:25:08,548 --> 07:25:09,783
YOU CAN SEE IT THAT TENURE WAS

9052
07:25:09,849 --> 07:25:14,921
MENTIONED TWICE THOUGHT THAT WAS

9053
07:25:14,988 --> 07:25:15,555
INTERESTING PERK I'M SORRY THAT

9054
07:25:15,622 --> 07:25:15,989
IS A CONSIDERATION.

9055
07:25:16,056 --> 07:25:16,756
MY SISTER IS IN DEEP IN HER

9056
07:25:16,823 --> 07:25:25,899
THIRD OR FOURTH YEAR.

9057
07:25:25,965 --> 07:25:26,499
BUT THEN TO CONVINCE HIM THAT

9058
07:25:26,566 --> 07:25:28,701
HAS TO BE A PUBLIC FACING

9059
07:25:28,768 --> 07:25:35,642
INITIATIVE.

9060
07:25:35,708 --> 07:25:36,276
AND HOW THEY CHANGE SOCIETY AND

9061
07:25:36,342 --> 07:25:39,979
THEY CAN HELP.

9062
07:25:40,046 --> 07:25:41,081
THAT THEY COULD SHARE WITH

9063
07:25:41,147 --> 07:25:50,590
ADMINISTRATORS.

9064
07:25:50,657 --> 07:25:51,224
>> I THINK ACADEMIA HAS GETTING

9065
07:25:51,291 --> 07:25:51,858
THE IDEA INTERDISCIPLINARY WORK

9066
07:25:51,925 --> 07:25:54,027
IS IMPORTANT.

9067
07:25:54,094 --> 07:25:54,661
MAYBE IT DOESN'T MATTER QUITE AS

9068
07:25:54,727 --> 07:25:58,164
MUCH AS IT USED TO IF YOU ARE

9069
07:25:58,231 --> 07:25:58,798
THE FIRST OR LAST AUTHOR AS LONG

9070
07:25:58,865 --> 07:26:05,004
AS YOU CAN SAY WHAT YOU DID.

9071
07:26:05,071 --> 07:26:05,572
MANY PAPERS IN THE SCIENCE I

9072
07:26:05,638 --> 07:26:06,272
WORK IN OF GENOMICS HAS DOZENS

9073
07:26:06,339 --> 07:26:09,409
OF AUTHORS.

9074
07:26:09,476 --> 07:26:10,043
PEOPLE SEEM TO BE RECOGNIZED AS

9075
07:26:10,110 --> 07:26:14,314
LONG AS THEY CAN SAY THEIR PART.

9076
07:26:14,380 --> 07:26:14,848
THAT SPILLED OVER INTO THE

9077
07:26:14,914 --> 07:26:20,153
HUMANITIES AS WELL AS SCIENCES.

9078
07:26:20,220 --> 07:26:20,687
WE HAVE WORK TO DO THERE.

9079
07:26:20,753 --> 07:26:21,287
NOT TO BE ACHIEVABLE AND WILL

9080
07:26:21,354 --> 07:26:22,755
TAKE LEADERSHIP OF ACADEMIC

9081
07:26:22,822 --> 07:26:27,026
LEADERS MAY BE START TO SEE THIS

9082
07:26:27,093 --> 07:26:29,429
AS A GOOD THING TO BROADEN.

9083
07:26:29,496 --> 07:26:39,973
>> BUT MAYBE LIKE A GOOD IN

9084
07:26:40,373 --> 07:26:40,840
CONFERENCE HAPPENS EVERY OTHER

9085
07:26:40,907 --> 07:26:41,441
YEAR AND STARTS WITH THE FIRST

9086
07:26:41,508 --> 07:26:42,909
DAY OF TRAINEES, GRADUATE

9087
07:26:42,976 --> 07:26:45,445
STUDENTS, POSTDOCS MUSIC

9088
07:26:45,512 --> 07:26:48,014
THERAPIST, AND THEN 4 OR 5 DAYS

9089
07:26:48,081 --> 07:26:51,217
OF THE CONFERENCE WERE THERE IS

9090
07:26:51,284 --> 07:26:52,485
A LOT OF BUILT-IN ROOM FOR

9091
07:26:52,552 --> 07:26:55,922
DISCUSSION.

9092
07:26:55,989 --> 07:26:56,489
EVERY SERIES OF TALKS HAS AN

9093
07:26:56,556 --> 07:26:57,490
EQUAL AMOUNT OF TIME FOR

9094
07:26:57,557 --> 07:26:58,992
DISCUSSION.

9095
07:26:59,058 --> 07:27:01,161
>> A GREAT IDEA.

9096
07:27:01,227 --> 07:27:11,704
>> WE WILL SHARE EVERYBODY'S

9097
07:27:14,240 --> 07:27:14,807
CONTACT INFORMATION UNLESS YOU

9098
07:27:14,874 --> 07:27:17,710
TELL US YOU DO NOT WANT TO.

9099
07:27:17,777 --> 07:27:21,614
>> I THINK A DEEP DIVE AT THE

9100
07:27:21,681 --> 07:27:22,215
CONFERENCE THAT IS WONDERFUL.

9101
07:27:22,282 --> 07:27:24,417
THE SOCIETY FOR NEUROSCIENCE.

9102
07:27:24,484 --> 07:27:26,186
[LAUGHTER]

9103
07:27:26,252 --> 07:27:30,723
THAT IS WHERE YOUR BROADENED.

9104
07:27:30,790 --> 07:27:31,357
A LOT OF PEOPLE HAVE 0 AWARENESS

9105
07:27:31,424 --> 07:27:34,060
OF THIS IN THE NEUROSCIENCE

9106
07:27:34,127 --> 07:27:34,494
COMMITTEE AND A TWIN

9107
07:27:34,561 --> 07:27:36,396
PRESENTATION BY A NEUROSCIENTIST

9108
07:27:36,462 --> 07:27:41,067
AND RENÉ WOULD BE A SHOWCASE

9109
07:27:41,134 --> 07:27:42,302
OPPORTUNITY.

9110
07:27:42,368 --> 07:27:47,473
>> AS OPPOSED TO LET'S CREATE.

9111
07:27:47,540 --> 07:27:53,680
>> MAYBE BOTH.

9112
07:27:53,746 --> 07:27:54,247
>> A BRIEF COMMENT TO MAKE A

9113
07:27:54,314 --> 07:27:54,881
PLUG FOR WHAT HAS COME UP AGAIN

9114
07:27:54,948 --> 07:27:59,252
AND AGAIN AROUND DIVERSIFYING

9115
07:27:59,319 --> 07:27:59,852
WHILE MAINTAINING THE FOCUS OF

9116
07:27:59,919 --> 07:28:00,420
MUSIC IN MEDICINE, HOW DO WE

9117
07:28:00,486 --> 07:28:02,722
CREATE ROOM AND THE NEW

9118
07:28:02,789 --> 07:28:04,090
CONFERENCE SPACE OR OTHER FUTURE

9119
07:28:04,157 --> 07:28:10,230
INITIATIVES?

9120
07:28:10,296 --> 07:28:15,335
>> A VERY IMPORTANT COMMENT.

9121
07:28:15,401 --> 07:28:15,902
I THINK WE HAVE ALREADY SEEN

9122
07:28:15,969 --> 07:28:19,172
THAT IS PART OF THIS EFFORT HAS

9123
07:28:19,239 --> 07:28:26,279
BECOME VERY MUCH IT WAS FEATU

9124
07:28:26,346 --> 07:28:26,546
FEATURED.

9125
07:28:26,613 --> 07:28:27,146
WE TALKED ABOUT THIS FROM THE

9126
07:28:27,213 --> 07:28:27,413
BEGINNING.

9127
07:28:27,480 --> 07:28:28,014
THEY HAVE TO SAY JUST BE BASED

9128
07:28:28,081 --> 07:28:29,749
ON MUSIC SO WE DON'T GET

9129
07:28:29,816 --> 07:28:31,951
CONFUSED BUT DANCE FOUND ITS WAY

9130
07:28:32,018 --> 07:28:33,553
REGARDLESS BECAUSE IT MADE SO

9131
07:28:33,620 --> 07:28:37,123
MUCH SENSE MAYBE WE SHOULD JUST

9132
07:28:37,190 --> 07:28:37,357
ADMIT.

9133
07:28:37,423 --> 07:28:46,532
>> AND THE NARROW STATICS MODEL

9134
07:28:46,599 --> 07:28:47,166
THAT EVERYTHING THAT HAS BEAUTY

9135
07:28:47,233 --> 07:28:47,700
TO US NATURE IS IMPORTANT.

9136
07:28:47,767 --> 07:28:48,334
WORKING WITH NATIONAL GEOGRAPHIC

9137
07:28:48,401 --> 07:28:51,537
FOR THE NEXT YEAR AND A HALF TO

9138
07:28:51,604 --> 07:28:52,171
2 OR MUSIC THAT ILLUSTRATES OUR

9139
07:28:52,238 --> 07:28:52,772
CONNECTION TO NATURE 100 YEARS

9140
07:28:52,839 --> 07:28:58,911
AGO AND NOW.

9141
07:28:58,978 --> 07:28:59,512
I WILL PUT HEALTH INFORMATION

9142
07:28:59,579 --> 07:29:00,146
ABOUT THE EFFECTS OF CLIMATE AND

9143
07:29:00,213 --> 07:29:00,680
WHAT THE ARTS MIGHT DO TO

9144
07:29:00,747 --> 07:29:02,282
MITIGATE THAT.

9145
07:29:02,348 --> 07:29:02,882
HOWEVER WE CAN GET THE MESSAGE

9146
07:29:02,949 --> 07:29:05,918
OUT IS CRUCIAL.

9147
07:29:05,985 --> 07:29:06,919
ESPECIALLY EDUCATION THEY MAKE

9148
07:29:06,986 --> 07:29:11,658
NEW MODELS FOR FORWARD THINKING

9149
07:29:11,724 --> 07:29:12,258
INNOVATIVE MODELS THAT DO NOT

9150
07:29:12,325 --> 07:29:14,527
INCLUDE ANYTHING ARTISTIC.

9151
07:29:14,594 --> 07:29:19,666
CRAZY.

9152
07:29:19,732 --> 07:29:20,233
>> THANK YOU TO BOTH OF YOU.

9153
07:29:20,300 --> 07:29:22,402
1 OF THE THINGS THAT HAS BECOME

9154
07:29:22,468 --> 07:29:23,603
CLEAR IS THAT WE'VE SEEN A

9155
07:29:23,670 --> 07:29:29,809
NUMBER OF DIFFERENT MODELS.

9156
07:29:29,876 --> 07:29:30,443
THIS IS INTERESTING BECAUSE IT'S

9157
07:29:30,510 --> 07:29:30,977
NIH SPONSORED AND SCIENCE

9158
07:29:31,044 --> 07:29:35,915
CENTRIC EVENT BE YET THOSE AT

9159
07:29:35,982 --> 07:29:36,482
KENNEDY CENTER MORE OUTWARD

9160
07:29:36,549 --> 07:29:38,451
FACING AND MORE POPULAR SCIENCE

9161
07:29:38,518 --> 07:29:42,188
FOR A LAY AUDIENCE.

9162
07:29:42,255 --> 07:29:42,789
THERE'S AN IMPORTANT ROLE FOR

9163
07:29:42,855 --> 07:29:45,091
ALL OF IT BUT I THINK INTERNALLY

9164
07:29:45,158 --> 07:29:50,830
HAVING CONVERSATIONS ABOUT WHAT

9165
07:29:50,897 --> 07:29:51,464
SORT OF CONVENING DO WE WANT TO

9166
07:29:51,531 --> 07:29:53,866
TRY TO REPRESENT OUR GROUP AND

9167
07:29:53,933 --> 07:29:58,304
IN THE EFFORTS OF OUR GROUP?

9168
07:29:58,371 --> 07:29:58,838
IN THE END SOMETHING TRULY

9169
07:29:58,905 --> 07:30:00,873
INTERDISCIPLINARY IS A SWEET

9170
07:30:00,940 --> 07:30:05,545
SPOT NOT PURELY SCIENCE A RELAY

9171
07:30:05,611 --> 07:30:08,881
EVENT.

9172
07:30:08,948 --> 07:30:10,283
MAYBE WHAT MAKES SENSE AS A

9173
07:30:10,350 --> 07:30:13,886
ROTATION LIKE A SCHEDULE.

9174
07:30:13,953 --> 07:30:14,354
WE'VE ALWAYS DONE THIS

9175
07:30:14,420 --> 07:30:20,827
HAPHAZARDLY BUT MAYBE 1 YEAR NIH

9176
07:30:20,893 --> 07:30:21,427
CAN MEANS FOR MORE SIGNS THAT

9177
07:30:21,494 --> 07:30:22,295
ARE MAYBE NEXT YEAR KENNEDY AND

9178
07:30:22,362 --> 07:30:25,031
THEN A THIRD YEAR OR

9179
07:30:25,098 --> 07:30:26,399
INTERDISCIPLINARY TO DO A DEEPER

9180
07:30:26,466 --> 07:30:31,237
DIVE INTO THESE TOPICS.

9181
07:30:31,304 --> 07:30:31,804
BUT I DO LIKE THE IDEA OF A

9182
07:30:31,871 --> 07:30:36,109
TRULY INTERDISCIPLINARY JOURNAL.

9183
07:30:36,175 --> 07:30:36,676
IS NOT QUITE CLEAR IF THOSE

9184
07:30:36,743 --> 07:30:39,145
MODELS MAKE SENSE TODAY.

9185
07:30:39,212 --> 07:30:39,746
ON THE OTHER HAND THERE HAS TO

9186
07:30:39,812 --> 07:30:44,517
BE A WAY TO PUBLISH THE WORK

9187
07:30:44,584 --> 07:30:45,118
THAT DOES NOT FIND FAVOR AND A

9188
07:30:45,184 --> 07:30:45,685
LOT OF TRADITIONAL JOURNALS.

9189
07:30:45,752 --> 07:30:55,695
>> THANK YOU.

9190
07:30:55,762 --> 07:31:03,169
>> THERE HAS NOT BEEN ANY

9191
07:31:03,236 --> 07:31:03,770
RESEARCH WITH THE BULLS IN 20

9192
07:31:03,836 --> 07:31:06,639
YEARS AND AS FAR AS I KNOW.

9193
07:31:06,706 --> 07:31:07,273
AND WHAT WE SEE WAS STUDENTS AND

9194
07:31:07,340 --> 07:31:08,541
WORKING IN THE FIELD THERE HAS

9195
07:31:08,608 --> 07:31:15,748
BEEN SO MUCH THAT JUST WARMS

9196
07:31:15,815 --> 07:31:16,382
YOUR HEART THAT HAS SHIFTED FOR

9197
07:31:16,449 --> 07:31:16,983
PEOPLE IN THE LOVE TO CONTINUE

9198
07:31:17,049 --> 07:31:21,654
TO SEE THE COLLABORATION AND

9199
07:31:21,721 --> 07:31:22,288
THOSE MUSICIANS IN FRONT OF THE

9200
07:31:22,355 --> 07:31:22,522
PUBLIC.

9201
07:31:22,588 --> 07:31:26,926
THAT WOULD BE INCREDIBLE.

9202
07:31:26,993 --> 07:31:27,527
>> CALLING OF HER RESEARCH FOR

9203
07:31:27,593 --> 07:31:27,794
THE BULLS.

9204
07:31:27,860 --> 07:31:29,228
IT'S AN OLD PRACTICE.

9205
07:31:29,295 --> 07:31:32,432
A VERY OLD PRACTICE.

9206
07:31:32,498 --> 07:31:43,009
>> I BOUGHT MINE IN THAILAND.

9207
07:31:43,609 --> 07:31:43,943
>> YOU JUST MENTIONED

9208
07:31:44,010 --> 07:31:44,210
EDUCATION.

9209
07:31:44,277 --> 07:31:44,811
I AM ALMOST WRAPPING UP MY PHD

9210
07:31:44,877 --> 07:31:46,045
IN TRANSLATIONAL HEALTH

9211
07:31:46,112 --> 07:31:48,114
SCIENCES.

9212
07:31:48,181 --> 07:31:50,249
THAT'S RAINY YOUR NAME.

9213
07:31:50,316 --> 07:31:55,988
BUT TRANSLATIONAL HEALTH

9214
07:31:56,055 --> 07:31:57,056
SCIENCES ARE NOT TYPICALLY IN

9215
07:31:57,123 --> 07:32:00,593
DOCTORAL PROGRAMS.

9216
07:32:00,660 --> 07:32:01,160
I'M IN 1 OF THE FIRST ONES.

9217
07:32:01,227 --> 07:32:09,602
THEY ARE USUALLY INSTITUTES.

9218
07:32:09,669 --> 07:32:10,169
SO HOUSING OPPORTUNITIES FOR

9219
07:32:10,236 --> 07:32:11,404
EDUCATION AND RESEARCH

9220
07:32:11,471 --> 07:32:15,808
INTERDISCIPLINARY, COLLABORATIVN

9221
07:32:15,875 --> 07:32:16,409
WILL BE REALLY IMPORTANT WITH

9222
07:32:16,476 --> 07:32:21,781
THESE EDUCATIONAL PROGRAMS AND

9223
07:32:21,848 --> 07:32:22,081
INSTITUTES.

9224
07:32:22,148 --> 07:32:22,682
NOW WE HAVE FLAGSHIP PROGRAMS

9225
07:32:22,748 --> 07:32:23,216
LIKE UNIVERSITY OF FLORIDA

9226
07:32:23,282 --> 07:32:24,984
DEALING WITH THIS KIND OF WORK.

9227
07:32:25,051 --> 07:32:27,954
BUT THERE IS A GAP IN SEVERAL

9228
07:32:28,020 --> 07:32:30,022
AREAS OF THE MARKET.

9229
07:32:30,089 --> 07:32:33,793
TO THE POINT OF SHARING

9230
07:32:33,860 --> 07:32:39,298
INFORMATION AND CREATING A

9231
07:32:39,365 --> 07:32:39,732
COLLABORATIVE CARBON

9232
07:32:39,799 --> 07:32:41,667
NETWORK, PERHAPS IT COULD GO

9233
07:32:41,734 --> 07:32:44,804
THROUGH THE NARROW ARTS

9234
07:32:44,871 --> 07:32:45,438
BLUEPRINT BUT THERE IS A NEED TO

9235
07:32:45,505 --> 07:32:47,340
ESTABLISH MORE COMMUNICATIONS

9236
07:32:47,406 --> 07:32:52,411
AMONGST US.

9237
07:32:52,478 --> 07:32:53,045
SOMETIMES THOSE DATABASES ARE SO

9238
07:32:53,112 --> 07:32:53,646
LARGE IT IS DIFFICULT TO KNOW

9239
07:32:53,713 --> 07:32:56,449
WHERE TO GO OR WHO TO CONNECT

9240
07:32:56,516 --> 07:33:06,626
WITH.